by Rick Pender
Posted In: Theater
at 09:30 AM | Permalink
Andrew Hungerford announces four coming productions
Know Theatre formally introduced its incoming artistic director, Andrew Hungerford, before a full house on Wednesday evening. He might not approach the boundless energy of his
predecessor Eric Vosmeier (more on his half-dozen years at the helm here), but Hungerford has a kind of boyish
enthusiasm for the job he's taking on that feels fresh and infectious.
The crowd of supporters seemed enthusiastic about his engagement and were
especially pleased as he filled in details about coming productions for
the months ahead in 2014.
Know's 17th season "Adaptation," he stressed that shows he's selected
are adaptations of literary works, of different genres for the stage, of
people struggling with changing circumstances and — by the way — of a
theater company adapting to a new artistic director. He announced four
The Twentieth-Century Way
by Tom Jacobson (April). Two actors play more than a dozen roles to
recreate the true story of how, in 1914, police in Long Beach, Calif.,
hired two actors to entrap gay men in the crime of "social vagrancy."
(Summer). Inspired by episodic TV series, Know will present 15-minute
slices of six "series" every other week, commencing during the Fringe
(in early June) and proceeding through the summer. This promises to be a
playground for local artists to connect with audiences returning for
more during the summer months on Know's Underground stage, with the bar
nearby — and popcorn promised.
Harry and the Thief
by Sigrid Gilmer (August). The story of a guy with a time machine and a
plan to go back to the Civil War era, find abolitionist Harriet Tubman
and give her guns. Hungerford describes this play "a socially conscious
riot of a play that uses a form of a Michael Bay action movie to tell a
story full of adventure, social relevance, and answering the call of
(October). This one was previously announced, a stage version of Herman
Melville's immense 19th-century American novel about an obsessive sea
captain and a "great white whale." Hungerford will co-direct Julian
Rad's script with "local theatrical rabble-rouser" Michael Burnham
(recently retired from the drama faculty at CCM). The production mixes
sea shanties and inventive physicality with a text that explores issues
of youth, friendship, duty and how far a man like Captain Ahab will go.
an intriguing lineup, one that seems likely to keep audiences returning
for doses of Know's brand of off-kilter but engaging theater.
Crossing Wires Between Reality and Fantasy: Pluto
0 Comments · Wednesday, January 29, 2014
Know Theatre is presently staging Steve Yockey’s new play Pluto,
the second of four “rolling world premieres.” The work is not easy to
describe, to watch or to like. That’s not to say it’s not worth seeing —
but it’s challenging.
0 Comments · Monday, December 23, 2013
How was 2013 as a year for plays and
musicals in Cincinnati? From where I stand — or sit, since I’m most
often in a seat at one of our local theaters — it stacked up pretty
by Mike Breen
CincyMusic.com hosts a happy hour party featuring locally-shot live music photography
Tomorrow (Friday) at Over-the-Rhine’s Know Theatre of Cincinnati, a special photography collection will be on the display, showcasing some of the best work of local photographers who especially shine when shooting live music events.
In the spirit of the Reverberation: Capturing the Live Music Experience exhibit presented by FofoFocus at the Art Academy of Cincinnati this past September leading up to the MidPoint Music Festival, the photographers whose work is published at the great local music site CincyMusic.com have put together a collection of some of their favorite shots. The photos — by Jacob Drabik, Brian Bruemmer, Kelly Painter, Phil Dawson, Julia Huber, Matt Steffen, Mike Clare and Sarah McDermott — were all taken at club shows, festivals and concerts in the Cincinnati area (including ones from MidPoint and the Bunbury Music Festival).
CincyMusic.com hosts tomorrow's free event at Know, which kicks off at 5:30 p.m. and runs until 8 p.m. There will be light appetizers and the venue’s lower-level bar will be open for business. And if you're up for a little theatre afterwards, tickets are still available for Know's 8 p.m. staging of Bull, a play about adult bullying (timely!). Rick Pender reviewed Bull in CityBeat earlier this month, writing, "You won’t like anyone you see onstage in this savage tale. You’ll probably question your own enjoyment of the show’s dark humor and vicious actions. But the acting and staging of Bull make this a riveting piece of theater." Get tickets here or at the theatre if any remain.
0 Comments · Wednesday, October 2, 2013
in leadership is under way at Over-the-Rhine’s Know Theatre. Eric
Vosmeier, producing artistic director for the past half-dozen years, is
gradually handing over the reins to resident scenic and lighting
designer Andrew Hungerford. Know, an adventurous and occasionally
chaotic organization that began in 1997, is handling this evolution in a
surprisingly orderly fashion.
by Rick Pender
Posted In: Theater
at 09:23 AM | Permalink
A few good local
productions are winding up this weekend. On Labor Day weekend, you won't
find much onstage. But you have a couple of decent choices right now to
tide you over.
At the top of my list would be Chicago
at the Carnegie (CityBeat review here). It's a classic musical by Kander & Ebb, getting an
excellent staging — great performances (by some solid professionals
with Broadway experience as well as rising talent from universities
around the Tristate), great choreography (Bob Fosse's iconic style has
been updated in some very imaginative ways) and really hot orchestral
accompaniment (the musicians would be worth listening to on their own!)
It all adds up to some fabulous razzle-dazzle. Final performance is Sunday at 3 p.m. Tickets ($19-$26): 859-957-1940.
Know Theatre wraps up its run of Lauren Gunderson's very contemporary comedy, Toil and Trouble, which has echoes of Shakespeare's Macbeth from start to finish (CityBeat review here). Inspired by messages from fortune cookies (in place of Macbeth's
witches) A couple of slackers and their aggressive sportscaster
girlfriend concoct a crazy scheme to grab power and wealth. Of course,
it goes wildly wrong, with a lot of laughs along the way. Final
performance is Saturday at 8 p.m. Tickets ($20): 513-300-5669
And if you're a Woody Allen fan, you might want to board the Showboat Majestic at the Public Landing for Don't Drink the Water,
a play he wrote in 1966 that had a two-year run on Broadway. Set inside
an American embassy behind the Iron Curtain, the show features lots of
Allen's hallmarks: farcical situations, loopy characters and a high dose
of humor. Final performance is Sunday at 2 p.m. Tickets ($19-$20): 513-241-6550
The current issue of CityBeat includes previews of the fall arts season. It's online here, including my suggestions about shows from local theaters here.
0 Comments · Wednesday, August 21, 2013
A year ago, Know Theatre announced a
strategic plan to shift away from being a traditional company offering
annual seasons. Instead, Know announces programming on a rolling basis.
That led to a lighter-than-expected stretch in 2012 and 2013, which
nonetheless featured several excellent productions.
by Rick Pender
Posted In: Theater
at 08:18 AM | Permalink
Summer is flying by, or so it seems. This is the final weekend for you to see Cincinnati Shakespeare's production of The 39 Steps (CityBeat review here),
a satiric adaptation of Alfred Hitchcock's classic 1935 film of
espionage and intrigue. Making it all the more amusing is the fact that
the story is performed by four actors, two of whom play most of the
citizens of London and beyond, using a lot of quick changes and quick
thinking. It's a very entertaining evening of tomfoolery, featuring four
of Cincy Shakes' most talented comedic actors. Your last chances to see
the show are Friday and Saturday at 7:30 p.m. 513-381-2273.Another entertaining production is Lauren Gunderson's very new play, Toil and Trouble (CityBeat review here),
at Know Theatre. It's a comedy about contemporary slackers trying to
make a quick buck that's got a very Shakespearean ring to it — Macbeth,
to be precise. The humor presses a bit too hard at moments, but if you
go to have a good time, you'll definitely find one. Instead of warriors
and kings vying for the throne, this one focuses on 30-year-olds trying
to strike it rich without working too hard — but the echoes of the
Elizabethan tragedy can't be missed. There's a steady stream of sports
talk, too, making comparisons between baseball and life. It's a strange
brew, but plenty of laughs. Through Aug. 24. Tickets: 513-300-5669.
are always popular, but for some reason they seem especially attractive
fare in the summer months. So we can say thanks to the Carnegie in
Covington for serving up a tasty one, Kander and Ebb's Chicago,
an all-time Broadway favorite. This production — the sexy, salacious
tale of murderous women in Chicago in the 1920s — features choreography
by Broadway veteran and Cincinnati native David Baum in his local
professional debut. Word has it that he's put together some of the most
inventive choreography seen on local stages in a long time. The
production opens on Saturday evening (7:30 p.m.) and repeats on Sunday (3 p.m.). It continues for two more weekends, through Aug. 25. 859-957-1940.
Also onstage this weekend (and running through Aug. 25) is Woody Allen's hit Broadway comedy, Don't Drink the Water.
Amusingly, it's on board the Showboat Majestic (where you definitely
don't want to drink the water) — but it's a humorous tale of tourists
caught in an American embassy behind the Iron Curtain. Lightweight
entertainment, but a lot of fun. 513-241-6550.
by Rick Pender
Posted In: Theater
at 08:10 AM | Permalink
Cincinnati Shakespeare Company is offering a double dose of entertainment this weekend. First and foremost is The 39 Steps at CSC's mainstage (CityBeat review here). If that title sounds familiar, it's because it was a
classic espionage novel a century ago, made into a classic film by
Alfred Hitchcock 80 years ago, now turned into a very funny riff on its
predecessors as a play using only four actors to fill all the roles. CSC
has ramped up the humor by using four of its best comedic actors — Nick
Rose, Miranda McGee, Justin McComb and Billy Chace — who play the
principals, plus much of the population of London, especially McComb and
Chace who will make you dizzy as they shift from one part to another,
sometimes within seconds. It's actually a faithful retelling of the
story, but it's amped up to a high level of hilarity by the onstage
shenanigans. It adds up to great summertime humor. It's being performed
through Aug. 11. Tickets: 513-381-2273, x1.
One show isn't enough for CSC: This weekend they also
launch their annual free Shakespeare in the Park tour with a performance
of Romeo & Juliet at Boone Woods Park in Burlington at 7
p.m. on Saturday. (If you live north of the river, you'll get your
chance next Wednesday evening at Eden Park's Seasongood Pavilion or at
Burnet Woods in Clifton on Thursday.) As noted, these are free
presentations, presented in classic Elizabethan style and use six actors
from the company's resident ensemble. These are the same productions
that CSC tours to schools and community centers, so they're great for
the entire family. A week from now they'll start performing A Midsummer Night's Dream at some locations. For a full schedule, go here.
Shakespeare is behind the story of Toil and Trouble, the
current offering at Know Theatre. It's a new play (this is just the
second time its been produced; its world premiere was in California last
fall) that offers a contemporary riff on Macbeth (CityBeat review here).
Instead of kings and warriors, however, its characters are a pair of
thirtysomething slackers and Beth, a wildly ambitious sportscaster who
has more testosterone than either of the guys. There's a lot of wacky
moments in this play, replaces Macbeth's witches with fortune
cookies and the kingdom of Scotland with an almost unpopulated island
off the coast of Chile. You can pick up on the laughs through Aug. 24.
At the Covedale Center for the Performing Arts, the annual production by Cincinnati Young People's Theatre is Grease,
a tried-and-true musical about kids in the ’50s at Rydell High. Sixty
years haven't dimmed the musicality of the show, and the youthful
performers will bring this one to life if you're in the mood for a
classic. It wraps up with a matinee on Sunday. Tickets: 513-241-6550.
While the Cincinnati Symphony's LumenoCity
isn't exactly theater, the performances in Washington Park on Saturday
and Sunday evening — with a dazzling light show on the facade of Music
Hall — will definitely be theatrical. It's the debut for Louis Langree
as the CSO's new music director, and the program will feature performers
from Cincinnati Ballet and Cincinnati Opera. But the big deal is the
colorful illumination that will let you see historic Music Hall in a
light you've never imagined. It's free, starting at 8:30 p.m. both
nights; big crowds are expected, so come early. Don't you wish the
streetcar were already here so you could ride it to Over-the-Rhine?