0 Comments · Thursday, May 30, 2013
This inventive show at the Art Academy is produced by North American New Opera
Workshop of Cincinnati, comprised of current or past CCM Opera students.
CCM shines with historical tale of corruption, greed
0 Comments · Friday, March 1, 2013
CCM production is an engaging if sordid recreation of the creators’
intentions, a bravura performance that serves as a reminder of how
theater can provide sharp social commentary. Bravo to Guarino and her
student cast for this memorable production.
Special John Cage Centennial concert features past collaborators
1 Comment · Wednesday, November 28, 2012
John Cage fearlessly explored how any sound
could make for beautiful “music.” This included silence — Cage’s most
famous composition, “4.33,” connotes the duration of minutes and seconds
during which an orchestra or musician makes no sounds.
by Rick Pender
Posted In: Arts community
at 12:25 PM | Permalink
Mia Gentile's voiceover demo gets love from company, Huffpo
If you grew up in the Midwest you’ve probably heard the
catchy jingle for “Stanley Steemer, the Carpet Cleaner.” But I bet
you’ve never heard it sung operatically, or with some bebop or thrash.
Now you can do that — all in one three-minute video featuring University
of Cincinnati musical theater grad Mia Gentile, a 2011 grad of the
College-Conservatory of Music. Local audiences know her for several
amusing turns in incarnations of The Marvelous Wonderettes at Ensemble Theatre Cincinnati and the sold-out (and revived) production of next to normal, but trust me, this girl is bound for glory.
People who’ve never heard of her or the carpet cleaning company are tuning in now by the thousands, thanks to a YouTube video,
cleverly titled “The Stanley Steemer Variations (by Mia).” Gentile
generated with local musician and producer Roger Klug. Julie Spangler, a
professional pianist and musical theater instructor at CCM, introduced
Klug and Gentile, who wanted to produce a voiceover demo of the various
musical styles she could reproduce (which appears to be limitless). Klug
convinced her to translate her vocal performances into a video, which
they shot in one day over the summer. “It was a total collaboration,”
Klug tells me. “We talked about what each character would look like, she
did the makeup and hair, I shot and edited the thing. We completely did
it for no other reason than ‘just for the fun of it.’” It was shot at
the local studio Mental Giant with Klug using a Sony Handycam.
Well, that it was — it’s apparent from watching. But
everyone is getting in on the fun, and the video has taken off virally
on YouTube. When Klug contacted me on Monday morning, it had had 40,000
hits in just a few days. By midnight the piece had exploded, exceeding
100,000 hits. He and Gentile have created a blog site to support it: http://miavideo.wordpress.com.
Even better, the Stanley Steemer people have picked it up,
hyping it on their Facebook page, which has led to a suspicion that the
whole thing is a clever marketing ploy. “Another faction thinks Stanley
Steemer owes us a big check,” Klug jokes, “which I'm inclined to agree
with!” It’s spread to an international audience now, dare I say “picking
up steam” with a mention and a link in the U.K. edition of The Huffington Post. Before this winds up, Gentile will need her own 1-800 number!
by Rick Pender
The weekends around Thanksgiving tend to offer fewer theater opportunities than most since lots of companies are readying holiday productions that open near the end of the month. (In fact, from Nov. 28 to 30, eight shows will open!) But that doesn't mean you should look elsewhere for entertainment.First and foremost is Street Scene at UC's College-Conservatory of Music, the kick-off of a year-long celebration of works by Kurt Weill. It's a dramatic American opera in two acts, a story set in a mid-century Manhattan neighborhood. It's a massive undertaking involving hundreds of students from several CCM departments; Steven Goldstein is directing, and the performances will be musically conducted by Mark Gibson. The opera is based on Elmer Rice's Pulitzer Prize-winning drama; it's sometimes compared to Porgy & Bess, presenting a wide range of multi-ethnic characters and two intertwined love stories. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Tickets ($17-$30): 513-556-4183.A feisty young theater company, Untethered Theatre, is producing a dark comedy, John Patrick Shanley's Savage in Limbo in a storefront theater on Ludlow Avenue, Clifton Performance Theater. The performers are young and the characters they portray are young adults who haven't yet taken hold of life. The venue is intimate, recreating a bar where the characters gather, and the audience sits amidst the action. Tickets ($15): 513-938-0599. If you show up at 7:55 p.m. you might get lucky and score a rush seat for $5.Two community theaters are wrapping up productions of classics that ought to be worth seeing: Cincinnati Music Theatre is presenting Stephen Sondheim and George Furth's Tony Award-winning musical from 1970, Company, at the Aronoff Center's Jarson-Kaplan Theatre. Tickets: ($20-$22): 513-621-2787 … And Footlighters' is finishing up a run of Thornton Wilder's 1938 Pulitzer Prize winning play, Our Town, at the Stained Glass Theatre in Newport. Tickets ($20): 859-652-3849.Finally, if you want an evening of great music with a bit of true life biography, check out Hank Williams: Lost Highway, at the Cincinnati Playhouse. This one runs through the holidays, but tickets will be hard to come by in December, so this would be a perfect weekend to take in a performance of two dozen songs by the guy who blended the Blues with "Hillbilly" tunes and more or less created Country Western music in the early 1950s. You'll know lots of the tunes. Tickets: 513-421-3888.
With Kurt Weill Foundation grant and blessing, CCM builds festival celebrating innovative composer
0 Comments · Tuesday, November 13, 2012
The 2012-2013 season has no special
significance for Kurt Weill, the German-American composer of “September
Song,” “Speak Low” and “Mack the Knife.” But it’s a landmark year for
the University of Cincinnati’s College-Conservatory of Music (CCM).
by Rick Pender
Posted In: Theater
at 09:35 AM | Permalink
You'll have to pick and choose this weekend because
there's so much theater onstage. In addition to our professional
theaters, it's worth checking out production at universities: Tonight
through Sunday, CCM's esteemed musical theater program is offering the
cult favorite Chess, with music by ABBA's Björn Ulvaeus
and Benny Andersson. The story is set in Bangkok and Budapest during a
mid-1970s world chess championship — and it's driven by gamesmanship
between nations, between lovers and, of course, between chess players. I
saw the opening on Thursday, and it's a BIG show with a gigantic cast.
Several leading roles are double cast (with more juniors than seniors,
in fact, which bodes well for CCM productions for this season and next).
In particular, Matthew Paul Hill, playing the Russian grand master
Anatoly, lifted the roof of Corbett Auditorium with his powerful
baritone voice singing the stirring "Anthem," the Act 1 finale. Tickets
($30) Box office: 513-556-4183. At Northern Kentucky University you'll a production of Royal Gambit
by German playwright Hermann Gressieker (translated into English in the
late 1950s). The subject is King Henry VIII and his six wives, and this
looks to be a beautifully costumed show, featuring senior Seth Wallen
in the leading role. Tickets ($14). Box office: 859-572-5464.
Neil Simon's funny and endearing Brighton Beach Memoirs is
onstage at the Cincinnati Playhouse. I gave it a Critic's Pick (review here),
and I'm sure audiences will love this sweet portrait of growing up in
Brooklyn in the 1930s, where a loving but fractious family copes with
hard times. It's told from the perspective of Eugene, a precocious
adolescent (he's really Simon as a 15-year-old), who takes notes on his
family's behavior. Well acted and beautifully staged. Box office: 513-421-3888l.
My schedule hasn't permitted me to see several shows that are getting
good notices, including recognition from the folks evaluating
productions for the League of Cincinnati Theatres. I'm catching up this
evening with Cincinnati Shakespeare Company, which is offering two shows
Romeo & Juliet is its mainstage show, and
Sara Clark is getting high marks for her portrait of romantic but
tragic young love. Brian Phillips' staging picked up an LCT nod, and the
show received an overall recommendation from LCT. On the evenings when R&J
is not onstage, there's another Shakespeare work for thrill seekers,
specially selected and staged for the Halloween season: the bloody, gory
tale of revenge, Titus Andronicus. Veteran actor Nick
Rose plays a crazed Roman general, and just about everyone I've heard
from says his performance is memorable. (It earned him an LCT
nomination, too.) Box office: 513-381-2273.
This weekend is the final one for
Mrs. Mannerly at Ensemble Theatre. When Harper Lee reviewed this one for CityBeat (review here),
she gave it a Critic's Pick, and I agree wholeheartedly. (LCT named it a
recommended production, too.) CEA Hall of Fame actress Dale Hodges is
great fun to watch as a strict etiquette teacher in 1967, and Raymond
McAnally plays all the other characters — a bunch of kids who are
learning how to behave in a "mannerly" way. It's funny from start to
finish, but there's a heart-warming message within the story. Definitely
worth seeing. Box office: 513-421-3555.
At Clifton Performance Theatre, Clifton Players are staging
A Bright New Boise,
which also picked up an LCT recommendation. I haven't seen it, but the
show won an Obie Award (that's for outstanding off-Broadway plays) in
2011, and it has a strong cast. This is a newish venue that's
specializing in "storefront theater." Should be worth supporting.
Tickets ($20): 513-861-7469.
by Rick Pender
Posted In: Theater
at 09:44 AM | Permalink
You have no excuse for complaining that there's not enough
theater in the days ahead. In fact, you'll have a hard time fitting it
Ensemble Theatre Cincinnati's regional premiere of
opened a few days ago: It's a comedy about growing up in small-town
Ohio under the watchful (perhaps oppressive) eye of a strict etiquette
teacher. Jeffrey Hatcher's play (largely based on his own experience in
1967) features one of Cincinnati's best actresses, Dale Hodges, in the
title role. And the production has been staged by Ed Stern, recently
retired after 20 years as producing artistic director at the Cincinnati
Playhouse. Box Office: 513-421-3555.
Cincinnati Shakespeare is producing Shakespeare's romantic tragedy
Romeo & Juliet, featuring a pair of actors — Sara Clark and Ian Bond — who had great chemistry in recent productions of Pride & Prejudice and Sense & Sensibility.
They will bring new life a familiar work, I'm sure. The production
opens Friday; bear in mind that Cincy Shakes has been selling out its
productions this season, so catching this one before it catches on with
the larger audience might be a good idea. Box Office: 513-381-2273 x1.
For entertainment of an entirely different stripe, I suggest you check out
The Beggar's Carnivale
on Friday and Saturday evenings (9 p.m.) at Know Theatre. This variety
show has been described as "Cirque du Soleil on a whiskey bender." It
includes elements of traiditonal circus arts, gypsy folk and Rock &
Roll. You'll witness a fast-paced spectacle with several acts linked by
interludes in the style of silent film. There's live music, too, by
their house band The Royal We and the Carnivale's personal DJ. Sounds
like an evening of unusual entertainment. Box Office: 513-300-5669.
For the stay-at-homes, you might sample
Lost in Yonkers on
WVXU's broadcast of L.A. Theatre Works, Saturday evening at 8 p.m. on
FM 91.7. This great nostalgic play by Neil Simon is part of an
autobiographical trilogy; the Cincinnati Playhouse is producing Brighton Beach Memoirs, another from this set, a few weeks from now. On Sunday evening at 8 p.m. WVXU will air The Moth,
a collection of monologues by everyday people, sharing anecdotes of
things that actually happened to them. It's the inspiration for our
local company True Theatre, which opens its third season on Monday
evening (7:30 p.m.) with trueLearning at Know Theatre.
Finally, to keep you occupied next week, CCM Drama is offering a week of
free, unticketed readings of gay-themed plays. On Monday it's Larry
The Normal Heart (1985); Tuesday and Wednesday offer Tony Kushner's 1993 award-winning Angels in America, Part 1: Millennium Approaches and Part 2: Perestroika. Thursday evening it's Stephen Karam's Sons of the Prophet
(2011). All readings are at 7 p.m. in the Corbett Center's Room 4755 at
the University of Cincinnati. On Friday evening, Dr. Richard Coons will
moderate a conversation about "Storytellers, History Makers and
Revolutionaries: The LGBT Story." A clinical psychologist, Coons is a
CCM Drama grad; in 1998 and 1999 he played the central role of Prior
Walter in CCM's local premiere of Kushner's Angels in America. (Also free, this event will be in Patricia Corbett Theatre on the UC campus.)
by Rick Pender
Posted In: Theater
at 11:21 AM | Permalink
Your best bet for theater this weekend, based on several
enthusiastic recommendations, seems to be Daniel Beaty's one-man
performance at the Cincinnati Playhouse in Through the Night. Harper Lee gave it a Critic's Pick in her CityBeat
review this week, and the League of Cincinnati Theatres panel described
Beaty as a "brilliant showman and interpreter” whose “beautifully and
powerfully acted” performance “weaved in, out and through real people —
multifaceted people.” The show was praised as “moving and full of hope —
an evening of pure joy, celebration and a mournful reminder as well.” Through the Night
“shatters the stereotypes of the ‘African American’ plight and shows
beautifully that these predicaments and life choices are ‘human’ ones." I
caught a performance this week and found Beaty's ability to shift from
character to character quite astonishing — he plays six men and boys, as
well as numerous other figures in their lives, each well defined and
believable. It's a tour de force performance in the Shelterhouse,
presented simply with some projected images and nothing more, not even
costume changes. Box office: 513-421-3888.
College theater has good choices for you at both UC's
College-Conservatory of Music and Northern Kentucky University. Each is
presenting a classic, although from very different eras. NKU continues
its run of
You Can't Take It With You (through Sunday), a
classic comedy by George S. Kaufman and Moss Hart that won a Pulitzer
Prize back in 1937. It's about a wacky family that marches to the beat
of several different drummers and how their "normal" daughter and her
boyfriend (the product of truly straitlaced parents) try to figure out
how to make a relationship work in the midst of a lot of craziness. At
CCM there's another form of craziness in Michael Burnham's staging of
Shakespeare's A Midsummer Night's Dream, a tale of
mistaken lovers and magical transformations. In both cases, there's a
happy ending and most of the right people end up with suitable partners.
Both shows are sure to offer offer a lot of laughs, as well as plenty
of opportunities for young actors to take on entertaining roles. Either
show should make for a fun outing that doesn't require much serious
thought. CCM Box Office: 513-556-4183; NKU Box Office: 859-572-5464.
Finally, on Sunday night at 7:30 p.m. you have a very
special opportunity to see a brand-new musical as a work-in-progress at
the Carnegie Center in Covington. It's a one-night-only presentation of The Sandman, a creepy musical created by Cincinnati native and Cirque du Soleil
maestro Richard Oberacker and his creative partner Robert Taylor. Using
a wildly imaginative story by E.T.A. Hoffmann (the guy who wrote the
wildly imaginative story of battling mice and toys coming to life that
became The Nutcracker), Oberacker and Taylor have crafted a show
that's getting a workshop locally with some serious star power. Narrated
by Van Ackerman (who turned in a great performance as the Man in the
Chair in CMT's recent production of The Drowsy Chaperone), the
performance will feature Tony nominee (and early CCM grad) Pamela Myers,
always watchable Bruce Cromer (fresh off his powerful turn as Atticus
Finch in To Kill a Mockingbird at Cincy Shakes), Charlie Clark
and Sara Mackie. While it's a "reading," it will have sound effects and
some slide projections to set the eerie scene. You can call 859-957-1940 for tickets, or order them online at www.thecarnegie.com. General admission is $25 (theater professionals and students can get in for $15). Sounds like a don't miss event.
0 Comments · Wednesday, May 23, 2012
most people think that theater awards are about recognizing excellence,
the real bottom line is marketing. A half-dozen award programs in New
York City — the Drama Desk, the Outer Critics Circle, the Lortels, the
Obies — lead up to the big kahuna, the Tony Awards, focused on Broadway