WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Rick Pender 05.11.2012
Posted In: Theater at 09:11 AM | Permalink | Comments (0)
 
 
Les Miserables

Stage Door: Musicals Rule the Weekend

I was at the Tuesday night opening of a one-week run of the tour of the 25th anniversary production of Les Misérables. You might be saying, “I’ve seen that before — more than once.” But this is a new version — no more turntable or pirouetting barricades. Now we have some startling video that let’s you see the rebellious students marching in the streets of Paris and Jean Valjean carrying Marius through the sewers. The tour has great voices in all the roles; the volume was amped up beyond my hearing threshold, but it’s a powerful show — after all these years. Through Sunday at the Aronoff Center. Tickets: 800-982-2787. Here’s a tip if you want something that’s new(ish): The Light in the Piazza was a Tony Award winner in 2005, and it’s being staged by one of the most reliable community theaters in the Cincinnati area, Footlighters Inc., at its Stained Glass Theatre in Newport. It’s a romantic love story set in Italy in 1953, told with sophisticated music, sometimes operatic performances. In June 2006, just before it closed, it was broadcast on the PBS Live from Lincoln Center series, drawing more than two million viewers. That many can’t make it to Newport (it runs through May 19), but if you’re interested, Footlighters is offering a “buy one, get one” deal for its 2 p.m. matinee this Sunday, May 13. Tickets: 859-652-3849. If you resonate with the Blues, I recommend that you head to the Cincinnati Playhouse in the Park for Keith Glover’s Thunder Knocking on the Door. It’s a revival of sorts from 1999 — but thoroughly and creatively reimagined for the Eden Park’s last mainstage production of Ed Stern’s final season leading the Tony Award-winning theater. The musical — with emotional tunes mostly by Keb’ Mo’ — tells the story of the power of love, music and Blues guitar players. It’s presented with panache, including technology and design that are all about 2012. Through May 20. Box office: 513-421-3888. The Doo-Wop silliness of The Marvelous Wonderettes, a hit from 2010 at Ensemble Theatre Cincinnati, is brought to life again with Life Could Be A Dream, Roger Bean’s sequel to the story of some bubbly girls who bond around teen hits from the ’50s and ’60s. This time it’s boys, and that’s most of the difference. As in the two Wonderette shows, Dream is shot through with adolescent angst, this time around a local radio station contest that could “make them famous.” It’s an excuse for two dozen tunes from the era, a familiar formula. But ETC’s talented cast makes it a lot of fun. (Through May 20.) Box office: 513-421-3555. This weekend is your final chance to see Know Theatre’s production of Bloody Bloody Andrew Jackson. (Final performance is Saturday.) It’s a youthful mix of political commentary, driving Rock, history, humor and sober observations about America’s seventh president — played as a Rock hero. I gave it a Critic’s Pick. Call the box office to see if there are any cancellations: 513-300-5669. Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
 
 
by Rick Pender 05.04.2012
Posted In: Theater at 09:12 AM | Permalink | Comments (0)
 
 
thunder_6-1

Stage Door: Back For More

If this week’s theater offerings sound familiar, it’s because we’ve seen some of these shows (or their inspirations). The best choice, for my money, is Keith Glover’s Thunder Knocking on the Door at the Cincinnati Playhouse in the Park, a revival of sorts from 1999 — but thoroughly and creatively reimagined for the final mainstage production of Ed Stern’s final season leading the Tony Award-winning theater. It’s a musical about the Blues and it features an emotional Blues score, mostly by Keb’ Mo’, to tell the story of the power of love and music — and blues guitar players. It’s presented with panache, including technology and design that are all about 2012. Through May 20. Box office: 513-421-3888. If you loved the Doo-Wop silliness of The Marvelous Wonderettes, a hit from 2010 at Ensemble Theatre Cincinnati, then you’re likely to have a good time at Life Could Be A Dream, Roger Bean’s sequel to the story of some bubbly girls who bond around teen hits from the ’50s and ’60s. This time is boys, and that’s most of the difference. As in the two Wonderette shows, Dream is shot through with adolescent angst, in this case around a local radio station contest that could “make them famous.” It’s an excuse for more than two dozen tunes from the same era that are shaped to the story. So it’s a familiar formula, but ETC has a talented cast who make it a lot of fun. (Through May 20.) Box office: 513-421-3555. Another show that totally mastered the art of wedging familiar tunes into an implausible story is Mamma Mia, and you can catch a touring production of that one at the Aronoff Center through Sunday. The cast of this tour has a lot of youthful energy and several mature characters who have fun reminiscing about their disco days. Box office: 800-982-2787. Bloody Bloody Andrew Jackson will have its final performance on May 12. If you haven’t yet seen this youthful mix of political commentary, driving Rock, history, humor and sober observations about the will of the people, you’d better go this weekend. (The longer you wait the less likely you are to get a ticket — the final weekend is selling fast.) Not many musicals begin with the cast flipping the bird at the audience, but then not many musicals are like this one, spinning a tale of America’s seventh president to in-your-face Indie Rock tunes. This is Bloody Bloody’s first professional regional production. I gave it a Critic’s Pick. Box office: 513-300-5669. You have plenty of time to see The Second City 2: Less Pride – More Pork, since the Cincinnati Playhouse plans to keep it on the Shelterhouse Stage until July 1 (at least), but I predict you’ll enjoy it whenever you go. It’s a notch up from the first iteration of the show that set box-office records for the Mount Adams theater a year-and-a-half ago. Lots of hilarious fun-poking at … us. And the clever cast uniquely tailors every performance to the audience that shows up. Box office: 513-421-3888. Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, I was thoroughly entertained by Joseph and the Amazing Technicolor Dreamcoat last week at the Covedale. It has a cast of strong singers who do a fine job with the amusing score, stuffed with musical parodies — Calypso, Blues, County, Bubblegum Pop and more — and they’re having an infectious good time. Keep an eye out for the Pharaoh; he’s really the King! Through May 13. Box office: 513-241-6550. Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
 
 
by Rick Pender 04.27.2012
Posted In: Theater at 03:37 PM | Permalink | Comments (0)
 
 
onstage 5-1 - cast of thunder knocking on the door - cincinnati playhouse - photo sandy underwood

Stage Door: 'Thunder Knocking' and More

Cincinnati Playhouse just opened Thunder Knocking on the Door, a show it staged in 1999 and sold a boatload of tickets — the most for any musical it’s presented in the past two decades! I was there on Thursday night for the opening, and this is a drop-dead gorgeous production — costumes, sets, lighting and sound by Broadway designers, and a cast of five who all have star-power. Even better, they form a wonderful musical ensemble when they need to. Keith Glover’s play is a fable about the Blues: Marvell Thunder is a mystical presence who years earlier lost a “cuttin’ contest” to a fellow named Jaguar Dupree, and now he’s back to even the score “where the two roads meet,” somewhere near Bessemer, Alabama. But Jaguar’s passed, survived by his wife (twice widowed since then) and his twin brother. Her and Jaguar’s twin children, Jaguar Jr. and Glory are musical and each have magical guitars that he bequeathed to them. Jr. has lost his to Thunder, and now he’s coming for the other one. But it’s complicated, because Thunder is turning to stone because it’s been so long since he’s been in love. All this is played out to a wonderful Blues score, most of it by singer and composer Keb’ Mo’. There’s a great band backing them up, and to make this tale all the more magical, among its technical team is an “illusion designer.” You’ll be asking, “How’d they do that?” more than once. I gave it a Critic’s Pick, and you should get your tickets right away. 513-421k-3888. Know Theatre’s production of the recent off-Broadway and Broadway Rock musical hit, Bloody Bloody Andrew Jackson is a youthful mix of political commentary, driving Rock performances, history, humor and sober observations on the will of the people — just what we’ve come expect from Know Theatre. Not many musicals begin with the cast flipping the bird at the audience, but then not many musicals are like this one, spinning a tale of America’s seventh president to in-your-face Indie Rock tunes. This is Bloody Bloody’s first professional regional production. I gave it a Critic’s Pick, and the show is proving to be a big hit for Know. (Through May 12.) Box office: 513-300-5669. Pump Boys & Dinettes at the Covington’s Carnegie Center is something like an off-Broadway classic (it had a brief Broadway run) from the early 1980s. Set in a filling station that’s also a diner, it’s a framework for downhome Country tunes and cornpone humor. Not much of a story, but a talented cast makes this one a lot of light-hearted fun. This is the final weekend. Box office: 859-957-1940. Covedale Center is presenting Andrew Lloyd Webber and Tim Rice’s but Joseph and the Amazing Technicolor Dreamcoat. I saw it last Friday and can recommend it as a production that does justice to a piece of entertaining fluff. Director Tim Perrino has assembled a fast-paced production with some fine voices. The jaunty show, which covers the familiar tale in about 90 minutes (including intermission), has fun with (and parodies) various musical styles — from Elvis-styled Rock and Western Swing to French ballads and calypso. Stone walls and palms slide back to reveal a sphinx and a smoking entrance for the Pharaoh (aka Elvis). It’s not groundbreaking in any way, but it is the kind of solid entertainment the Covedale has presented for 10 seasons. Through May 13. Box office: 513-241-6550. And while I’m talking about lighthearted shows, make not that a tour of Mamma Mia, cramming tons of ABBA tunes into an implausible but funny story, makes a one-week stop at the Aronoff starting on Tuesday. It would be hard not to have a good time at any production of Mamma Mia. Tickets: 513-621-2787. Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news.
 
 
by Kevin Osborne 04.04.2012
 
 
mallory

Mallory to Give State of the City Address

Event will be Tuesday at Aronoff Center

Cincinnati Mayor Mark Mallory will deliver his annual State of the City address next week.The address, which will be Mallory’s seventh since taking office, will be given 6:30 p.m. Tuesday. It will be held in the Jarson-Kaplan Theater at the Aronoff Center for the Arts, located at 650 Walnut St., downtown.When CityBeat asked what the theme would be for this year’s address, a spokeswoman for Mallory declined comment.“Our office won’t be previewing or giving information out about the speech this year,” said Julianna Rice, a policy aide to the mayor.Generally, because seating is limited, anyone wishing to attend must receive a ticket through the mayor’s office. For more information, call 513-352-3250.Mallory, a Democrat, was sworn in as the 68th mayor of Cincinnati on Dec. 1, 2005 and was reelected in 2009.  He cannot run again in 2013 due to term limits.Mallory’s election marked a new era for City Hall as the first two-term mayor under the city's new “stronger-mayor” system, as well as Cincinnati’s first directly-elected black mayor, and the first mayor in more than 70 years who didn’t first serve on City Council.Mallory celebrated his 50th birthday on Monday.
 
 

The Addams Family (Review)

Touring Broadway production uses oddball characters to show the dark side of life

1 Comment · Wednesday, March 28, 2012
When you base a musical on legendary cartoons, you better be sure that the original material is referenced and that it delivers the same level of humor. That means more in the way of faithfulness than originality, but who cares when it’s The Addams Family? The touring production of the recent Broadway show, currently onstage at the Aronoff Center, delivers on humor, entertainment and a faithful recreation of the oddball characters who revel in the dark side of life.  
by Jac Kern 02.28.2012
Posted In: Animals, Fun, Events, Music, Northside at 01:08 PM | Permalink | Comments (0)
 
 
recycled_doggies_logo

Your Wednesday To Do List

One year ago today, the home of Shannon DeBra, founder of the all-foster rescue Recycled Doggies, caught on fire. Thirteen dogs and one cat died as a result, and Recycled Doggies faced a tremendous setback. Tonight, on the tragedy's anniversary, animal lovers everywhere are invited to attend a benefit, give what you can and support the organization and all its foster families and volunteers. Head over to Star Lanes at the Levee for a silent auction, raffles, happy hour specials and, of course, plenty of bowling fun. Go here to RSVP to the event, which runs from 5:30-8:30 p.m.CANstruction kicked off today, with teams building artistic creations made entirely out of canned goods. Stop by the Weston Gallery to see their progress and drop off canned goods of your own. All donations, and all cans used to build the artwork, will go to the Freestore Foodbank. Crazy! Cool. No, I'm not talking about TLC's 1994 album, I'm talkin' 'bout West Side Story. The Bernstein and Sondheim hit is alive and well 55 years after its debut on Broadway. The Jets and Sharks put any Crosstown Shootout rivalries to shame, and in this revived version, audiences can expect a grittier tale with more Hispanic influence. The classic runs at the Aronoff Center through March 11. Find details here.Every Tuesday is Writer's Night at MOTR Pub. Songwriters, poets, spoken word artists — anyone with original work is welcome to share. Sign ups open at 8:30 p.m. and $40 goes to a special winner each week. Lucas of The Dukes Are Dead hosts. Enjoy a beer, a BLT and great company.Honey in Northside offers a $10 comfort food menu every Tuesday. Choose from homestyle favorites like fish and chips, meatloaf and mashed potatoes, chicken stew with dumplings and more. It's a great chance to try the local spot if you've never been and you're on a budget. Peep our full review of Honey here.Check out our To Do page for tons of recommended art shows open today.
 
 

Billy Elliot The Musical (Review)

Coal-burning electricity fuels production at Aronoff

0 Comments · Thursday, January 19, 2012
You can’t go wrong with this much expressive dancing, and the kids who perform it will win your heart, from tiny Jeremy Zorer who gets the show started, to Billy’s ebullient, cross-dressing friend Michael (Ben Cook). The show evoked a rousing, and well-deserved response from the audience on opening night.  

Wicked (Review)

2 Comments · Friday, November 4, 2011
Stephen Schwartz’s Wizard of Oz-inspired musical about the green witch has become a cultural icon for adolescent girls who yearn for freedom and success. Thousands, with or without their families, will flock downtown between now and Thanksgiving weekend, and they won’t be disappointed.  

Beauty and the Beast (Review)

0 Comments · Thursday, September 29, 2011
There’s no doubt that Disney’s Beauty and the Beast is a show audiences have loved. It had 5,461 performances over 13 years, making it the eighth longest-running show in Broadway history. Based on the animated film with great musical numbers and done right, it’s a surefire crowd-pleaser. That’s pretty much what’s landed onstage at the Aronoff for a two-week run, with a young cast that’s full of enthusiasm.  

Preservation Hall Jazz Band w/The Del McCoury Band

May 20 • Aronoff Center’s Procter & Gamble Hall

0 Comments · Monday, May 16, 2011
Jazz and Bluegrass are slightly different branches of the same Southern tree, and there might be no better way to exemplify the genres’ commonalities than to put them in the same studio and on the same stage to show just how perfectly their styles and personalities mesh.  

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