What should I be doing instead of this?
 
WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 
by Rick Pender 10.16.2015
Posted In: Theater at 10:36 AM | Permalink | Comments (0)
 
 
stage door 10-16 - bruce cromer as willie loman in death of a salesman @ cincy shakes - photo mikki schaffner

Stage Door: A Dying Salesman, Barbra Streisand and a Prince in Search of Meaning

There are almost too many good shows for you to enjoy this weekend, but depending on what you like, you’ll probably find it somewhere.Cincy Shakes production of Death of a Salesman doesn’t open until tonight, but all sings point to a strong production, headlined by one of our region’s best actors, Bruce Cromer, as beaten-down Willie Loman, who I interviewed for my CityBeat column this week. He’s matched with another fine local stage performer Annie Fitzpatrick as Willie’s faithful but worried wife; two of the Shakespeare team’s excellent company of actors, Jared Joplin and Justin McCombs, play Willie’s sons who can’t quite bear up to the weight of his expectations. Arthur Miller’s play is one of the greatest, a winner of the Pulitzer Prize and Tony Award. So if it’s serious drama, get tickets for this one, onstage through Nov. 7: 513-381-2273. Want something more frivolous and entertaining, but still a great performance? Show up at Ensemble Theatre for Buyer and Cellar, a one-man show about a guy pretending to be a shopkeeper in a vast basement treasure trove of acquisitions on Barbra Streisand’s Malibu estate. It’s 90 minutes of non-stop storytelling, rooted in a real place — but with a fantasized chain of events. Actor Nick Cearley is a comic gem, performing in a smartly written script that requires him to conjure up not just Alex, the actor hired to wait on Barbra, “the customer” (one and only), but the singer herself and a handful of others. Great fun to watch. Here’s my review. Through Nov. 1. Tickets: 513-421-3555.If you love a good Broadway musical, you need to show up at the Aronoff and score a seat for the touring production of Pippin. (CityBeat review here.) It’s a show from 40 years ago (by Stephen Schwartz, the creator of Wicked more recently), but this version of an award-winning Broadway revival from two years ago is full of Cirque du Soleil-styled acrobatics, as well as some great songs and performers. It’s a sort of fairytale embroidered from a real historical character from the 9th century, the son of the monarch who launched the Holy Roman Empire. It’s about the young Pippin’s arduous search for a meaningful life. The “Leading Player,” a kind of emcee/storyteller, is Gabrielle McClinton, who handled the role on Broadway for part of its two-year run there, and Charlemagne, Pippin’s father, is played by veteran actor John Rubinstein — who originated the title role back in 1972. (He’s 68 now, but still an energetic, animated performer.) Tickets: 513-621-2787.Shows previous opened that are also worth seeing include the very serious drama Extremities at the Incline Theater in E. Price Hill (tickets: 513-241-6550), onstage through Sunday; and Sex with Strangers, a very modern romance about writers who envy one another’s careers and lust after one another’s bodies, has another week and a half at the Cincinnati Playhouse (tickets: 513-421-3888).Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 

Twenty Years of the Aronoff

Once controversial, the multifaceted performing arts center is now downtown’s go-to venue

0 Comments · Wednesday, October 14, 2015
As the Aronoff Center for the Arts marks its 20th anniversary on Oct. 21, it’s generally known as the place to be for major performances by Broadway touring shows, lectures, comedians, musical acts and more. But back in the early 1990s, it was a controversial project.  

From The Ground Up

World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season

0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are the thematic elements of Cincinnati Ballet artistic director and CEO Victoria Morgan’s full-length world premiere, King Arthur’s Camelot, opening this weekend with five performances at the Aronoff Center.   

Cultural Traditions Inspire Story of Community

0 Comments · Wednesday, October 29, 2014
 Zvi Gotheiner's modern dance company appears this weekend for the second time in Cincinnati as part of ZviDance/Dabke, presented by Contemporary Dance Theater.   

Exhale Dance Tribe Celebrates 10 Years in Cincinnati

0 Comments · Wednesday, February 4, 2015
This weekend, 14 Tribe dancers (along with Hubbard, who will solo) will perform at the Aronoff’s Jarson-Kaplan Theater in a mixed bill revisiting a selection of characteristic vignettes from the past 10 years of evening-length productions.  
by Rick Pender 04.10.2015
Posted In: Theater at 08:10 AM | Permalink | Comments (0)
 
 
stage door 4-10 - 110 in the shade @ ccm - (l-r) ben biggers, john battagliese & brianna barnes - photo adam zeek copy

Stage Door: The Heat Is on at CCM ... And All Over Town

There's a ton of theater opening up this weekend, something for just about every taste. But if you're looking for something free, I have a special recommendation: It's 110 in the Shade at UC's College-Conservatory of Music. This is a production in the Cohen Family Studio Theater (an intimate black box venue that seats about 150). The production is in the "Musical Redux" series, bringing back a show that's not often produced. 110 dates back to 1963. It's the story of Lizzie Curry, on her way to being an "old maid," who lives with her dad and her brothers. A charming con man shows up posing as a rainmaker and promises relief to drought-stricken farmers. Is he for real? Lizzie has her doubts, but he works hard to win her over. CCM Studio productions are free, but reservations are required (513-556-4183), and performances are often filled up. This one is likely to be a lot of fun; it's this weekend only, final performance at 8 p.m. Saturday.I gave Cincinnati Shakespeare's The Taming of the Shrew a Critic's Pick in my CityBeat review here. It's lusty and lewd, and the battle of the sexes has never been fought in a more entertaining way. Two of the company's veteran actors, Nick Rose and Kelly Mengelkoch, play Petruchio and Katherine, and they mix it up with with and humor. Definitely an entertaining evening. Tickets: 513-381-2273.A week ago I had a chance to see one of the Cincinnati Playhouse's current touring productions (this one is aimed at kids in grades K-3), Bird Brain. It's funny fable that teaches a lesson that strange behavior isn't always foolish. More info here. This weekend it will be presented at Springfield Townships Grove Banquet Hall (Friday at 7 p.m.), The Drama Workshop at Glenmore Playhouse in Cheviot (Saturday at 2 p.m.), the Blue Ash Recreation Center (Saturday at 7 p.m.) and The Lebanon Theatre Company (Sunday at 1 and 3 p.m.). Admission is usually free (or very inexpensive). Grab a kid and go.Other productions opening this weekend: Steve Martin's very funny farce,The Underpants, kicks off a three weekend run at the Carnegie in Covington. New Edgecliff Theatre, still not in its new permanent home in Northside, is staging David Mamet's piercing drama, Race, at the Hoffner Lodge (4120 Hamilton Ave., Northside). At Falcon Theatre (636 Monmouth St., Newport) you can catch the first weekend of The Cover of Life, a drama about three young women married to brothers from the same small town who have gone off to fight in World War II. Meanwhile, in Bellevue, Ky., at St. John United Church of Christ, you can see a production of Joanna Murray-Smith's Honour by WIT-Women in Theatre. The story of three women propelled to ask the question "What is love?" when they've been struggling with tough relationships, is onstage for two weekends. Children's Theatre kicks off two weekends of public performances of Disney's Aladdin JR. at the Taft Theatre. It's a stage version of the popular animated musical feature; the production includes jugglers, acrobats and stilt walkers. And Lion King continues its month-long run at the Aronoff. (CityBeat review here.)Don't forget that Monday evening at 7:30 p.m. is another quarterly offering from the True Theatre guys at Know Theatre. The theme this time is "true beauty," with real monologues by people who talk about things they've really experienced.Something for everyone, as they say!Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here. 
 
 
by Rick Pender 04.03.2015
at 10:34 AM | Permalink | Comments (0)
 
 
king

Stage Door: The Circle of Life

I've seen The Lion King five times, on Broadway and on tour. I wrote about it in a feature this week, describing how a successful but not terribly profound animated Disney feature became a stage musical that's a worldwide phenomenon. A touring production is at the Aronoff through April 26; it's the third time the show has landed in Cincinnati. Rather than evaluate the performers — who are highly talented and extremely polished in their presentation of the show — I decided to pay attention to the visuals this time around. It was worth it. The Lion King has the most inspiring opening of any show I've seen: A call and response between Rafiki, a nervous mandrill and two others brings together a clutch of African animals to Pride Rock where a regal pair of lions, King Mufasa and Queen Sarabi are presenting their new cub. The animals enter the theater from all directions — from the stage wings and down the Aronoff's aisles, enabling the audience to see the actors in their puppet gear up close as they sing "The Circle of Life." It's a great way to begin the show's magic. But it's only the start: There is color and pageantry to burn in this story — from a colony of loony hyenas to a fatal stampede of antelopes. The second act opens with the chorus dressed in colorful clothes with ornate puppet birds and kites sing "One on One." I was reminded of the wonderful South African choral groups that inspired Cincinnati audiences during the World Choir games in 2012 — passionate harmonizing and heart-thumping rhythms. From start to finish, The Lion King is a remarkable experience. If you've seen it once, it's worth going again to appreciate new dimensions of this gorgeous production. Tickets: 513-621-2781.Two good shows onstage at the Cincinnati Playhouse this weekend, and they couldn't be more different from one another. It's the final weekend for Peter and the Starcatcher (CityBeat review here) a prequel to Peter Pan that elaborates in a fanciful way about the origins of the boy who refuses to grow up, Captain Hook, the Lost Boys, Tinker Bell and more. It's driven by imaginative theater-making — instead of special effects, audiences are called upon to envision things like storms brewing and characters flying. A great show for families. … On the Shelterhouse stage it's serious drama with Tracey Scott Wilson's Buzzer (CityBeat review here), the story of three people moving into a redeveloping urban neighborhood. It feels like Cincinnati's Over-the-Rhine. Tensions spurred by changing populations provide context for this story, but it's really about the toxic dynamic between an up-and-coming black attorney, his white schoolteacher girlfriend and his white boyhood pal who's led a troubled life. A strong cast and Wilson's naturalistic dialogue make this a very watchable (but very adult) show. This one is onstage through April 19. Box office: 513-421-3888.Know Theatre opened it's production of the comic-book inspired Hearts Like Fists last weekend. It's a two-dimensional tale of girl crime fighters battling a dastardly villain, Doctor X, who's murdering lovers — since his own love life is in shambles. There's humor but not a lot of depth to this one, but if you like slam-bang action stories, you'll love the fight choreography and the silly posing of the characters. It's around until April 25. Tickets: 513-300-5669 … A block away from Know in Over-the-Rhine, Ensemble Theatre Cincinnati is winding down its production of Detroit ’67 (CityBeat review here), set in a tumultuous era in the Motor City as a brother and sister struggle to make a living while the world around them is burning. Although it's rooted in events from nearly a half-century ago, this one has some very prescient messages that seem like they're about more recent events in Ferguson, Missouri, and elsewhere. Final performance is 2 p.m. Sunday. Tickets: 513-421-3555.Rick Pender’s STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 02.06.2015
Posted In: Theater at 09:44 AM | Permalink | Comments (0)
 
 
twilight lo 1992 - photo daniel l winters photography

Stage Door: Two One-Woman Shows Worth Seeing This Weekend

A special treat onstage at the Aronoff Center's Fifth Third Bank Theater through a Sunday 2 p.m. matinee: Twilight: Los Angeles, 1992, featuring Torie Wiggins giving voice to people making pronouncements about race, justice and violence in America. The script by Anna Deavere Smith, drawn verbatim from numerous interviews, was created in the mid-1990s in the following the Los Angeles riots after the Rodney King verdict more than two decades ago. But it feels incredibly timely in light of recent tragic events in Ferguson, Mo., New York City and elsewhere — leading to questions about whether America has made any progress since then. Wiggins brings to life dozens of people — black, white, Hispanic and Asian — offering a myriad of opinions about events and outcomes. "No Justice/No Peace," words heard recently, echo through this script, punctuated with videos and quick audio introductions as Wiggins flips from role to role. It's an impressive performance and a reminder how theater can be more than entertainment — Twilight is a provocative presentation about American culture. Staged by Cincinnati Shakespeare's artistic director Brian Isaac Phillips. Tickets: 513-621-2787.A second one-woman show worth seeing is The Year of Magical Thinking, an effective, bare-bones production at the College Hill Town Hall (1805 Larch Ave., Cincinnati 45205) by the Cincy One Act Festival. It's based on Joan Didion's painful confrontation with grief following her husband's unexpected death and their daughter's serious and ultimately mortal illness. Cate White performs as Didion, the narrator of this deeply personal story; Lyle Benjamin is the director. The show is being presented on Fridays and Saturdays through Feb. 28 (no performances on Feb. 20-21). Tickets: 888-428-7311.It's a great month for women onstage month on local stages, what with Corinne Mohlenhoff in another solo show The Handmaid's Tale at Know Theatre (CityBeat review here; box office: 513-300-5669), which also happens to be directed by Brian Phillips; and Regina Pugh as a beleaguered scientist whose world is coming unraveled in The Other Place at Ensemble Theatre (CityBeat review here; box office: 513-421-3555).Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 
by Rick Pender 01.16.2015
Posted In: Theater at 09:36 AM | Permalink | Comments (0)
 
 
cinderella_photo_carol-rosegg-

Stage Door: A Weekend of Classic Musicals and Plays, Plus a Party and Some Lies

Things are off to a good start for 2015: The touring production of Cinderella at the Aronoff is a very entertaining retooling of music by Rodgers and Hammerstein into a more contemporary version of the classic fairy tale. It's the same story, but the attitudes are of the 21st century, with a "power to the people" thread running through it and Cinderella conveying a populist message, convincing her prince that democracy is the way to go. The music is charming and there's some magical things done with quick changes in and out of ball gowns that will keep audiences guessing as to how it's done. I gave this one a Critic's Pick with my CityBeat review. Tickets: 513-621-2787.Another classic musical is onstage at Covington's Carnegie: West Side Story. The show requires a lot of dancing and strong orchestral support, and this production offers both.The leads have excellent voices, although I felt (CityBeat review here) they were a tad too operatic for "kids" affected by gang warfare. Nevertheless, this show has some of the finest music ever written for the stage — the score is by Leonard Bernstein and the lyrics by Stephen Sondheim — so it's definitely worth seeing. Tickets: 859-957-1940.Cincinnati Shakespeare Company opens its production of one of the 20th century's great stage works, Samuel Beckett's Waiting for Godot this weekend. I haven't seen it yet, but with a cast feature stage veteran Bruce Cromer and longtime Cincy Shakes actor Nick Rose, it's sure to be watchable. Here's a fun fact: Cromer has played Scrooge in A Christmas Carol at the Cincinnati Playhouse for eight years; this year Rose understudied the role and actually had to cover several performances when Cromer was out of commission with a twisted ankle. I expect their onstage chemistry to fuel a production that audiences will enjoy. 513-381-2273.CCM voice professor Pat Linhart presents her annual faculty recital on Sunday afternoon at 4 p.m. It's a free event at Patricia Corbett Theater on the UC Campus. Every year Linhart assembles a program of zany humor and heartfelt singing, accompanied by the inestimable Julie Spangler. There are always a few surprises, and this year should be no exception. The theme is "It's My Party" celebrating Pat's 65th birthday, and I'm envisioning party hats and noisemakers for everyone in the audience. Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
 
 

Cinderella (Review)

0 Comments · Wednesday, January 7, 2015
Think you know the story of Cinderella — wicked stepfamily, pumpkin coach, charming prince, glass slipper, happy ending?  

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