Joe Casey is agitated. The frontman and
chief word slinger for Detroit’s Protomartyr opens the quartet’s second
full-length record, the stellar Under Color of Official Right,
with this recurring statement: “There’s just a clack in the brain now.”
Sidewalk Chalk's just-released second album, Leaves, opens with a live clip in which frontdude/rapper Rico Sisney and frontlady/singer Maggie Vagle ask a crowd to shout out the Hip Hop crew's name on the count of three. It's a fitting intro, for this Chicago octet is, first and foremost, interested in interaction, about stirring minds and moving asses.
the decades have passed and several members have moved in and out,
Supersuckers remain committed to flippant, hooky, high-energy,
underground-friendly Rock & Roll that heavily draws from Rockabilly,
Garage Rock, Country and Punk.
Punk Rock covers a lot of serious, meaty
topics — individualism, anger, materialism, rebellion. But as
Guttermouth has proven, Punk Rock can also be about spitting in the face
of propriety for the sheer pleasure of it: They are reportedly banned
in Canada and have a song about a donkey sex show.
When Keb’ Mo’ comes to our area this weekend, he does so 10 days before the
release of his first solo recording in three years. Titled BLUESAmericana, the album’s name captures the multi-genre lines that Mo’ has crossed throughout his career.
The cover for The War on Drugs’ latest album, Lost in the Dream,
finds frontman Adam Granduciel looking down pensively, his fuzzy,
mop-headed silhouette semi-obscured by light flowing through a window.
The gauzy image is the perfect encapsulation of the Philadelphia band’s
brand of melancholic Psych Pop, a sound at once familiar and tough to
entirely pin down.
In light of reports from shows in Australia and New Zealand (and with a heavy dose of wishful thinking), here are some suggestions for Bruce Springsteen and the E Street Band's set at their tour stop in Cincinnati.