July 25 • Madison Theater
0 Comments · Monday, July 23, 2012
Born in Lake Charles, La., Lucinda Williams has the keen
ability to craft Southern tinged Country songs that attract both AltRock
and Country fans. In her
30-year career she’s become known as a deft lyricist, which is
appropriate because her father, Miller Williams, was a well-known poet.
Most recently, in 2011, she released the album Blessed, which reflected upon her growth as a musician.
by Mike Breen
Popular area Pop Punk band releases new album at swan song performance
One of Cincy’s more popular Pop Punk bands has decided to call it quits. But first, they're giving fans some new music and one final blow-out show to remember them by. The quintet Loudmouth has played well-attended gigs regularly around town for the past half decade or so, eventually becoming headliners of self-booked multi-band shows at places like Madison Theater in Covington. Tonight, the group returns to the club for its farewell show and the release party for its final album, the eight-song Future Boredom. The band is splitting because guitarist Mike Ulanski took a job teaching English in Abu Dhabi.I sent Loudmouth a few questions about their experiences as a band in Greater Cincinnati and their individual plans moving ahead. The tight knit group of pals got together and answered them as a band.CityBeat: You guys have your last album coming out at the farewell show. Tell me a little about Future Boredom. Was it material you were working on before you decided to split or did you know you were splitting and went in the studio to record these final tunes?Loudmouth: The songs were written or were in the process of being written before Mike announced that he accepted the job offer, but we all knew this was our last record when we went into the studio. The toughest decisions we faced were which songs to record, and how many we could afford to do without sacrificing the quality of each songs production. Tim and Mike were writing lots of songs at the time, but their styles were heading in two different directions, which can be seen on Future Boredom. The songs weren’t written about the break up, but they were recorded as if they were the last songs we’d ever do, which means we couldn’t afford to leave anything unsaid. Between Eric Tuffensdam’s (Moonlight Studios) expertise and our previous studio work with him, we definitely got what we wanted out of this record, a definitive and uncompromised collection of our best written songs.
CB: You guys had a great run of about four or five years. What are you most proud of from your time playing around the area? LM: We’ve been fortunate enough to share a stage with just about every one of the bands we grew up idolizing, but opening for NOFX takes the cake on moments that we’ll remember forever. The proud moment there was that the 2000 people crammed into the Madison Theater didn’t boo us off the stage like NOFX crowds are prone to do. But besides that, we have a lot to be proud of, and more importantly a lot to be thankful for. None of the amazing moments we had as a band would have existed without the help of some amazing people. Frank Heulfeld and Kevin McNamee with the Madison Theater, and before that the Mad Hatter, Rome and the Clifton Heights Music Festival (which we’ve only missed one since the beginning of the festival because we were on tour), Rich and the entire Southgate House staff, Adam and CincyPunk Fest, the staff at the Madison Theater, who among other things, talked the cops out of arresting Tim seconds before we hit the stage, Chris Joselyn and Brian Carothers for all their help booking tours. Above all else, and we mean this with all sincerity, the thing that makes all of us proud and grateful is the support we’ve gotten from day one. We’ve never, not exaggerating, played a show where people didn’t dance by the end of our set. We came up in an age where kids were too cool to dance at shows, and we’ve watched so many great bands play killer sets to a bunch of stone faced hipsters gently bobbing their heads in jaded approval. Those kids got pushed to the back of the crowd when we played, and we couldn’t be more proud to have that kind of effect on people. All that dancing and moshing and shouting of our lyrics translates that people get it, and what’s more, they actually like it, and nothing is more gratifying then having that kind of connection with your friends and fans. CB: Anything you would have done differently?LM: Tour. Tour all the time. We did three tours; the last one to Florida was our most successful, but touring would be the No. 1 priority if we could do anything differently. We probably could have been more business savvy and networked a little more, too.
CB: What's been the low point? LM: The worst show we ever played happened at the Blue Rock Tavern in Northside. There were a lot of people out that night and we were headlining and everything that could have gone wrong did. The P.A. kept over heating, it was 900 degrees and Mike’s guitar broke four songs in, and there was no replacement. We had to just stop. It was embarrassing and people got pissed. Moving out of Loudhouse and losing that as a place to party and throw shows was also a bummer. We had to pay for a practice space again, we lost our afterparty, which had become a huge part of our shows, and, of course, we couldn’t invite a bunch of awesome bands to play the basement. The Bike House died shortly after that, and it seemed like Cincinnati’s basement scene sort of dried up all at once. We went from a city who had an entire weekend fest dedicated to basements to having no real basement venues to speak of. That was definitely a bummer.Shortly after that Sam Duff left the band and the months leading up to and following that time were pretty rough. We practiced in a moldy closet sized room in the back of the Mad Hatter, we weren’t sure who was going to play bass, how we could afford to tour; it was a cold wet winter and things were just all around crappy.CB: Can we expect future musical projects from the Loudmouth members? Any concrete plans as of yet? LM: None of us will ever stop playing music, but where, how and with who is bound to change. Tim, Adam Bret and Chris have already talked about their next project and things are in the works. Mike will be playing acoustic Journey covers at an open mic in Abu Dhabi to pay rent.
CB: What can people expect from the last blow out concert from Loudmouth?LM: You’ll have to come to find out.Tonight's 9 p.m., all-ages show features a great support bill: The Frankl Project, Horsecop, Situation Red and The Milky Way Persuasion. Tickets are $5. Visit www.loudestmouth.com for more on the group and to sample some tunes.
Plus, Browngrass 2012, New Noise Showcase and Stanley's Blues & BBQ offer variety of local performers
0 Comments · Wednesday, July 18, 2012
Cincy Punk Pop quintet Loudmouth has played
well-attended gigs regularly around town for the past half decade or so,
eventually becoming headliners of self-booked multi-band shows at
places like Madison Theater in Covington. This Friday, the group returns
to the club for its farewell show and the release party for its final
album, the eight-song Future Boredom.
Indie Funk Pop greats of Montreal's live show is like Prince and the Spiders from Mars doing Mummenschanz, and it's so entertaining, everyone should see the band live at least once in their lifetime (even if you hate all music, the band's theatrical presentation is something to behold). If you still need to cross "see of Montreal in concert" off of your bucket list, tonight's the night. The band performs at Covington's Madison Theater at 8 p.m. with Yip Deceiver (a side project of oM's Davey Pierce and Nick Dobbratz's) and Brooklyn "Pscychedelic Soul, Island Romance Pop, Space Rock" quartet Chappo. Tickets for the all-ages show are $15. The headliners are touring in support of its latest album, Paralytic Stalks. Here's the official music video for the track, "Spiteful Intervention." • Tonight at the basement Ballroom at the Taft (a great place to see a show, if you haven't yet), Punk-to-Metal veterans Corrosion of Conformity headline a night of sludgy modern Metal madness. The show features opening acts Torche, Black Cobra and progressive Salt Lake City-based Math Metal ensemble Gaza.Click here to read a little more about Torche, then enjoy the Floridian band's video for the track "King Beef" below.• If you're a little short on funds, Fountain Square has a great free show this evening. The 7 p.m. "American Roots" concert features two of the area's finest Americana acts — Magnolia Mountain and Wild Carrot (with its back-up crew, The Roots Band). Click here for even more live music events in Greater Cincinnati today.
by Mike Breen
It’s been 19 years since British Art Rock giants Radiohead did their first tour of the U.S. Tonight, Radiohead finally finds time to perform in Cincinnati, bringing its tour behind last year’s Grammy-nominated album The King of Limbs to Riverbend Music Center. If there’s any band worth waiting that long for, it’s Radiohead. The world’s biggest avant garde group is also one of the best live acts on the planet, playing with a fervent intensity backed by a dazzling light/stage show.The group’s two-hour-plus sets of late have been heavy on Radiohead’s “post Pop” albums, though they often treat fans to “oldies” like “Karma Police” and “Paranoid Android.” If you are even the remotest fan, you need to see Radiohead once in your lifetime. You don’t want to wait another 19 years, do you? Only lawn seats remain ($30) at the box office for tonight's show. Radiohead Live at the 2009 Grammy Awards from cinserrajr on Vimeo. Electronic/Indie act Caribou — a MidPoint Music Festival alum — opens up the show at 7:30 p.m. Read more about Caribou here and check out a clip for the tune "Irene" below.• Rising Hip Hop MC Yelawolf performs tonight at the Madison Theater in Covington. Tickets for the all-ages show are $20. Showtime is 8 p.m. Special guest Rittz opens.When Michael Wayne Atha was born in 1979 in the
relatively small Alabama town of Gadsden, it’s doubtful that his mother
looked at her new son and said, “Future Rap superstar.” But that’s just
where Atha — now known by his stage name Yelawolf — is heading. Yela
moved between Tennessee and Alabama as a child and later traveled the
country in pursuit of skateboarding stardom; he also hit Alaska in
pursuit of a fishing-boat job. The MC grew up on Southern Rock before
discovering Hip Hop. The geographic wandering and his love of a variety
of music likely explain the diversity within his own. On his official
2011 debut album, Radioactive,
Yelawolf’s own geographical origins are hard to pinpoint as he filters
influence from southern Hip Hop to the Detroit scene and spits it out in
his own unique voice.
Even the guests on Radioactive were from all over, from Lil Jon and
Mystikal to Eminem (whose Shady label released the record) and Kid Rock.
During his recent performance at the huge Hangout Music Fest (see an interview from Spin with Yela at the fest below) along the
’Bama coast in mid-May, he showed off the full range of his influences,
paying tribute to The Doors, Johnny Cash, Easy-E, Metallica, Lynyrd
Skynyrd and The Beastie Boys. Yelawolf is set to begin recording his sophomore record for Shady — tentatively titled Love Story — after his current tour wraps up. Click here for more live music events in Greater Cincinnati tonight.
by Mike Breen
Up-and-coming underground rapper Chris Webby performs tonight at downtown club Play. Doors open at 7 p.m. and tickets are $20 at the door. The show is open to all ages. Guests include GMB, Nynewest and hosts DJ Scholar and DJ Drowsy. Webby is a Connecticut native (he has it tattooed on his chest; I'd move to Ohio if I were going to do that) who started rapping before high school and began to draw crowds at freestyle battles and with his popular mixtapes releases. Webby's built huge buzz in independent Hip Hop circles and has so far resisted signing a record deal. Click here to check out his mixtapes and other releases. Webby recently tweeted that he's just recently boarded his plane to Cincy. "PLAY in Cincinnati is about to get real weird tonight," he added.• Utah rockers The Used blast into Bogart's tonight. The 7:30 p.m. show is all ages and includes openers Stars In Stereo. Tickets are $25. The Used's energized Post Hardcore style is sparked by vocalist Bert McCracken, whose stage antics are an unpredictable throwback to Rock & Roll's more dangerous frontmen (Iggy, etc.). The Used's latest album, Vulnerable, came out earlier this spring on Hopeless Records. The album hit No. 1 on the Top Independent Albums chart when released and made it to No. 8 on the Billboard 200. Here's the video for The Used's single "I Come Alive." • The song of legendary drummer Ginger Baker, Kofi, is bringing his Cream tribute band to Covington tonight for an 8 p.m., all-ages show at the Madison Theater. Kofi Baker formed Kofi Baker's Cream Experience after catching the Cream reunion in 2005 and deciding he'd like to pick up where the originals left off. In the Clapton role is Tony Spinner, a Rock/Blues singer and guitarist who was a member of Toto in the ’00s. Playing bass is another talented musician, Ric Fierabracci, who has performed with the likes of Chick Corea, Shakira and Yanni. Kofi made his first live appearance when he was 6, playing with his pops on BBC's Old Grey Whistle Test in 1975. Here he is rocking with the Cream Experience in more recent years.• MOTR Pub in Over-the-Rhine has a free show tonight headlined by Canadian Electro Pop group Parallels. Showtime is 10 p.m. and like-minded locals Skeleton Hands also perform. Parallels has drawn comparisons to New Order and singer Holly Dodson has been likened to singer Kate Bush and Madonna. The band was formed in 2008 by Dodson and Cameron Findlay, the former drummers for popular electronicists Crystal Castles. Parallels sophomore full-length, XII, is due out June 26. Here's a clip for the band's song "Ultralight." Click her for more music events around town tonight.
March 28 • Madison Theater
0 Comments · Monday, March 26, 2012
Rebelution’s infectious blend of Reggae and Pop underscores their
socially conscious lyrics, creating a positive vibration that has proven to be
engaging and wildly popular.
0 Comments · Wednesday, February 29, 2012
These bars offer everything for the area music
connoisseur from smooth Jazz to bust your eardrums Rock. Find local
favorites or broaden your horizons as you discover a new international
by Deirdre Kaye
Posted In: Live Music
at 02:31 PM | Permalink
Friday appearance in the now-Texas headquartered band's hometown area lacks usual specialness
It’s been eight and a half years, four albums and an almost entirely new set of members since Heartless Bastards began performing as a new band in Cincinnati's small clubs. This time around, the Bastards came back to their breeding ground as an Austin, Tex., band and played to a packed house at Madison Theater in Covington.For all intents and purposes, Saturday’s Heartless gig was very much a “homecoming” gig. As such, there are certain things one expects (and usually gets when the Bastards come home) — lots of heart, extra banter with the audience and, most importantly, one hell of a show. Going in with those expectations was probably a terrible idea. The concert was, at its worst, disappointing and, at its best, just OK.Anyone who noticed the night’s schedule started off disappointed when they realized Heartless Bastards wouldn’t be on until two hours after the listed showtime. Openers Hacienda were actually amazing, just as they were when they opened for City and Colour at Bogart's a few months back. But after Hacienda rocked out, the road crew took 20 minutes to set up the stage, followed by more than 10 minutes of absolutely nothing. Once the crowd was finally graced with the presence of the band, frontwoman Erika Wennerstrom spent another five minutes testing her vocal mic. Shouldn’t that have been done in sound check? Or, at the very least, during the 10 minutes of nothingness? Even drummer Dave Colvin sat leaning forward on his drum kit, staring at Wennerstrom with what appeared to be very little amusement.When they finally kicked into gear, the show wasn’t bad. The Bastards sounded close enough to their albums to show they are a decent band. A good portion of the crowd was made up of dancing fans who seemed unfazed by the initial delay. The night was heavy on songs off of Arrow, the Bastards' lean, stirring new album just released Valentine's Day. Wennerstrom recently told Billboard, “I feel like this is the strongest record I’ve ever done.” And she’s right.The live experience, however, was lacking on Friday night. Seemingly devoid of love and respect for the audience, the show was hopefully just a rare off-night from a band that usually kills it in front of their old hometown's still-very-much-dedicated fans.
Feb. 17 • Madison Theater
0 Comments · Thursday, February 9, 2012
With 2009’s The Mountain, Erika Wennerstrom and Heartless Bastards transformed themselves from a great garage-stained Indie Blues outfit to a world class Rock band. The contemplative nuances of The