WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Rick Pender 02.03.2012
Posted In: Theater at 10:29 AM | Permalink | Comments (0)
 
 
screen shot 2012-02-03 at 10.37.12 am

Stage Door

'The Whipping Man,' 'Spring Awakening,' 'Red' and 'Collapse' are all worthy weekend productions

Each week in Stage Door, Rick Pender offers theater tips for the weekend, often with a few pieces of theater news. The Whipping Man is drawing big audiences for Ensemble Theatre of Cincinnati. In fact, they’ve added several performances extending the closing date from Feb. 12 to Feb. 18. It’s the story of Simon, a dedicated former slave who remains in a ruined mansion in 1865 Richmond in the days just after the Civil War. Caleb, the wounded son of his former master, stumbles in (desperately needing some horrendous surgery) and then does John, another former slave, a young man raised side by side with Caleb. The slave-owning family was Jewish, and it’s almost time for Passover, which they must celebrate with limited means. It’s a powerful show about freedom and responsibility with a plot that will keep you guessing. As I noted recently in this week's Curtain Call column, director D. Lynn Meyers gets the most from her cast, especially Ken Early as Simon. This one is a must-see. Box office: 513-421-3555

Read More

 
 

'Open to the New'

Cincinnati's “Classical” music scene moving in exciting new directions

0 Comments · Wednesday, August 31, 2011
What is “new music” within the classical music genre? Philip Glass’ Cello Concerto, which receives its world premiere at the Cincinnati Symphony next year? CCM composer Michael Fiday’s “9 Haiku” for flute and piano performed last year by concert: nova? Leonard Bernstein’s 1937 Trio Sonata that gets its first local performance by the Morgenstern Trio in March? And is there even an audience for contemporary music?  

Read My Scripts

0 Comments · Wednesday, August 17, 2011
While you might think of a play or a musical as entertainment — which it is — there’s another dimension worth considering. They are also works of literature, words written on a page meant to be spoken or perhaps sung. The success or failure of a performed work often hinges on the quality of the words in a play’s script or a musical’s book.  

Multicultural Exchange

CCM, Beijing’s Central Opera and local Chinese Music Society collaborate

0 Comments · Tuesday, January 25, 2011
Puccini’s opera Turandot challenges even the biggest opera companies. But if the singers have the dramatic heft required and the orchestral and choral forces are on board, outsize sets and costumes hardly matter. Fortunately, UC’s College-Conservatory of Music has the musical resources to mount a concert performance of Turandot, presented in collaboration with Beijing’s Central Opera Troupe and the Greater Cincinnati Chinese Music Society.  

Carlisle Floyd's Iconic Composer Exposure

CCM students get a chance to work with a true American opera legend

0 Comments · Tuesday, November 16, 2010
When CCM staged Carlisle Floyd's opera 'Of Mice and Men' last May, the composer was on hand for opening night. He was so impressed that when opera department head Robin Guarino asked him to return to work with students he immediately accepted. Floyd has been coaching CCM students since Nov. 10, culminating in a public performance of excerpts from his operas Wednesday.  

Walking on A.I.R.

Violist ecstatic over being named Taft’s Duncanson Artist-in-Residence

0 Comments · Wednesday, October 27, 2010
As it stands now, there is barely any free time in the schedule of violist Nokuthula Ngwenyama. The married mother of two is a world-class instrumentalist and teacher with a constantly full slate of concert appearances and recording sessions, and the juggling necessary to balance it all could be considered just another of her many skills.  

Anything Goes (Review)

CCM's presentation of Cole Porter tunes will stick in your head for days

0 Comments · Monday, March 1, 2010
Some contemporary theatergoers bemoan today's lack of tuneful musicals. That's because of shows like Cole Porter's 1934 hit, 'Anything Goes,' currently at UC's College-Conservatory of Music. Roughly 30 performers belt out tunes that have been standards for decades: "You're the Top," "It's De-Lovely," "I Get a Kick Out of You," "Let's Misbehave" and "Blow, Gabriel, Blow" will be stuck in your head for days if you go.  

Wake-Up Call

Provocative rock musical 'Spring Awakening' beautifully explores teen sexuality, violence and suicide

0 Comments · Monday, January 11, 2010
Once every generation or so a Broadway musical turns the complacent world of happy entertainment upside down. The current generation’s trendsetter, Spring Awakening (2006 Tony winner), about adolescents dealing with coming-of-age anxieties, is onstage in a touring production Jan. 12-24 at the Aronoff Center.  

Flipping the 'Bird

Acclaimed ensemble eighth blackbird continues to shatter Chamber music expectations

0 Comments · Monday, January 4, 2010
The new year for Chamber music opens with strings. And flutes. And clarinets, prepared piano, flexatones, harmonicas, bongos and cowbells. That's standard operating procedure for eighth blackbird, the wildly innovative sextet acclaimed as the country's premier contemporary music ensemble (performing Jan. 12 at CCM). Acknowledges flautist Tim Munro, "We like to wreak havoc in a creative way."  

CCM Is Broadway's Farm Team

0 Comments · Wednesday, November 11, 2009
The University of Cincinnati's College-Conservatory of Music is one of the best musical theater training programs at any American university. The program was established slightly more than four decades ago, and its graduates have been lighting up Broadway ever since. Most recently, grad Karen Olivo picked up a 2009 Tony as Anita in the Broadway revival of 'West Side Story.'   

0|3
 
Close
Close
Close