by Mike Breen
Posted In: Live Music
at 01:09 PM | Permalink
Two of Cincinnati's finest play much aniticpated homecoming show and exceed expectations
“I’ve been waiting for this for six months,” Afghan Whigs frontman Greg Dulli said to start off the Cincinnati-spawned Rock crew’s first concert in the Queen City since a Sept. 25, 1999, appearance at the same venue. That ’99 show turned out to be the Whigs’ last public concert anywhere before the group’s recent return on a global reunion tour earlier this year. As the extended band built upon the swarming buzz of opener “Crime Scene (Part One),” a lot of fans in the audience could relate to Dulli’s excitement for a hometown show, something most for years thought would never happen. They’ve been waiting a lot longer than six months (when the show was announced), though. More like 13 years. The show kicked off a little after 9 p.m. with Cincy favorites Wussy. The foursome is opening several of the shows on the Whigs’ current U.S. run. Though the group had some sound issues (they clanged away to get levels a little before starting, apologizing and telling the audience they hadn’t gotten a soundcheck), many in the crowd got swept away by the rockers’ ragged, emotive and infectious sound. Though the Cincinnati stop on the tour is obviously the show where the audience would be most familiar with Wussy (many fans around me were dancing and shouting every lyric back as co-frontpeople/singers/guitarists Lisa Walker and Chuck Cleaver switched off vocals), it was fascinating to see that moment on people’s faces when you can tell they’ve been lured in — “Hey, these guys are really good.” It bodes well for the band, which will join Heartless Bastards on tour as soon as the Whigs dates end.Short on its trademark hilarious banner (a theme for the night, though in Wussy’s case, it was difficult to hear much of anything the members said between songs), Wussy busted through a great set that touched on all four of their studio album releases to date. Like the albums, that created a great “calling card” of a set for potential new fans, as Wussy moved from more emotionally moving, slow swaying songs (like opener “Waiting Room” from last year’s excellent Strawberry and the transcendent “Muscle Cars” from 2009’s self-titled effort) to its often humorous (though still often just as passionate) and punkish upbeat tunes like the uber-catchy “Happiness Bleeds” and the relentless, wired “Pulverized” (another Strawberry track). The core quartet was rounded out by John Erhardt, a former bandmate of Cleaver’s in The Ass Ponys who added some tasty shading with his pedal steel guitar (unfortunately, his contributions were probably effected most by the weak sound, which often made him inaudible in the mix). Whigs bassist John Curley sat in on a song, putting a jolt into the crowd and leading bassist/multi-instrumentalist Mark Messerly to joke that, while everyone should be excited about the Whigs reuniting, they were now going to be treated to a “Staggering Statistics reunion” (Curley played in that local band with Wussy drummer Joe Klug; SS singer/guitarist Austin Brown was not present, so it was really a 2/3 reunion-ish). Between sets, the anticipation of Whigs’ fans that could be seen on social media sites since the show was first announced six months ago was becoming palpable. The lights went down, the crowd erupted and The Afghan Whigs took the stage (adorned with a simple red backdrop, reminiscent of the one at the old Southgate House, and a shimmering disco ball) to kick off an hour-and-a-half-plus show that showed that this was far from the same band that performed at Bogart’s 13 years ago. The Whigs have always been an amazing live band, but the current incarnation was a different kind of amazing — tight, focused and seemingly thrilled to be playing with each other again. Exemplifying the band’s decision to return for a full tour and do things smarter were the mere physiques of Curley and Dulli, who seemed to have recognized the unhealthy trappings of touring and preemptively hit the gym hard so they were ready for them. The always rail-thin original guitarist Rick McCollum was his usual enigmatic self, knocking out his brilliant, snaking leads while practically hidden on the far left of the stage. Though fairly subdued, occasionally McCollum stepped out of the shadows, doing his Jimmy Page-influenced stutter-step stage moves. The Afghan Whigs were literally a different band than 13 years ago as well. Longtime associate Doug Falsetti was back on percussion and back-up vocals, but there were plenty of new faces — guitarist Dave Rosser and drummer Cully Symington (members of Dulli’s Twilight Singers) plus Rick Nelson, who played cello, violin and keys. Perhaps the biggest difference between the Whigs that broke up in 1999 and the one that played last night was focus. I personally missed the funny, sometimes baiting banter for which Dulli’s infamous, but it made the show more powerful and fluid just sticking to the songs. The Afghan Whigs proved themselves one of the best live Rock & Roll bands on the planet right now with a no-BS set that hit upon songs from their entire career. That was another “new thing” — the band’s last Bogart’s show featured no material from the Whigs’ first two SubPop albums (save standard finale “Miles Iz Dead” from Congregation). Last night, the band did “Miles” as the finale again, but also did ferocious versions of Congregation’s “I’m Her Slave” and “Conjure Me” and even “Retarded,” the fiery lead-off track from the 1990 SubPop debut, Up In It. Instead of the swaggering “gentleman” teasing the crowd and making jokingly arrogant statements between songs, Dulli came off like a master frontman, taking off his guitar for the old R&B cover of “See and Don’t See” and roaming through the crowd, dancing frequently and, most importantly, hitting every note. Dulli has reportedly quit smoking and it has done wonders for his voice. In the past, he’d sometimes gasp for air doing a song like “Conjure Me” or nearly choke on some of the more throatier howls; last night, all cylinders were clicking and he hit all the right notes, including the “Yeah!” yells of “Retarded” (one of the best screams in Rock & Roll), which he's now nailing probably better than he has since the group recorded the song.The more upbeat material from the Whigs’ swan song, 1965, got the crowd moving even more intensely as the Whigs grooved hard on their distinctive funkiness. And tracks from Gentlemen and Black Love were received like the classics they are, from the ominous “Fountain and Fairfax” and the whip-snap of “Gentleman” to the woozy teetering of “When We Two Parted” (which was given a bigger, sharper reworking), a hard and heavy “My Enemy” and a soaring “Faded,” one of the best “ballads” of the ’90s during which the group paid tribute to one of the best ballads of the ’80s, “Purple Rain.” The Whigs have always quoted from other songs during their sets (kind of like how a Jazz saxophonist will sneak in various melodies while playing) and last night was no exception. Dulli inserted a touch of Prince’s “Little Red Corvette” into “66” (a holdover from their final touring days) and also worked up a snippet of The Emotions’ Disco classic “Best of My Love” as an intro. And during their most recent new song, a great cover of Frank Ocean’s “Lovecrimes,” Dulli (playing keys) segued into “Wicked Games” by Canadian R&B newcomer The Weeknd.Early on in the set, Dulli thanked Wussy for opening up and remarked on how Cincinnati has always produced a ton of great bands. “Always has, always will,” he added. Those words carry a lot of weight coming from a Cincinnati music icon. I came away from the show with one thought — “This can’t be it.” Yes, the group is returning for another Bogart’s show on New Year’s Eve, but The Afghan Whigs are better than they’ve ever been right now and, judging from various interviews, all three members are enjoying the experience immensely — why stop now? If they can get through this tour with those good vibes still peaking, why wouldn’t they make a new album and keep it going? UPDATE: Here's is the full setlist from the Bogart's show Oct. 25 (from setlist.fm): 1. Crime Scene, Part One
2. I'm Her Slave
3. Uptown Again
4. What Jail is Like
5. Conjure Me
6. When We Two Parted/Over My Dead Body
(Drake cover) 7. Gentlemen
9. Best of My Love /66
(The Emotions cover) 10. My Enemy
12. See and Don't See
(Marie "Queenie" Lyons cover) 13. Lovecrimes /Wicked Games
(Frank Ocean cover) 14. Going to Town
15. Who Do You Love?/Fountain and Fairfax
(Bo Diddley cover) 16. Faded Encore: 17. Miles Iz Ded
18. Into the Floor
by Mike Breen
Tonight's the big night for local fans of The Afghan Whigs, as the reunited rockers host a homecoming concert at Bogart's in Corryville. If you don't have a ticket, try an online reseller or hit up the Short Vine scalpers because the show sold out instantly. There are, however, still tickets available for the Whigs' New Year's Eve show at Bogart's (click here). Another one of Cincinnati's greatest musical exports, Wussy, opens tonight's show (the band has been doing several dates with the Whigs on this first leg of the band's U.S. tour). CityBeat previewed the Whigs' return with a cover-story package in our issue out last week. Click here, here and here to read up on the group, then click below for a playlist of Whigs music videos. And check this space tomorrow for a full report from the show.UPDATE: According to the Bogart's Facebook page, doors open at 7:30 p.m.; the show starts at 9 p.m. (previously stated showtime was 7:30 p.m.). • R. Ring, the duo project from Kelley Deal of Dayton's The Breeders and Northern Kentucky's Mike Montgomery of Ampline/thistle fame, performs a free show tonight at Shake It Records in Northside at 7 p.m. The in-store is in honor of the twosome's debut official release, an orange-vinyl 7-inch single from Misra Records. Check out the single's "Fallout and Fire" below and click here to listen to R. Ring's live session for Daytrotter. Click here for even more live music events in Greater Cincinnati tonight.
Jeff Roberson examines the pitfalls of the family man/musician on ‘The Incredible Parade of Cool'
0 Comments · Wednesday, October 10, 2012
Jeff Roberson is no longer “the most
hated man in Folk,” as he was dubbed by former WNKU program director Dan
Reed. In fact, since Summer’s Here, the former Len’s Lounge frontman’s 2008 sophomore solo effort, he’s been preoccupied with matters decidedly unrelated to Folk.
by Mike Breen
Your long weekend begins with quality live music options in Downtown/Over-the-Rhine
• Downtown at Arnold's tonight (Friday), catch influential cult hero Paleface, a man who has been on the cutting edge of contemporary music's continual fascination with traditional Folk music and an influence on some of the more adventurous musicians who seek to translate that vintage spirit into their own voice. Over the past 20-plus years, the singer/songwriter has been an Anti Folk torchbearer and an Indie Folk mentor, first learning songwriting and lo-fi recordings from underground legend Daniel Johnston in the late ’80s. From there he went on to teach a few tricks to roommate Beck (pre-fame), help the so-called "Freak Folk" scene grow freakier and folkier and collaborate frequently with pals The Avett Brothers. Whether directly or indirectly, if you dig today's "Indie Folk" — or any brand of slanted or subversive Americana — you've likely heard the results of Paleface's unique influence. Click here to read more.Paleface's show tonight at Arnold's is free and — icing on the cake — great local Folk Pop group Shiny and the Spoon opens the show at 9 p.m. The gig will also be the first one for which Arnold's has commissioned a special concert poster. Crafted by talented local artist Keith Neltner (who has done commissioned poster art for Alice in Chains, Modest Mouse, Hank Williams III, The Avett Brothers, Cake, Black Rebel Motorcycle Club and many others), the prints (pictured above) are available for $25 while they last (only 50 were pressed). Here's Paleface's video for his ode to NYC, fittingly titled "New York, New York." UPDATE: Arnold's just announced this afternoon that Paleface has cancelled due to illness. A rescheduled date is in the works. Shiny and the Spoon is still performing. • After the best summer series yet, the final MidPoint Indie Summer concert on Fountain Square goes down tonight at 7 p.m. And the every-Friday series is going out with a bang, featuring a flawless triple bill of local acts. Things get started with superb modern Soul translators The Guitars, who will be followed by the duo R. Ring, featuring Dayton, Ky.'s Mike Montgomery (longtime local engineer ad musician, currently with Ampline) and Dayton, Ohio's Kelley Deal (The Breeders). R. Ring spoke with CityBeat's Brian Baker about the project in this week's paper. Read it online here. Headlining tonight's Fountain Square concert is Wussy, the now-veteran four-piece that is gearing up for some huge happenings on the horizon, including tour dates with The Afghan Whigs and Heartless Bastards and a trip to the U.K. by co-frontpeople/singer/guitarists Lisa Walker and Chuck Cleaver (playing as a duo) for several shows in support of the band's first U.K. release, Buckeye, a retrospective that came out to glowing reviews this summer. Read more about Wussy's many goings on here. Here's the skate video by Kristian Svitak that R. Ring helped re-soundtrack. After DEVO's record label removed the video because it used the group's song "Mr. DNA," Svitak got together to record a new version with Deal and Montgomery. The song in the re-edited video was so popular, R. Ring released it as a limited edition single and local label Phratry Records released it digitally. (Click here to get your own copy.) • Popular local Gypsy Jazz favorites and Django Reinhardt devotees The Faux Frenchmen celebrate the group's 10th anniversary tonight with a show at downtown's Blue Wisp Jazz Club. A decade ago this fall, the band (which features esteemed local musicians George Cunningham, Brian Lovely, Paul Patterson and Don Aren) made its debut, starting an every-Monday residency at former Clifton restaurant Tink's. Over the years, the band has only gotten more popular, drawing attention from outside of Cincinnati and performing numerous road dates (this fall they return for their sixth appearance at the annual Jazz at Chautauqua Festival in New York). The band's anniversary show begins at 8:30 p.m. and admission is $10. Here's a clip from the Frenchmen performing on another anniversary — Reinhardt's birthday (taken from one of their annual appearances on WNKU in honor of Django).• The performers for the weekly "Friday Flow" concerts at Washington Park are always a bit of a surprise because the lineups have been announced within only a week or two of the performances. It's also a surprise because the featured act is usually something pleasantly unexpected. Dayton Funk greats Lakeside ("Fantastic Voyage") popped up one week and Neo Soul star Dwele launched the series this summer. Tonight's free Friday Flow concert is another cool, unanticipated treat. Just announced earlier this week, the show will feature R&B singer Chrisette Michele, a Hip Hop hook-singer extraordinaire (with Jay-Z, Nas, The Game and others) who has also had a successful career on her own, releasing a handful of acclaimed, charting albums for Def Jam. The other headliner is Rob Base, a Hip Hop artist most know from his 1988 hit with DJ E-Z Rock, "It Takes Two." Because of the volleyball tournament in Washington Park tonight, gates for the concert won't open until 7:30 p.m. Another change from the usual Friday Flow flow (also due to volleyball) — no food, drinks or coolers will be permitted (this weekend only). Extra food vendors will be on hand to feed the masses. Click here for even more live music events going on tonight in Greater Cincy.
0 Comments · Wednesday, August 29, 2012
There has been more activity downtown at
the former home of the historic Herzog recording studios than there has
been since the studio’s heyday in the ’40s.
by Mike Breen
Current local greats join former local (now Austin) greats for dates this fall
Cincy rockers Wussy have stepped up their game in terms of touring and promotions big time. It was previously announced that the group would join Cincy legends The Afghan Whigs on their upcoming U.S. tour run. Now, immediately following those (mostly sold out) dates, Wussy is set to join another local favorite, Heartless Bastards (now based in Austin, Tex.), for several shows on that band's fall tour. Wussy is the confirmed support act on Bastards dates in Houston, New Orleans, Nashville, Athens, Ga., Saxapahaw, NC, and Washington D.C. Wussy and Heartless Bastards are also hooking up on vinyl, participating in the series of singles tributing the songs of Soul/R&B songwriter Eddie Hinton. The Afghan Whigs' Greg Dulli recorded the first single in The Dangerous Highway Series of 7-inch singles (taking on "Hard Luck Guy” and “Cover Me"), while Drive-By Truckers did Vol. 2. Due next month, Vol. 3 features Wussy doing "Breakfast in Bed" on one side and the Bastards doing "Got Down Last Saturday Night" on the flip. At the same time as the split single, Shake It is also releasing Vol. 4 featuring Cincy's Buffalo Killers, with two tracks produced by Dan Auerbach of the Black Keys. (Besides buying them in Shake It's Northside shoppe, the releases will also be available through Shake It via mail order; click here to browse the catalog.)Before the Whigs and Bastards dates, Wussy headlines next Friday's free MidPoint Indie Summer Series on Fountain Square (the last of the season), then the band's Chuck Cleaver and Lisa Walker will be doing several dates as a duo in the U.K. (from Sept. 17-Oct. 1). The band's first album to be released overseas, Buckeye (on the Damnably Records imprint), came out in July in the U.K. and features a compilation of Wussy songs from the group's five albums (including the acoustic rendition of Funeral Dress). Buckeye has been scoring Wussy some remarkable press; the BBC reviewed the record and said, "Wussy are certainly a band with an incredibly rich past and, undoubtedly, an equally rich future."
46 Long's new LP, plus news on for algernon, Seedy Seeds, Wussy and The Afghan Whigs
0 Comments · Wednesday, August 1, 2012
Blues twosome 46 Long unveils eclectic new LP, plus for algernon set to resume recording after serious auto accident and Wussy set to hit the road with The Afghan Whigs
by Mike Breen
Two of Cincinnati's all-time best join forces this fall
Cincy rockers Wussy are set to join the much-celebrated Afghan Whigs' reunion tour this fall when the band finally hits the U.S. for a string of dates. Another great exhibition of Cincy's rich music scene, again in the national spotlight. Wussy has been touring a lot more than usual lately, including its first West Coast jaunt, so this should help raise the group's national profile even more.So far, Wussy is set to open for The Afghan Whigs for their homecoming show at Bogart's on Oct. 25 (sold out), as well as dates in New Orleans (Oct. 19), Atlanta (Oct. 20), Carrboro, NC (Oct. 21) and another sold-out affair in Detroit (Oct. 24). More dates are expected to be announced soon.Wussy co-lead-singer/songwriter Chuck Cleaver is a longtime friend/mutual fan of the Whigs. Back in 1993, the local label Mono Cat 7 released a split single featuring the Whigs and Cleaver's former band, The Ass Ponys. The Ponys covered The Whigs' tune "You My Flower," while Greg Dulli and Co. tackled the Ass Ponys classic "Mr. Superlove." (That's the cover art, with former Short Vine mayor Archie acting as the model, above.) Here's a fan-made video for the Whigs' take on "Mr. Superlove" (NSFW due to mild nudity).More recently, Wussy recorded a great cover version of another early Whigs song, Up In It opening track, "Retarded," for an Afghan Whigs tribute compilation put out by fantastic Afghan Whigs site Summer's Kiss (listen or purchase here). The comp also included Whigs renditions by Mark Lanegan, Joseph Arthur and several other acts. Give a listen to Wussy's "Retarded" below.
Full lineup of free concerts every Friday this summer
The lineup for this summer's MidPoint Indie Summer series — every-Friday free concerts on Fountain Square — features another strong mix of solid national headliners (many are MidPoint Music Festival alumni) from as far away as Australia and Timbuktu and local favorites. Stay tuned for additions and updates.Friday, June 1: The Bright Light Social Hour (Austin Tex.); Buffalo Killers; The KickawaysFriday, June 8: The Dynamites (Nashville); Khaira Arby and her Band (Timbuktu, Mali, Africa); The PinstripesFriday, June 15: The Seedy Seeds; Wymond Miles (of The Fresh & Onlys, San Francisco); Belle HistoireFriday, June 22: Art vs Science (Australia); You You're Awesome; ShadowraptrFriday, June 29: psychodots (openers TBA)Friday, July 6: Lydia Loveless (Columbus); Patrick Sweany (Nashville); The Ready Stance Friday, July 13: Seabird; The Harlequins; Jon Drake and The Shakes (Chicago) Friday, July 20: Ha Ha Tonka (Springfield, Mo.); Izzy and the Catastrophics (New York); The Ridges (Athens, Ohio)Friday, July 27: Orgone (Los Angeles); The Cliftones; Eclipse Friday, Aug. 3: Bear Hands (Brooklyn); Lightning Love (Ann Arbor, Mich.); Fort Lean (Brooklyn)Friday, Aug. 10: Budos Band (New York); Kansas City Bible Company (Nashville); Sidewalk Chalk (Chicago) Friday, Aug. 17: Class Actress (Brooklyn)Friday Aug. 31: Wussy; R.Ring The MidPoint Indie Summer concerts start at 7 p.m. each Friday this summer. Music lovers of all ages are welcome to attend.
by Mike Breen
Chic bassist Bernard Edwards dies and the "Dean of American Rock Critics" turns 70
Today in 1996, one of the greatest, most influential bassists ever, Bernard Edwards of Disco/Funk group Chic, passed away after contracting pneumonia while on tour in Japan. My personal favorite bass line is Sly Stone's lick on "If You Want Me to Stay," but it's hard to deny the power of Chic's "Good Times," a Disco-era hit that helped lay the groundwork for Hip Hop. Edwards' bass line from the song is considered one of the most sampled pieces of music ever and it has been mimicked almost as often. Songs that wouldn't exist with Edwards' riff include Queen's "Another One Bites the Dust," Hip Hop trailblazers Sugarhill Gang's breakthrough "Rapper's Delight," Blondie's "Rapture," Daft Punk's "Around the World" and Wham!'s "Wham Rap! (Enjoy What You Do)" (hey, they can't all be winners). R.I.P Bernard Edwards. And thanks for the groove.Click on for Born This Day featuring Bez, Skip Spence, Grandmaster Caz and Robert Christgau.