Epic Theater

CCM takes on Bertolt Brecht and Kurt Weill's acclaimed dark comedy

0 Comments · Wednesday, February 20, 2013
Premiered in Berlin in 1928, The Threepenny Opera is an iconic work, the creation of composer Kurt Weill and poet/dramatist Bertolt Brecht, and opens a two-weekend run at CCM as part of its Kurt Weill festival, sponsored by the Kurt Weill Foundation for Music, Inc.  

A City That Sings

The Cincinnati Men's Chorus boasts a fun concert, serious chops and a GLBT-supportive mission

0 Comments · Wednesday, April 3, 2013
Take a chance on the Cincinnati Men’s Chorus this week — they’re presenting ExtrABBAganza, a show devoted to the campy ’70s and early ’80s classics of Swedish Pop group ABBA.  

Philip Glass' 'Galileo Galilei' Is More Than a Musical Challenge

0 Comments · Wednesday, July 10, 2013
Composer Philip Glass’ 18th opera, Galileo Galilei, telescopes the conflict between genius and dogma in 10 scenes, moving backward in time as Old Galileo looks back on his life. By opera standards, it’s brief: 90 minutes without an intermission.  

Mapping The Music

Cincinnati Symphony Orchestra and local businesses collaborate on a groundbreaking visual and musical experience

2 Comments · Wednesday, July 31, 2013
Over-the-Rhine and Washington Park are gearing up for LumenoCity, a musical and visual collaboration that is the first of its kind in the world, featuring the Cincinnati Symphony Orchestra and Music Hall itself.  

Singing The Personal And Political

A rarely performed 20th-century opera and a new work confront the clash of ideology and emotion

0 Comments · Wednesday, November 20, 2013
The personal is definitely political in two operas onstage this month in both Benjamin Britten’s Owen Wingrave, in which a young man chooses pacifism over a military career, and Fellow Travelers, based on the novel about a gay love affair during the McCarthy era.  

From The Ground Up

World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season

0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are the thematic elements of Cincinnati Ballet artistic director and CEO Victoria Morgan’s full-length world premiere, King Arthur’s Camelot, opening this weekend with five performances at the Aronoff Center.   

Shifts in Mind, Body and Spirit

0 Comments · Wednesday, February 19, 2014
Brainstorming various aspects of the concept of time marked the impetus of MamLuft&Co. Dance’s most recent work, /SHIFT/, premiering at the Aronoff Center this weekend.  

CAC to Transform into Roomful of Voices

0 Comments · Wednesday, March 26, 2014
You’ve never heard anything like ensemble Roomful of Teeth, who will be making their Cincinnati debut at the Contemporary Arts Center this week. That’s no understatement.  

Exit Laughing

University of Cincinnati graduate student Omer Ben-Seadia directs 'Don Pasquale' at CCM

1 Comment · Wednesday, April 2, 2014
Don Pasquale is Omer Ben-Seadia’s final production for CCM and a fitting conclusion to her CCM career, according to Robin Guarino, J. Ralph Corbett Distinguished Chair in Opera.   

At The Edge Of The Stage

Cincinnati Ballet closes its 50th anniversary season with local music heroes Over the Rhine

0 Comments · Wednesday, April 23, 2014
Over the Rhine, the bluesy, jazzy, folksy band headed by blonde chanteuse Karin Bergquist and real-life partner Linford Detweiler, named after Cincinnati’s historic Over-the-Rhine neighborhood where they once lived, this weekend will perform live with Cincinnati Ballet dancers in the closing series of the company’s 50th anniversary season.