Cincinnati Playhouse takes on beloved Austen characters
0 Comments · Friday, March 21, 2014
Austen’s familiar characters in Pride and
Prejudice have all but taken on the status of real people. Everyone who loves
this 1813 novel of love and manners “knows” Elizabeth and Mr. Darcy, to be
by Rick Pender
34 days ago
Posted In: Theater
at 08:17 AM | Permalink
The three-week run of the tour of Wicked wraps up this Sunday at the Aronoff Center. It's a faithful reproduction of the Broadway hit, with performers who can give you the experience of seeing the original, a kind of prequel to The Wizard of Oz. (Tickets, $38-$188: 513-621-2787, but each performance has a pre-show lottery; if your name is pulled, you can buy a ticket for $25). If you've already seen this one, I suggest you check out one of the great new productions on local stages.Ensemble Theatre Cincinnati has offered another powerhouse season this year, but I'll venture to say that The Mountaintop is aptly named: It's at the peak. It's an imagined story about Rev. Martin Luther King Jr. on the night before he was assassinated. I'll venture to say that you've never seen him in quite this altogether human light, as portrayed — dare I say wholly embodied — by Gavin Lawrence. And then he's visited by Camae, a sassy maid who evolves into something so much more as he contemplates the meaning of his life. The always watchable Torie Wiggins takes on this role, and it might be one of her best performances yet at ETC. The Mountaintop won London's Olivier Award for Best New Play in 2011, and in my opinion, it's one of the best productions we'll see here in Cincinnati this theater season. Through April 6. (Tickets, $25-$43: 513-421-3555).I caught up with the Cincinnati Playhouse's production of Pride and Prejudice at the Playhouse earlier this week. (It opened a week ago, but I was out of town.) It's a faithful rendition of Jane Austen's beloved novel, gorgeously staged and costumed. It has a big cast, so all the characters, quirky and memorable, are present and accounted for — a few actors need to play more than one role. If you're an Austen fan, I suspect you'll like this one; if not, you might find it kind of uneven, since some characters come across as cartoons (especially Elizabeth Bennet's meddlesome, garrulous mother and the arrogant Lady Catherine de Bourgh) while others are more naturalistic. Kate Cook's Lizzie has all the right notes (she ought to, as she's played the role several times elsewhere) and Loren Dunn's Mr. Darcy, while a bit slow out of the gate, eventually captures the character's aloof charm. Director Blake Robison has done a good job with an interesting adaptation that has scenes that flow swiftly one into the next, sometimes with overlapping elements that recall past moments. Through April 5. (Tickets, $30-$80: 513-421-3888).Back in the early 1980s, the musical A … My Name is Alice had a long run at New York City's The Village Gate. Northern Kentucky University is producing its version of this collection of songs focused on the paradoxes women face — beauty, strength and heart. The show, created by an array of comedians, lyricists and composers, has 20 songs. It's being staged by Corrie Daniely, the newest faculty member in NKU's theater and dance department. Through April 30. (Tickets, $8-$14: 859-572-5464).
0 Comments · Tuesday, March 18, 2014
I love going to the movies, but I leave writing about them to others, especially my CityBeat
colleague tt stern-enzi, who routinely offers a perspective worth
reading. Nevertheless, I’m going to local cineplexes more often for
digital transmissions of theater from around the world.
Bennett revue falls flat
0 Comments · Tuesday, March 11, 2014
Cincinnati Landmark Productions’ I Left My Heart, A Salute to the Music of Tony Bennett
at the Covedale Center for the Performing Arts presents a musical
tribute to Bennett, with more than 30 songs made famous by or famously
sung by the legendary crooner.
by Rick Pender
48 days ago
Posted In: Theater
at 09:24 AM | Permalink
Can you imagine Les Misérables
without a turntable or the immense barricades lumbering down from the wings?
Aubrey Berg, head of the University of Cincinnati's College-Conservatory of Music’s renowned musical theater program, has dramatically
re-imagined the legendary show for a run at UC, using a largely bare stage
backed by a wall of ladders, staircases, shelves and recessed
ledges. Berg's simplified physical production earned my Critic's Pick with
its sharper focus on characters, action and music. Les Mis has a remarkable
cast of 40 or so with soaring vocal talent for solo numbers and breathtaking
choral power when they combine forces in iconic numbers such as “Do You Hear
the People Sing?” and “One Day More.” It's a spectacular production, onstage
through Sunday. Tickets: 513-556-4183.
Wicked just opened
a three-week run at the Aronoff (it's the third time the show has been here,
and it's set box office records every time). Tickets can be expensive (the
cheap seats start at $38 and go up quickly from there), so keep in mind there's
lottery for a limited number of $25 orchestra seats for each performance. You
need to show up in person 2.5 hours before the curtain time (with a valid photo
ID) to submit your name; if it's pulled you can purchase one or two tickets.
It's worth a shot. Otherwise, you can purchase tickets by calling 513-621-2787.
If you're a Tony Bennett fan, you might
consider heading to the West Side for I Left My Heart at the
Covedale Center, a salute to the legendary crooner. You'll get to hear 40
standards that he's known for — "Because of You," "I Wanna Be
Around," "The Good Life" and, of course, "I Left My Heart
in San Francisco." Tom Highley, Deondra Kamau Means and Brian Wylie will
be singing, with Mark Magistrelli at the piano. Through March 23. Tickets:
Here's an item worth considering for Monday evening: The Educational
Theatre Association, a national organization for high school kids involved in
theater, is headquartered here in Cincinnati. (They're the folks behind the
National Thespian Society.) They're partnering with the School for Creative and
Performing Arts on Monday at 7 p.m. for Making Magic, Defying Gravity.
Presented at SCPA's Corbett Theatre (108 Central Parkway in Over-the-Rhine),
the evening offers a program of music and conversation featuring members of the
touring cast of Wicked (as noted above) and performances by high
school students from the area. You'll hear from Jason Daunter, Wicked's
production stage manager, and Matt Conover, VP with Walt Disney Parks and
Resorts. They'll talk about how their high school dreams led to careers in the
theater. Tickets are $10 in advance; 15 at the door (going on sale at
5:45 p.m.). Proceeds from this event will benefit the Friends of SCPA
Scholarship Fund and the Educational Theatre Association's Scholarship Fund,
both of which will help develop talent for the future of the theater.
0 Comments · Wednesday, March 5, 2014
Blake Robison wants the Cincinnati
Playhouse in the Park to be at the forefront of Cincinnati’s cultural
conversation. “It’s our responsibility to bring the best theatrical
material, both old and new, to our community," he says.
0 Comments · Wednesday, February 26, 2014
One of America’s most important
theatrical events happens annually just 100 miles south of Cincinnati
via I-71: the Humana Festival of New American Plays at the Actors
Theatre of Louisville, kicking off its 38th year this week
0 Comments · Wednesday, February 19, 2014
Brainstorming various aspects of the concept of time marked the impetus of MamLuft&Co. Dance’s most recent work, /SHIFT/, premiering at the Aronoff Center this weekend.
0 Comments · Wednesday, February 19, 2014
I’ve had grandparents on my mind recently. Shirley Temple’s passing on Feb. 10 reminded me of her 1937 film Heidi,
the story of a neglected orphan in Switzerland, who is handed off to
her gruff grandfather. He is warmed by her spirit, and she basks in the
World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season
0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are
the thematic elements of Cincinnati Ballet artistic director and CEO
Victoria Morgan’s full-length world premiere, King Arthur’s Camelot,
opening this weekend with five performances at the Aronoff Center.