When we enter the grown-up world, there are quite a few
aspects of life that lose a great bit of childlike mystique: visits to
the dentist, overalls, Hostess products and, perhaps most glaringly, the
If Henri Toulouse-Lautrec and Herb Ritts
could have a drink together, they’d find so much to talk about that the
drinks might just keep coming. The Cincinnati Art Museum’s total
collection of Toulouse-Lautrec prints (43) and posters (eight) fill
niches at right and left of the Great Hall balcony entrance to Herb Ritts: L.A. Style, providing that sensuous outlay of black and white photographs with an historic backdrop.
Plodding feet and murmuring voices mingle
up the gallery stairs. Students Alvin, Ben, Chad and Matt have arrived
from local community building organization Starfire and settle in front
of laptops loaded with their digital photos as another day of art
education begins at Prairie Gallery.
Why are Hollywood glamour photographs on
display at the Taft Museum of Art? FotoFocus isn’t reason enough; the
Taft likes to establish a tie between the renowned permanent collection
and temporary exhibitions. So what is Myrna Loy doing here?
Drawing comparisons is a futile way to describe Blue Man Group.
It’s a unique form of entertainment that
includes music, electronica, childish gross-outs and silliness that owes a lot to the
physicality Three Stooges and the silent slapstick of Harpo Marx.
Shooting outdoors separated photographer Herb Ritts from
studio-based New York peers. In addition to Malibu and El Mirage, Ritts
used a rooftop studio. He established a fun, “organic” working
environment, enabling him to cajole his subjects and develop an
“anti-glamour” style of celebrity photography.
Tyler Shields’ Klout Score is probably through the roof. Although he is prone to superlatives,
someone less familiar with his work might find this statement mere
braggadocio. But Shields credits his online presence as the reason he is
so successful as a multi-disciplinary artist.
The god in Manifest Gallery’s Deus Ex Machina does
not arise from the traditional machine (that crane elevating a Greek
actor of ancient times to meet a plot need for divine intervention), but
instead from our handy modern device, the camera.