by Rick Pender
Posted In: Theater
at 11:03 AM | Permalink
The fall theater season in Cincinnati is off to a great
start, with well received productions on several stages. If you get a
chance to see Cincinnati Shakespeare Company's production of To Kill a Mockingbird,
I urge you to do so. It's onstage through Sept. 30, but almost all of
its performances (including several added ones) have been sold out. Good
news for the theater, but not for you if you don't have tickets yet.
Nevertheless, it would be worth a call to CSC's box office (513-381-2273 x1)
to see if there's anything available. The chance to see Bruce Cromer
portray the virtuous attorney Atticus Finch is worth the effort.
If you can't score a ticket at CSC, you might try to get in to see Good People,
a new play by Pulitzer Prize winner David Lindsay-Abaire, which
concludes its run on Sunday. The tale about an unskilled woman from
South Boston seeking work in today's world has the ring of truth and
reality to it, and Annie Fitzpatrick's portrait of hard-luck Margie —
who thinks of herself as "good people" — is touching and relevant to the
world we live in. Tickets are selling at a fast clip for this one, too,
so call to find out if seats are available: 513-421-3555.
Want to take some kids to a show they'll enjoy? It's
always fun to introduce them to live theater, and there are two great
choices currently onstage: The Cincinnati Playhouse production of The Three Musketeers (running through Sept. 29, 513-421-3888) is full of action and adventure, good guys and bad guys. And The Music Man, on the Showboat Majestic (through Sept. 30, 513-241-6550),
is a classic musical with a lot of humor — and a winning acting job by
charming Owen Gunderman as Winthrop, the kid who overcomes his shyness
when he gets a cornet to play in a boys' band.
Want something a tad more adventurous: Check out the Fringe
shows that Know Theatre has brought back from last June's festival for
several days. It's a sampling of some of the best work that drew big
crowds to the Over-the-Rhine neighborhood, including two "Pick of the
Fringe" offerings, On Her Pillow and The Screw You Revue,
and two solo performers, Tommy Nugent and Kevin Thornton, who always
draw a crowd. Probably no problem with ticket availability, but I
recommend calling in advance: 513-300-5669.
by Rick Pender
Posted In: Theater
at 10:22 AM | Permalink
Know Theatre offering two solid pieces from 2012 Fringe Fest
Does this late September weather make you wish you could turn back the clock? Know Theatre is ready to take you back to June and the 2012 Cincinnati Fringe Festival with a brief reprise of several shows and artists who pleased audiences three months ago. Today through Saturday you can stop by the theater on Jackson Street in Over-the-Rhine for performances by Honour Pillow (her Audience "Pick of the Fringe" show On Her Pillow (review here) will be presented tonight and Friday evening) or Dewey Chaffee and Douglas McGeoch (whose Screw You Revue (review here) was the Producers' Pick of the Fringe in June and will be presented on Friday and Saturday). There will also be performances by two favorite Fringe solo performers on Thursday and Saturday — Kevin Thornton and Tommy Nugent. For the schedule and tickets, click here.
by Julie Mullins
Posted In: Dance
at 03:40 PM | Permalink
Contemporary new work's moments of stillness and quiet grab you and draw you in
The intense energy between Principal
dancers Cervilio Amador and Janessa Touchet is so palpable you can
feel it — even when their hands aren’t touching.
Their expressive duet in Heather
Britt’s world premier “Opus 5.5” provided an inviting opening
to Cincinnati Ballet’s annual Kaplan New Works season opener
last Thursday evening.
The production offers a rare chance to
see dance up close, as it takes place in the company’s home
performance studio at the Cincinnati Ballet Center.
There’s nothing like watching live
performance, but there’s something even more exciting and visceral
about seeing the dancers glowing and their muscles flexing.
Full of emotion, Britt’s sweeping
contemporary new work has the dancers really moving all over:
across the stage in sculptural lifts, through the air in expansive
leaps and extravagant extensions. But it’s really the rare moments
of stillness and quiet that grab you and draw you in closer.
New Works’ stock in trade has
always been pushing stylistic boundaries.
R&D,” says Cincinnati Ballet CEO/Artistic Director Victoria
Morgan. “We need to scare ourselves, to try things we’ve never
But this year is noteworthy for another
reason: For the first time, all of the choreographers featured are
Dance-wise, the women also stand out in
the spotlight this year more than usual. Though, as always, there are
plenty of equally fine turns by the men as well.
Paige Cunningham Caldarella’s
“Without Consideration,” the program’s most offbeat piece,
presents a topsy-turvy look at social media and its pleasures and
Its five short sections comprise a
modern dance piece cut with classical ballet. It’s by turns
satirical, ominous and oddly compelling.
Clad in a lime green tee-shirt and a
short, ruffled floral skirt, Corps de Ballet dancer Courtney
Hellebuyck shines in her solo.
She attacks each movement with
ferocious intensity. Her dramatic facial expressions and stage
presence are spellbinding. She and the other four dancers appear
equally comfortable switching between styles — instant, by instant — in
this mash-up of ballet and modern. The women even manage to perform
modern floor drops in pointe shoes.
A physical wall (think social media)
covered in paper provides the backdrop and set piece. The dancers
write on it, hurl themselves against it, and press into it. They
connect and disconnect, or nearly connect with each other. But at
times, they just miss, undulating away from each other. Individual
gestures are repeated, such as one’s own hand suddenly turning the
head and face away in a slo-mo sideways “slap.” It seems to
suggest the struggle to turn one’s attention away from staying
online all day.
Amy Seiwert, San Francisco-based
Resident Choreographer for Smuin Ballet (where she was also a
longtime dancer), has created a thoroughly delightful getaway world
in her world premier modern ballet ,“Think of You Often.”
The weather is balmy. The light-colored
clothing, designed by the Cincinnati Ballet Wardrobe Department, is
carefree and casual. The women collectively become an ocean tide,
even in their pointe shoes. Its feel-good soundtrack, music by the
Swedish group Koop, delivers effusive swing and a touch of Latin
Principal dancer Sarah Hairston warmly
embraces her role, full of flirtation and feline sassiness. First
two, then four men lift and sway her — and no doubt cater to her
But don’t let the piece’s escapist
playfulness belie its underlying choreographic sophistication. The
partnering throughout is highly complex, original, and technically
In a most striking duet, Zach Grubbs
and Jacqueline Damico make the most intricate sequences look as easy
and natural as an ocean breeze.
Jessica Lang’s contemporary
neoclassical work “La Belle Danse” (2007) presents a slightly
quirky court dance of sorts. Set to a score of the likes of Handel
and Mozart, it’s the sole work here that the Ballet has presented
previously, in 2009.
It’s the most classical piece on the
program — relatively speaking — yet unexpectedly it marks the only
one where the women wear soft shoes.
Displaying a very different, more
sacred type of passion in this role’s solo, Hairston demonstrates
her versatility as dancer, and a performer.
The large cast brims over with
expressive dancing, filled with plenty of leaps, turns, waltzing…
and conducting gestures.
Amador and Touchet rapid-fire their way
through pirouettes and petit allegro galore. Although their
style here sharply contrasts their opening duet, this superb pairing
brings this production — one of the best New Works in recent
years — full circle.
Showboat production is a celebration of America
0 Comments · Saturday, September 15, 2012
My historic experience with The Music Man makes me a serious judge of whether a production of this iconic show succeeds. As a one-time mayor of River City, I pronounce this one a success.
by Jac Kern
The thought of an
“underground” party might conjure up images of a chic 1920s speakeasy or perhaps
a creepy warehouse rave. Neither is true of Saturday’s Scion Exposed tunnel party,
which is literally underground, at 220 Central Ave. beneath the Second Street overpass.
Part car show, part concert, Scion Exposed features a pop-up skate park, food
trucks, drinks and more, all free from 2 p.m.-midnight. RJD2 headlines the
music stage with support from Chairlift, DAAP Girls and more performing
throughout the day. RSVP here for free admission; Scion
owners get advanced entrance at noon.
to St. Patrick’s Day during the Cincinnati Celtic Festival
Saturday and Sunday. The free fest moves from Fountain Square to Washington
Park this year, but continues to celebrate all things Celtic with plenty of
music, food and entertainment. Knock back some Guinness, cheer on Irish dancers
and get jig-y to the sounds of bagpipes between noon and 10:30 p.m. both days.
With local Celts
taking over the park, this month’s City Flea moves up the street to the lot at
Twelfth and Vine. Vendors will be hawking everything from clothing and
accessories to home goods and fine art from 10 a.m. to 4 p.m. The City Flea is a fun one-stop spot to
support local artisans and sellers all under one roof. Sans roof.
hogging all the fun this weekend — Milford’s Longstone Street Festival brings
more than 15 area bands to the ‘burbs Saturday. Area musicians will perform on
two stages along Main Street where kid-friendly activities await (we’re talking
a Velcro wall, bungee joust, rock climbing and more). Saunter through historic
downtown Milford, stop in a few shops and restaurants and enjoy the music from
11 a.m.-11 p.m.
The fun continues
west at the Westwood Art Show, 11 a.m.-5 p.m. Sunday. More than 70 artists,
crafters and DIY-ers will be selling goods including photography, re-purposed
jewelry and accessories, woodwork, sculptures, pottery, edibles and more.
theater offerings include Ensemble Theatre’s Good People, The Three Musketeers
at Playhouse in the Park, To Kill a
at Cincinnati Shakespeare Company and Covedale’s Cat on a Hot Tin Roof. Peep the links for our reviews of each.Browse our calendar for other events, art exhibits, volunteer opportunities and more to do this weekend.
Manifest Gallery welcomes its first artist-in-residence
0 Comments · Wednesday, September 12, 2012
Manifest’s latest addition is the
Manifest Artist Residency. Annually, beginning in July each year,
Manifest will host a working artist in the studio facility inside the
by Rick Pender
Posted In: Theater
at 11:25 AM | Permalink
After a long hot summer (well, it's still feeling like a
long hot summer), we have a full array of shows onstage in Cincinnati
for you to choose among. I've seen two of them so far: Good People at Ensemble Theatre Cincinnati and The Three Musketeers at the Cincinnati Playhouse in the Park.
ETC's production of Pulitzer Prize winner David Lindsay-Abaire's 2011 piece (this is the regional premiere of Good People,
which was nominated for a Tony a year ago) about a woman who falls off
the bottom of the employment ladder has enough humor to be entertaining
(especially with Annie Fitzpatrick in the central role of Margie and
Kate Wilford and Deb Girdler as her gossipy friends and bingo-night
comrades) and enough contemporary relevance to be thought-provoking.
ETC's D. Lynn Meyers is at her best staging naturalistic shows with
social meaning, and that's exactly what this one offers. It has a great
cast and flexible, attractive scenic design by the ever-creative Brian
c. Mehring. I gave it a Critic's Pick. Through Sept. 23. Review here. Box office: 513-421-3555.
I wanted to love The Three Musketeers at the
Playhouse (through Sept. 29), but its balance of humor and heart is out
of whack to my tastes. There's lots of adventure, hilarity and laughter
— especially some no-holds-barred swordplay — but the show tries to
hard to entertain that it misses out on the true emotion that should lie
beneath. I suspect many people will love this thrill-a-minute tale of
political intrigue and valor, loyalty and royalty in 17th-century
France, and perhaps it will evolve to deeper feelings as it runs. I love
new Artistic Director Blake Robison's desire to put appealing,
family-friendly work onstage, and he's using this production to show
what he means. I hope his approach gets a tad more texture and depth as
his tenure continues. Review here. Box office: 513-421-3888.
I haven't yet seen To Kill a Mockingbird at
Cincinnati Shakespeare Company, and their publicity says it's already
sold out its first-two weekends. So you might want to put that one on
your calendar for sometime before it wraps up (Sept. 30). In the
meantime, you might want to head to Washington Park on Sunday evening at
7 p.m. for a special free presentation of CSC's touring production of The Tempest.
It's a perfect piece for outdoor performance, set on an island with a
sorcerer and his lovely daughter and some shipwrecked nobles who are
responsible for his exile. Audience participation will be a key
component of this event, with the audience asked to create large-scale
effects by blowing bubbles, making waves with silk and generating sound
effects. Sounds like great fun. Music (by The Young Heirlooms) begins at
6 p.m. This is a good one to bring kids to see.
Also off and running this weekend is Cincinnati Landmark's production of Tennessee Williams' Cat on a Hot Tin Roof.
It's a classic drama of sexual tension and family strife, a bit heavier
fare than is usually found at the Covedale Center. It's a sign of the
company's ambition to be a full-fledged theater offering a wide range of
material. (Through Sept. 30.) Box office: 513-241-6550.
Playhouse production has lots of laughs but could use more heart
0 Comments · Friday, September 7, 2012
Director Blake Robison's first production is jam-packed with rousing non-stop action, hearty laughs and big
storytelling as well as beautiful scenic and costume elements.
1 Comment · Wednesday, September 5, 2012
The young women photographed in Another Me: Transformations from Pain to Power have
all been victims of kidnapping or outright sale of themselves into sex
slavery. One is as young as 8 years old, none are more than 22. Rescued
and placed in the Sanlaap Shelter in Kolkata, they found returning to a
self they had lost hard going.
0 Comments · Wednesday, September 5, 2012
I first met Matthew Shelton in the bottom of a swimming pool. It was a program in which musicians performed on the floor of the empty Ziegler Pool in
Over-the-Rhine. Shelton, with his deep resonant voice and wry, smart
songs, made an immediate impression playing guitar in the pool’s deep
end. He towered above — or, rather, below — his surroundings.