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Billy Elliot The Musical (Review)

Coal-burning electricity fuels production at Aronoff

0 Comments · Thursday, January 19, 2012
You can’t go wrong with this much expressive dancing, and the kids who perform it will win your heart, from tiny Jeremy Zorer who gets the show started, to Billy’s ebullient, cross-dressing friend Michael (Ben Cook). The show evoked a rousing, and well-deserved response from the audience on opening night.  

Always ... Patsy Cline (Review)

Cincinnati Playhouse portrays a singer whose calling card was honesty

1 Comment · Monday, November 28, 2011
There’s a lot to like about the Cincinnati Playhouse’s non-holiday show for the holiday season. It’s a revue that includes two dozen of Cline’s best-known songs, and actress Carter Calvert perfectly captures the iconic Country singer’s delivery and manner.   

White Christmas (Review)

Covedale holiday production is an entertaining eyeful

0 Comments · Friday, December 9, 2011
This backstage musical about good-hearted people putting on a show to save a struggling Vermont ski lodge is perfect for the Covedale’s mainstream audience, and the performance I attended at the converted movie theater, a Sunday matinee, had every one of its 400 seats filled with people loving what they were seeing.   

Snow White (Review)

ETC production offers a different telling of a familiar story

0 Comments · Friday, December 2, 2011
Good and evil play tug-of-war throughout the story of Snow White, Ensemble Theatre’s new holiday fairytale musical.  

Abraham Lincoln’s Big, Gay Dance Party (Review)

Know production is passionately conceived but a little zany

0 Comments · Monday, November 28, 2011
Don’t go thinking this show has anything to do with the holidays, and despite the fact that some fourth-graders light its political fuse when their teacher replaces a holiday pageant with a script that references a possible gay relationship involving the 16th president, this is not a show for kids. Who is it for? I’m not really sure, although some at the opening performance found it hilarious.  

In the Next Room, or The Vibrator Play (Review)

CCM production at the Carnegie has a thrilling current

1 Comment · Wednesday, November 9, 2011
Sarah Ruhl’s In the Next Room, or the vibrator play, now at Covington’s Carnegie Center in a production by the drama program at UC’s College-Conservatory of Music, has a current running through it. The production is warm, bright and slightly shocking.  

Wicked (Review)

2 Comments · Friday, November 4, 2011
Stephen Schwartz’s Wizard of Oz-inspired musical about the green witch has become a cultural icon for adolescent girls who yearn for freedom and success. Thousands, with or without their families, will flock downtown between now and Thanksgiving weekend, and they won’t be disappointed.  

National Conversation

Playhouse artistic director wants to be part of the dialogue

0 Comments · Wednesday, November 2, 2011
Last week the Cincinnati Playhouse in the Park announced that Blake Robison, currently the producing artistic director at the Round House Theatre in Bethesda, Md., will become its next artistic director, succeeding Ed Stern, who retires after 20 years a the end of the current season.   

Trouble in Mind (Review)

NKU presents 1955 play that wrestled with racial stereotypes

0 Comments · Monday, October 31, 2011
Alice Childress (1920-1994) didn’t get much recognition during her lifetime. She won acclaim as an actress in the 1940s but was dissatisfied with stereotyped roles, so she began writing plays. Trouble in Mind, presented in 1955, made her the first woman to win an OBIE award, but it never landed on to Broadway and was forgotten for years. Thanks to a prescient artistic decision, Northern Kentucky University chose the show for this season.   

Gruesome Playground Injuries (Review)

Know Theatre offers a twisted love story

0 Comments · Monday, October 10, 2011
This show reunites actors Beth Harris and Jens Rasmussen with director Drew Fracher; a year ago they created Skin Tight, the best production of Know’s previous season. If subsequent shows are as gripping and off-kilter as this one in which humor and pathos constantly elbow one another, Know will deliver on its annual promise of edgy theater.   

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