JR has been covering the world with his art — and Cincinnati is next. The 30-year-old French street artist has
pasted his monumental photographic-portrait posters in some unusual
places (and not always with official permission): on the sides of buses
in the African nation of Sierra Leone, on the rooftop of a Palestinian
building in the West Bank city of Nablus, along the old and weathered
city walls of Havana...
The past decade’s zeitgeist in
Over-the-Rhine, especially on Main Street, has produced a slew of new
and engaging businesses aimed at fostering a renewed interest in local
goods and services catering to a burgeoning influx of young, creative
and energetic people.
A recent trip to Los Angeles museums left
me exhilarated at the scale and imagination with which major
contemporary artists are using non-traditional materials. But the return here, followed by thinking
about past and upcoming shows and activities, had me wondering if our
younger artists have enough opportunities to ever make a similar impact
with their work.
As home to Vessels: All the Eyes Can Hold, Kennedy Heights Arts Center is a vessel itself, brimming with nearly 100 works representing 57 artists. Co-curator Lynn Conaway saw to it that
this wouldn’t be a show of only stoneware pots, which is an easy place
to go when the theme is “vessels,” so she asked artists to think outside
I have this recurring dream in which I go
out for a walk or drive in Cincinnati and every place I go and
everything I use to get there, from my feet to a car or bus, has been
decorated or designed by ArtWorks.
Here are three categories designed to
satisfy different tastes: theatergoers who love musicals, those who
yearn for the classics and anyone with a taste for new plays. Since this
is CityBeat’s fall preview, these are shows you can catch before
In its two years in existence, the Contemporary Arts Center’s performance season — curated by Drew Klein — has grown in importance, if not become equal in interest to the museum’s exhibition season. Now, Klein has announced the third season.
There’s something special about ideas
committed to paper. While our thumbs rest from texting, our fingertips
appreciate the tactile sensation of a physical page. As we create and
study images, our brains connect moments from our past, forming a trail.
Ceramics artists Katie Parker and Guy
Michael Davis, who teach at the University of Cincinnati and frequently
create installations as a duo known as Future Retrieval, are well versed
in the traditions upon which their art relies. But in their effort to
push the limits of their studio practice, they’ve found ways to
incorporate technological innovations and play upon thematic conventions
to make their work fresh and relevant.