Four impressive shows round out Cincinnati Opera's upcoming season
0 Comments · Wednesday, June 12, 2013
One intriguing opera in a new venue plus
three warhorses equals Cincinnati Opera’s summer season. Factor in casts
featuring many of opera’s most exciting and acclaimed young singers,
along with young directors and acclaimed conductors, and the formula may
come up a winner.
World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season
0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are
the thematic elements of Cincinnati Ballet artistic director and CEO
Victoria Morgan’s full-length world premiere, King Arthur’s Camelot,
opening this weekend with five performances at the Aronoff Center.
0 Comments · Wednesday, February 19, 2014
Brainstorming various aspects of the concept of time marked the impetus of MamLuft&Co. Dance’s most recent work, /SHIFT/, premiering at the Aronoff Center this weekend.
Cincinnati Chamber Orchestra turns 40 amid fiscal and leadership challenges
0 Comments · Wednesday, May 28, 2014
The Cincinnati Chamber Orchestra concludes
its 40th season on June 1 amid symptoms of classic midlife crisis.
There’s no equivalent of a red Porsche, but there are serious concerns
about the organization’s viability and how it might reinvent itself in a
continually uncertain marketplace.
The eclectic Constella Festival aims to change how people think about Classical music events
0 Comments · Wednesday, April 8, 2015
The Constella Festival rolls out its
fourth season this week, marking not only a shift in timing, but also
lessons learned from its previous three years, according to Artistic
Director Tatiana Berman.
0 Comments · Tuesday, March 31, 2015
Matt Distel’s smartly curated exhibition, Now Here: Theoretical Landscapes, is a broad
sampling of more than 20 regional artists who mine personal and
universal landscapes to present hypothetical meditations on locations of
space and time.
0 Comments · Tuesday, March 31, 2015
When I was a high school senior and the teacher who staged the school plays — her name was Mary Price — picked Shakespeare’s The Taming of the Shrew,
there was a lot of moaning and groaning. Why do we have to perform in
some dusty old play from centuries earlier?
Tracey Scott Wilson's plays keep people talking about race in America
0 Comments · Wednesday, March 25, 2015
Tracey Scott Wilson, whose recent play Buzzer
opens this week at Cincinnati Playhouse in the Park (it’s onstage
through April 19), once said in an interview, “The biggest issue we have
in this country is race, and it’s an issue that Americans don’t talk
by Steven Rosen
Posted In: Visual Art
at 08:58 AM | Permalink
One of my favorite Cincinnati artists is Rondle West, whose "assemblage sculptures" round up all manner of strange found objects (often toys) and adheres them, sometimes like appendages, to the surfaces of "host" objects. They can look like something ready to start walking or like shelving that has been attacked by miniature aliens. The finished work often has a monochromatic, other-worldly appearance.I was hopeful his association last year with Miller Gallery would lead to a large, dramatic, high-profile one-person show, but it didn't. Now, the 2014 piece "My Date With Barbie" has turned up in an unexpected but welcome place, the front window of Electronic Arts at 1428 Race St. It's just the right touch of creative weirdness needed for an OTR store window, and it's great to look at its pinkness as other buildings reflect on the glass and add their own richness to the view. Definitely worth a visit.
Jimmy Baker and Terence Hammonds on their inclusion in Crystal Bridges’ upcoming survey of American art
0 Comments · Wednesday, September 17, 2014
Cincinnati-based artists — Assistant Professor of Painting at the Art
Academy of Cincinnati Jimmy Baker and Rookwood Pottery artist Terence
Hammonds — are included in the upcoming Crystal Bridges national survey
of contemporary American artists, State of the Art: Discovering American Art Now.