WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 

Melvins

May 29 • Taft Theatre

1 Comment · Tuesday, May 28, 2013
Everybody Loves Sausages, the 21st (or so) recording in the Melvins’ improbable 30-year existence, features 13 cover songs that, according to founder/frontdude Buzz Osborne, “will give people a peek into the kind of things that influence us musically.”     

Lyle Lovett and His Acoustic Group

May 9 • Taft Theatre

0 Comments · Tuesday, May 7, 2013
While his music is uniquely stylized, Lyle Lovett was Americana before Americana music was cool. When he appears at the Taft Theater this week, he will be with his all-star Acoustic Group, playing cuts off his new album, Release Me, and more.   

This Mule Still Kicks

Warren Haynes and Gov’t Mule return to shake the rafters at the Taft Theatre

0 Comments · Wednesday, April 24, 2013
Unlike many groups who may draw a “music lesson” crowd that tends to sit on its hands and complain when somebody dares to stand up and trance up, Mule audiences rock it from note one. The band’s upcoming gig at the Taft Theatre this weekend should be no exception.  

Ryan Bingham

March 27 • Taft Theatre

0 Comments · Monday, March 25, 2013
As the old adage says, “preparation meets opportunity” is often the path to success in the music world. However, a little luck doesn’t hurt, either. When you talk about the career of Ryan Bingham, all of the above is true.     

Moving Up With Grace

From jam band frontwoman to chart star, Grace Potter and her band keep focus on their craft

0 Comments · Wednesday, January 9, 2013
 In 2010, after years of work in on the jam band circuit, Grace Potter and the Nocturnals pushed their way into the mainstream with their eponymous third album for Hollywood Records and the hit single, “Paris (Ooh La La).” With their latest album, The Lion The Beast The Beat, Potter and her team seem to have their sights set on taking things to an even higher level.  

Langhorne Slim & the Law

Jan. 11 • Taft Theatre

0 Comments · Monday, January 7, 2013
At age 14, Sean Scolnick started writing his first songs, penning Nirvana-inspired missives about authority, school and “stuff that a lot of 14-year-old kids probably write about.” Now in his early 30s, Scolnick doesn't employ those subjects as inspiration anymore. Listening to his story-heavy goulash of Folk and AltCountry reveals nary any traces of Cobain and Co. at all.   

Wanda Jackson

Dec. 8 • Taft Theatre

0 Comments · Monday, December 3, 2012
The title of Wanda Jackson’s new album is Unfinished Business. Really, Wanda? If anyone can claim to have finished business, it’s you.    

Chris Isaak

Nov. 21 • Taft Theatre

0 Comments · Tuesday, November 20, 2012
There’s a case to be made that musicians often draw on their acting skills as performers and that actors channel their inner Rock star when working a crowd. Chris Isaak has totally blurred the line between those two constructs.   
by mbreen 11.15.2012
 
 
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Music Tonight: Earth, Iris Dement and More

• Instrumental Avant Metal veterans Earth bring their adventurous, spontaneous Dronecore to downtown tonight for a hypnosis session at the Ballroom at the Taft Theatre. Showtime is 8:30 pm. Stebmo, Earth collaborator and progressive Jazz pianist/multi-instrumentalist/composer Steve Moore, and psychedelic, noisy Doom duo Eagle Twin open the show. Tickets are $15.Guitarist Dylan Carlson gave birth to Earth in Olympia, Wash., circa 1990, and remains the only original member in a band that has seen numerous lineup and stylistic shifts. The group put a pair of albums out on Sub Pop during the "Grunge Revolution" (which they had little in common with), got booted from the label briefly and then welcomed back for three more albums. While Earth's aggressively experimental sound didn't quite fit the Grunge buzz, the group actually used the genre's concept of "slowed down Hard Rock and Metal" and took it to the extreme, decelerating even more and replacing Grunge's Punk and Garage influence with inspiration from avant grade composers and musicians and Carlson's singular vision.Earth didn't survive the ’90s but returned in the early ’00s to start a run that has included several releases for Southern Lord Records, a haven for "Metal" artists on the more experimental side of the music. Earth's latest release is the improvised Angels of Darkness, Demons of Light II, the follow-up to part I (and actually recorded at the same time) which has been praised for its gradual, natural exploration of different tones and approaches. Earth's trippy, glacial sound on Demons of Light II is infused with evocative cello and smoky atmospherics and often sounds like a new slant on modern Jazz, something Mingus might have come up with had he been into Black Sabbath. Here's Demons II track "The Corascene Dog":• Acclaimed by both fellow artists, critics and her dedicated fan base, Iris Dement  has been one of the more compelling singers in the Americana movement since she put out her first album in 1992; her mesmerizing voice has a timeless soul that recalls the best early Country female vocalists. Dement's sound has evolved and taken detours over time. After two straight-forward Country/Folk Pop LPs, the 1996 album The Way I Should showcased a Rock vibe and some serious political commentary. She followed that up by collaborating with John Prine on his In Spite of Ourselves album, which scored her a Grammy nomination, but Dement took a break from music after that. In 2004, Dement returned with her first album in eight years, Lifeline, released on her own label after her Warner Brothers contract expired. But Lifeline was primarily a collection of centuries'-old Gospel covers. This year, Dement released Sing the Delta, her first album of new material in 16 years. The songs harken back to that purity of her first couple of albums, but also shows how Dement has matured as a composer and performing. She writes with more confidence and has become an even better lyricist, creating an album that is mournful, poignant and poetic. Dement performs tonight at the 20th Century Theatre in Oakley with The Tillers, one of Cincy's finest Folk acts who are coming off of a successful release party for their recent live album. Showtime is 8 p.m. and tickets are $25-$30. Here's DeMent's "Go On Ahead and Go Home" from Delta. • Milwaukee-based Psych rockers Moss Folk perform a free show tonight at MOTR Pub in Over-the-Rhine with like-minded locals Children of the Emerald Fire. Showtime is 10 p.m. Formed in Michigan in the mid-’00s by founder Andrew James Shelp, Moss Folk entrancingly collages influences into a sound that draws from a wide range of music that could fall into the "Psychedelic" category. You'll hear elements of Kraut Rock, Pink Floyd, World music, Tangerine Dream and Spacemen 3 mingling in Moss Folk's ambient, hypnotic melange and the band has been known to match the lysergic sonics with fitting visuals (from video projections to cameos by various non-musical performing artists). Here's a live clip of Moss Folk: moss folk - red from brownshoesonly on Vimeo.• Tennessee ElectroJam/Livetronica trio Arpetrio performs tonight at The Mad Frog in Corryville. The show starts at 9 p.m. with locals Don't Fear the Satellites. Admission is $5. Bringing their Rock and Jazz chops together with a creative technological prowess, guitarist/keyboardist Alex Mindermann, bassist Trent Little and drummer Wes Taylor have performed with the likes of EOTO, Papadosio and RJD2, as well as at numerous Jam fests across the country. The group's fluid sound and deft use of loops, synths and samplers puts them on par with some of the bigger artists making this kind of warm, spontaneous, beat-heavy Trance/Fusion (Sound Tribe Sector 9, The Werks, Big Gigantic, etc.). Click below to sample the group's 2012 release Triggology, then click here to download your very own copy for free. Triggology by ArpetrioClick here for even more live music events tonight in Greater Cincinnati.
 
 

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