WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Mike Breen 01.29.2013
Posted In: Live Music, Local Music, CEAs, Reviews at 09:29 AM | Permalink | Comments (5)
 
 
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CEAs 2013: Local Music Love Fest

Sixteenth Cincinnati Entertainment Awards was another epic celebration of local music

On Sunday night, hundreds of local musicians — as well as the many of the fans who love them — had Covington's Madison Theater packed to capacity to celebrate the 16th annual Cincinnati Entertainment Awards. It was another love fest, as the music, laughs, camaraderie and drinks flowed throughout the tight three-hour ceremony/party CityBeat founded over a decade and a half ago as a means of honoring Greater Cincinnati's music makers (and, originally, local theater artists and productions). Though it has lessened over the years as more people have grown to understand the CEAs better, there is still plenty of griping about the awards every year. The vast majority of complaints are about who gets nominated. It's understandable in light of the talent that is overlooked annually. Having so many talented and deserving artists in our city making quality music is a good problem to have. But if every worthy musical act in the Tri-State area were to be nominated for a CEA each year, the categories would include dozens of nominees and the show itself would have to be a sleepover affair. You think the Oscars are too long? Sit through one 16-hour CEA show and you'll be begging for a witty Billy Crystal musical number.Like every year, the sport of CEA bashing is quickly forgotten once inside the venue for the ceremony. The awards celebration is the one time of the year where fellow musicians from every genre — some friends already, some friends-to-be, others perhaps only known via social media messages — gather in one place. There doesn't seem to be a ton of competitive spite within our music scene and the musicians I've talked and worked with, for the most part, are always pretty down to earth. (As if on cue, the griping returned right after the show — a comment on Sunday night's blog post featuring the winners of this year's awards deemed the whole program an embarrassment. Sixteen years of my life, wasted! Oh, anonymous trolls, where would you be without the internet?)The CEAs can't help but become a communal love fest. (Yes, the drinking probably helps this quite a bit, as well.) In general, there seems to be a lot of internal support amongst local musicians, and it feels like external support and appreciation (outside of jerky, anonymous comments) is on an upswing. The CEAs are always a great reflection of that community spirit. Ben Davis of Indie Pop duo Bad Veins kicked off the CEAs with his trademark taped accompaniment, but without bandmate, drummer Sebastien Schultz. Davis' performance was still compelling, capped off by that timeless ode to magic and mystery, The Muppets' chestnut, "Rainbow Connection." The singer/multi-instrumentalist set the tone (and the bar) for the night's performances, which included plenty of revelations and some fun, novel surprises. Those unexpected moments are always the performance highlights of any awards show and this year's CEA lineup and production provided loads of highlights. Local Boogie Woogie torchbearer Ricky Nye rumbled through a great set of rollicking Blues, building up to a cool collaborative climax as Blake Taylor and Jonathan Reynolds of fellow CEA "Blues" category nominees 46 Long joined the pianist/singer. Nye and 46 Long had been embroiled in a mock online feud leading up to the show. Music heals! (Nye ended up winning the category.)International Punk sensations The Dopamines gave the show a jolt with their explosive performance, launching into Guided By Voices' "A Salty Salute," but only after bassist Jon Weiner managed to insult nerds and "old fucks" in his introduction (they're "Punk," he reminded everyone later). From there, the trio launched into a mini-set of their own adrenalized anthems with fiery swagger. Fans were made.The same can be said for singer Jess Lamb, the soulful vocalist who wowed the crowd with a few hypnotic songs, joined by her guitarist and bassist (who doubled on throbbing kick-drum). The sparse set-up belied the soaring sounds conjured, guided by Lamb's remarkable voice. Lamb was nominated for a CEA in the R&B/Funk/Soul category, a testament to her unique sound, which comes closer to resembling Florence and the Machine than, say, Usher. We may need to create an "Alternative/Soul/Rock" category to accommodate Lamb next year. The Hip Hop/Rock band Gold Shoes are also keen hybridizers, and their CEA performance was a great display of the group's unique spin on Hip Hop fusion. The band provides a dynamic backdrop that's spiced with elements of Funk, Rock, Pop, Jazz and beyond. But the group isn't just providing a playground for frontman Buggs Tha Rocka to unleash his tight, captivating flow. The group writes melodic songs with strong, unique chorus hooks. Their CEA performance was a clinic on how to combine Hip Hop with other types of music without sounding like a cheap Pop grab (" … featuring Adam Lavine!"), Gym Class Heroes or, God help us all, Limp Bizkit. The Cincinnati USA Music Heritage Foundation, which provided a great experience for VIP ticket buyers in the balcony, reminded everyone of the Queen City's place in shaping popular music with a segment presented by the group's president, musician Marvin Hawkins. After talking a bit about the organization's plans to continue honoring the area's rich musical past in 2013 (expect a lot of King Records-related events in honor of the locally-based groundbreaking label's 70th anniversary), Hawkins joined a host of local Roots musicians for a spin through a pair of songs from the recent collection, The Lost Notebooks of Hank Williams, a project spearhead by Bob Dylan that involved writing songs from a cache of unearthed lyrics written by the American music icon. The all-star band assembled — including Magnolia Mountain's Mark Utley and Renee Frye, David Rhodes Brown and Sylvia Mitchell — expertly played songs they had recorded at the Music Heritage Foundation's downtown headquarters, in the same space once occupied by Herzog studios, the site where Williams recorded "Lovesick Blues" and other classics. The CEA show itself ran smoothly and first-time host Ted Clark proved to be a great fit for the show. Clark's deadpan, sardonic humor — familiar to those who flock to his "live talk shows" at MOTR Pub — was reminiscent of Zach Galifianakis and sometimes he had great lines that were maybe to subtle for the CEA's "party atmosphere." But from those of us paying attention — bravo, Mr. Clark.There was an array of entertaining acceptance styles from the winners, ranging from choked-up and sincere to pumped-up and enthusiastic to more matter-of-fact. Wussy had a huge night, taking home the Album of the Year (for Strawberry) and Artist of the Year CEAs, capped by some funny lines while accepting. Drummer Joe Klug joked that, for anyone doubting they deserved the Artist award, Wussy "played Little Rock, Ark., four times in the past year."The award presenters — a collection of local music supporters and personalities, mostly from radio and press outlets, as well as sponsor reps — did a great job hammering home the "support local music" message of the CEAs' mission. But presenter and CityBeat Arts and Culture Editor Jac Kern provided one of the funniest bits in CEA history with her tribute to Beyonce — via a soon-cut-off lip-synced performance of the National Anthem. Culture Queer capped off the show (or warmed up the after party?) with a set that captured the fun of the night, rocking out a trio of quirky, animated Electro Indie Art Pop gems with their trademark film backdrop. The sprightly CEA trophy hostesses came out for some dancing on finale "Born Again," their funky get-ups matching CQ's twitchy, offbeat anthem — and the jubilant, colorful energy of the entire night — perfectly.Click here to see who won what and here for some photos from the event. The CEAs were filmed this year and will be airing on local cable soon. Keep an eye on this blog for dates and times. 
 
 
by mbreen 01.27.2013
Posted In: Live Music, Music News, CEAs at 10:42 PM | Permalink | Comments (2)
 
 
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Cincinnati Entertainment Awards: The Winners

The winners from tonight's epic CEA blowout at the Madison Theater

It was another epic Cincinnati Entertainment Awards ceremony tonight at the Madison Theater, as a full house celebrated some of the best Greater Cincinnati music has to offer. And drank. A lot.The show went off great, with some excellent live performances from nominees and lots of fun from new host Ted Clark. I'll have more on the CEA show tomorrow (the afterparty is still in full effect as I type this), but gotta give props to CityBeat's own Jac Kern, who provided one of the funniest moments in CEA history before presenting the CEA for Hip Hop. Beyonce ain't got nothing on you, Jac! More tomorrow (fear not — the show will actually be broadcast on cable this year; details coming soon), but, in the meantime, here's who won what at tonight's ceremony. Wussy — which has been on a serious roll since releasing the fantastic Strawberry near the end of 2011 (it made the cut-off for this year's awards, since the album came out around the same time as the last CEAs) — had the best night, taking home both the Artist of the Year and Album of the Year CEAs. Congrats to all of the nominees and winners and everyone who showed up to party. Y'all are crazy. 1 Country - Mason James
2 Jazz - Blue Wisp Big Band
3 Singer/Songwriter - Kelly Thomas4 World Music/Reggae - The Cliftones5 Metal - Pulse8
6 Blues - Ricky Nye7 Alternative/Indie - The Seedy Seeds8 Hip Hop - Gold Shoes9 Folk/Americana - The Tillers
10 Rock - Buffalo Killers
11 Bluegrass - Rumpke Mountain Boys
12 Electronic - You, You're Awesome
13 Live Act - 500 Miles to Memphis
14 Hard Rock - Chakras
15 R&B/Soul/Funk - The Cincy Brass
16 Punk - Switchblade Syndicate

17 Best new Artist – DAAP Girls
18 Album of the year - Wussy's Strawberry19 Artists of the year - Wussy
 
 

Cincinnati Entertainment Awards Return Sunday

Annual celebration of Greater Cincinnati musicians enters 16th year

0 Comments · Wednesday, January 23, 2013
The 16th annual Cincinnati Entertainment Awards — honoring Greater Cincinnati's local music scene — take place at the Madison Theater in Covington this Sunday, featuring live performances from Bad Veins, The Dopamines, Jess Lamb, Gold Shoes, Ricky Nye and much more.   

'Girls' Just Want To Have Funk

Along with their fun live shows, DAAP Girls’ “Gutter Funk and Rock ‘n’ Soul” is earning a local following

0 Comments · Wednesday, January 16, 2013
The band known as the DAAP Girls is made up of all guys, has barely anything to show as far as web-presence and has yet to release any music. Still, they have been chosen as a nominee for the Cincinnati Entertainment Awards’ New Artist of the Year, and rightly so.    

Exploring the Country Side

Jeremy Pinnell and the 55s make honest old-school Country music with an edge

0 Comments · Wednesday, January 16, 2013
These days, it’s more and more unusual to see a so-called “Country music band” that features a pedal steel guitar onstage. Now, in Cincinnati, believe it or not, there is band carrying a steel guitarist called Jeremy Pinnell and the 55s.   

Hotter Than Hell's Heavy Hinges

Heavy Hinges exude the joy and channel the sadness of their first year together

0 Comments · Wednesday, January 16, 2013
The New Artist nomination for Heavy Hinges might be the most ironic of this year’s slate of Cincinnati Entertainment Awards candidates.   

Cincinnati Entertainment Awards' Lineup Announced

Plus news on The Cliftones, School of Rock Mason and two new local bands

0 Comments · Wednesday, January 16, 2013
The lineup for this year's Cincinnati Entertainment Awards (Jan. 27 at Covington's Madison Theater) will feature a broad genre mix of nominees.   

That New Band Smell

0 Comments · Wednesday, January 16, 2013
A music scene is only as good as its new artists. This Friday at Bogart’s in Corryville, the Cincinnati Entertainment Awards’ first New Music Showcase takes place, featuring CEA nominees Heavy Hinges, Public, The Natives, Ohio Knife, DAAP Girls and Jeremy Pinnell and the 55s.   

CEA Tickets Now Available

Plus, kids' music superstar Zac Morgan celebrates major label debut Saturday

0 Comments · Wednesday, December 19, 2012
Tickets for the 16th annual Cincinnati Entertainment Awards, honoring some of the best of the local music scene, are on sale now and would make a great stocking stuffer, as would Cincinnati singer/songwriter Zak Morgan's major label debut, the kids' music masterpiece, The Barber of the Beasts.   
by Mike Breen 12.14.2012
Posted In: CEAs, Live Music, Local Music at 12:14 PM | Permalink | Comments (3)
 
 
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Voting Opens for Cincinnati Entertainment Awards

Vote online for your favorite Greater Cincinnati musicians of 2012

Voting for Greater Cincinnati's annual celebration of our amazing local music scene, the Cincinnati Entertainment Awards, is now open. Vote for your faves or, even better, do some research online, check out all of the nominees and THEN pick who you think is most deserving. Click here to get started on your ballot. The 16th annual CEA ceremony will be held at Covington’s Madison Theater on Jan. 27, featuring more live performances than ever and first-time host Ted Clark, known for his monthly “live chat show” Ted Clark After Dark. Ted will present a special edition of Ted Clark After Dark at the after-party, this year held at The Loft, just around the corner from the Madison and above Tickets (the former home to the Rock club Radio Down). The after-party will also include the annual “Fashion Trashies,” presented by members of local Indie Pop legends The Fairmount Girls and honoring the best/worst/weirdest-dressed CEA attendees.Tickets to the Jan. 27 ceremony/party will go on sale this coming Wednesday through CincyTicket.com. Proceeds from ticket sales are being donated the Cincinnati USA Music Heritage Foundation. Another new aspect of this year’s CEAs involves the “New Artist of the Year” nominees. The acts nominated in that category will perform at the first-ever CEA new music showcase at Bogart’s on Jan. 18 (confirmations pending). Audience votes at the event will help determine the winner of the category, along with votes from the nominating committee (who also choose the Album and Artist of the Year winners). Tickets for the new music showcase will go sale soon through Ticketmaster. Now, a few words on "the process." Since the nominees were announced on Wednesday, I've received several queries asking "How do I get nominated for a CEA?" from various artists and/or their representatives. It's the same answer found in the old joke, "How do you get to Carnegie Hall?" Practice. And also work hard and keep spreading the word about your awesome music.As has been the case in the entire the 16-year existence of the CEAs (and as has been noted every year in our coverage of the event, including this year), a nominating committee is assembled each year to determine the CEA nominees. These include writers, promoters, club owners, local-music radio hosts and others whose opinion on local music-makers we trust. This year's committee included approximately 40 such people. We try our best to include those whose expertise is either wide-ranging or specific to a particular genre represented in the CEA categories. (Judges do not have votes counted if they're cast for an artist with whom the judge directly works.)This year, invitations to participate in the nominating process were sent out to nearly 70 people, so obviously certain experts declined to participate, missed the deadline for nominees or just ignored our request. The committee is asked to nominate up to three artists per category who caught their eyes and ears this past year. The only guidelines are that the artists should have been active in the past 365 days, the nominees should be largely original (though certainly talented, straight-up "cover bands" are generally not eligible) and the judges are also instructed to give special consideration to any act that has released new recorded material in that same time-frame. The CEA nominating judges are listed in the CEA "program" annually. I will not release their names here because I've personally received many rude or stupid emails telling me what an idiot I am for not nominating "fill in the blank." The nominating committee was kind enough to participate; I don't want to open any of them up to such haranguing and harassment. Finally, I'd just like to say that every year there are TONS of really great acts that deserve a nomination but don't get one. It's not personal. It's not "political." It's not "who you know." It's simply a matter of time and space. If every artist who deserved a nomination got one, the CEA show itself would run 16 hours — and that's just to read the nominations for each category. I agree to some extent that award shows like these are a little frivolous and that the process for nominations isn't perfect. It never is, for any awards show. We have thought about letting the public nominate the artists (a la the long-gone "CAMMY" awards presented by The Enquirer), but ultimately feel that the way the CEA process is set up works best. Because, ultimately, whoever wins their category is going to deserve it. Though we take the process seriously, we've always thought of the CEAs as more of a celebration than a contest. I invite you to think of it the same way and join us for the show, whether you were nominated or not. The CEAs are for the ENTIRE Greater Cincinnati music scene. The awards are just a good excuse to get everyone together. Instead of being a sore sport about your lack of attention, come out and congratulate and party with your fellow nominees.
 
 

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