by Mike Breen
Critically-acclaimed Cincinnati Art Pop/Hip Hop foursome plays hometown show tonight
Experimental Indie/Art Pop/Hip Hop band Why? performs its first local show since the release of the group's stellar fourth studio album, Mumps, etc., earlier this month. The band — which helped build the awesome Anticon label — plays downtown tonight at the Contemporary Arts Center for an 8 p.m., all-ages show. Tickets are $14. After tonight’s show, Why? gets back on the road for a tour that’ll take them all over the U.S., then overseas for dates in Prague, Croatia, Italy, Germany and Israel, among other countries.Here's a great music video for the Mumps track "Strawberries," filmed in Northside during the most recent 4th of July parade. The vid was directed by Scott Fredette (an accomplished video artist and also a founder of Indie Pop foursome Culture Queer) and Alex Parks. The band members also participated in a series of videos about the making of a Why? documentary by "DIY filmmaker Gerrek Reid," aka hilarious Cincinnati native and on-the-rise L.A. comedian Andre Hyland. Check the very entertaining and often hysterically funny "Documenting WHY?" web series below.UPDATE: Tonight's CAC concert is SOLD OUT.
0 Comments · Wednesday, September 26, 2012
Hamilton Avenue in Northside is home to a
slew of eclectic storefronts like Melt and Shake It Records, and, since
April, Northsiders have enjoyed The Listing Loon as a place to swing by
and load up on bottles of hand-selected microbrews by a couple of
Cincinnati’s tenured bartenders.
0 Comments · Wednesday, September 26, 2012
I looked around the bus. There weren’t many people sitting next to
others, but there was no one else sitting next to someone of a different
0 Comments · Wednesday, September 12, 2012
MONDAY SEPT. 10: Because of the lack of effectiveness of those commercials in which a car
full of Stony Maloneys runs over a kid on a bike whilst ordering at the
drive-thru as if their car was Grave Digger and the little kid was a
rusty car positioned in front of it, other avenues are being explored to
make people not like smoking pot.
Emily Buddendeck’s retail shop/exhibition space is itself a quirky work of art
0 Comments · Wednesday, July 18, 2012
NVISION, Emily Buddendeck's quirky venture at
4577 Hamilton Ave. in Northside, has grown steadily during its
four-and-a-half years of existence. “I opened on Leap Day of Leap year, Feb.
29, 2008. The day seemed appropriate because the shop was even more of a
leap during a recession, but it really merged the various things I had
been doing, career-wise,” she says.
by Mike Breen
Like every Friday, a great place to start your evening is Fountain Square, as the free MidPoint Indie Summer concert series continues with headliner Lydia Loveless. Loveless is an Ohio native who performed fairly regularly in the Cincinnati area (and elsewhere around the region) before she caught the attention of AltCountry/Modern Roots music institution Bloodshot Records with her natural blend of classic Country influences and more contemporary Rock flavors. Her debut for the label, Indestructible Machine was released last year and Loveless was one of the more buzzed-about names at last year's MidPoint Music Festival (even making the cover of CityBeat the week of the event. Loveless is currently working on new material. Read more about Lydia from this week's CityBeat here, as well as from last year's MidPoint issue here.Northern Ohio Roots/Blues artist Patrick Sweany and Cincinnati rockers The Ready Stance (check out our recent interview here) warm things up for Loveless starting at 7 p.m.• Christopher Dexter Greenspan — better known as Bay Area Electronic artist oOoOO — brings his spectral beats and melodies to Northside's Mayday tonight for a 9 p.m. show with guests Fogger and Skeleton Hands. Admission is $12.Greenspan's hypnotic, slanted mix of Chillwave and ethereal Trip Hop — at times sounding a little like Icelandic electronic act múm or a ghostly, gauzy version of M83 — was most recently showcased on oOoOO's second EP, Our Loving Is Hurting Us, which includes spacey vocals from singer Butterclock (as well as Greenspan's own voice, which delivers melodies slathered in a glaze of effects). Here's the new EP track "Break Yr Heart."• Former local musician GD Mills once again brings his raucous Minneapolis Garage Punk group Fuck Knights back to his former stomping grounds, performing a free show tonight at MOTR Pub with Muddy Udders, Children of the Emerald Fire and Martin Luther and the Kings. Showtime is 10 p.m.How are Fuck Nights like Batman? Click here to find out. Here's a clip of the Knights playing live last year (that's Mills singing and playing drums).Click here for even more live music options in Greater Cincinnati tonight.
The rich history of the Northside Fourth of July Parade
0 Comments · Tuesday, July 3, 2012
It's no secret that the Northside
neighborhood throws an Independence Day party like nobody’s business.
Folks flock from all over the Cincinnati area to spend some time in the
city’s hub of all things hip for two full days packed with live music,
local food, a family-friendly carnival and, of course, the annual Fourth
of July parade. What most spectators and marchers might
not know? They’re carrying on a 158-year-old tradition that dates back
to the days when Central Parkway was underwater.
by Izzi Krombholz
Posted In: Live Music
at 10:24 AM | Permalink
The Comet was packed Tuesday night in anticipation of seeing Nashville band The Black Belles and the Belles didn’t disappoint. These women sure have created an identity for themselves. At any point, you could spot them somewhere in The Comet; they were hard to miss with their long black hair, black clothes, black hats, pale skin and dark makeup. And the shtick of it all doesn’t seem forced for The Black Belles. Members of Jack White’s label, Third Man Records, the Black Belles opened their set with “Leave You With A Letter,” the opener from their debut self-titled album. Although the band is normally a four-piece, they are touring as a three-piece, leaving the organist back home in Nashville. Between bassist Ruby Rogers' deadpan dead-on bass riffs and Shelby Lynne’s solid drumming, there’s room for lead singer/lead guitarist Olivia Jean to do as she pleases. Her voice comes off as somewhat of a growl, so perfect for their dark and witchy lyrics. And there was something about the drummer similar to Meg White, with her black hair flowing as she beat the crap out of her set. The Black Belles seem to be somewhat of a cross between The Cramps and Wanda Jackson, with the occasional Jack White riff thrown in the mix. Olivia Jean announced that they would play “their only Country song” as they launched into “Honky Tonk Horror,” which was not really anything close to a Country song and probably the heaviest Rock song they played. Other numbers included “In a Cage,” “Howl At The Moon,” “What Can I Do?,” “Lies,” “Wishing Well,” and “The Wrong Door.” The only problem with their set was that The Comet didn’t move the tables out of the way so it was an extremely awkward crowd to stand in and actually be able to see the band. This resulted in people standing on chairs to get a better glimpse of the dark beauties. When I asked the band what they’d be doing after the show, they smiled and said they would be using a Ouija Board at the Masonic Temple at which they were staying. If you missed out on seeing the Black Belles, they’ll be back in Cincinnati as one of the headliners for Midpoint Music Festival this September!
by Mike Breen
If the early onset of mugginess hasn't already, Riverbend presents a great concert tonight to get you ready for the summer, as The Beach Boys bring their 50th anniversary tour — featuring Brian Wilson on stage with fellow Boys Mike Love and Al Jardine for the first time in decades — to Cincinnati. Showtime is 7:30 p.m. and tickets are $21.50-$91.50. The band is rounded out by members Bruce Johnston and early guitarist David Marks, as well as several auxiliary players, many from Wilson's flawless solo band. The Boys have been playing shows that have lasted close to three hours (with an intermission), performing songs from throughout their career, including big early hits like "Little Deuce Coupe" and "409," as well as Pet Sounds cuts like "God Only Knows" and "I Just Wasn't Made for These Times," a couple of deeper album cuts (like "California Saga: California," a Jardine song from 1973's Holland album), songs from their new album, That's Why God Made the Radio, and "Kokomo," one of their worst tunes and also one of their biggest. Here's one of Wilson's mini "teenage symphonies for God," "Heroes and Villains," which has also been performed on the tour. Read our interview with Love and Wilson here. • If you like your music a little darker, all-female "Garage Goth" troupe The Black Belles are playing a free show at The Comet in Northside. The band's self-titled debut full-length came out last year on Jack White's Third Man Records and the group even collaborated with Stephen Colbert on his 7-inch single for Third Man, "Charlene II (I'm Over You)" (the Belles performed the song with Colbert on his show). Local rockers The Lions Rampant are also on the bill for tonight's free, 10 p.m. show. Here's the video for the Belles' second single off their eponymous debut, "Wishing Well."• Also on the "free, high-quality live music" tip — tonight's "American Roots" concert on Fountain Square. The every-Tuesday events spotlight local partakers of the various strains of Americana and Roots music. Tonight, it's a little bit Country, a little bit Rock & Roll, as local Kelly Thomas and the Fabulous Pickups and The Kentucky Struts join forces. They should be comfortable sharing a stage — Thomas and Ky. Struts frontman Todd Lipscomb perform together in the trad Country project, The Tammy WhyNots. The show runs from 7-10 p.m.
by Mike Breen
Baltimore experiemental Post Punk group joined by R. Stevie Moore for free show
Baltimore Noise Punk foursome Dope Body introduced itself to the Indie Rock world with the donkey punch that was last year’s Nupping,
the band’s first full-length. A chaotic barrage of guitar harmonics,
muscular drum/bass pummeling and howling vocals combine in Dope Body’s
assault, resulting in something that sounds like The Jesus Lizard jacked
up on speed (or Gang of Four jacked up on The Jesus Lizard). There
is an artfulness to the noise, but it’s the group’s hectic energy level
— which sometimes makes it seem like they’re going to fall apart at any
second — that first draws the listener in, as if sucked up by the
tornadic swirl, Dorothy-and-Toto-syle.
The herky-jerky rhythms are also alluring, occasionally falling into a
seemingly impossible groove that feels like some sort of alien Funk. You
can dance to Dope Body — you just might look a little convulsive. The band formed in 2008 and released a couple of EPs before Nupping came out on HOSS Records. For the band’s new LP, Natural History, Dope Body moves over to the higher-profile, much-respected indie label Drag City. Keep an eye out for the new release May 22. The band performs a free show at The Comet tonight at 10 p.m., joined by lo-fi, D.I.Y. icon R. Stevie Moore. Here is Dope Body's music video for the track "Enemy Outta Me."