by German Lopez
Cuts hit parks, human services, arts, outside agencies and other city programs
City Council approved an operating budget Thursday that raises taxes and cuts several city services in fiscal year 2014, but the plan avoids laying off cops and firefighters.Democratic council members Roxanne Qualls, Chris Seelbach, Yvette Simpson, Pam Thomas and Wendell Young supported the budget, and Democrats P.G. Sittenfeld and Laure Quinlivan, independent Chris Smitherman and Republican Charlie Winburn voted in opposition.As a result of the budget, 67 city employees will lose their jobs.Human services funding, which goes toward programs that aid the city's homeless and poor, is hit particularly hard with a cut of $515,000 in the final budget plan. The reduced funding leaves about $1.1 million for human services agencies.Josh Spring, executive director of the Greater Cincinnati Homeless Coalition, says the latest cuts add to what's been a decade of cuts for human services funding. Originally, human services funding made up about 1.5 percent of the city's operating budget. With the latest changes, human services funding makes up about 0.3 percent of the budget."The additional cuts are deep and will negatively affect many lives now and in the future," Spring says. "It's important City Council work to reduce these cuts and citizens support that in ensuing months."The budget also cuts parks funding by $1 million — about $200,000 lower than originally proposed by City Manager Milton Dohoney.The budget further trims several city services, including the city's health department, law department and recreation department. Arts funding and subsidies for "heritage" events, such as parades, are completely eliminated. Funding for several outside agencies is also being reduced or eliminated: the Port Authority, the African-American Chamber of Commerce, the Cincinnati USA Regional Chamber of Commerce, the Center for Closing the Health Gap, the Greater Cincinnati Energy Alliance and the Greater Cincinnati and Northern Kentucky Film Commission.The budget is partly balanced with higher revenues. The property tax is being hiked from 4.6 mills to 5.7 mills in fiscal year 2014, or about $94 for every $100,000 in property value. Water rates will also increase by 5.5 percent starting in 2014.The budget also invokes fees for several city services: a $75 fee for
accepted Community Reinvestment Area residential tax abatement
applications, a $25 late fee for late income tax filers, a $100 fee for
fire plan reviews, an unspecified hazardous material cleanup fee, a
50-cent hike for admission into the Krohn Conservatory and an
unspecified special events fee for city resources used for special
events.At a council meeting Thursday, Quinlivan, who voted against the budget, criticized other council members for not pursuing changes that would structurally balance the budget."I don't believe anybody's going to really address this problem," she said.Quinlivan has long been an advocate for "rightsizing" the
city's police and fire departments, which she says have scaled "out of
control."Seelbach defended the plan, claiming it will keep the city's books balanced while the city government waits for higher revenues from a growing local economy.Still, the city has not passed a structurally balanced budget since 2001, which critics like Quinlivan say is irresponsible.The public safety layoffs were avoided despite months
of threats from city officials that cops and firefighters would have to
be laid off if the city didn't semi-privatize its parking assets for $92 million upfront and annual payments afterward. That plan is now held up in court, and public safety layoffs were avoided anyway. But the layoffs were avoided with steeper cuts in other areas of the budget, including reduced funding for outside agencies and a requirement of 10 furlough days for some city employees and council members. The changes also increased estimates for incoming revenues with $1 million that is supposed to be paid back to the city's tax increment financing fund.Multiple council members blamed the budget problems on the state government, which has cut local government funding by about 50 percent during Gov. John Kasich's time in office ("Enemy of the State," issue of March 20). For Cincinnati, the cuts resulted in $21 million less for fiscal year 2014, or 60 percent of the $35 million budget gap originally estimated for the year.
by Steve Rosen
Posted In: Visual Art
at 12:38 PM | Permalink
From now on, when anyone mentions “Octoberfest” in
Cincinnati, I’m going to think first of FotoFocus. This year, its first, it has
clearly established itself as an artistically meaningful and rewarding addition
to Cincinnati’s cultural calendar. The next is planned for 2014.
It is also, like that other
Oktoberfest (which actually occurs in September), fun. No, it doesn’t have
the World’s Largest Chicken Dance, but it may have come up
with something even better in Contained:
Gateway Arts Festival, which opened last Saturday and continues with
limited hours through Nov. 3.
It was produced by the Requiem Project, which is managing
and hoping to restore Over-the-Rhine’s Emery Theatre (where there is a Mike
Disfarmer photo exhibit that I blogged about last week). Saturday’s
opening was hampered by cold weather that kept attendance small on the grounds
of Grammer’s in Over-the-Rhine. (Grammer’s is a place that’s probably seen
quite a few Oktoberfests in its day.) But the weather didn’t dampen the
creative imagination that went into the event.
Using 11 trailer-size steel shipping containers as gallery
walls, artists displayed their photography and video-based work, some
interactive, as visitors wandered in and out. The standards were quite high and
one project — David Rosenthal’s “Everything at Home Depot (Series)’’ — struck
me as outstanding.
Installed in vertical pieces on fiberboard along the interior
sides of the container, the color heat-transfer prints set out to do what the
title suggests. In this environment — with the container’s metal sides, the
wood floor and glaring fluorescent lights – the whole project looked just right — a melding of the artistic and the industrial, the soulful and the soulless.
If this is part of a larger series (as the title suggests), it deserves to be
seen in total. But one hopes future showings will get an environment as cool as
In a corner of the grounds, behind one crate and out of
direct view, a band played suitably spacey music. After awhile, musicians moved
atop a crate to play music with a pronounced electronic component. Meanwhile,
video projections were displayed high off the building’s sides — you could see
the images when approaching the site and it was really exciting.
The whole festival, itself, worked as an art installation. It will be open again this Friday from 6-10 p.m.
(it’s ideal at dark), 2-5 p.m. Saturday and Nov. 3 by appointment at firstname.lastname@example.org.
It’s definitely worth a visit, even if not that easy to get to.
Another show you need to see — partly because of its
excellence and partly because it’s in a space rarely open to the public — is
the Using Photography exhibit at
downtown’s Michael Lowe Gallery. He is a private dealer, so it’s a treat to see
his elegant, uncluttered two-floor gallery open to the public. Drawing on his
own collection, he’s put together a show that
works as both top-notch fine-art photography and as a historical exhibition.
In this case, the history that the show addresses is that of
the conceptual/performance art world of the 1970s. Pivotal names in
international contemporary art’s development are represented here — Marina
Abramovic, Vito Acconci, Gerhard Richter, Michael Kelly, Ed Ruscha, Gilbert and
George and many more.
With the richness of work represented, and it way it
stretches our definition of photography and time-based art, it’s one of
FotoFocus’ best shows. To just pick one piece, I was especially moved by
Christian Boltanski’s five touched-up photographs comprising 1974’s
“Anniversaire,” or “The Birthday.” I am used to the French artist’s solemn,
sobering, heart-rending installations that use photography to remember the
Holocaust. They are so strong you wonder if they must drain the artist of all joie de vivre. Yet here he is happy in
this work, and the meaning of that happiness is revelatory if you know his history.
Even if you don’t, it’s a generous and warm piece.
This show originally was going to be open just briefly, but
Lowe has agreed to stay open noon-4 p.m. weekdays through the end of the month.
His gallery is at 905 Vine St. Plan a downtown lunch trip around it.
Meanwhile, only up through this Thursday is Photogenus at the Reed Gallery inside
University of Cincinnati’s College of Design, Art, Architecture & Planning.
Put together by Jordan Tate, DAAP photography professor, and gallery director
Aaron Cowan, this looks at how today’s international artists use photography in
a digital age.
It’s a nice companion to Lowe’s show, as one chronicles
breakthroughs from the 1970s (some of which we’re still trying to understand)
and one shows how today’s international artists are using photography to make
new breakthroughs. Much of it is quite out-there and left me quizzical about
individual work’s obscure intent and technique.
But some were very striking, like Anthony Lepore’s pairing of a photo
(an archival ink print) of a salt field with a piece of carpet of roughly the
I had written earlier about how eager I was to
see Nancy Rexroth’s photographs at downtown’s YWCA Women’s Art Gallery as part
of FotoFocus. The show consists of previously unprinted images from her
influential Iowa project of the early
1970s — she used a toy camera to capture fleeting glimpses of everyday life in
There was always the chance the black-and-white work had
been left unprinted for a reason all these decades, but I’m happy to report
it’s an excellent, evocative show — underscoring just how strong a body of work
Iowa is. Besides the ghostly “Clara
in the Closet, Carpenter, OH,” previously published in CityBeat, I also loved
“House Vibration, Dayton, OH, 1976,” in which the blurry focus produces an
unsteady image that makes one think an earthquake is occurring. It’s a great
metaphor for the here-today-gone-tomorrow nature of life. This show will be up
through Jan. 10 — Rexroth shares the space with Judi Parks and Jane Alden
Stevens. Watch for Contributing Visual Art Editor Steven Rosen’s FotoFocus blog postings all month. Contact him at email@example.com.
by Kevin Osborne
Buyer beware! Cincinnati police are investigating reports of several hundred counterfeit tickets to Thursday's Opening Day game. The Cincinnati Reds say the tickets were sold on the streets in the lead up to the game versus the Marlins. At least 47 of the bogus tickets were collected when people tried to use them at the gate.Government, business and civic leaders are mulling a proposal to ask Hamilton County voters to raise the sales tax to help fund the operation and maintenance of the region's arts institutions. If a sales tax is proposed, voters could be asked to increase the current 6.5 percent sales tax by either one-quarter or one-half of a cent. Beneficiaries of the revenue might include the Museum Center at Union Terminal, Music Hall, the Cincinnati Art Museum and the Cincinnati Zoo & Botanical Garden.Cincinnati Police Chief James Craig congratulated 10 at-risk youth Saturday who are the city's first boot camp graduates. The students from Rothenberg School were formally recognized for graduating from the first official Children in Trauma Intervention Boot Camp.A Pennsylvania man and two Illinois homeowners are suing Cincinnati-based Fifth Third Bank and six mortgage insurers, alleging the bank got "kickbacks" from the insurers in violation of federal law. Fifth Third had arrangements with the insurers under which they bought "reinsurance" from the bank, according to the complaint. From 2004 to 2011, Fifth Third received $54 million in reinsurance premium payments from insurers and paid out $4.9 million in claims.A fraternity at Miami University is suspended from operations at the Oxford campus. Sigma Chi has been told to move out of their chapter house by their national headquarters. Officials didn't release details of the suspension, only stating it's the result of some kind of inappropriate behavior. Fraternity members have until Wednesday to move out. Let the speculation begin. In news elsewhere, Sunnis and Kurds in Iraq are criticizing U.S. policy toward their nation. They say the Obama administration is ignoring Iraqi Prime Minister Nouri al-Maliki’s increasingly authoritarian behavior. Since U.S. troops withdrew in December, Maliki has extended his reach to take on his political rivals, drawing accusations from Iraq’s Sunni and Kurdish minorities that he is intent on establishing a dictatorship.Comedian and author Bill Cosby said in an interview that George Zimmerman never would've confronted Trayvon Martin if Zimmerman hadn't been carrying a gun, and that no neighborhood watch volunteers should be carrying weapons. Zimmerman shot and killed Martin — an unarmed African-American teenager — Feb. 26 in Sanford, Fla., allegedly in self-defense. “The power-of-the-gun mentality had him unafraid to confront someone. Even police call for backup in similar situations,” Cosby said. “When you carry a gun, you mean to harm somebody, kill somebody.”Independent voters like President Obama better but feel ideologically closer to Mitt Romney, according to a new poll of a dozen battleground states released Monday. The survey, conducted by Global Strategy Group for the moderate Democratic think tank Third Way, examined attitudes of “swing independents” who express views of Romney or Obama that are neither strongly favorable nor unfavorable. In the poll, he led Romney 44 percent to 38 percent.Syrian forces have fired across the border into Turkey, hitting a refugee camp, just hours before a United Nations deadline to end the violent uprising in the nation is slated to take effect. Five people – three Syrians, one Turkish translator and one Turkish policeman – were wounded inside the camp near the town of Kilis, according to the governor Yusuf Odabas.Veteran TV journalist Mike Wallace, best known as one of the original co-anchors of 60 Minutes on CBS, died Saturday at age 93. The network plans an hour-long tribute to Wallace and his career on 60 Minutes next Sunday. In announcing his death, CBS lauded the brazen tactics that it said had made Wallace a household name "synonymous with the tough interview — a style he practically invented for television more than half a century ago." For the past three years, Wallace lived in a nursing care center and reportedly suffered from dementia.
City Council reinstates individual artist grants
0 Comments · Tuesday, January 24, 2012
Good news from City Hall? Yes, actually.
City Council has voted to re-instate and improve a long-established
program providing grants to individual artists, which was cut for
budgetary reasons in 2009.
CAC show of Pop Art icon Keith Haring’s early work is a revelation
1 Comment · Wednesday, March 2, 2011
Keith Haring’s iconography of silhouetted figures, pointy-eared dogs, swelling hearts and televisions — produced in an instantly recognizable style of heavy black outlines filling jumbled compositions — is synonymous with the Pop Art and street culture of the 1980s.
0 Comments · Wednesday, January 14, 2009
As we enter a new year, my biggest wish for Cincinnati’s visual-arts scene in 2009 is a simple one — that we can hold onto what already is here. Lots of people in the local arts are struggling, along with the greater economy, and that puts what they’re doing at risk.
The local visual arts scene remains vital despite tough times
0 Comments · Tuesday, December 30, 2008
In what was a tough year all around, the visual arts scene in Greater Cincinnati managed to stay its ground in 2008. The primary presences are our museums, and they all had good years art-wise, although the Contemporary Arts Center (CAC) was forced to make some staff layoffs late in the year as the national economy tanked.
Arts and culture organizations focus on educating and building new audiences
0 Comments · Wednesday, August 27, 2008
What's happening to the arts audience in Cincinnati? Is it the same group of stalwarts -- loyal and interested but inevitably growing older -- or is there an infusion of new people with new expectations? Outreach/education people in Cincinnati arts join CityBeat for a roundtable discussion.
0 Comments · Wednesday, August 27, 2008
The Fine Arts Fund's Margy Waller wants to have a conversation with you about the kind of community you live in and want to build. About how you want your children to grow up. About how the region's arts and culture resources help you accomplish those goals.