I’m no expert on pop culture, but I was a teenager in the 1960s. So the 40 or so tunes by “girl groups” and women singers that constitute Beehive are front and center in my mental jukebox. It feels good to stroll down memory lane, and Beehive’s visuals with dozens of wigs and evolving outfits, from pink chiffon to mini skirts to bell bottoms and fishnet stockings, were a reminder of how music and style intermingled.
Northern Kentucky University’s Y.E.S Festival is showcasing three new and very different plays through April 17: Karla Jennings’ Monstrous Beauty; Jacqueline T. Lynch’s One Good Turn; and Kelly Kingston Strayer’s Marfa, Texas. A new script is an exciting thing to see, and the young actors all bring a refreshing earnestness to their work that is engaging in itself.
Not many theaters have been led by an artistic director for more than a decade. The Cincinnati Playhouse in the Park has had Ed Stern as its producing artistic director for nearly two. He’ll end his run in June 2012, completing his 20th season. Stern recently announced the shows for his final season at the Tony Award-winning regional theater.
In August of last year, CityBeat’s Cincinnati Entertainment Awards (CEAs) for theater ended a run of 14 years by merging with the Acclaim Awards, a program established more recently by The Cincinnati Enquirer. As part of that merger, CityBeat offered to develop a new element that would preserve the CEA process of public voting whereby theater enthusiasts can cast ballots for onstage work they appreciate. To that end, the 2011 Acclaims will feature the newly established Cincinnati Theater Awards (CTAs) with results announced later this spring. That’s where your help is needed.
Patience. That’s Jane Austen’s prescription for love woes of any kind, and it’s my advice for enjoying Pride and Prejudice, a Cincinnati Shakespeare Company production with a lot of talking, a lot of dancing and a romantic climax that makes it all worthwhile.