I loathe clockwatching — or so I thought, until I saw three hours worth of Christian Marclay’s amazing The Clock,
a 24-hour art installation/video collage at Columbus’ Wexner Center for
the Arts, on the Ohio State University campus through April 7.
Long an incisive cultural critic, a
dedicated teacher and a nimble-minded writer, Camille Paglia is known
for her polarizing opinions on everything from politics (she’s voting
Green Party this year) to pop culture (she recently confessed her love
for Real Housewives of New Jersey, which she says is a more accurate depiction of the state’s residents than The Sopranos, which she hated).
On Monday, Todd Pavlisko conducted his
commissioned artwork — a video piece he’s calling “Docent” — in which a
retired military sniper fired a secured high-powered rifle inside the
first floor of the Cincinnati Art Museum.
See Unrealized and Unforeseen, Antonio Adams’ solo show at
Thunder-Sky Inc., and leave feeling a bit more special, even if you
aren’t on his list of “good celebrities,” superstars and Divas of Pride.
Just witness the transformative power of art.
I’m obsessed with the title of Thunder-Sky Inc.’s latest show, Reverse Psychology.
The name, a play on two artists’ opposite aesthetics and themes,
doesn’t work for me — or does it? Should I be celebrating differences,
or searching for similarities? I don’t know what to think, and I think
that’s the intent.
When I was growing up, the fact that
Cincinnati was known as “Porkopolis” was not exactly a selling point for
me. I vividly remember Bicentennial Commons at Sawyer Point opening in
1988 to much hullabaloo thanks to the flying pig sculptures near the
entrance and being absolutely mortified with embarrassment that my
hometown would choose to embrace its reputation as a haven for swine.
If you are an orderly person, your first
stop on descending the stairs to see the current installations in the
Weston Art Gallery’s lower rooms will be the tiny viewing area just to
the right of the staircase. There, Clara Crockett’s “Theatre
Lilliputiens,” five brief films with a total running time of 20 minutes,
prepare us for the world of her small, meticulous drawings.
In Lewis Carroll’s 1871 sequel to Alice’s Adventures in Wonderland,
Alice traverses a mirror above her drawing-room fireplace to enter the
“Looking-glass House.” Once there she discovers a chamber that is both
familiar and bizarre — a place identical in dimension to the humdrum
parlor she has departed, but where chess pieces frolic and poems are
written in reverse.
Peter Haberkorn, a Cincinnati artist who
imaginatively salvages and repurposes older materials, has a background
in architectural study. Fittingly, the first thing you notice upon
entering Northside’s Prairie to see his new show, Airstream, is just how beautifully his work fits in as gallery-complementing design.