by Rick Pender
Posted In: Theater
at 09:44 AM | Permalink
A special treat onstage at the Aronoff Center's Fifth Third Bank Theater through a Sunday 2 p.m. matinee: Twilight: Los Angeles, 1992, featuring Torie Wiggins giving voice to people making pronouncements about race, justice and violence in America. The script by Anna Deavere Smith, drawn verbatim from numerous interviews, was created in the mid-1990s in the following the Los Angeles riots after the Rodney King verdict more than two decades ago. But it feels incredibly timely in light of recent tragic events in Ferguson, Mo., New York City and elsewhere — leading to questions about whether America has made any progress since then. Wiggins brings to life dozens of people — black, white, Hispanic and Asian — offering a myriad of opinions about events and outcomes. "No Justice/No Peace," words heard recently, echo through this script, punctuated with videos and quick audio introductions as Wiggins flips from role to role. It's an impressive performance and a reminder how theater can be more than entertainment — Twilight is a provocative presentation about American culture. Staged by Cincinnati Shakespeare's artistic director Brian Isaac Phillips. Tickets: 513-621-2787.A second one-woman show worth seeing is The Year of Magical Thinking, an effective, bare-bones production at the College Hill Town Hall (1805 Larch Ave., Cincinnati 45205) by the Cincy One Act Festival. It's based on Joan Didion's painful confrontation with grief following her husband's unexpected death and their daughter's serious and ultimately mortal illness. Cate White performs as Didion, the narrator of this deeply personal story; Lyle Benjamin is the director. The show is being presented on Fridays and Saturdays through Feb. 28 (no performances on Feb. 20-21). Tickets: 888-428-7311.It's a great month for women onstage month on local stages, what with Corinne Mohlenhoff in another solo show The Handmaid's Tale at Know Theatre (CityBeat review here; box office: 513-300-5669), which also happens to be directed by Brian Phillips; and Regina Pugh as a beleaguered scientist whose world is coming unraveled in The Other Place at Ensemble Theatre (CityBeat review here; box office: 513-421-3555).Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
0 Comments · Wednesday, January 7, 2015
Did you resolve to see more theater in
2015? If so, where to start?
by Rick Pender
Posted In: Theater
at 08:52 AM | Permalink
Earlier this week I took my mom to see Tenderly: The Rosemary Clooney Musical at the Cincinnati Playhouse (CityBeat review here). It was just as good the second time around. Mom, who loved Clooney as a performer in her heyday, had this to say: "It was like seeing her perform live!" I agree: Susan Haefner offers a wonderful interpretation of a Cincinnati icon; and it's great fun to watch Michael Marotta (the only other actor onstage) play her psychiatrist and a dozen or so other characters from Rosie's life. It's a great story of a woman who overcame some daunting demons and made a second career when she had been largely forgotten. Through Jan. 4. Tickets ($30-$85): 513-421-3888.Even though everyone's Christmas decorations have been up for a while, the holiday season doesn't really begin for me until the Cincinnati Playhouse opens its production of A Christmas Carol. Well, there's no more waiting for that one: For the 24th consecutive year, the Mt. Adams theater kicks things off tonight with a glittering production of Charles Dickens' story of the re-education of Ebenezer Scrooge by several ghosts and the loving family of Bob Cratchit. This show is worth seeing simply for Bruce Cromer's winning performance in the pivotal role, but there's so much more — it's a scenically beautiful production, and the ensemble totally enters into the spirit of the season and brings the audience right along, too. Through Dec. 28. Tickets ($30-$85): 513-421-3888.Shakespeare's The Comedy of Errors is not exactly a holiday show, but it's a lot of fun (CityBeat review here), what with two sets of twins intersecting without realizing the confusion they're causing. Of course, it all sorts out eventually with a happy ending and multiple weddings. Set in a carnival town and costumed as if it were America in the 1930s, Cincinnati Shakespeare Company's production induces laughter from start to finish. It would be a happy weekend outing for anyone, young or old. Through Dec. 13. Tickets ($22-$36): 513-381-2273.Know Theatre's production of The Bureau of Missing Persons is an evocative and entertaining piece of alternative theater (CityBeat review here). The story of a woman's quest from her New York City apartment to a cave in Moscow in search of someone missing is described in the show's publicity as "a poignant tale of loss and redemption — part mystery, part love story." It's also the directorial debut for Tamara Winters, who recently became Know's associate artistic director. There's a preview tonight and the official opening is Saturday evening; it will be onstage through Dec. 20. Tickets ($20 in advance; $10 at the door 10 minutes prior to curtain, if available … cash only): 513-300-5669.Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
Play at Know takes characters beyond grief
0 Comments · Monday, December 1, 2014
Know Theatre’s annual Fringe Festival uses the motto, “Kinda weird. Like you.” That could be an apt description of its production of The Bureau of Missing Persons, a new play by Lila Rose Kaplan.
by Rick Pender
Posted In: Theater
at 08:30 AM | Permalink
On Wednesday evening I attended one of the most remarkable solo performances I've ever seen: Bruce Cromer starring in An Iliad at Ensemble Theatre Cincinnati. Based on Homer's epic poem about the Trojan War, the poetic but dynamic script calls on one actor to play a dozen or so characters. Cromer does everyone of them (sometimes interacting with one another) with both imagination and detail. But mostly he's "The Poet," trapped by his role to tell this story — and the story of war in general — for nearly three millennia. He lets us see the attraction of glory and the devastation of senseless combat often for trivial reasons (the stealing of one man's wife by another lit the fuse on the Siege of Troy). The play is a condemnation of war and an acknowledgement of its inevitability. But it's also a celebration of theater, and Cromer is an absolute marvel to watch: After 100 minutes (no intermission) he's dripping with sweat from the effort and bowing to a genuine standing ovation. This is a production that no theater fan should miss. Tickets ($28-$44): 513-421-3555
There's a Cirque du Soleil show, Varekai, at the Bank of Kentucky Center at Northern Kentucky University. Like most, it's light on content and high on entertainment: A winged man falls from the rafters into a magical world where he recovers, witnessing the delights of strange creatures — who also happen to be marvelous performers: tumblers, aerial artists, jugglers and acrobats. As always, there's a pair of clowns who have fun with a few audience members. I didn't find Varekai (it's a Gypsy word that means "wherever") quite as breathtaking as some of the Cirque shows I've witnessed, but that's a relative remark, not a judgment on this production. The "Russian Swings" just before the finale feature acrobats hurled high into the air by massive swings, landing in the arms of others or on canvas sails. (Don't try this at home.) Varekai is a great escape and totally family friendly. Final performance is Sunday at 5 p.m. Tickets ($28-$145): 800-745-3000
For a quick taste of Know Theatre's Moby Dick, check out this trailer: http://youtu.be/QMbqos66s0s. There's singing of sea shanties, hoisting of sails and a tremendous battle with the Great White Whale. I'm hoping that this ambitious production gets its sea legs soon: It felt a bit wobbly during the opening week. But Herman Melville's classic American novel has life breathed into it by a cast of eight hardworking actors. Onstage through Nov. 8. Tickets ($18, but performances on Wednesdays are free): 513-300-3669
Other items of note: On Monday evening, Know Theatre hosts the quarterly presentation of TRUEtheatre, real stories told by everyday people; this time around it's True Hair. … The following night at KNow, Cincinnati Fringe favorite Kevin Thornton is back in town to present another of his one-man shows of music and comedy, this one is called Talky Concert Thingy. He's a load of unpredictable talent, always watchable. … Falcon Theatre (they perform at the Monmouth Theatre in Newport) this weekend opens a production of the classic thriller, The Woman in Black. It's a good scare for the Halloween season. Tickets: 513-479-6783 … Children's Theatre of Cincinnati is offering public performances of Disney's Beauty and the Beast JR. at the Taft this weekend (and Saturday, Oct. 25). Tickets ($7-$25): 800-745-3000
0 Comments · Monday, October 13, 2014
Know Theatre’s 17th Season theme is
“adaptation,” and on the evening of Oct. 10, the company opened Julian
Rad’s 2003 take on Herman Melville’s 1851 novel Moby Dick.
by Rick Pender
Posted In: Theater
at 08:20 AM | Permalink
Know Theatre sets sail this weekend with tonight's opening of Moby Dick. It's Herman Melville's great American novel stripped down to its bare essentials of men at sea doing battle with a creature that maimed their obsessive captain. It's Know's first main stage show staged by new artistic director Andrew Hungerford, who's teamed with co-director Michael Burnham, retired from CCM but no doubt as inventive as ever in bringing unusual material to audiences. Featuring the haunting music of sea shanties and a stage full of theatricality, it being performed through Nov. 8. Tickets ($20 in advance): 513-300-5669. And here's a tip: Wednesday evening performances are free as part of Know's "Welcome Experiment," intended to bring new audiences to its Over-the-Rhine facility. UC's College-Conservatory of Music is presenting Willy Russell's powerful British musical Blood Brothers today and tomorrow in the Cohen Family StudioTheater. Set in 1950s Liverpool, it's about a woman with too many children who is talked into giving up one of a pair of newborn fraternal twins. Despite her efforts and those of the unstable woman who wanted a baby, the boys meet and become not just friends but "blood brothers." They don't know their history, they simply feel drawn to one another. That leads to a tragic, perhaps inevitable, confrontation. But there is humor and an energetic Pop Rock score along the way. Hannah Kornfeld is heartbreaking as the conflicted mother; Thomas Knapp and Karl Amundson turn in heart-breaking performances as the ill-fated boys, from age 7 to 22. This weekend only; the final performance is Saturday evening at 8 p.m. Tickets are free but need to be reserved (513-556-4183); call in advance — performances are often sold out.
Perhaps you'd like to take a kid or two to see a show. The Cincinnati Playhouse's "Off the Hill" production, Roses & Thorns, based on "Beauty and the Beast," would be a fine choice. It's a touring production for kids ages 7 and up, and it's making its way to various neighborhoods over the next month or so (through Nov. 2). I attended a preview recently and found it thoroughly enjoyable. It's a sweet retelling of the familiar story whose love and devotion saves her family and breaks a curse on a monstrous beast who's really a handsome prince. The show uses clever props and costumes, slapstick, satire and high camp styles; its four actors are professionals in training, and their work, playing multiple characters and making quick changes, is great fun to watch. This weekend it's onstage at the Lebanon Theatre Company (10 S. Mechanic St., Lebanon) on Sunday at 2 p.m. Check the Playhouse's website for future performances around the Tristate. Tickets in Lebanon are $5: 513-228-0932
If you missed Kevin Crowley's one-woman show Sarge during the Cincinnati Fringe Festival last June, it's getting a reprise this weekend and next (it's onstage tonight through Oct. 20). Christine Dye's performance as the devoted but deluded wife of Penn State football coach Jerry Sandusky, found guilty of molesting young boys, won the Critics Pick of the Fringe. Dye is remarkable in three monologues that reveal the mind of a woman who cannot accept her husband's true nature. It's being presented in a double bill with another short script by local actor and playwright Crowley, The Monkey's Paw, a dark comedy about a couple struggling with the anxieties of early parenthood. Performances at Clifton Performance Theater, 404 Ludlow Avenue. Tickets ($25): 513-861-7469
I gave Critic's Picks in CityBeat recently to two excellent productions recently, and they remain onstage this weekend. I Loved, I Lost, I Made Spaghetti at the Cincinnati Playhouse is a one-woman piece about cooking and relationships (charming actress Antoinette LaVecchia prepares an Italian dinner while describing her bad luck with men). Tickets ($30-$75): 513-421-3888 … The Little Dog Laughed finishes its run this weekend at New Edgecliff Theater at Hoffner Hall (4120 Hamilton, Ave., Northside. It's the story of a gay actor whose agent is trying to keep him from ruining his career by being public about his persuasion. It's surprising how a play from 2007 could present anxieties about something that today is much more accepted, but this production is great fun to watch thanks to four fine actors, especially Kemper Florin as the motor-mouthed, scheming agent. Tickets: ($20-$27): 888-428-7311
0 Comments · Wednesday, October 1, 2014
A new theater season is bringing changes
to several local theater companies.
Theater season starts now
0 Comments · Wednesday, August 20, 2014
Shows that open seasons for local theater
companies carry added freight: They tell theatergoers, “This is what to
expect from us.”
by Rick Pender
Posted In: Theater
at 09:21 AM | Permalink
Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.Stacy Sims reviewed Know Theatre's production of Harry & the Thief, which opened last week. She called it "a
wonderfully ridiculous, history-twisting, large cast mash-up of a play,"
and that's just the beginning." Sigrid Gilmer's play is a riot of
modern perspectives and Civil War values, a mingling of contemporary
attitudes with opinions and behaviors long since set aside — but not so
far off that we can't recognize them as prejudice, misogyny and racism.
But Gilmer's weaves a lot of humor and satire around Harriet Tubman (a
real woman who led many people out of slavery into freedom in the 1850s
and 1860s). The play has been staged by guest director Holly Derr to
spotlight a zany streak of humor that the playwright has generously
salted across her script from start to finish. This feels a lot like a
Fringe festival show, and that makes sense, since Know is the annual
producer of the Cincy Fringe, and Harry & the Thief kicks off
its 2014-2015 season. As Stacy noted, "this bodes well" for the theater
now being managed artistically by Andrew Hungerford. I watched a
performance earlier this week with a full house resulting from Know's
"Welcome Project," throwing its doors open to anyone who wants to come
on several Wednesday
evenings (hoping that a few of them will pay something, but requiring
nothing more than showing up). I suspect many of those in attendance
will be recommending this production to friends. Through Aug. 30.
Tickets ($20 most of the time, although you can get rush tickets for
remaining seats 10 minutes before curtain time, and free next Wednesday, Aug. 20): 513-300-5669.
Speaking of the Fringe, Know presents occasional encores from past festivals. On Sunday evening at 8 p.m. (one night only) you can catch one of the best acts I've ever enjoyed in the Cincy Fringe: David Gaines returns with 7(x1) Samurai,
retelling Kurasawa's classic 1954 film in a one-man show that was a hit
of the 2009 festival. It's true to the source about victimized
peasants, marauding bandits and samurai warriors, astonishing to watch
and one hell of a performance. Tickets ($15): 513-300-5669.
another astonishing, virtuoso work of theater onstage, this one south
of the Ohio River at Covington's Carnegie Theatre. It's Stephen
Sondheim's Sweeney Todd: The Demon Barber of Fleet Street. I plan to see it on Friday
evening (it opened last week), but people are already saying that
Justin Glaser brings a great voice to the maniacal killer and Helen
Raymond-Goers sings the role of the meat-pie-baking Mrs. Lovett with both
wit and polish. This is one of the greatest musicals of the late 20th
century, and all indicators are that this is a production worth seeing.
Through Aug. 23. Tickets ($21-$28): 859-857-1940.
Shakespeare Company will double your choices this weekend. At its Race
Street theater you'll find the final performances of The Complete Works of William Shakespeare (Abridged),
a comic rendering — or at least passing references to — all 38 of the
Bard's plays, his sonnets and some amusingly presented "facts" about his
life. It's a romp from start to finish, featuring three of Cincy
Shakes' best actors having a hell of a good time onstage, Jeremy Dubin,
Justin McCombs and Nicholas Rose. Tickets ($22-$31): 513-381-2273.If you want something a tad closer to the original, find one of CSC's free touring productions at an area park: Macbeth on Friday night (7 p.m.) at Keehner Park in West Chester and Saturday evening (7 p.m.) at Cottell Park in Mason or A Midsummer Night's Dream on Sunday evening (6 p.m.)
at Washington Park. These are somewhat reduced productions (done in two
hours) using just six actors: That makes them all the more exciting to
watch — and to be dazzled by actors who can convincingly play multiple