HBO kicks off its 2014 programming this week with a new murder mystery anthology, True Detective (9 p.m. Sundays). The show follows Louisiana detectives
Rust Cohle (Matthew McConaughey) and Martin Hart (Woody Harrelson) over
the course of 17 years, with the story jumping across three time
In its 1933 inception, Esquire Magazine’s
mission was to “become the common denominator of masculine interests —
to be all things to all men.” The meaning behind this and the magazine
itself have evolved over the years, effectively incorporating a
television component, Esquire Network (formerly Style Network).
The last time audiences saw queen
bee-otch Ja’mie King, the Australian high school student had just
finished a term as an exchange student at — gasp! — a public school in Summer Heights High. Now she’s back on her home turf, wrapping up her senior year on-camera in Ja’mie: Private School Girl (Series Premiere, 10:30 p.m. Sunday, HBO).
Combining dramatized history, a late-’50s
American setting and the topic of sex is guaranteed to attract an
audience to nearly any show. But Masters of Sex (10 p.m.
Sundays, Showtime) delivers beyond these popular tropes to explore the
real-life early scientific study of human sexuality.
Last week’s fourth season premiere of The Walking Dead was the first offering from new showrunner Scott
Gimple. He and others involved in the series have expressed a desire to
incorporate more character development, leaving some fans worried that
dull human storylines could get in the way of epic zombie scenes (who
could forget the painfully slow second season?). Judging by the first
episode, however, this is not the case.
American Horror Story: Coven (Series Premiere, 10 p.m. Wednesday, FX), as the subtitle suggests, is all about witches. Of course, this is no Hocus Pocus
— the series will jump across time and the country to feature
modern-day witchcraft, 19th-century Voodoo and the Salem witch trials.
In present day, witches are rare and in danger.
The Arrested Development story is a TV nerd’s dream come true. A smart, quirky, new kind of comedy struggles to attract an audience. Despite being critically acclaimed, the series fails to draw in enough viewers (and playfully mocks its own demise) and gets canned after the third season. Enter the Netflix era.