Six local companies make up Losantiville
Collective, located on Main Street in Over-the-Rhine. The collective is
owned by Dixon (Dixon Branded), Chris Heckman and Matt Anthony
(co-founder, The LaunchWerks).
This may seem a strange way to start a
review of the year in Cincinnati’s visual arts, but the piece that stays
with me the most — haunts me, really — doesn’t even fit any traditional
definition of art.
If you’re looking for cliché presents, head to your
nearest department store. If you and your favorite recipients are
looking for a memorable exhibit, head to the Weston Art Gallery for Straight from the Soul, a 25-year retrospective by the Atlanta artist.
Matthew Rolston has taken close-up portraits, startlingly realistic
headshots, of some 200 figures — colloquially known as dummies — at Fort
Mitchell, Ky.’s Vent Haven ventriloquism museum. The results are in a
new book, Talking Heads, to be published next month by Pointed Leaf Press.
NINE is just fine — both the name and the Carnegie exhibit. The title discloses only the number of
artists, who represent ceramics, sculpture, painting, glass and mixed
media. The show is without an obvious or assigned theme. But rather than
feeling like a mish-mash, it works.
When we enter the grown-up world, there are quite a few
aspects of life that lose a great bit of childlike mystique: visits to
the dentist, overalls, Hostess products and, perhaps most glaringly, the
If Henri Toulouse-Lautrec and Herb Ritts
could have a drink together, they’d find so much to talk about that the
drinks might just keep coming. The Cincinnati Art Museum’s total
collection of Toulouse-Lautrec prints (43) and posters (eight) fill
niches at right and left of the Great Hall balcony entrance to Herb Ritts: L.A. Style, providing that sensuous outlay of black and white photographs with an historic backdrop.