all those statistics we heard a few years back about the vast disparity in the
distribution of wealth in our country — and how the worst area of all could be
found in Cincinnati’s Over-the-Rhine?
It’s a brave journey, changing genders —
not to mention one that most of us perhaps have never imagined and will never
experience. Rebecca Kling shares and bares all in her solo show, Something Something New Vagina.
a medium that allows metaphor to really breathe, and Elizabeth Harris’ play
does just that. The well-established Cincinnati playwright’s collaboration with
Homegrown Theater proves to be a provocative, cerebral and often painful
Tolstoy’s famous opening line to Anna
Karenina proposes that all happy families are
alike, while each unhappy family is miserable in its own way. Patchwork’s entry
for the 2014 Fringe, Bebe, proves the
opposite can also be true.
York-based writer and solo performer Joe Hutcheson returns to the Cincinnati
Fringe Festival with his new show, Son of
a Hutch, a wryly funny riff on his memories of growing up gay in the shadow
of his macho father.
The idea of rape as a life-changing event is certainly not
new ground; it’s been the stuff of movies, plays and public service television
for years. Yet Trey Tatum’s Slut Shaming,
as directed by Bridget Leak, tells us in no uncertain terms that it is other
people — not the rapist — who most influence the aftermath.
New Edgecliff Theatre returns to Fringe with
Will Eno’s 2008 TRAGEDY: a tragedy in
which a local television news anchor and three reporters in the field cover the
unfolding media drama of “the event of ‘night.’” Is it merely nightfall as
usual? Or does the apocalypse come under the cloak of darkness?