WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 

Richard II (Review)

CSC portrays the fall of a king

0 Comments · Monday, January 14, 2013
Audiences seeing Richard II will wonder why it’s not presented more often because this production works so well. The common wisdom is that Richard II is more about head than heart. Shakespeare’s other histories are full of glory and combat, whereas this play focuses on a king whose weakness leads to his downfall.     
by Rick Pender 01.18.2013
Posted In: Arts community, Visual Art, Theater at 09:11 AM | Permalink | Comments (0)
 
 
a&c1_abigail1702_photo_clintonbphotography

Stage Door: Options Abound

An avalanche of theater heads our way next week — including the touring Broadway musical Memphis (not Million Dollar Quartet, as mistakenly published in last Sunday's Enquirer), the regional premiere of Freud's Last Session at Ensemble Theatre Cincinnati (not "Freud's Last Stand" as the same Enquirer piece labeled it — doesn't our daily paper employ copy editors and fact checkers?), the world premiere of Roberto Aguirre-Sacasa's Abigail/1702 (in previews this weekend; read more here) and a concert staging of Lerner & Loewe's lovely musical Camelot at the Carnegie Center in Covington (with accompaniment by Mischa Santora and members of the Cincinnati Chamber Orchestra).  By the way, there's apparently such anticipation for Freud's Last Session, which features local actor Bruce Cromer, that tickets are selling out for some performances. As a result, even before the show opens on Jan. 23, ETC has extended the show's run by a week, to Feb. 16. Box office: 513-421-3555 If you haven't yet caught Cincinnati Shakespeare Company's staging of Richard II, you really should make a point of doing so. In my review, I pointed to Brent Vimtrup's multi-faceted performance. I'll add here that there are strong supporting performances from Jim Hopkins, Nick Rose and Giles Davies (this longtime CSC favorite is back in town for a few productions). This show isn't often produced (it's the first time for Cincy Shakes in its 19-year history), but this staging will make you wonder why. It's bursting with poetry, and there's lots to look at with beautiful 14th-century-styled costumes. An Acclaim Awards panel cited Vimtrup's performance as well as Andrew Hungerford's lighting design; I gave the production a Critic's Pick. Need any more encouragement? Tickets: 513-381-2273, x1 Elsewhere, you'll find a production of Adam Rapp's Red Light Winter by Untethered Theater at Clifton Performance Theatre. This is a chilly drama about a weird love triangle. It's a great piece for three young actors. Look for a review in the next issue of CityBeat. (Tickets: 513-939-0599) If you want something a little lighter, consider Moonlight and Magnolias at Mariemont Players, a very dependable community theater on Cincinnati's east side. The show is an amusing reconstruction of the behind-the-scenes shenanigans involved in writing the script for Gone with the Wind. It's told with a lot of slapstick that will have audiences laughing out loud. (513-684-1236)
 
 
by Rick Pender 01.11.2013
Posted In: Theater at 10:29 AM | Permalink | Comments (0)
 
 
Photo: Rich Sofranki

Stage Door: Cincy Shakes Opens 2013

Cincinnati Shakespeare Company is the first out of the chute with a new production in 2013. Of course, it's a 400-year-old play about a king from two centuries before that. But Shakespeare proved with his script for Richard II that there are universal traits that make us all human, even if we're a king who's supposedly given his powers directly from God. Richard was thrust onto the throne while still a teenager, and in Shakespeare's version he's an adult but very uncertain of his right to rule and doubtful of his ability to do so. That kind of anxiety still makes sense in the 21st century. So CSC's first-ever staging of the show is something that should interest both to your average theatergoer as well as anyone looking to complete the experience of seeing every play the Bard penned. This one marks No. 37 of 38 for CSC; one more year and they'll have staged every one of Shakespeare's surviving works, quite an accomplishment. With a fine actor, Brent Vimtrup, playing Richard, and a script that's all poetry, this one promises to be both fascinating and satisfying. More things start up next week and the one after that has a veritable avalanche of shows, so I suggest you hustle on downtown to Cincy Shakes venue and catch this one before you have too many choices. 
 
 

The Human Side of a King

0 Comments · Wednesday, January 2, 2013
You might know that Shakespeare’s Richard III focuses on one of his great villains. But among his 38 plays, there’s also Richard II. You probably know almost nothing about this guy — a weak king, deposed in 1399 — who died in captivity in 1400.   

Making Merry, Theatrically

0 Comments · Wednesday, December 5, 2012
It’s time for mistletoe and holly, when theaters entice folks in search of holiday cheer (and occasional parodies thereof) to celebrate the season. Many theaters need December ticket revenues to present shows onstage for the rest of the year.  

The Importance of Being Earnest (Review)

Wilde's “trivial comedy for serious people” stays fresh, funny

0 Comments · Monday, November 26, 2012
It doesn’t matter whether your preference at teatime is for cake or muffins. You’ll be pleased with Cincinnati Shakespeare’s production of Oscar Wilde’s The Importance of Being Earnest, full of sweets and bon mots.   
by Rick Pender 11.30.2012
Posted In: Theater at 09:42 AM | Permalink | Comments (0)
 
 
onstage - brent vimtrup as algernon moncrieff in the importance of being earnest @ cincy shakes - photo rich sofranko

Stage Door: Non-Holiday Edition

So Thanksgiving was early this year, and that means that not only retailers but all of our local theaters have fired their starting guns earlier than usual with family-friendly holiday shows. That began with Ensemble Theatre's opening of Alice in Wonderland on Nov. 28, and continues with Cinderella at the Covedale, A Christmas Carol at the Playhouse and New Edgecliff's Santaland Diaries (newly paired with The 12 Dates of Christmas) using a new venue, the Aronoff's Fifth Third Bank Theater. But before you start wearing your Christmas sweaters and holiday socks, I have a few non-seasonal but highly entertaining productions you should consider: Let's start with Cincinnati Shakespeare's staging of The Importance of Being Earnest. This is a classic comedy from 1895 by Oscar Wilde, but don't think there's anything old and musty about it. The production of this witty, romantic tale of harmless manipulation bubbles with laughter and sprightly performances. I gave it a Critic's Pick here and I suspect it will be another sold-out run for Cincy Shakes, which has assembled a gangbuster season. You should note that it's only onstage through Dec. 16, so if you want to see it, don't wait too long. (As of the 16th it will be supplanted by Every Christmas Story Ever Told (and then some), Cincy Shakes' holiday offering.) Box office: 513-381-2273 x.1. And if smiles without holiday trimming are something you seek, I highly recommend the touring production of Jersey Boys. This is the true story of Frankie Valli and the Four Seasons, Pop stars from the 1960s, and the show is stuffed full of their memorable, tuneful hits. The four leading actors faithfully recreate the group's close harmonies and Valli's soaring falsetto tenor — he's one of the great Pop vocalists of all time, and Nick Cosgrove nails the role. Although the history of these four singers has its ups and downs, the story is told with a sense of wry humor (and numerous F-bombs) that keeps things light and entertaining. Audiences have been clamoring for Broadway in Cincinnati to bring this show back since it appeared at the Aronoff back in 2008, and tickets are selling fast. Box office: 800-982-2787. Don't forget Hank Williams: Lost Highway at the Playhouse's Shelterhouse stage. (Review here.) It's another genuine reincarnation of a singer who made an indelible mark on the world of Pop music. Box office: 513-421-3888.
 
 

An Earnest Response to a Classic Comedy

0 Comments · Tuesday, November 20, 2012
When Oscar Wilde wrote The Importance of Being Earnest back in 1895, he subtitled it “A Trivial Comedy for Serious People.” That’s an apt description for a show still produced with frequency 117 years later — and as funny as ever.  

More Than the Sum of the Parts

0 Comments · Tuesday, November 6, 2012
Collaboration is the byword for many arts organizations today, especially theaters where financial support is tough to obtain and ticket revenues are seldom enough to support the cost of productions. By working together, economies can be achieved and, in some cases, multiple constituencies can be activated.  
by Rick Pender 11.02.2012
Posted In: Theater at 10:05 AM | Permalink | Comments (0)
 
 
scarybeat_eventlistings_artsystuff_titusandronicus_jeannavella

Stage Door: Non-Political Ad Edition

If you can tear yourself way from TV ads for the presidential election this weekend, you'll find plenty of good theater to distract you, starting with a production at Covington's Carnegie Center opening Friday night. It's Under a Red Moon, a world premiere co-production with Dayton’s Human Race Theatre Company. Michael Slade's taut psychological thriller just spent nearly a month onstage at the Loft Theatre in Dayton, so it's already a seasoned production. A dramatized psychological interview in the same vein as Silence of the Lambs, it’s based on the chilling true story of England’s notorious “Acid Bath Murderer” from a half-century ago. The play features Broadway actors Bradford Cover as the criminal and Dee Pelletier as the psychologist trying to get inside his head. Box office: 859-957-1940. A different set of thrills are available from Cincinnati Shakespeare Company, which is staging Shakespeare's bloody revenge tragedy, Titus Andronicus. This show requires a lot of hand-to-hand combat, blood and gore — presented by CSC with ghastly zeal. Just as creepy tales like Nightmare on Elm Street and Halloween have chilled film audiences in recent years, this kind of play was all the rage in the early 1590s. (CSC director Jeremy Dubin calls it “a snuff film in blank verse.”) It's especially fun to watch veteran Nick Rose as a Roman general who gets into a grotesque battle of wills with the amoral Queen of the Goths, played by Miranda McGee. The awful things they they do to one another's families make for some delicious, hair-raising storytelling. Also onstage at Cincy Shakes is Romeo & Juliet, with the central characters played as hormonal, irrational teens. Sara Clark is especially good as Juliet. Both productions tell their tale through more contemporary visual filters — R&J's characters wear contemporary clothing and are surrounded with music of the here and now, while Titus gets a "Steampunk" treatment that  presumes that the Victorian ingenuity of Jules Verne and H. G. Wells extended its steam-driven, mechanical technology to the present. Both approaches give new vitality to the shows. (Review here.) Box office: 513-381-2273. Also worth seeing is a funny, touching tale of growing up in Depression-era Brooklyn, Neil Simon's Brighton Beach Memoirs at the Cincinnati Playhouse (513-381-3888)). (Review here.) It's the first time that the Playhouse has staged a work by Simon, one of America's most prolific playwrights of the 20th century. Box office: 513-421-3888
 
 

0|7
 
Close
Close
Close