Country/Americana group Wilder issue its debut EP with a Kentucky Derby-themed release party, Plastic Ants celebrate the vinyl release of their debut album, Ellery hosts a book launch party in honor of singer Tasha Golden's poetry collection and Automagik premiere a new single/video but delay planned EP release.
Chicago has given us many things over the
years. Awesome pizza. Billy Corgan. The Cubs, who will always do worse
than the Reds. And each winter a chance to look at the weather report
and not feel quite as downtrodden about “all the snow” that we get. Chicago’s greatest gift to the world, however, came in 1994 with the birth of a little band called Wilco.
The idea behind Jayme Stone’s all-star
group, Lomax Project, is so brilliant it leads one to wonder why no one
has thought of it before. Alan Lomax was the legendary song-catcher and
in-the-field recorder who went out into rural areas, wrong sides of the
tracks and the outskirts of America in the ’30s, ’40s and ’50s to
collect obscure ethnic Folk music. Lomax took along a portable
reel-to-reel tape recorder and captured the music of many unknown
artists who would go on to be recognized by the larger population.
Japanese music culture has always been
adept at absorbing Western musical forms and translating them into
familiar but distinctly new concepts. Shonen Knife may have begun as a
de facto Ramones tribute, but the band has grown into a unique sonic
entity that embraces all genres and reconfigures them into its own
singular sound. Given that, what can we make of Peelander-Z?
When I was getting into music as a
teenager, I took a genealogical approach to discovery. If I liked a
particular band, then presumably I’d like the bands its members had
played with previously or would play with subsequently. If you applied that same connective logic
to Nicki Bluhm & The Gramblers, you would a) experience a healthy
degree of corollary success, and b) collect a backbreaking amount of
material in a hurry.
Cincinnati area artists Ben Knight & the Welldiggers, Coconut Milk, Jane Decker and The Rubber Knife Gang celebrate new releases this week. Plus, Arnold's and Neltner Small Batch collaborate on a new local music compilation set for release on Record Store Day.
The 2015 MidPoint Indie Summer series, featuring free concerts every Friday on Fountain Square all summer long, spotlights the local music scene and brings in more notable national acts than ever before. Plus, veteran Cincinnati musician Bob Cushing celebrates his latest release, Troubadour Songs, this Saturday.
Joy Division was indisputably one of the
finest names to emerge as a hugely influential entity in Post Punk and,
retroactively, Indie Rock, but the group’s stellar run only lasted only
four years. In that
first project’s wake, Joy Division’s remaining personnel formed New
Order, but hearing a full-on Joy Division set from an authentic source
wasn’t particularly viable.That is until Joy Division bassist (and
former New Order member) Peter Hook started plotting Joy Division
Punk was always intended to be fast,
loose and fleeting; The Ramones didn’t have a pension plan. Neil Young
wasn’t wrong when he noted that it’s better to burn out than to fade
away and yet, for every band like The Sex Pistols that existed for a
moment in the sun, there’s a band like SoCal’s Strung Out, with an
amazingly long history and a potent catalog to back it up.
Austin, Texas, Electro Pop trio Sphynx
makes magnetic, jubilant noise — ’80s-tinted but also rooted in
contemporary sounds like EDM and Indie Pop. Like a mix of Chromeo and
MGMT at their grooviest, Sphynx’s music is a call to the cool kids to
put down their phones and get on the dance floor. And the heartfelt and
non-mechanical vibe makes it infectious and accessible enough to