Sunday • Madison Theater
0 Comments · Wednesday, November 5, 2014
Any discussion on the origins of
Grindcore and Death Metal absolutely has to include Carcass on the
shortlist of the genres’ progenitors
by Mike Breen
Between Wu-Tang Clan reunion shows and the seminal Hip Hop group’s forthcoming new album, two Wu members/affiliates have hit the road to headline the World Wide Rollers Tour, presented by The Smokers Club, a group of weed/Hip Hop aficionados that have booked five national tours and launched a clothing line and record label (smoking products will reportedly soon be added to the Club’s inventory). Joining the dynamic duo of Method Man and Redman on the tour are B-Real, frontman for cannabis-in-Hip Hop pioneers Cypress Hill, and up-and-coming MCs Mick Jenkins and Berner.
The tour DJ is Cincinnati’s own DJ Clockwork, who’s now going by the name Clockworkdj. Clockwork, DJ for rapper Mac Miller and regular on MTV’s Mac Miller and the Most Dope Family reality show, recently released the solo single, “Clocktwerk,” on which he’s shows off his rhyming skills. Click here for more info on Clockworkdj.
Tonight’s Worldwide Rollers tour stop at Bogart’s kicks off around 7 p.m. Tickets are $37.80.• Madison Theater is Metal central tonight as several genre heavyweights pull into the Covington venue for a 6 p.m., all-ages concert. Tickets are $25.
The show features Unearth, Darkest Hour, Carnifex, I the Breather, Origin, Black Crown Initiate, Requiem and Laid Bare. Boston’s Metalcore heroes Unearth are gearing up for the Oct. 28 release of their latest album, Watchers of Rule. Here’s the new album track “The Swarm”:And here’s Carnifex’s video for “Die Without Hope,” the title track off of the Californian Deathcore band’s most recent album.
Saturday • Madison Theater
0 Comments · Wednesday, October 22, 2014
Officially formed in 2007 just up the
road in Dayton, these eclectic musicians have been refining a sound
that’s hard to pin down, like someone took all kinds of musical
vegetables and made a harmonious stew.
by P.F. Wilson
Posted In: Live Music
at 08:59 AM | Permalink
It was an eventful night at the Madison Theater in Covington when CHVRCHES came to town Sept. 29. A pretty good sized crowd turned up at Covington’s Madison Theater, which was a little surprising, since they shamefully receive almost no local radio airplay. Oddly, our local “alternative” station The Project sponsored a meet and greet contest with the band, even though the station has never played a CHVRCHES song. Across the river, WKNU has played them. Once. Five months ago, according to a search of the station’s online playlist.
The make-up of the crowd was another surprise. It was an almost teen-free show, with most folks falling between late college and near retirement. That could be due to the fact that CHVRCHES make modern Electronic music but with a very retro feel. And they’ve got tunes.The Range (who opened for Chromeo at the MidPoint Music Festival) came on stage promptly at 8 p.m., and began his first song. After 45 minutes, that song finally ended. CHVRCHES were set to take the stage at 9:15 p.m., but just after 9 p.m., the fire alarms in the theater went off. Here’s a handy tip: when you’re in large venue, look not only for the nearest exit, but all exits. Security decided it would be cool to deny access to the fire exits at the back of the theater. What the fuck!? Do you not know what happened not three miles from here in 1979? Or in Rhode Island a few years back? Fortunately, everyone was able to file out safely, and pass the time in a well-behaved manner out on the blocked-off street while fire officials investigated.According to theater management, who were very upset with the way the evacuation was handled, security was provided by the promoter. After the show, the two sides discussed in detail the proper procedures in order to avoid any such occurrences in the future. Once the all-clear was given, security did do a nice job of getting everyone back in quickly and efficiently. CHVRCHES thanked the crowd for their patience and apologized, saying the fog machine they were using is what likely tripped the alarm.Coming out of the gate strong, the band launched its set with two singles, the very fine “We Sink,” followed by the popular “Lies.” Like many Electronic bands, they don’t move around a lot, with Iain Cook and Martin Doherty stationed at their synth racks, flanking singer Lauren Mayberry. This isn’t as visually limiting as it sounds. Ms. Mayberry is an outspoken critic of sexism and misogyny in music, so it feels a little awkward to point out that she’s quite lovely and very engaging in her stage presence. Flying around the stage a la Dave Gahan of Depeche Mode, or Trent Reznor of Nine Inch Nails simply isn’t her style, yet she still holds the crowd.Her mates weren’t chained to the instruments all night, at least not Doherty, who traded places with Mayberry while he sang “Under the Tide.” Mayberry returned to center stage for what is arguably the band’s most popular track, “The Mother We Share,” which is also one of the best songs of the past few years. The enthusiastic crowd of course wanted more, bringing the band back out for the obligatory, but much-desired, encore, wrapping up with “You Caught the Light” and “By the Throat.”
Monday • Madison Theater
0 Comments · Tuesday, September 23, 2014
This is the kind of band whose appeal is
clear from first blush, with its crisp, sleek synths, go-for-broke
choruses and Mayberry’s unassumingly powerful vocals making an addictive
by Amy Harris
Pop singer/songwriter plays Covington’s Madison Theater this Saturday
Andy Grammer has a unique blend of musical talent, meshing his piano and guitar playing skills, smooth vocals and Hip Hop-like hooks to get crowds across the world fired up. Since his self-titled debut album in 2011, he has found great success through radio airplay and tours with the likes of Train, Natasha Bedingfield, and Colbie Caillat. Grammer is now embarking on his first headlining tour, which brings him to Covington’s Madison Theater this Saturday. The tour stop will be your chance to see Grammer in an intimate venue setting and see him up close and personal as he delivers his hits. (Click here for tickets and show info.)CityBeat: What can the fans expect from the new album coming in August?Andy Grammer: They can expect a lot of different vibes. I took a lot of chances sonically on this one. There is some acoustic stuff. There is one that sounds to me a little like Imagine Dragons meets Kanye. There is one that sounds like an MGMT track. There is one sounds like an old Lauryn Hill jam. I just made sure the songs were, in my opinion great, and I had a blast with the stuff I am really into right now.CB: The album is called Magazines or Novels. Is there a story behind the title?AG: It’s like how we ingest music these days. We are very ADD. A lot of times we just read through it, like magazines — tear through it, then throw it away. My goal was that not to be the case with this record. I built like 100 songs. I wrote the first 50 and realized I had a lot more magazines than novels, so I wrote another 50 and I think it is really good, actually. I am really excited about this album.CB: What is your songwriting process?AG: My process is more like … (chase) something all the way to the end and then step back and see if it is any good. Sometimes it is and, more often than not, it is not. I have to write a whole hell of a lot to get the jams I’m real proud to have on the album.CB: You have had several huge hits on radio in your career. Do you know right away when you have a hit on your hands when writing?AG: I don’t. I really don’t. That’s what is so confusing about it. I wouldn’t write it unless I thought it was great. I write it and am super stoked about it. As time goes by I can kind of tell whether it’s going to hold up. CB: Do you have people close to you that can give you the feedback?AG: Yeah, my manager and I pretty much are the ones that make the decision.CB: What is the best and the worst thing about being on the road for you?AG: We are doing shows that are like half old stuff and half new stuff and the fans will be really into it. The worst thing about being on tour is finding food that is good. It is pretty difficult to do, to find good food. It is easier to find McDonald’s and then you fall into (it) and feel bad. The best part of this tour, specifically, is playing new songs and seeing the fans react to it. It’s really exciting.CB: I have seen you play in Cincinnati when you opened for Train. Do you have any specific Cincinnati tour memories that you remember or fun things in Cincinnati you like to do?AG: Fans in Ohio are the best. Any show in Ohio, fans know how to have a good time, they party harder than anyone else at shows. It’s real. I’m not sure you know that about yourselves. I have toured around the whole country and it is just better in Ohio.CB: Have you ever been starstruck?AG: Sure. When I met Sara Bareilles I was a little bit starstruck and I don’t even know why. I really liked her and was excited to meet her.CB: Is there anybody you want to collaborate with, maybe a different genre of music?AG: I would like to do a song where I did the hook and Macklemore did the rap. I think that would be dope. CB: Do you have a favorite guitar that you like to play?AG: Yeah, Taylor is my jam. They hook me up with guitars and they sound amazing.CB: Is there one specifically? Some people have one guitar. I saw one person last week with one they had played so much they had worn a hole in it.AG: I don’t have that. I bust them up a lot and I have to get them fixed. I have also had this thing where I have had like three of my guitars stolen out of my car in L.A., and I don’t live in a terrible place. I think someone is on to me.CB: I guess you shouldn’t get attached then. Well, what can the fans expect when you come through Cincinnati. I know you said you were playing half old and half new material, but what can the fans expect from your headlining show?AG: Expect to see a little bit different light. One song has a vocoder on it. There is a little more high energy stuff. I am really excited. High energy is, in my opinion, better.
Sunday • Madison Theater
0 Comments · Tuesday, June 10, 2014
Multi-instrumentalist Matthew Houck seems slightly bashful about attaching his given name to his recorded output.
Thursday • Madison Theater
0 Comments · Wednesday, May 7, 2014
Tegan and Sara’s seventh full-length, last year’s Heartthrob,
is a sleek, synth-driven affair rife with the twins’ interweaving
vocals and enough hooks to power a dozen less-accomplished albums. It
represents the culmination of an evolution that has seen the
raven-haired Canadians move from Lilith Fair-nurtured, Indie Folk
upstarts to masters of perpetually heartsick Pop Rock.
Saturday • Madison Theater
0 Comments · Wednesday, April 23, 2014
There is a fair amount of evidence that
Jam/Psych bands are primarily interested in mindless noodling on a
musical bridge to nowhere, Electronic bands are satisfied to
“unce-unce-unce” on varying themes with no discernible point and Prog
bands have a tendency to disappear up their own asses with Classical
suites and Middle Earth imagery. Papadosio understands all of those
stereotypical paradigms and assiduously avoids falling prey to any of them.
by P.F. Wilson
Posted In: Live Music
at 11:28 AM | Permalink
It was quite a treat for area fans of (forgive the term) Alternative Rock as Arctic Monkeys rolled into Covington’s Madison Theater again this past Monday night. As one of the millennium’s most influential acts, the band from the English Midlands can normally be found playing arenas and large theaters, or headlining festivals throughout their homeland and the rest of Europe. Yet, they managed to schedule Covington on this tour, knowing they would easily be able put butts in the seats (even though there are few seats in the venue), which indeed they did. The sold-out but well behaved crowd witnessed the band flawlessly execute a 20-song set, that was heavy on new tracks, but still filled with “hits.” They got right down to business opening with “Do I Wanna Know?” before powering into “Brianstorm” and “Don’t Sit Down ‘Cause I Moved Your Chair.” Lead singer Alex Turner’s banter with the audience focused mostly on the correct pronunciation of “Covington.” He eventually adopted a passable American accent and assured the crowd that a good time was going to be had. That statement was not inaccurate. The band’s energy steadily increased, tempered only by Turner’s occasional breaks to comb back his hair — which the audience seemed to love. Their main set ended with the perfectly arranged trifecta of “I Wanna Be Yours,” “Fluorescent Adolescent,” and “505.” The encore was similarly paced, ending with fan-favorite “R U Mine?”A pleasant surprise was opening act The Orwells. There’s been some heat on this Chicago-based quartet since the Arcs hand-picked them as their support act, and because of their very well-received appearance on The Late Show with David Letterman a few weeks back. Lead singer Mario Cuomo’s vacant yet engaging style captured the crowd’s attention, many dancing and bopping along to the band’s Post Punk stylings. Hope to see them back.