by Rick Pender
Posted In: Theater
at 11:32 AM | Permalink
Perhaps this weekend
you want to take a last-chance trip down Memory Lane. You have that
option as the Showboat Majestic is wrapping up its production of Showboat Follies,
the final show that Cincinnati Landmark Productions will stage on the
historic vessel. It's a revue of songs and skits that should be fun if
not profound, but if you go (final performance is Sunday),
you'll be able to tell you foriends that you were among the last to
visit this nostalgic Cincinnati venue. (Unless the City of Cincinnati
finds another operator — which they've been seeking with no success.)
This weekend also offers the final performances of Oliver Twist at
Cincinnati Shakespeare Company. It's a tale of crime and child abuse
from the Victorian era, and not terribly chipper — think A Christmas Carol
without any holiday spirits. But as always with Cincy Shakes, there's
some fine acting — and they've added some musical elements that keep
things interest, too. Through Sunday. Tickets: 513-381-2273, x1.
The most engaging theater onstage right now (and sticking around until Oct. 4) is Fly
at the Cincinnati Playhouse. It's a creative portrait of four aspiring
African Americans striving to be Tuskegee Airmen during World War II.
The challenges they faced — prejudice, rigorous training and
life-threatening aerial combat — not only made them pioneers who
addressed civil rights issues decades before the rest of America, it
made them heroes, too. Making this production all the more interesting
is a modern tap dancer who "underscores" many of the scenes with
movement and rhythm. I suspect you've never seen anything quite like
this. Tickets: 513-241-3888.
If you're a movie fan I suspect you've seen Carrie (based on Stephen King's novel about a bullied girl who unleashed her telekinetic powers) and Ghost
(about a guy who's murdered but comes back with the help of a crazy
psychic to save the lover he's lost). They've both been turned into
unmemorable musicals that are onstage locally for you to see. I've seen
them both, and I'm sorry to say that — despite some fine voices (in Carrie at the Carnegie, presented by Showbiz Players) and a lot of video and special effects (a touring production of Ghost at the Aronoff Center) — I believe you might be better off to pull out your DVD of either film to watch.
haven't seen it, but I'm intrigued by Northern Kentucky University's
production of Moby Dick Rehearsed. Herman Melville's great American
novel is brought to life onstage when a company of Shakespearean actors
stop rehearsing King Lear and consider a new play drawn from the tale of
the Great White Whale. Theater elements become aspects of the Pequod as the crew is lashed along in Captain Ahab's obsessive hunt for the beast that took his leg. Through Oct. 6. Tickets: 859-572-5464.
0 Comments · Wednesday, September 18, 2013
Occasionally I like to discuss where
plays and musicals come from. We have two interesting examples locally
this month: a touring production of Ghost the Musical at the Aronoff and the Cincinnati Playhouse’s regional premiere of Fly, a historical drama presented with imaginative staging.
Straighten up and fly right
0 Comments · Monday, September 16, 2013
Fly’s story is one that’s important
to the evolution of America, and it’s done in this production with such
verve and passion that I know audiences will respond.
by Rick Pender
Posted In: Theater
at 08:35 AM | Permalink
Two more days of the
2013 Cincy Fringe remain. In its 10th year, this year's festival has
provided consistently high-quality offerings. If you're serious about
the full range of theater, you owe it to yourself to catch a couple of
them. I can't go into everything here, but you can check out my column
from the current issue of CityBeat here or go straight to CityBeat's hub for web coverage where you can read coverage of all the shows, thanks to our dedicated corps of reviewers.One further recommendation: Make your way to Know Theatre after 10 p.m. on Saturday
to mix and mingle with the lively crowd and be among the first to learn
which shows have earned "Pick of the Fringe" honors. There's no charge
for admission; buy a drink or two and tip the bartenders generously.
This is a volunteer-driven event, so you might also say thanks to anyone
wearing a volunteer T-shirt.
as the Fringe sails off into the sunset, there's still plenty of
theater onstage locally. For instance, Cincinnati Shakespeare Company
opens its revival of its hit from last summer, The Hound of the Baskervilles.
(Find CityBeat's review of last summer's CSC production here.) A three-man cast plays all the characters in a very funny take on the
classic Sherlock Holmes tale. The actors, a trio of Cincy Shakes' best
(Jeremy Dubin, Nicholas Rose and Brent Vimtrup), have been staged by the
always inventive Michael Evan Haney, the Cincinnati Playhouse's
associate artistic director and perhaps our finest local stage director,
who manages to squeeze every possible ounce of entertainment from this
hilarious script. The show had a sold-out run last July, and you can
expect a similar response this month; the run continues through June 30. Tickets: 513-381-2273, x1.
Another option: Duck Hunter Shoots Angel, at Falcon Theater in Newport. It's a funny script by Mitch Albom (the author of Tuesdays with Morrie and The Five People You Meet In Heaven) about two bumbling Alabama duck
hunters who think they’ve shot an angel. The story lands in a New York tabloid and explodes from there. Through June 15. Tickets: 513-479-6783.
For something more serious, I suggest Showbiz Players production of Spring Awakening
at the Carnegie in Covington, the winner of eight Tony Awards
(including best musical). It's a tale of teen angst and emerging
sexuality, a powerful piece with a driving Rock score. Onstage through June 8. Tickets: 859-957-1940.
And there's still time to catch Shipwrecked! on the Playhouse's Shelterhouse stage (through June 16).
It's a fantastic and family-friendly tale about adventure and
storytelling, told imaginatively using three actors and a lot of clever
sound effects and adaptation of everyday things to create exotic
settings and dangerous moments, rescued by heroism or happenstance. (CityBeat review here.) A
good show for the whole family. Tickets: 513-421-3888
Finally, a reminder: The Tony Awards, recognizing Broadway's best shows, will be be broadcast on Sunday evening on CBS, starting at 8 p.m., hosted by Neil Patrick Harris.
An adventurous story of storytelling
0 Comments · Friday, May 24, 2013
The Playhouse is wrapping up its 53rd season with Donald Margulies’s 2007 script, Shipwrecked!.
Concluding Blake Robison’s first season as artistic director, the show
continues his promise to offer family-friendly plays designed to appeal
to a broad cross-section of Playhouse theatergoers
Boundaries between fantasy, reality blur in Deborah Laufer's modern script
1 Comment · Monday, February 18, 2013
Playwright Deborah Zoe Laufer has found a vein of universality in her new play, Leveling Up,
using the world of online gaming in which players vie for higher levels
of power and accomplishment, as a metaphor for growing up.
by Rick Pender
Posted In: Theater
at 10:50 AM | Permalink
No new shows opened this week. But
several will close this weekend, so it's your last chance to see them. At the
top of that list I would put Cincinnati Shakespeare Company's production of Richard
II (Review here). If you're a
completist, this is a rare chance to catch a show that's produced very
infrequently. (CSC's staging is its first in 19 seasons, leaving it just one
shy of producing all 38 of Shakespeare's surviving plays.) But an even more
important reason is that actor Brent Vimtrup offers a breathtaking portrait of
a weak king (he ruled in the 14th century) who questioned his own ability to
reign, decided to hand over his throne and then agonized over relinquishing his
"God-given" right. Vimtrup makes Richard real and human in some
unexpected ways; it's a performance that's definitely worth seeing. It doesn't
hurt that the script is entirely in verse — CSC's actors know how to revel in
this language, so the words are wondrous things to hear. But you last chances
are this weekend; the final performance is Sunday at 2 p.m. Tickets: 513-381-2273, x1.
A British king of a different sort is onstage at the Carnegie in Covington,
where the musical
is on view in a concert staging (Review here). The mythical King Arthur — he of chivalry and
knighthood and the Round Table — is the subject, as well as his beautiful Queen
Guinevere and his valiant retainer Sir Lancelot. Like Richard, Arthur has some
shortcomings — hey, we're all human, right? — but his problems are more about
being too idealistic and trusting. The truth about Camelot is that the story is
kind of choppy and the characters rather one-dimensional, but Lerner and
Loewe's music is beautiful, especially in this production, where some great
voices are accompanied by an ensemble of musicians from the Cincinnati Chamber
Orchestra, conducted by the CCO's Mischa Santora. The show is minimally staged
and costumed, but its maximally sung. This one wraps up with a 3 p.m. matinee
on Sunday. Tickets: 859-957-1940.
Two other productions that are definitely worth seeing: The Cincinnati
Playhouse in the Park's world premiere of
Feb. 17, 513-421-3888) (Review here), a spooky
sequel to Arthur Miller's The Crucible, and Ensemble Theatre
Cincinnati's regional premiere of the recent Off-Broadway hit Freud's
Last Sesson (through Feb. 16, 513-421-3555)
(Review here). The latter is an imagined
conversation between Sigmund Freud and C. S. Lewis about some big issues of
life and death, faith and belief. It's a very thought-provoking script,
performed at ETC by two fine actors, Bruce Cromer and Barry Mulholland. This
one was scheduled to close on Feb. 10, but demand for tickets led to an
extension. Take advantage of it!
by Jac Kern
Posted In: Events
at 02:10 PM | Permalink
Remember when you
could buy a proper cocktail with the spare change in your pocket? OK, probably
not, but you can still enjoy Prohibition-era prices at Japp’s new happy hour
kicking off Friday. From 4-6 p.m. tonight (and each night thereafter), Japp’s
will serve up 33-cent Plymouth gin
martinis with a side of live Jazz and ‘20s-‘30s standards.
Pet owners have rallied for a downtown dog park for years; now there
are two! In addition to Washington Park’s AstroTurfed dog area is Fido Field on
Eggleston Ave. The space is made possible my volunteers and fundraising, as it
is not managed by the Cincinnati Park Board. Help contribute to the maintenance
of Fido Field by enjoying a night out on the Balls Around the Block bar crawl
Friday. Dog lovers and drinkers alike will hop from the Contemporary Arts Center
(check-in by 6 p.m.) to bars like Igby’s, Righteous Room, Madonna’s and more,
enjoying drink and food specials at various locations. Registration for the
event has closed; walk-ups will be accepted until 7 p.m. at the CAC for $40.
Check out the bar crawl map and learn more about Fido Field here.
While there aren’t any new theater productions opening this week, there
are plenty of shows to check out at Cincinnati Shakespeare Company, Ensemble
Theatre Cincinnati, Playhouse in the Park and Covington’s Carnegie Center. Read
about them in Rick Pender’s Stage Door.
Downtown’s newest bar, 601 Lounge and Nightclub, hosts a grand opening Saturday. Doors open at 9 p.m.; $10
cover includes two free drinks. Like a lot of newer downtown clubs, 601 looks
to cater to the VIP/bottle service crowd, so dress to impress — or you’ll
be stuck in the cold.
Check out our calendar
for more events, art shows, concerts,
theater productions and more happening this weekend
Spectral sequel premieres at Cincinnati Playhouse
0 Comments · Saturday, January 26, 2013
Roberto Aguirre-Sacasa’s world premiere play, Abigail/1702, is the Mount Adams theater’s 66th premiere, and a
positive sign that new artistic director Blake Robison will continue the
company’s long tradition of fostering new theatrical works and emerging writers.
Creator of 'Abigail/1702' grew up dreaming of being a playwright
0 Comments · Tuesday, January 15, 2013
Playwright Roberto Aguirre-Sacasa was in
Chicago early in 2008, rehearsing the world premiere of a new play he
had just written for Steppenwolf Theatre. The company was staging Arthur
Miller’s legendary 1953 Tony Award winner, The Crucible, on its mainstage.