by Mike Breen
Up-and-coming underground rapper Chris Webby performs tonight at downtown club Play. Doors open at 7 p.m. and tickets are $20 at the door. The show is open to all ages. Guests include GMB, Nynewest and hosts DJ Scholar and DJ Drowsy. Webby is a Connecticut native (he has it tattooed on his chest; I'd move to Ohio if I were going to do that) who started rapping before high school and began to draw crowds at freestyle battles and with his popular mixtapes releases. Webby's built huge buzz in independent Hip Hop circles and has so far resisted signing a record deal. Click here to check out his mixtapes and other releases. Webby recently tweeted that he's just recently boarded his plane to Cincy. "PLAY in Cincinnati is about to get real weird tonight," he added.• Utah rockers The Used blast into Bogart's tonight. The 7:30 p.m. show is all ages and includes openers Stars In Stereo. Tickets are $25. The Used's energized Post Hardcore style is sparked by vocalist Bert McCracken, whose stage antics are an unpredictable throwback to Rock & Roll's more dangerous frontmen (Iggy, etc.). The Used's latest album, Vulnerable, came out earlier this spring on Hopeless Records. The album hit No. 1 on the Top Independent Albums chart when released and made it to No. 8 on the Billboard 200. Here's the video for The Used's single "I Come Alive." • The song of legendary drummer Ginger Baker, Kofi, is bringing his Cream tribute band to Covington tonight for an 8 p.m., all-ages show at the Madison Theater. Kofi Baker formed Kofi Baker's Cream Experience after catching the Cream reunion in 2005 and deciding he'd like to pick up where the originals left off. In the Clapton role is Tony Spinner, a Rock/Blues singer and guitarist who was a member of Toto in the ’00s. Playing bass is another talented musician, Ric Fierabracci, who has performed with the likes of Chick Corea, Shakira and Yanni. Kofi made his first live appearance when he was 6, playing with his pops on BBC's Old Grey Whistle Test in 1975. Here he is rocking with the Cream Experience in more recent years.• MOTR Pub in Over-the-Rhine has a free show tonight headlined by Canadian Electro Pop group Parallels. Showtime is 10 p.m. and like-minded locals Skeleton Hands also perform. Parallels has drawn comparisons to New Order and singer Holly Dodson has been likened to singer Kate Bush and Madonna. The band was formed in 2008 by Dodson and Cameron Findlay, the former drummers for popular electronicists Crystal Castles. Parallels sophomore full-length, XII, is due out June 26. Here's a clip for the band's song "Ultralight." Click her for more music events around town tonight.
March 28 • Madison Theater
0 Comments · Monday, March 26, 2012
Rebelution’s infectious blend of Reggae and Pop underscores their
socially conscious lyrics, creating a positive vibration that has proven to be
engaging and wildly popular.
0 Comments · Wednesday, February 29, 2012
These bars offer everything for the area music
connoisseur from smooth Jazz to bust your eardrums Rock. Find local
favorites or broaden your horizons as you discover a new international
by Deirdre Kaye
Posted In: Live Music
at 02:31 PM | Permalink
Friday appearance in the now-Texas headquartered band's hometown area lacks usual specialness
It’s been eight and a half years, four albums and an almost entirely new set of members since Heartless Bastards began performing as a new band in Cincinnati's small clubs. This time around, the Bastards came back to their breeding ground as an Austin, Tex., band and played to a packed house at Madison Theater in Covington.For all intents and purposes, Saturday’s Heartless gig was very much a “homecoming” gig. As such, there are certain things one expects (and usually gets when the Bastards come home) — lots of heart, extra banter with the audience and, most importantly, one hell of a show. Going in with those expectations was probably a terrible idea. The concert was, at its worst, disappointing and, at its best, just OK.Anyone who noticed the night’s schedule started off disappointed when they realized Heartless Bastards wouldn’t be on until two hours after the listed showtime. Openers Hacienda were actually amazing, just as they were when they opened for City and Colour at Bogart's a few months back. But after Hacienda rocked out, the road crew took 20 minutes to set up the stage, followed by more than 10 minutes of absolutely nothing. Once the crowd was finally graced with the presence of the band, frontwoman Erika Wennerstrom spent another five minutes testing her vocal mic. Shouldn’t that have been done in sound check? Or, at the very least, during the 10 minutes of nothingness? Even drummer Dave Colvin sat leaning forward on his drum kit, staring at Wennerstrom with what appeared to be very little amusement.When they finally kicked into gear, the show wasn’t bad. The Bastards sounded close enough to their albums to show they are a decent band. A good portion of the crowd was made up of dancing fans who seemed unfazed by the initial delay. The night was heavy on songs off of Arrow, the Bastards' lean, stirring new album just released Valentine's Day. Wennerstrom recently told Billboard, “I feel like this is the strongest record I’ve ever done.” And she’s right.The live experience, however, was lacking on Friday night. Seemingly devoid of love and respect for the audience, the show was hopefully just a rare off-night from a band that usually kills it in front of their old hometown's still-very-much-dedicated fans.
Feb. 17 • Madison Theater
0 Comments · Thursday, February 9, 2012
With 2009’s The Mountain, Erika Wennerstrom and Heartless Bastards transformed themselves from a great garage-stained Indie Blues outfit to a world class Rock band. The contemplative nuances of The
Feb. 10 • Madison Theater
0 Comments · Thursday, February 2, 2012
You rarely see a musician dabbling in sports — OK, Marvin Gaye did
try out for the Detroit Lions — but it’s certainly not unusual to see
an athlete turn to music. So it was with London Dubstep producer/DJ Gary
McCann, more prominently known as Caspa.
Cincinnati’s most endearing Pop/Rock foursome returns for WEBN Album Project celebration
1 Comment · Wednesday, August 10, 2011
In fall 1983, I did publicity/promotion for Bogart’s, which necessitated distributing posters and flyers around Short Vine. I was on my rounds when Raisins guitarist Rob Fetters turned the corner at Charlton at a full gallop, wild eyed and hair flying. The Raisins’ debut album, produced by future bandmate Adrian Belew, had just dropped and the city’s most popular band had somehow become bigger.
May 27 • Madison Theater
0 Comments · Monday, May 23, 2011
Nashville is awash in bedazzled bad boys that wear their so-called outlaw status like a poorly knocked-off Nudie suit. And not one of them is fit to polish David Allan Coe’s belt buckle. From reform school resident to prison inmate to biker to Country singer/songwriter, Coe is the living definition of surviving and thriving regardless of bad breaks and hard living.
April 13 • Madison Theater
0 Comments · Friday, April 8, 2011
Electronica has evolved over the past decade from a cultish fringe genre to a phenomenal cultural and commercial force, with multiple-act bills and weekend festivals attracting thousands of rabidly loyal and often chemically altered fans. Within that community, there are few names that carry as much weight as Lorin Ashton, more prominently known to his legions of fans and his equally awed colleagues as Dubstep genius Bassnectar.
Gregg Gillis makes bold new sounds out of existing music
0 Comments · Wednesday, January 5, 2011
Neither hot producer nor veteran session musician, Gregg Gillis — recording as Girl Talk — is a brilliant sonic collagist with a gift for combining shards of existing and incredibly disparate work by renowned artists and turning them into supreme mash-ups.