by Mike Breen
Wildly acclaimed rockers join Tigerlilies, Honey & Houston and School of Rock Mason for free MidPoint Indie Summer show on Fountain Square
Since being released nationally in early May, Cincinnati rockers Wussy’s amazing latest album Attica! has been scoring an insane amount of neon-glowing reviews from many high profile outlets. Pitchfork, Pop Matters and Spin, among many others, have all given the album high praise (Spin also recently named it one of the Top 50 album releases of the year so far, alongside long-players by Beck, Pharrell and The Afghan Whigs). The band’s new record was also the inspiration for a remarkable essay by Charles Taylor for The Los Angeles Review of Books.Give a listen to the new album below, then hit “buy” to grab your own copy:
<a href="http://wussy.bandcamp.com/album/attica">Attica! by Wussy</a>
Wussy is playing its only local show until at least this fall tonight, as the group keeps busy on the road throughout the summer, crisscrossing the country in support of Attica! The band’s upward trajectory that has been kickstarted by the new album shows no signs of slowing down anytime soon.Check out CityBeat's recent interview with Wussy here.
Wussy joins The Tigerlilies, Honey & Houston and students from the School of Rock Mason (check the clips below for samples of each) for a free show tonight on Fountain Square as part of the MidPoint Indie Summer series (grab your MidPoint Music Festival passes in person at the MPMF booth or sign up for a chance to win some). The show starts at 7 p.m.
by Jac Kern
Posted In: Events
at 11:38 AM | Permalink
The Cincinnati Rollergirls close their season with the third annual Crosstown Knockdown
Saturday. The double-header opens with a mixed game featuring CRG’s Black Sheep
team and the Battering Rams, Cincy’s men’s team. During the main event, CRG’s
Violent Lambs face-off with the Black-n-Bluegrass Rollergirls’ Blackouts. CRG’s
home rink is at the Cincinnati Gardens; with the arena for sale, it might be
the crew’s last game there. Gates open at 5 p.m. and the first bout begins at 6
p.m. The game is also Fan Appreciation Night — the first 500 fans through the
door will receive CGR cowbells and the girls will be handing out gifts to fans
throughout the games. Tailgating is encouraged, parking is free and dollar
beers are available from 5-6 p.m. Tickets are $12 at the door.
Enjoy a taste of the Middle
East this weekend with St. James’ Mediterranean
Food Fest. Guests can binge on traditional fare including hummus and
falafel, stuffed cabbage and grape leaves, varieties of kebabs, gyros, baklava
and more. There will also be live entertainment and plenty of traditional
carnival fare for the kids. The fest runs daily Friday through Sunday. Go here for
directions and more info.
returns to Ault Park for another summer day of classic cars displayed in one of
Cincinnati’s most beautiful parks. More than 200 collector rides will be
showcased, with a spotlight on Mustangs and microcars and the 100th anniversary
of Maserati. Tickets are $20 in advance, $25 day-of. The show runs from 10
a.m.-4 p.m. Sunday.
Here’s a twist on the
typical summer yard sale: Cincinnati
Playhouse in the Park
opens its scenery shop to the public for a big sale Saturday morning.
Furniture, glassware, china, costumes, and other items seen onstage in popular
Playhouse productions will all be priced to sell from 8 a.m.-noon. Bring cash
or a check; all proceeds benefit the not-for-profit Playhouse.
The MidPoint Indie Summer Series continues Friday with a great lineup
of local acts. The Mason School of Rock opens the night at 7 p.m., followed by
Honey & Houston, The Tigerlilies and Wussy at 10 p.m. Advance tickets to
MidPoint Music Festival ($69 all music access and $179 VIP) will be on sale at
Fountain Square. Check out the full Indie Summer Series schedule here.Second Sunday on Main kicks off this weekend, bringing more than 80 local
vendors, food trucks, street performers, live music and specials at Main Street
business to the street, between 13th and Liberty streets. This “Main Street
runs noon- 5 p.m., featuring music by The Hot Magnolias, a celebrity chef demo,
a dog parade and contest, a clothing swap and community yard sale, entertainment
at the Rock Paper Scissors performance tent and much more.
For more art openings, parties, festivals and other
stuff to do this weekend, check out our To Do picks,
full calendar and Rick
for weekend theater offerings.
Plus, Taylor Alexander releases new EP, Cheech Mob celebrates 420 and Electric Citizen announces big tour, new single
0 Comments · Wednesday, April 16, 2014
This summer's free MidPoint Indie Summer concerts on Fountain Square feature Wussy, Mad Anthony, Danny and His Fantasy and many other local acts alongside some great national headliners. Plus, Taylor Alexander releases a new EP, Hip Hop collective Cheech Mob celebrates 420 and Electric Citizen announces big tour and new single.
Free summertime Fountain Square shows feature national headliners and lots of local talent
The first good sign that consistent warmth is on its way is the announcement of the lineup for this year’s MidPoint Indie Summer series at downtown’s Fountain Square. The concerts are part of the Square’s free PNC Summer Music Series, which showcases different types of music (played mostly by local acts) five days a week. (The lineups for the every-Thursday Salsa on the Square shows have also been announced; visit myfountainsquare.com for details.)The eclectic, free Indie Summer shows take place every Friday throughout the summer. This year’s lineup is perhaps the series’ strongest yet, with some higher profile national touring acts and the usual array of top-notch local talent. Here’s the full rundown of Indie Summer shows so far (a few slots are still to be announced): • May 30: WHY?; Yip Deceiver; Bad Boxes; Dark Colour • June 6: Wussy; The Tigerlilies; Honey & Houston; Mason School of Rock• June 13: Betty Who; Vito Emmanuel; Captain Kidd; Pluto Revolts• June 20: Those Darlins; The Harlequins; Those Crosstown Rivals; The Frankl Project • June 27: Moon Taxi; Peridoni; Nevele; Acarya • July 4: Local H; New Strange; Mad Anthony; One Day Steady • July 11: Soledad Brothers; Electric Citizen; Pop Goes the Evil; Grotesque Brooms • July 18: Wesley Bright & the Hi-Lites; DAAP Girls; Mardou • July 25: Clap Your Hands Say Yeah; Public; Danny & His Fantasy• August 1: The Spiders (tribute to David Bowie); Honeyspiders• August 8: Man Man; Injecting Strangers; Ohio Knife; Skeleton Hands• August 15: The Nightbeast (a co-headliner will be announced in July)• August 22: psychodots; Lemon Sky; Tonefarmer; Heavy Hinges • August 29: Islands; The Pass; The Yugos; Joey Cook & The Keepers of the SecretThe Indie Summer series is sponsored by the MidPoint Music Festival, CityBeat’s popular annual music extravaganza, which returns to the clubs and venues of Downtown and Over-the-Rhine Sept. 25-27. (Though all MPMF-worthy, the acts are booked through Fountain Square, not by MidPoint.) There will be a MidPoint booth on Fountain Square every Friday where music fans can find the latest MPMF info and purchase tickets to the three-day festival. A limited amount of discounted early-bird passes for this year’s MPMF are available now at mpmf.cincyticket.com. Nail down your three-day tickets (or VIP Experience tickets) before the prices increase. And be sure to stay tuned to mpmf.com and the fest's various social media accounts for the latest updates.
Plus, modern day indie label Phratry celebrates nine years, DAAP Girls unveil new video
0 Comments · Wednesday, August 28, 2013
Cincinnati-based King Records, a label that helped change the face of popular music in America, turns 70 in September and supporters have a month's worth of festivities to celebrate. Plus, modern day indie label Phratry celebrates its ninth birthday, DAAP Girls unveil "Molly" and MidPoint Indie Summer on Fountain Square ends Friday.
by Mike Breen
Fountain Square's MidPoint Indie Summer concert series ends with locally-bred greats Why? this Friday; MPMF offering exclusive fest ticket deal
The grand finale of the season-long MidPoint Indie Summer concert series is Friday on Fountain Square.
It's always a bittersweet moment — the free series ends for this
summer, but that only means that the MidPoint Music Festival is less
than one month away.
The MidPoint Indie Summer series concludes just in time to
kick off Labor Day weekend this Friday. The show is headlined by
internationally beloved/locally based Why?, which is set to
release its Golden Ticket EP in a few weeks. The EP is the result of
some fan-engaging fun on the group's website.
On the Why? site, frontman Yoni Wolf explains: "We would
write a theme song for one customer who came to the … web store and
bought something every month. Like Mighty Mouse. It would be a song
about that person. We’d read all about them on Facebook and Twitter, and
sometimes even go so far as to contact their significant other to ask
them questions. Then I would write the song on piano and my brother
would take the skeleton of lyrics and piano and turn it into a fully
realized arrangement.” (Read more on Why? here.)(Wolf, by the way, has also been hosting his own very entertaining podcast called The Wandering Wolf (free for download on iTunes and Soundcloud). The show's have been hilarious and insightful, with Wolf chatting with guests like James McNew of Indie Rock legends Yo La Tengo, Cincinnati Hip Hop legend Mr. Dibbs and he and his brother's own father.)Also at the finale, there will be a one-time only special on tickets to the forthcoming MidPoint Music Festival 2013.
Those purchasing tickets in person at the Square Friday can buy
three-day passes for $59 ($10 off) and three-day VIP passes for $149
($20 off). Visit mpmf.com for the latest on the fest and mpmf.cincyticket.com for tickets (if you can’t make it Friday).
Also performing Friday on the Square: Nashville’s Moon Taxi and Cincy’s Vito Emmanuel. Showtime is 8 p.m.
Aug. 30 • Fountain Square
1 Comment · Wednesday, August 28, 2013
Yoni Wolf, frontman for Indie Folk
pranksters Why?, has never hesitated to indulge his rather fertile
imagination. But his band’s latest project, an EP titled Golden Ticket, takes things to a whole
by Brian Baker
Cincinnati's The Sundresses expand to a quartet with impressive results
There is an old homily which quite wisely states that if something is operating properly, it might be considered imprudent to attempt a repair. Or, in a slightly less circuitous manner of speaking, if it ain't broke, don't fix it.For well over a decade, the Sundresses have been anything but broken. Brad Schnittger, Jeremy Springer and Makenzie Place have been churning out a visceral pretzel logic version of the Blues with elements of manic Swing, hot foot Jazz, brutal Punk and blistering Indie Rock, heated to the temperature of molten rock and detonated over unsuspecting audiences with an animalistic ferocity. A formula like that is both tremulously volatile and erratically perfect. Why would anyone feel the need to take a wrench to it?Needed or not, a-wrenching they have gone; for the first time in The Sundresses' long history, the tight-knit trio has added a new full fledged member with the hiring of former Dukes Are Dead drummer Dave Reid. The new lineup was unveiled on July 19 for the band's appearance at the MidPoint Indie Summer Series on Fountain Square, and then again a week later when The Sundresses tore through a set at the Mad Love for Mad Anthony benefit at the Southgate House Revival.Rabid fans and casual observers may have differing opinions on how Reid's addition will impact the Sundresses going forward, but one thing is certain; this was anything but a routine lineup decision. Bringing in a permanent drummer changes the group dynamic, eliminates one of the band's most popular and unique live features and may actually set the stage for broader success.After 13 hard fought calendars, the Sundresses have recorded sporadically — a few EPs, a split with Dylan Ewing's 4192, a pair of brilliant studio documents (2003's The Only Tourist in Town, 2008's Barkinghaus) and Off, their scalding and ingeniously marketed 2010 live album — and toured relentlessly, without a great deal of forward progress being notched. The trio has always generated a good deal of extremely positive press, and their string of five trips to Austin for South by Southwest has to stand as some kind of local record.My personal obsession with the Sundresses began at their first SXSW appearance in 2004, which coincided with my first trip to Austin for the festival. As it turned out, the band's gig at the Blender Balcony was only the ninth out-of-town show in their two-year history, and I felt as though I had just witnessed the cosmic birth of a great musical entity. I still feel that way. I drank more than a dipperful of The Sundresses' Kool-Aid that night, and I've been feverishly blathering on about them ever since to anyone who will listen.For whatever reasons, the brass ring of label offers and more tangible measures of success have eluded The Sundresses. At the same time, the trio has remained committed to the cause and continued to pursue their singular vision with an almost psychotic tenacity and zealous passion. And their focused determination may have made it difficult for those of us who love them unconditionally to admit that there was indeed a fundamental issue that may have been blocking their path.From the very start, Brad and Jeremy envisioned and executed one of their most cherished gimmicks, namely their patented guitar/drum switch; at their 2005 SXSW show, Jeremy informed the audience, "You were supposed to close your eyes..." It has long been an admittedly fabulous element of their live presentation, but it may have been so entertainingly original that it became a detriment.The basic issue may be that Brad plays drums with the subtlety and invention of a studied and seasoned beatkeeper and Jeremy plays with the brute force of a blacksmith hammering on an anvil. Both approaches to playing the drums have legitimate advantages and both clearly have a role in shaping the diverse sonic identity that the trio has been trying to define since forming The Sundresses in 2002.Although it may never have been perceived as a problem, the difficulty with rotating drummers is that Makenzie — who learned how to play bass in order to be a part of the band — has had to adjust her groove based on those two very distinct drum styles. In essence, the Sundresses' rhythm section has never really had an opportunity to build a discernible foundation. With Dave behind the kit, that opportunity becomes a reality. Based on the Sundresses' roaring set at the Mad Anthony benefit on July 26, the band's newly established rhythm section has already started paying dividends. Makenzie is now locked into a single percussionist and she and Dave collectively control the band's tempo. Dave has the latitude to incorporate Jeremy's power and Brad's nuance into his singular drum repertoire and Makenzie is learning the joy of shifting gears without changing cars.Relying on primarily new and largely unrecorded material, The Sundresses blazed through an all-too-brief ten song set with a rejuvenated energy that smacked of their early days. Opening with the swinging funky Blues of the brand new "Banker's Blues" and the loping howl of the equally fresh "Whisper Touch," the quartet bounced megawatt riffs through every body and against every conceivable surface in the Revival's sanctuary. They slowed down a shade for a spin through Hank Williams' "Ramblin' Man," and Jeremy's quick documentary on the size of MA guitarist Ringo Jones' manhood before tearing into another relatively new track, "Zap a Deux," but it was all good in the hood regardless of speed or sonic profile. Finishing up with longtime faves "Hey! Hey! Bang! Bang!" and the propulsively jumping "Larry Nixon," the Sundresses gave both a glimpse at the sound of their much-anticipated third studio outing, hopefully coming out before the end of the year, and the direction they'll be taking as a quartet.Perhaps one of the more interesting side effects from The Sundresses' expansion is the fact that Jeremy and Brad are now playing guitar together, which means their distinct stylistic differences are blending and cross-pollinating rather than occupying discernibly different spaces within the set. As they become more acclimated to this arrangement, and as Makenzie and Dave fully tune up the engine they've just rebuilt, it's bound to have an incredible impact on the songs they start writing. As it stands, the songs The Sundresses have already written sound magnificent coming from the newly minted quartet, proving once again that even the best can get better
Plus, Formerly Ghosts debuts new single and MidPoint Music Fest updates
0 Comments · Wednesday, July 24, 2013
Cincinnati Noise Pop trio Vacation, which has been been making waves nationally with its recent Candy Waves release, finally make it back home for a local release party this week. Plus, Formerly Ghosts releases a new single/preview of their forthcoming album and MidPoint Music Fest announces single-show tickets and the "Box Truck Carnival" call for entries.
Greater Cincy's music community unites to help injured rockers and The Sundresses become a foursome
0 Comments · Wednesday, July 17, 2013
Following a serious van accident, local music supporters team up to help rockers Mad Anthony via two benefit concerts. Plus, The Sundresses debut as a quartet Friday on Fountain Square for the free MidPoint Indie Summer concert with Wussy and Queen City Radio.