New play chronicles the life and legacy of Syd Nathan and King Records
0 Comments · Wednesday, August 28, 2013
Earlier this year, dozens of volunteers
roamed Cincinnati, haunting record stores, clubs and coffee shops. The
group was seeking stories about King Records, the legendary record label
that made its home here in the Queen City.
0 Comments · Wednesday, August 21, 2013
Tom Arnold totally understands if you
were once in the camp that presumed that if you were involved with
someone talented, you couldn’t possibly be talented yourself.
“A lot of people thought that,” Arnold
says of his days working with friend, later spouse and later ex,
Roseanne Barr. “First of all, I don’t care."
by Rick Pender
Posted In: Theater
at 06:00 AM | Permalink
The pickings have been kind of slim at Know Theatre over the
past year. The quality has been high (the staging of When the Rain Stops Falling was one of the best shows onstage
locally during 2013, and Mike Bartlett’s Cock
offered a showcase of strong acting), but the works have felt few and far
between. So today’s announcement from Producing Artistic Director Eric Vosmeier
of a full schedule that’s already under way and extends beyond the typical end
of the 2013-2014 season is welcome news. Here’s what’s in store following
Lauren Gunderson’s Macbeth-inspired
comedy Toil and Trouble (presently
onstage through Aug. 24):
Bull by Mike Bartlett (Nov. 1-30): Yes, it’s another piece by
the playwright of Cock, making Know
the first U.S. theater to produce both pieces by the British writer. Both use a
stripped-down aesthetic — no props and no scenery make for a lot of onstage
intensity regarding characters and their relationships. This one is the story
of three mid-level executives who compete for two corporate positions. Brian
Robertson, who also staged Cock,
returns to direct this one, and George Alexander, one of the four actors in the
earlier show, will perform in this one, too.
The Naughty List (Sunday, Monday and Tuesday evenings, Dec.
1-30): OTRImprov, an improvisational comedy troupe that’s part of Know’s
Jackson Street Market, will hold forth in the courtyard at Arnold’s Bar &
Grill in downtown Cincinnati for the holidays. Combining long- and short-form
improv, the performers will offer a very irreverent take on the holidays — with
the help of audience suggestions and participation.
Pluto (Jan. 24-Feb. 22, 2014): Know’s former artistic director
Jason Bruffy comes back to town to stage a poignant and evocative new script by
Steve Yockey. The production is part of a rolling world premiere through the
National New Play Network, and it will feature two excellent local
professionals, Annie Fitzpatrick and Tori Wiggins. An ordinary day in a
suburban home takes a strange turn following a local tragedy, what with all
hell breaking loose. Know’s publicity says the show “explores tragedy, loss and
the way love can blind us to the truth.”
TBD (April 4-May
10, 2014): Know is holding a slot for a production to be announced later. You
can be sure it will be another script with the ink still drying.
Cincinnati Fringe Festival (May 27-June 7, 2014): The 11th
annual Fringe will be back with 12 days of theater, music, dance, film, art —
and a lot of stuff in between that kind of defies simple description.
Applications for performers will be accepted starting Sept. 1, 2013 (through
Dec. 6). Info: www.cincyfringe.com.
Moby Dick (Fall 2014): Playwright Julian Rad adapted Herman
Melville’s great American novel for an Off-Off-Broadway production in 2003.
Michael Burnham, recently retired from a long career as a professor of drama at
UC’s College-Conservatory of Music, will co-direct the show with designer
Andrew Hungerford. The tale of revenge and obsession with Captain Ahab pursuing
the great white whale that maimed him has been stripped to its essence for what
promises to be a highly theatrical endeavor that uses sea chanteys and creative
In addition to these full-scale productions, Know has
announced several Fringe “encores,” the return of shows that were hits during
the festival’s 10th iteration back in June. Jon Kovach will repeat his powerful
one-man show based on Ron Jones’ The Wave (Aug. 26-27);
comedian/storyteller/singer Kevin Thornton will present Stairway to Kevin (Sept.
6 and 13); and Paul Strickland’s one-man trailer park fairytale comedy, Ain’t
True and Uncle False (Oct. 11-12).
Tickets for the full-productions are $15 in advance, and $20
the week of the performance; Fringe “encore” tickets are $12. Know offers sets
of six-show flex passes for $90 that do not expire. They can be exchanged for
tickets for any of these productions. For more information: 513-300-5669 or
0 Comments · Monday, August 12, 2013
The Broadway revival of Chicago, the satirical show about
murder, celebrity and corruption, is the longest-running American musical in
Broadway history; the 2002 film of Chicago
won the Academy Award. All the more reason to make a call immediately
to the box office at The Carnegie in Covington to get a ticket for an
eye-popping local production.
Cincinnati Symphony Orchestra and local businesses collaborate on a groundbreaking visual and musical experience
2 Comments · Wednesday, July 31, 2013
Over-the-Rhine and Washington Park are gearing up for LumenoCity, a musical and visual collaboration
that is the first of its kind in the world, featuring the Cincinnati
Symphony Orchestra and Music Hall itself.
In-the-moment, fast-talking producting loses some humor in the fury
0 Comments · Wednesday, July 31, 2013
Lauren Gunderson’s Toil and Trouble is a very new play inspired by Shakespeare’s Macbeth.
The title page of her script calls it a “Scottish-ish” comedy. Know
Theatre of Cincinnati is giving the script just its second production.
0 Comments · Friday, July 26, 2013
Almost a century ago, British novelist
John Buchan wrote a potboiler about espionage and double-dealing. Twenty
years later in 1935, film director Alfred Hitchcock turned The 39 Steps
into a much-admired cinematic thriller.
0 Comments · Wednesday, July 10, 2013
Composer Philip Glass’ 18th opera, Galileo Galilei,
telescopes the conflict between genius and dogma in 10 scenes, moving
backward in time as Old Galileo looks back on his life. By opera
standards, it’s brief: 90 minutes without an intermission.
0 Comments · Wednesday, June 26, 2013
Several slots for the 2013-2014 season
have been filled in by local theaters as the current season finishes.
The best address in Dayton is Avenue Q
0 Comments · Monday, June 24, 2013
Much of Avenue Q's humor derives from the use of puppets
very much like those you will remember from Sesame Street. But here
they're gay, racist