Greater Cincy's music community unites to help injured rockers and The Sundresses become a foursome
0 Comments · Wednesday, July 17, 2013
Following a serious van accident, local music supporters team up to help rockers Mad Anthony via two benefit concerts. Plus, The Sundresses debut as a quartet Friday on Fountain Square for the free MidPoint Indie Summer concert with Wussy and Queen City Radio.
by Mike Breen
Posted In: Music News
at 02:13 PM | Permalink
Longtime local faves add permanent drummer to lineup, play Fountain Square July 19
One of the finest original bands to call Cincinnati home over the past decade or so has expanded from a trio to a quartet. The Sundresses' dark, dirty, rootsy Rock sound has been delivered by the three core members over the past 11 years, with Jeremy Springer and Brad Schnittger switching off between drums and guitar during sets (both sing). Beginning next Friday, July 19, Springer and Schnittger will provide a double frontmen/guitarist assault with bassist Makenzie Place now teamed in rhythm with new drummer Dave Reid (The Dukes are Dead, Filthy Beast). Springer sent along a video clip of the "new" ’Dresses' second practice with Reid behind the kit. Secrets From The Smithery from The Sundresses on Vimeo.On July 19, Reid will be officially introduced as the band's new drummer at the MidPoint Indie Summer show on Fountain Square. The Sundresses join Wussy and Queen City Radio (featuring members of Turnbull ACs, 500 Miles to Memphis and Denial) on the impressive bill. The show is free and begins at 8 p.m.
Plus, Tracy Walker releases decade-in-the-making new LP and the latest on MidPoint Music Festival 2013
0 Comments · Wednesday, May 1, 2013
This year's MidPoint Indie Summer concert series — free, every Friday on Fountain Square — puts focus on great local acts and a few notable touring act, singer/songwriter Tracy Walker returns this week with her first recording in 10 years, the album Coetaneous
Vibrations, and get the latest on this fall's MidPoint Music Festival, including news of an initial lineup announcement later this wee.
Record Store Day festivities this Saturday include area record stores, new local releases
This Saturday is Record Store Day, which began in 2007 as a way to celebrate (and draw business to) independent, brick-and-mortar record shops all over the globe. In the Cincinnati area, four longtime record shops with loyal fanbases will officially participate — Everybody’s Records in Pleasant Ridge, Shake It Records in Northside, Mole’s Record Exchange in Clifton Heights and Phil’s Music & Memories in Latonia, Ky. That means you’ll be able to get your hands on some of the thousands of exclusive, RSD-only releases coming out this year from a wide range of acclaimed artists, new and old. (See the huge "The List" of exclusives below.) Other stores may also be doing fun, interesting stuff for the "holiday"; be sure to visit all of your favorites. That's what the day is all about. • The local shops usually do it up big for RSD. At Everybody’s Records, you can listen to live music (including a 2 p.m. acoustic set from Jody Stapleton and Brandon Losacker of Jody Stapleton and the Generals) and DJing (from local Reggae DJ squad Queen City Imperial Soundsystem at 5 p.m.) throughout your RSD adventuring at the store. • At Shake It, Grammy-winning (for his work on Dr. John’s last album) rocker Brian Olive performs at 6 p.m. (he and his band play MOTR Pub later on Saturday for free), while Chuck Cleaver and Lisa Walker of Wussy play at 8 p.m. Shake It is offering a 10% discount on purchases for anyone bringing non-perishable food items for Churches Active in Northside’s Choice Food Pantry. • Shake It’s “record label” branch is also getting in on the RSD fun, putting out a pair of new, limited, exclusive releases by a couple of local music giants. Saturday at the shop, you’ll be able to pick up a live vinyl album featuring a performance at Shake It by The Greenhornes over a decade ago. The Live at Shake It Records 2001 LP featuring 14 tracks representing the band’s first three albums (one song was previously released by the label on a 7-inch in 2002, but it went out of print instantly). Shake It will also release an EP of songs by Walker and Cleaver — a.k.a. Wussy Duo, which plays when the full band is not available. The CD features seven tracks from the slimmed-down lineup. • With Record Store Day falling on 4/20, it should be no surprise that critically-acclaimed Cincy-area rockers Buffalo Killers would get in on the action; pot references are sprinkled throughout the band’s discography and their deft blend of vintage Psych Pop and swampy Blues Rock is certainly THC-friendly. The trio — which tours frequently and has made fans out of The Black Keys, The Black Crowes and many others across the U.S. — is coming through big with a new six-track, 12-vinyl EP titled Ohio Grass. The follow-up to the band’s fourth and finest full-length, 2012’s Dig. Sow. Love. Grow., has more than just a title reference to the smoky stuff — the EP’s cover (see above) features a giant, burning joint and the vinyl itself is colored “Herb Green” (as noted on the pot-leaf sticker also gracing the cover). The EP is a Record Store Day exclusive through the band’s label, Alive Naturalsounds Records.The Buffs will be spending 4/20 in Dayton, performing an in-store at Omega Records to celebrate the release and RSD, but on Friday, Buffalo Killers perform a free show for Cincinnati fans at MOTR Pub with special guests, The Cincinnati Suds. Showtime is 10 p.m. Click below for a huge list of Record Store Day exclusives from the RSD official site. (Click here for more, including the special RSD releases that will still be available post-Record Store Day.)
Fists of Love releases debut full-length and Cincinnati gets in on the Record Store Day action
0 Comments · Wednesday, April 17, 2013
Psychedelic Indie rockers Fists of Love prep their debut album, I Sang My Heart Out to a Snake Once, for digital and vinyl release. Plus, Cincinnati area record stores get ready for this Saturday's huge international Record Store Day.
After a wildly successful 2012, Cincinnati rockers offer fans free download of rarities collection
Cincinnati Rock foursome Wussy had its biggest year by far in 2012, as the band traveled extensively for the first time, securing some great opening slots on tours by The Afghan Whigs and The Heartless Bastards. The band also gained a fan base in the U.K., where the label Damnably Records issued an acclaimed compilation culled from the band's previous albums called Buckeye (frontpeople Chuck Cleaver and Lisa Walker traveled to the U.K. to tour and promote the release). With their press kit more overflowing than ever with international reviews and a variety of key radio appearances, Wussy's members are in a grateful mood. To say, "Hey, thanks," to their fans new and old, the group has issued Berneice Huff and son, Bill sings… Popular Favorites, a free compilation download that includes demos, rarities, b-sides and more. Berneice Huff and son (named for that irresistible album cover travesty) kicks off with an intro from NPR's Terry Gross, taken from when Fresh Air did a piece on the group in 2009. The rest of the collection is a treasure trove for Wussy completists, with live radio sessions and interviews, a few cover tunes and the initial three-song demo that Cleaver took to Shake It in 2003 looking for a record deal. Click here to download Berneice Huff and son, Bill sings… Popular Favorites and read more about the material included.Here's one of the track from the collection, Coltrane Motion's remix of "Maglite," from the remix compilation This Will Not End Well, which featured several local artists' reworkings of Wussy songs (Coltrane Motion is based in Chicago but originated in Cincy). <a href="http://allnightparty.bandcamp.com/track/maglite-2">Maglite by Wussy+Coltrane Motion</a&
Northside Record Fair debuts and Over the Rhine preps two new LPs for 2013
0 Comments · Wednesday, November 28, 2012
This Saturday brings the first ever Northside Record Fair, featuring used, new and rare recordings in various formats and various other musical merch for sale (flea market-style), to Hoffner Lodge. Plus, Over the Rhine plays annual holiday show at the Taft Theatre and preps two new albums for 2013.
by Mike Breen
Posted In: Live Music
at 01:09 PM | Permalink
Two of Cincinnati's finest play much aniticpated homecoming show and exceed expectations
“I’ve been waiting for this for six months,” Afghan Whigs frontman Greg Dulli said to start off the Cincinnati-spawned Rock crew’s first concert in the Queen City since a Sept. 25, 1999, appearance at the same venue. That ’99 show turned out to be the Whigs’ last public concert anywhere before the group’s recent return on a global reunion tour earlier this year. As the extended band built upon the swarming buzz of opener “Crime Scene (Part One),” a lot of fans in the audience could relate to Dulli’s excitement for a hometown show, something most for years thought would never happen. They’ve been waiting a lot longer than six months (when the show was announced), though. More like 13 years. The show kicked off a little after 9 p.m. with Cincy favorites Wussy. The foursome is opening several of the shows on the Whigs’ current U.S. run. Though the group had some sound issues (they clanged away to get levels a little before starting, apologizing and telling the audience they hadn’t gotten a soundcheck), many in the crowd got swept away by the rockers’ ragged, emotive and infectious sound. Though the Cincinnati stop on the tour is obviously the show where the audience would be most familiar with Wussy (many fans around me were dancing and shouting every lyric back as co-frontpeople/singers/guitarists Lisa Walker and Chuck Cleaver switched off vocals), it was fascinating to see that moment on people’s faces when you can tell they’ve been lured in — “Hey, these guys are really good.” It bodes well for the band, which will join Heartless Bastards on tour as soon as the Whigs dates end.Short on its trademark hilarious banner (a theme for the night, though in Wussy’s case, it was difficult to hear much of anything the members said between songs), Wussy busted through a great set that touched on all four of their studio album releases to date. Like the albums, that created a great “calling card” of a set for potential new fans, as Wussy moved from more emotionally moving, slow swaying songs (like opener “Waiting Room” from last year’s excellent Strawberry and the transcendent “Muscle Cars” from 2009’s self-titled effort) to its often humorous (though still often just as passionate) and punkish upbeat tunes like the uber-catchy “Happiness Bleeds” and the relentless, wired “Pulverized” (another Strawberry track). The core quartet was rounded out by John Erhardt, a former bandmate of Cleaver’s in The Ass Ponys who added some tasty shading with his pedal steel guitar (unfortunately, his contributions were probably effected most by the weak sound, which often made him inaudible in the mix). Whigs bassist John Curley sat in on a song, putting a jolt into the crowd and leading bassist/multi-instrumentalist Mark Messerly to joke that, while everyone should be excited about the Whigs reuniting, they were now going to be treated to a “Staggering Statistics reunion” (Curley played in that local band with Wussy drummer Joe Klug; SS singer/guitarist Austin Brown was not present, so it was really a 2/3 reunion-ish). Between sets, the anticipation of Whigs’ fans that could be seen on social media sites since the show was first announced six months ago was becoming palpable. The lights went down, the crowd erupted and The Afghan Whigs took the stage (adorned with a simple red backdrop, reminiscent of the one at the old Southgate House, and a shimmering disco ball) to kick off an hour-and-a-half-plus show that showed that this was far from the same band that performed at Bogart’s 13 years ago. The Whigs have always been an amazing live band, but the current incarnation was a different kind of amazing — tight, focused and seemingly thrilled to be playing with each other again. Exemplifying the band’s decision to return for a full tour and do things smarter were the mere physiques of Curley and Dulli, who seemed to have recognized the unhealthy trappings of touring and preemptively hit the gym hard so they were ready for them. The always rail-thin original guitarist Rick McCollum was his usual enigmatic self, knocking out his brilliant, snaking leads while practically hidden on the far left of the stage. Though fairly subdued, occasionally McCollum stepped out of the shadows, doing his Jimmy Page-influenced stutter-step stage moves. The Afghan Whigs were literally a different band than 13 years ago as well. Longtime associate Doug Falsetti was back on percussion and back-up vocals, but there were plenty of new faces — guitarist Dave Rosser and drummer Cully Symington (members of Dulli’s Twilight Singers) plus Rick Nelson, who played cello, violin and keys. Perhaps the biggest difference between the Whigs that broke up in 1999 and the one that played last night was focus. I personally missed the funny, sometimes baiting banter for which Dulli’s infamous, but it made the show more powerful and fluid just sticking to the songs. The Afghan Whigs proved themselves one of the best live Rock & Roll bands on the planet right now with a no-BS set that hit upon songs from their entire career. That was another “new thing” — the band’s last Bogart’s show featured no material from the Whigs’ first two SubPop albums (save standard finale “Miles Iz Dead” from Congregation). Last night, the band did “Miles” as the finale again, but also did ferocious versions of Congregation’s “I’m Her Slave” and “Conjure Me” and even “Retarded,” the fiery lead-off track from the 1990 SubPop debut, Up In It. Instead of the swaggering “gentleman” teasing the crowd and making jokingly arrogant statements between songs, Dulli came off like a master frontman, taking off his guitar for the old R&B cover of “See and Don’t See” and roaming through the crowd, dancing frequently and, most importantly, hitting every note. Dulli has reportedly quit smoking and it has done wonders for his voice. In the past, he’d sometimes gasp for air doing a song like “Conjure Me” or nearly choke on some of the more throatier howls; last night, all cylinders were clicking and he hit all the right notes, including the “Yeah!” yells of “Retarded” (one of the best screams in Rock & Roll), which he's now nailing probably better than he has since the group recorded the song.The more upbeat material from the Whigs’ swan song, 1965, got the crowd moving even more intensely as the Whigs grooved hard on their distinctive funkiness. And tracks from Gentlemen and Black Love were received like the classics they are, from the ominous “Fountain and Fairfax” and the whip-snap of “Gentleman” to the woozy teetering of “When We Two Parted” (which was given a bigger, sharper reworking), a hard and heavy “My Enemy” and a soaring “Faded,” one of the best “ballads” of the ’90s during which the group paid tribute to one of the best ballads of the ’80s, “Purple Rain.” The Whigs have always quoted from other songs during their sets (kind of like how a Jazz saxophonist will sneak in various melodies while playing) and last night was no exception. Dulli inserted a touch of Prince’s “Little Red Corvette” into “66” (a holdover from their final touring days) and also worked up a snippet of The Emotions’ Disco classic “Best of My Love” as an intro. And during their most recent new song, a great cover of Frank Ocean’s “Lovecrimes,” Dulli (playing keys) segued into “Wicked Games” by Canadian R&B newcomer The Weeknd.Early on in the set, Dulli thanked Wussy for opening up and remarked on how Cincinnati has always produced a ton of great bands. “Always has, always will,” he added. Those words carry a lot of weight coming from a Cincinnati music icon. I came away from the show with one thought — “This can’t be it.” Yes, the group is returning for another Bogart’s show on New Year’s Eve, but The Afghan Whigs are better than they’ve ever been right now and, judging from various interviews, all three members are enjoying the experience immensely — why stop now? If they can get through this tour with those good vibes still peaking, why wouldn’t they make a new album and keep it going? UPDATE: Here's is the full setlist from the Bogart's show Oct. 25 (from setlist.fm): 1. Crime Scene, Part One
2. I'm Her Slave
3. Uptown Again
4. What Jail is Like
5. Conjure Me
6. When We Two Parted/Over My Dead Body
(Drake cover) 7. Gentlemen
9. Best of My Love /66
(The Emotions cover) 10. My Enemy
12. See and Don't See
(Marie "Queenie" Lyons cover) 13. Lovecrimes /Wicked Games
(Frank Ocean cover) 14. Going to Town
15. Who Do You Love?/Fountain and Fairfax
(Bo Diddley cover) 16. Faded Encore: 17. Miles Iz Ded
18. Into the Floor
by Mike Breen
Tonight's the big night for local fans of The Afghan Whigs, as the reunited rockers host a homecoming concert at Bogart's in Corryville. If you don't have a ticket, try an online reseller or hit up the Short Vine scalpers because the show sold out instantly. There are, however, still tickets available for the Whigs' New Year's Eve show at Bogart's (click here). Another one of Cincinnati's greatest musical exports, Wussy, opens tonight's show (the band has been doing several dates with the Whigs on this first leg of the band's U.S. tour). CityBeat previewed the Whigs' return with a cover-story package in our issue out last week. Click here, here and here to read up on the group, then click below for a playlist of Whigs music videos. And check this space tomorrow for a full report from the show.UPDATE: According to the Bogart's Facebook page, doors open at 7:30 p.m.; the show starts at 9 p.m. (previously stated showtime was 7:30 p.m.). • R. Ring, the duo project from Kelley Deal of Dayton's The Breeders and Northern Kentucky's Mike Montgomery of Ampline/thistle fame, performs a free show tonight at Shake It Records in Northside at 7 p.m. The in-store is in honor of the twosome's debut official release, an orange-vinyl 7-inch single from Misra Records. Check out the single's "Fallout and Fire" below and click here to listen to R. Ring's live session for Daytrotter. Click here for even more live music events in Greater Cincinnati tonight.
Jeff Roberson examines the pitfalls of the family man/musician on ‘The Incredible Parade of Cool'
0 Comments · Wednesday, October 10, 2012
Jeff Roberson is no longer “the most
hated man in Folk,” as he was dubbed by former WNKU program director Dan
Reed. In fact, since Summer’s Here, the former Len’s Lounge frontman’s 2008 sophomore solo effort, he’s been preoccupied with matters decidedly unrelated to Folk.