by Mike Breen
43 days ago
One of the few “Alternative Revolution” bands left over from the ’90s, Primus, returns to Cincinnati tonight for a special show at the Taft Theatre. The veteran band is still one of the more unique and eccentric groups around that maintains a large fan base. That’s singularity might have something to do with their longevity. Primus has never had anything to do with flash-in-the-pan musical fads. Les Claypool and Co.’s latest is a blissfully oddball addition to an already blissfully oddball discography. Primus and the Chocolate Factory is a creative interpretation of the music from the original Willy Wonka and the Chocolate Factory film. Reviews from previous live shows on Primus’ tour for the album say the band opens with a set of Primus hits; the second set focuses on Chocolate Factory, replete with matching stage production. Check out Charlie Harmon’s preview of the show for CityBeat here.
Tickets for tonight’s show are $39.50-$45. Showtime is 8 p.m.
• One of Greater Cincinnati’s most unique annual music events, the Blues & Boogie Piano Summit, returns for its 15th year this weekend. For the 2014 edition, the showcase of international Boogie Woogie Blues pianists takes place over two nights (Friday and Saturday) at the Southgate House Revival.
The Boogie Piano Summit was founded by Ricky Nye, Cincinnati’s top purveyor of Boogie Woogie, a rollicking, highly rhythmic style of Blues piano that was influential in the formation and development of Rock & Roll and various styles of Blues, Jazz and Country music. This year’s edition of the Summit is dedicated to the “New Breed of Boogie Woogie,” showcasing three players all under the age of 30 (the same lineup performs both nights). The event features Switzerland’s Chris Conz, Iowa’s Chase Garrett and Germany’s Luca Sestak (watch clips from each below).
Click here for more on the show.
Tickets are $30 for a seat or $25 for standing room only. (Save $5 on tomorrow’s show by purchasing them in advance here.)
• The Rusty Ball, organized and starring fun, popular local ’80s cover group The Rusty Griswolds returns to the Duke Energy Convention Center tomorrow night at 8 p.m.. Tickets range from $75-$175. The show is the Griswolds' annual charitable event, with proceeds going to numerous local charities (the show has generated nearly $2 million for over 300 charities since it began in 2008). Special guest this year is ’80s/’90s Pop star Taylor Dayne. Click here for full details.
• Toronto Rock twosome catl. performs a free show Saturday at MOTR Pub. It’s a night of duos, as the Canadians are joined by locals Halvsies and Brooklyn’s Mark Rogers & Mary Byrne. Showtime is 10 p.m.
Here’s a clip for catl.’s bluesy, boogying “Gotta Thing for You” from their album Soon This Will All Be Gone. This spring the band released its fourth album, The Shakin’ House.
• Rootsy Nashville rockers The Wild Feathers play Oakley’s 20th Century Theater on Sunday. Showtime is 8 p.m. and tickets are $15 in advance or $17 day of show.
The Wild Feathers began at the start of the decade, when guitarist/singer Ricky Young and bassist/singer Joel King decided to put together a band that featured four lead vocalists, each as important as the next. The resulting ensemble, with the addition of guitarists/singers Taylor Burns and Preston Wimberly (Ben Dumas plays drums) clicked instantly. The band signed to Warner Bros. and released its self-titled debut last year. Rolling Stone gave the album a glowing review, saying the LP brings to mind “everyone from the Allman Brothers ("Hard Wind") to the Jayhawks ("Got It Wrong”),” and that “the five-piece band fuses the essentials of rock, country, folk and blues into an intriguing new approach.”
• Influential British Metal crew Carcass performs Sunday at Covington’s Madison Theater. Considered pioneers of Grindcore and melodic Death Metal, the band was also a favorite of British taste-making DJ John Peel. Carcass split up in the ’90s but reunited in 2007 for a string of shows, leading up to their entire back catalog being reissued. In 2013, the group released its first album of new music in 16 years, Surgical Steel. Next week the band is releasing a five song EP, Surgical Remission/Surplus Steel, which features tracks recorded during the Surgical Steel sessions.
Here’s the lyric video for the EP’s “Livestock Marketplace”:
Read Brian Baker’s preview of the show here.
Carcass headlines the Madison Sunday with fellow Metal giants Obituary and guests Exhumed and Noisem. Showtime is 8 p.m. The show is open to all ages. Tickets are $25.
• The local chapter of the Guitars For Vets nonprofit organization, which provides musical therapy in the form of guitar lessons to military veterans at the local VA Hospital suffering from Posttraumatic Stress Disorder, presents its second annual benefit this Sunday at 1 p.m. at Jim and Jack’s on the River (jimandjacks.net). The event is free and features performances by noted local guitarists Sonny Moorman and Dick Buchholz, who will perform with Guitar For Vets students. There will also be a guitar auction and raffle to raise funds for the cause. For more information on Guitars For Vets, visit guitars4vets.org.
Click here for more live music events this weekend in Greater Cincinnati.
by Mike Breen
44 days ago
Philly rockers Restorations play Newport’s Southgate House Revival tonight. Labelmates The Smith Street Band open the show at 8:30 p.m. Tickets are $10 at the door.
Restorations recently released its third album, LP3 (following LP1 and LP2, of course), though the great label, SideOneDummy Records. Rolling Stone said of the new album, “When their trio of guitarists aren't busy auditioning for Ozzy or Springsteen, they summon dynamic, smartly-shaded echo caverns more reminiscent of Sunny Day Real Estate and Modest Mouse – elevating the nicotine-ravaged bloodletting of Jon Loudon, the toughest young old man at the bar, to lip-quiveringly dramatic heights.” The band also had a great piece written about them and new album on Grantland; check it out here.
• Blues singer/songwriter/guitarist Tas Cru and his band of Tortured Souls play West Side club Legends tonight. The upstate New York ace has released four well-received albums and has a new one, You Keep the Money, due out soon. Here’s the title track from his 2012 full-length, “Tired of Bluesmen Crying.”
Local Blues heroes The Sonny Moorman Group open the show at 8 p.m. Admission is $10 at the door.
• New York City-based instrumental trio Consider the Source plays Covington’s Madison Theater tonight. The self-descriptions from the band’s Facebook — “Sci-Fi, Middle Eastern, Progressive, Psychedelic, Jamband, Funk, Fusion” — give a great sense of the diversity inherent in the band’s music. Played with virtuosity and a sense of adventure, the threesome’s unique style and entertaining live presence has earned the group a cult following across the country, in Europe and even the Middle East, as well as dates performing with the likes of Jacob Fred Jazz Odyssey, Victor Wooten and Oteil Burbridge. Consider the Source recently released the World War Trio EP (Part 1), which consists of a “six-part composition” titled “Put Another Rock in That Bag.” Part 2 will be a double album due for release this winter.
Here’s an extended version of Radiohead’s “Paranoid Android,” a rare full cover from Consider the Source recorded live in the studio.
Consider the Source is joined by local acts Common Center, Elementree Levity Project and Don’t Fear the Satellites for tonight’s 9 p.m. show. Admission is $10.
Click here for more live music options in Greater Cincinnati tonight.
by Mike Breen
45 days ago
Chicago Thrash band Oozing Wound are in town tonight for a show at Rake’s End in Brighton. Forced Opinion, Monitor Lizard and Iron Oath also perform. Showtime is 9 p.m.Heavy on dark and clever humor and creative riffage, Oozing Wound is touring behind its second album release, Earth Suck, which came out Oct. 21 on the Thrill Jockey label. The album comes on the heels of the band’s debut, Retrash, which received widespread praise last year from The New York Times, Decibel, Pitchfork and many other outlets. Noisey recently profiled the band, writing, “So refreshingly anti-bullshit are Oozing Wound that they could conceivably turn out to be the Nirvana of thrash.”
• Grammy-nominated Hip Hop star Jeezy brings his tour in support of his new album, Seen It All, to Bogart’s tonight. Doors open at 7 p.m. and tickets are $47.36.Better known as Young Jeezy (and, to his family, Jay Jenkins), the Atlanta rapper is also quite the motivationalist. His first two albums for Def Jam were called Let’s Get It: Thug Motivation 101 and The Inspiration: Thug Motivation 102 and he’s proven that that angle isn’t just talk. Yesterday, Grantland ran a piece about Jeezy’s pep talk to the Temple football team (which was coming off of two losses in important games) on Halloween, which was followed the next day by Temple’s win over No. 23 East Carolina. The win over ECU was the first time Temple beat a ranked opponent at home ever and only their third victory over a ranked team in the school’s history. So if you’re having a tough time in life right now, tonight’s show might help you turn it around. At worst, you’ll probably have fun.
• Pittsburgh’s Cello Fury, a “Chamber Rock” group featuring three cellist and a drummer, kicks off its current tour tonight at West Side club Legends. Showtime is 9 p.m. and admission is $10 at the door.
Fans of Prog Rock will appreciate Cello Fury’s winding arrangements and driving intensity. The instrumental ensemble has released a pair of album and has collaborated with a wide range of artists — from Rock acts to work in the theater, opera, dance and orchestral world.
• Veteran singer/songwriter Garland Jeffreys performs at the Southgate House Revival in Newport tonight. Jeffreys spoke with CityBeat’s Steven Rosen about his “comeback,” which began in 2011after he put his career on hold to raise his daughter. His critically-acclaimed 2011 album The King of In Between was his first new material since 1992. Check out the full interview here.Here’s Jeffreys performing on David Letterman’s show upon the release of The King of In Between:
Jeffreys’ show tonight in Newport begins at 8 p.m. and tickets are $25 at the door.
Click here for more live music options tonight in Greater Cincinnati.
Garland Jeffreys’ successful second act continues at age 71
0 Comments · Monday, November 3, 2014
Veteran singer/songwriters stop performing and recording for all kinds of reasons — health, fatigue, lack of success, too much success or changes in music trends all sometimes figure into it. But the reason the New York City-based musician Garland Jeffreys, who will be performing Wednesday at Southgate House Revival, didn’t issue a U.S. album of new material from 1992 until 2011 because he wanted to spend time with his daughter.
Wednesday • Southgate House Revival
0 Comments · Tuesday, October 28, 2014
It isn’t everyday that a Rock and Roll
Hall of Fame member comes to town. But when one as talented as Ian
McLagan comes without much advance word, you have to worry if he’ll
attract the sizeable audience he deserves.
by Steven Rosen
54 days ago
Rock & Roll Hall of Famer with Small Faces/Faces plays Southgate House Revival this Wednesday
Ian McLagan, who performs at Southgate House Revival on Wednesday, is a Rock and Roll Hall of Fame inductee. And for good reason.In 1965, he replaced one Jimmy Weston as keyboard player in Small Faces, one of the two great Mod bands (the other was The Who) who captured the youthquake mood and sense of liberation that swept the Swinging London of the mid-1960s. In Britain, Small Faces had hit after hit featuring vocalist/guitarist Steve Marriott — “Sha-La-La-La-Lee,” “All or Nothing,” “Tin Soldier,” “Lazy Sunday,” “Here Come the Nice,” “The Universal” and more. Their one U.S. hit, the psychedelicized “Itchycoo Park,” has been a Rock-radio staple from the day it hit the charts in 1967.When Marriott departed, the remaining group members — McLagan, bassist Ronnie Lane and drummer Kenney Jones — decided to carry on by recruiting two members of The Jeff Beck Group, singer Rod Stewart and guitarist Ronnie Wood. Called Faces, they became one of Britain’s most successful bands of the early 1970s with their rough-hewn, pub-friendly style of rowdy-yet-tender acoustic-electric Rock. Among their classics are “Stay With Me,” “Cindy Incidentally” and “Ooh La La.”With all the talent in that band, it didn’t stay together too long. Stewart’s concurrent solo career got too big, while Wood was wanted by The Rolling Stones and Jones by The Who. McLagan, whose vocal duties were limited in Small Faces and Faces (who were simultaneously inducted into the Rock Hall in 2012), became an in-demand session and touring keyboardist for Bonnie Raitt, Billy Bragg, Bob Dylan, The Rolling Stones and many others. He also began occasionally releasing his own mostly small label albums, solo and with The Bump Band, that showcased his ruggedly naturalistic voice and songwriting talents. He has lived in Austin, Texas, since 1994, after moving to the U.S. from Britain and living in L.A. for 16 years. At the time of his Austin move, Lane was also there. But the latter’s worsening multiple sclerosis soon prompted a move to less-humid Trinidad, Colo. In fact, Lane already was planning that move when McLagan told him he was coming to Austin. So their time together in the same town only lasted for one and a half months. Lane died in 1997. McLagan’s solo career took a great leap forward with 2009’s Never Say Never, filled with sometimes-rueful, sometimes-redemptive songs, melodic and rhythmic, prompted by the loss of his wife, Kim, in an auto accident. The songs have some of the majesty of Paul McCartney’s “Maybe I’m Amazed,” another high point of early-1970s British Rock.That album, in turn, inspired the label Yep Roc — home to still-vital veteran singer/songwriters like Nick Lowe, Dave Alvin and Robyn Hitchcock — to distribute his follow-up, this year’s fine United States. It’s been getting rave reviews and is helping McLagan finally emerge as a bandleader.The album is bringing McLagan (with Bump Band bassist Jon Notarthomas) to Southgate House Revival in Newport Wednesday. As far as he can recall, this is his first show as a headliner in the Cincinnati area since his first solo album, Troublemaker, came out in 1979.“This year I’ve toured as much as I have in last 10 years,” the affable, sunny-dispositioned McLagan says in a phone interview. “Now I have a record company that wants me to tour and that’s great.”It’s also a little strange. McLagan, 69, is a member of British Rock & Roll royalty — of the same generation, and often friends with, those who have been arena-filling superstars for six decades and counting. Yet his Cincinnati area date is surprisingly low profile, with little advance publicity. (For a variety of reasons, Southgate House didn’t announce it until just two weeks before the show.)It’s an odd situation. He’s been making music professionally for 50 years, yet is still establishing himself as a touring attraction. “The funny thing is, if I’d made several albums in the 1960s and had some success, the people that like my albums now would have grown up liking them,” McLagan says. “I didn’t have that, and I realize I’m stumbling around this wonderful world trying to attract attention now. “It’s pretty funny, really. But I just love what I do,” he says. “I am so blessed that all I’ve done in my professional life, since I was 17-18, is play music and somehow make a dollar here and there.”One thing that remains constant in McLagan’s shows — in his psyche — is his love for his late wife. He met her when she was estranged from husband Keith Moon. He always performs several songs from Never Say Never. “I sing to my wife; it helps me,” he confides. “She was my muse. I’ve written so many songs about her, to her, with references to her, and still do. She’s a big part of my life. We were together for 33 years. It actually does me good — she’s with me all that time in that way.”Even though McLagan isn’t that famous as an individual, he was in groups whose records sold millions. So shouldn’t his royalties afford him such a cushion he can treat work like a hobby?“Ha, ha, ha — you’re very funny,” he replies. He explains Small Faces were on a modest salary that was paid by their manager, Don Arden, with knowledge of their Immediate record label’s head, Andrew Loog Oldham. They never got royalties during the band’s lifetime.McLagan joined Small Faces in 1965 after original keyboardist Weston left following the group’s first British hit, “Watcha Gonna Do About It.” Although it wasn’t why original Small Faces keyboardist Weston left, he had been the only member of the original lineup who wasn’t actual small, height-wise.McLagan, who was, had been gigging with more Blues-oriented groups, including one led by Boz Burrell (future King Crimson and Bad Company member). “They got me because they read a review of a show I was in with another band that said I played Hammond organ and I was really good, and it had a photograph with my name under it," McLagan says. “But it wasn’t a photograph of me, it was of Boz Burrell. So when they saw me, they laughed and Steve picked me up because they hadn’t known I was short. How cool is that? They said, ‘He doesn’t look like his photograph but he looks all right.’ ”Arden asked McLagan how much he was earning and he said five pounds (the British currency) a week, a very small sum. So he offered McLagan 30 pounds during probation and then an even split with the others. “He was showing off,” McLagan says. “I was thinking, ‘Wow, I’m a millionaire.’ Eventually, I asked Ronnie Lane, ‘What’s going on? Am I still on probation?’ They knew nothing about it. We went up to the office and Ronnie said to Don, ‘Hey, Mac’s in the band, all right?’ My money went down to 20 pounds a week — that’s what they were getting! We never got anything other than 20 pounds a week for two years and then it was 50 pounds a week. Since 1997, we now get our royalties. Of course, Small Faces albums are not selling in the amount they were when we didn’t get paid, but we are at least getting something.“But you know what? It didn’t fucking matter,” he continues. “I’m earning every day, Don Arden’s dead, Andrew and I have made up and we’re friends. The money’s gone so move on.”As for the Faces, McLagan says their record label — Warner Bros. — does pay. But it’s been slow to release archival product. The four-disc Warner/Rhino retrospective Five Guys Walk into a Bar came out back in 2004.“The Faces sell a little bit but Warner Bros. are such a bunch of idiots because they didn’t realize if we haven’t got records out we can’t make any money,” McLagan says. “It’s taken a while, but there should be a Faces live album … out next year.”The album was recorded in the States during the Faces’ heyday. “We’ve just discovered this recently,” McLagan says. “We recorded it and completely forgot about it. I heard a couple tracks and it sounds really good.” McLagan then reveals an enticing possibility. “Hopefully we’ll tour behind it,” he says. “Rod’s keen, I’m keen, Kenney’s keen and Ronnie Wood is keen, so I don’t see anything in the way of it.”In the meantime, McLagan’s Wednesday show at Southgate House is a rare chance to see this great Rock & Roll musician in an intimate setting. (Click here for ticket info.)
by Mike Breen
58 days ago
It’s a double bill of Scottish Indie Rock at Bogart’s tonight as We Were Promised Jetpacks and The Twilight Sad pull into town for a free, all-ages 8 p.m. show. The concert was originally scheduled for Over-the-Rhine’s Woodward Theater, but was moved due to the new venue not quite being ready yet to host events yet (the legendary Ian McLagan’s Oct. 29 show slated for the Woodward has been moved to Southgate House Revival in Newport for the same reasons). The Woodward’s selling tickets to shows beginning Nov. 10, so hopefully it will be all set by then.
CityBeat’s Brian Baker spoke with WWPJP’s guitarist/singer Adam Thompson for a feature in this week’s paper. Thompson spoke of mixing things up on the band’s most recent album release, Unravelling. “It’s still got the same emotional pull as the last two albums, it’s just that the whole sound is a lot more varied,” Thompson notes. “It’s got a bit more groove or something and I think that’s what we were trying to achieve, but it’s still very much a We Were Promised Jetpacks album. If you don’t like the first two, you’re not going to like this one, but I do think it offers something different.”Click here to read Jason Gargano’s preview of openers The Twilight Sad.• While it’s true that “Ska Punk” had its mainstream flash-in-the-pan moment in the’90s, it’s a shame that Ska often gets dismissed today as a sort of punchline. (“Ha, remember when Ska and Swing music were popular?”) From its origins in late-’50s Jamaica through today, Ska has endured thanks to new, young bands rediscovering the music and a loyal cult following. America’s Ska kings are unquestionably The Toasters, who were formed in 1981 (just as the U.K.’s 2 Tone Ska craze was beginning to lose steam) by British ex-pat Robert “Bucket” Hingley. When The Toasters (who eschewed the distorted “Ska Punk” concept for a style more reminiscent of the pioneers and 2 Tone bands) were looking for a label to release their debut EP, Hingley formed Moon Ska Records, which became the top independent Ska label on the planet and was home to practically every America Ska band worth a listen.The Toasters play a free show tonight at 10 p.m. at Over-the-Rhine’s MOTR Pub.
• Irish music trio Socks in the Frying Pan, from County Clare in Ireland, is in the midst of its first tour of the U.S. and tonight the group plays Molly Malone’s in Covington. The young band is becoming known for its creative spin on traditional Irish music, which has earned it numerous accolades in its homeland (the Live Ireland Awards and Tradition in Review Awards both have named them New Group of the Year and Irish American News calls them “simply stupendous”).
Tonight’s Covington show starts at 7:30 p.m. Tickets are $12.
• A pair of great, rootsy singer/songwriters perform at Newport’s Southgate Revival tonight — in separate rooms and as part of separate shows.
Tommy Womack, once dubbed “Nashville’s best loved musical eccentric,” headlines the Revival Room at 8:30 p.m. with special guests Wild Ponies. Tickets are $12. • Meanwhile, the stellar Robbie Fulks plays the club’s Sanctuary room with guests Woody Pines. Showtime is 9 p.m. and tickets are $15.
Fulks has long recorded for the esteemed label Bloodshot Records and his song “I’ll Trade You Money for Wine” is featured on the label’s awesome, recently-released 20th anniversary compilation, While No One Was Looking, which features a variety of artists performing songs from Bloodshot’s back catalog. Fulks’ tune is covered by Andrew Bird and Nora O’Connor.
The Coathangers’ party-starting Rock testifies to the power of chasing whims and instincts
0 Comments · Wednesday, October 22, 2014
group’s skittish, disheveled, loud, lo-fi-leaning and often
tongue-in-cheek music syncs seamlessly with the band’s origins.
59 days ago
Roots music favorite and Surf-y instrumental heroes team up for unique album of vocalized instrumental hits
The world’s greatest wrestling-masked instrumental musical ensemble Los Straitjackets return to the Cincinnati area tonight for a show at Southgate House Revival. The band is joined by Roots music fave Deke Dickerson, who collaborated with Los Straitjackets on the recently released LP, Los Straitjackets: Deke Dickerson Sings The Instrumental Hits. As the cheeky title suggests, the album features some famous instrumental tunes which Dickerson fleshes out with “lost or rewritten” lyrics. The track “You Can Count on Me,” for example, is The Ventures’ Hawaii Five-O theme with lyrics from Sammy Davis Jr.’s version.
Other instrumental-turned-vocalized songs on the album include classics like “Pipeline,” “Walk Don’t Run,” “Misirlou” and “Popcorn.”
“If you're a record collector and music geek who’s been around long enough," Dickerson said in an interview with Billboard, "you start to realize that most famous instrumental hits either started out as vocal songs, or — even better — were written as instrumentals."
Sadly, the Star Wars theme didn’t make the cut.
Showtime tonight is 8 p.m. Admission is $20 at the door. The B-Sides open.