WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 

Har Mar Superstar

Saturday • MOTR Pub

0 Comments · Tuesday, March 4, 2014
The mayor of Minneapolis declared Sept. 13, 2013 as “Har Mar Superstar Day,” in honor of a man whose soulful, hyper-sexual R&B stylings have been overshadowed by his resemblance to porn star Ron Jeremy and a stage show that includes the singer clothed in nothing more than a pair of tighty-whities.  

Empires

Sunday • MOTR Pub

0 Comments · Monday, February 24, 2014
Every show Empires has played in Cincinnati, it has been memorable. The Chicago quintet’s Queen City debut was at 2010’s MidPoint festival, which guitarist Tom Conrad recalls thusly: “I remember everyone being extremely wasted and playing really late, and walking away thinking, ‘I don’t know what this was but I’d love to come back.’”   

Sebadoh with Octagrape

Friday • MOTR Pub

0 Comments · Wednesday, February 19, 2014
Last fall, Sebadoh released the comeback full-length Defend Yourself, the band’s first album in 14 years. The album recaptured some of the dizzying sonic diversity of Sebadoh’s early Sub Pop recordings, but also finds Barlow and Loewenstein’s songwriting skills as sharp as ever.   

Cheap Time with Cha-Cha-Chachi

Monday • MOTR Pub

0 Comments · Tuesday, February 11, 2014
Eight years ago, ex-Rat Traps vocalist/guitarist/keyboardist Jeffrey Novak envisioned a Garage-stained band that would nod toward Glam Rock and Power Pop influences, fueled by the Punk he’d been playing since his teenage years. The Nashville native formed Cheap Time and released the well-received self-titled debut full-length in 2008.  

Versatile Beauty

With current tour, Julianna Barwick takes her acclaimed ambient sound from bars to synagogues

0 Comments · Wednesday, February 5, 2014
Julianna Barwick, whose music consists of ethereal and largely wordless vocals looped and otherwise layered to achieve a haunting choral effect as she plays keyboards, has booked some unusual venues for the tour that brings her to Cincinnati this week.   
by Brian Baker 01.24.2014
Posted In: Live Music, Local Music, Reviews at 10:10 AM | Permalink | Comments (0)
 
 
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REVIEW: The Tigerlilies - In the Dark

Longtime local rockers celebrate new album release tonight at MOTR Pub

It has been much too long since Patrick Hennessy and any viable version of The Tigerlilies have committed to a studio regimen and the clear goal of emerging with something/anything approaching the scorching delight of their first three discs, 1992's Deeper, 1997's Space Age Love Songs and 2003's Ceci N'Est Pas Pop. Hennessy's involvement with The Fairmount Girls began in 2004, a span of time that nearly equals the gap between the Tigerlilies' third release and its latest and perhaps greatest recorded document, In the Dark.Vocalist/guitarist Hennessy, his drumming/singing brother Steve and bassist Brian Driscoll were joined by guitarist/vocalist Brendan Bogosian about midway through The Tigerlilies' long studio drought; Bogosian even did a little moonlighting of his own with Kry Kids. Somehow, the quartet managed to motivate themselves to pen a dozen new Tigerlilies classics and set to work with Culture Queer's Jeremy Lesniak at the console to create In the Dark. In fact, when I interviewed Culture Queer a little over a year ago, Lesniak was in the process of digitally tweaking In the Dark and promised that it would be their best album to date. That has turned out to be a promise well kept.While The Tigerlilies are enamored with Rock's Glam period and Punk traditions, the band tends to filter it all through a greater love of Brit Pop in general, not to mention a proclivity toward a more defined Power Pop direction, resulting in a sound that suggests Cheap Trick and Husker Du teaming up for a Clash tribute. That position is made perfectly clear on In the Dark, from full throttle disc opener "Hold on Tight" to the melancholy joy of "Don't Let It Get You Down" to the Husker/Trick jittery jangle of "Sweetheart" and the anthemic Velvet Crush-like barnstorm of "Some Things Are Meant to Be." In the Dark isn't all bash-and-crash, with more than a few relatively quiet moments (the Beatlesque "Pull You In," "Five Will Get You Ten," the title track) offered as a bit of a breather, but even at their most sedate, The Tigerlilies bristle with an undeniable love of chiming Pop spiked with a bracing dose of melodic Punk. Learn how to get a song on itunes at ReverbNation.comDon't miss The Tigerlilies' release party for In the Dark TONIGHT at MOTR Pub starting at 10 p.m. with openers Subsets.
 
 

Motel Beds with The Harlequins

Friday • MOTR Pub

0 Comments · Wednesday, January 15, 2014
One of the leading lights of the Dayton Indie music scene is the hyper-melodic Pop Rock outfit Motel Beds, which has been kicking around since the early ’00s, gradually building up a stack of fawning press notices and a loyal fan base.  

Coffee Talk

Foxygen drummer Shaun Fleming goes solo with his Diane Coffee project

0 Comments · Wednesday, January 15, 2014
Laid up with an illness after moving to New York City, Foxygen drummer and child actor/voice talent Shaun Fleming produced his surprisingly lush solo debut as Diane Coffee with minimal instruments and a Macbook Pro.  

Instruments Stolen, Friends Step Up

Plus, CEA voting ends soon, Strangetunge hosts winter party and College Hill Coffee Co. turns 8

0 Comments · Wednesday, January 8, 2014
Friends and fans of local musician Justin Todhunter step up to help after a post-Christmas break-in left him without his prized instruments. Plus, CEA voting ends soon, Strangetunge hosts a winter party and Tracy Walker and Chris Collier help College Hill Coffee Co. celebrate its eighth birthday.   

Weekend State

A more thoughtful approach (and a dash of therapy) inform Jinx, the second album from Weekend

0 Comments · Wednesday, January 8, 2014
Weekend guitarist/vocalist Shaun Durkan has certainly gotten plenty of feedback concerning Jinx, the band’s second release. And while no one has exactly accused Durkan of sophomore-slumping on Jinx, there’s certainly been a fair amount of grumbling about the differences between the  album and its louder and more visceral predecessor, 2010’s Sports.  

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