by Steven Rosen
at 10:24 AM | Permalink
Hard to believe, but we’re
halfway through October, the main month of the FotoFocus Biennial. (Some
FotoFocus-related shows run longer.)
So this weekend is really a
great time to get out and see some of the shows — fotofocusbiennial.org has a full list. Find CityBeat's full FotoFocus preview here.
Two that I highly recommend,
and that I’m afraid might be overlooked because of bigger museum shows, are
Emily Hanako Momohara’s Heirloom — at
Downtown’s Weston Art Gallery — and David Benjamin Sherry’s Western Romance at
a temporary space at 1500 Elm St. in Over-the-Rhine. Momohara’s show is up
through Nov. 30 but Sherry’s ends Nov. 1.
Both use color wonderfully to
make you focus on objects and/or landscapes close-up — so close-up they have a transporting,
transcendent effect if you can spend enough time with them.
Sherry, an L.A. artist
recently featured on The New York Times
Magazine’s cover, uses color in a psychedelic way, achieving the effect he
wants during processing. It gives his Western mountain and desert landscapes a
glaze — a “purple haze,” in the case of “Putting Grapes Back on the Vine” —
that turns physical geography into a state of mind. There are also in the show black-and-white
prints by masters of Western photography — Ansel Adams, Carleton Watkins — to
acknowledge Sherry’s debt and also proclaim a change.
Momohara, who taught
photography at the Art Academy of Cincinnati but now is relocating to China, is
using Heirloom to explore ideas about
her Okinawan and Japanese ancestry. These distinctive still photographs and
photograph-like videos isolate and deeply contemplate objects related to or
inspired by that.
The vertically formatted
pieces — like the fantastic “Gathering” video, which looks at luminescent,
open-mouthed koi as they crowd around the water’s surface — seem to be moving
forward a grand narrative, like scrollwork. And the more horizontal pieces,
like “Mask #1,” revel in mystery through the way illuminated objects occupy
space in an otherwise dark ground.
To me, these two shows are
among FotoFocus’ very best — and I especially hope Momohara returns at some
point with something much more extensive.
by Steven Rosen
Posted In: Visual Art
at 11:58 AM | Permalink
centerpiece of the FotoFocus Biennial’s programming was its five days of events
at Memorial Hall — films, panel discussions, lectures and a Saturday-night
performance of This Filthy World by
Wednesday-Sunday events coincided with other key FotoFocus events — the excellent
Screenings exhibit of short art films
curated by the biennial’s artistic director, Kevin Moore, was at Lightborne
Studios during the same period — it was hard to attend everything.
But what I
did attend was really rewarding — thought-provoking discussions about
photography that centered on ideas and thus were of interest to everyone. In
fact, that’s a point I think needs to be made about FotoFocus as it seeks to
grow its following: It isn’t a narrow-focused event for photography
professionals; it’s for anyone who likes the visual arts. That should be
some of the highlights of what I was able to attend:
discussion on FotoFocus’ Vivian Maier:
A Quiet Pursuit exhibition, about the secretive Chicago street photographer
whose work has only recently been discovered since her death. One guest was
Howard Greenberg, the New York fine-art photography dealer who represents John
Maloof, the Chicago owner of much of Maier’s archives of unpublished work.
Regarding a current dispute with another party over who has the right to print
and sell her work, Greenberg said he and Maloof were close to an agreement with
the city of Chicago-appointed attorney for the Maier estate to let sales of
prints resume while the dispute proceeds, since the income would benefit the
conversation with photographer Elena Dorfman, whose recent Empire Falling project documented old Rust Belt quarries but then
manipulated the images into something slightly ethereal, offered stimulating
ideas about how post-industrial ruins have become melancholy pilgrimage sites —
accidental earthworks to rival “Spiral Jetty” or “Lightning Field.”
keynote lecture on “Shadow and Substance: Photography and the Civil War,” by
Jeff L. Rosenheim of the Metropolitan Museum of Art, was fantastically
involving. He was an engaged and engaging speaker. For instance, he explained
why there are so few actual photographs of battles – with both sides blasting
away, sometimes imprecisely, at each other on battlefields, few photographers
wanted to set up their cumbersome equipment along the dangerous sides to
capture the action. But once a battle was over, it wasn’t so difficult to
document the bodies on the ground.
discussion on the growth of Instagram, tied to a FotoFocus-sponsored “Fotogram”
project for which Instagram photos were fed into a screen at the temporary
ArtHub structure in Washington Park, had food for thought. Jose Garcia, the
ArtHub’s architect, somewhat jokingly characterized Instagram selfies as “a cry
for help.” And Nion McEvoy, chairman and CEO of San Francisco’s Chronicle
Books, observed that new technology — with its emphasis on swiftly delivered
virtual transmissions rather than carefully crafted physical objects — has been
met with a healthy, growing counter-movement encompassing vinyl records,
locavore-oriented slow foods, letterpress printing and more. And, he said,
Chronicle Books’ main business is still print.
drew a big crowd to Memorial Hall — FotoFocus
had sold 200 more passes than seats (a pass was good for all Memorial Hall
events, not just Waters) and was worried. Fortunately, not every passholder
came to his Saturday night show — there were some empty seats on the sides. His
show lived up to its This Filthy World
title, as he joked about seemingly every sex act known to the human race (and
maybe some known only to aliens).
But he also
made humorous references to artists — he’s an art connoisseur — and some of his
political observations had the kind of shocking in-your-face bite reminiscent
of Lenny Bruce. For instance, on abortion, he said (and I paraphrase a little,
since I didn’t take notes), “If you’re not going to love your child, don’t have
him. I don’t want him to grow up to kill me."
he signed objects for fans and then joined a small group of FotoFocus
organizers, supporters and guests for a late dinner on the Memorial Hall stage.
As fate would have it, he sat next to me. Charming man.
by Steven Rosen
at 08:09 AM | Permalink
Today starts the key stretch of FotoFocus Biennial activities at Memorial Hall, which begin at 8 p.m. with Triumph of the Wild,
a show of animated firms by Martha Colburn accompanied by music from
Thollem McDonas, Tatiana Berman and the four-person Constella Ensemble.On Thursday, programming at Memorial Hall turns to the theme of Photography in Dialogue. At 1 p.m., the film Gerhard Richter Painting will be screened followed by a response from Anne Lindberg. At 3:30 p.m.,
FotoFocus Artistic Director Kevin Moore and Contemporary Arts Center
Director Raphaela Platow will discuss the FotoFocus show at CAC, The One-Eyed Thief: Taiyo Onorato & Nico Krebs. And at 5 p.m., there will be a forum on another FotoFocus-sponsored show, Vivian Maier: A Quiet Pursuit.On Friday, Memorial Hall activities center on Landscapes. At 1 p.m., the film Somewhere to Disappear, With Alec Soth screens, followed by a response from Matthew Porter. At 3 p.m. is a conversation with photographer Elena Dorfman and 21c Museum Hotel curator Alice Gray Stites. At 4:30, photographer David Benjamin Sherry — the subject of a FotoFocus show — will be in conversation with Elizabeth Siegel. And at 6 p.m.,
Jeff L. Rosenheim, photography curator at Metropolitan Museum, lectures
on "Shadow and Substance: Photography and the American Civil War."On Saturday, the subject is Urbanscapes and events get underway at 1 p.m. with the film Bill Cunningham New York, followed by a response from Ivan Shaw. At 3:30 is a forum on street photography with three curators — Moore, CAC's Steven Matijcio and Cincinnati Art Museum's Brian Sholis. At 5 p.m.
comes a discussion on the Fotogram project at the ArtHub, which opens
today in Washington Park. Participants include its architect, Jose
Garcia. And the big event gets underway at 8 p.m., when John Waters presents This Filthy World.
Sunday offers three forums, starting at 1 p.m. when Jordan Tate and Aaron Cowan discuss the FotoFocus show Inpout/Output with artist Rachel de Joode. At 2:30 p.m. is a conversation with Fred and Ruth Bidwell on Bidwell Projects and Tate's Transformer Station, Cleveland art project. At 3:30 p.m., there is talk about film with Moore, Colburn and Kristen Erwin Schlotman.Attendance
at Memorial Hall events requires a passport ticket, which cost either
$25 or $75, depending on benefits ($15 for students), and are available
by Steven Rosen
Posted In: Visual Art
at 09:16 AM | Permalink
Filmmaker/provocateur, humorist, art collector and all-around pop-cultural icon John Waters is coming to Cincinnati on Oct. 11 as part of the opening-week programming of the FotoFocus Biennial 2014. He will be at Memorial Hall, performing This Filthy World about his long, rewarding career. Additionally, Waters' photograph "Inga #3 (1994)" is part of a FotoFocus exhibition, Stills. The theme of FotoFocus is "Photography in Dialogue."FotoFocus has released this (edited) list of other Memorial Hall events for its first week of programming:Wednesday, October 8Performance by Berlin-based filmmaker Martha Colburn, with a Cincinnati ensemble led by Tatiana Berman and the Constella Ensemble Thursday, October 9: Photography in DialogueFilm: Gerhard Richter Painting (2011)Featured speakers: Gallerist Deborah Bell, New York; Gallerist Howard Greenberg, New York; Director and Chief Curator Raphaela Platow, Contemporary Arts Center, Cincinnati; Art Critic Richard B. Woodward, New York; and FotoFocus Artistic Director and Curator Kevin Moore.Friday, October 10: LandscapesFilm: Somewhere to Disappear, with Alec Soth (2010)Featured speakers: Curator and Art Dealer Damon Brandt, New York; Artist Elena Dorfman, Los Angeles; Artist Matthew Porter, New York; Artist David Benjamin Sherry, Los Angeles; Associate Curator Elizabeth Siegel, Art Institute of Chicago; Museum Director Alice Stites, 21c Museum Hotel; and FotoFocus Artistic Director and Curator Kevin Moore. Keynote Speaker: Jeff L. Rosenheim, Curator in Charge, Department of Photographs, The Metropolitan Museum of Art, New York, on photography and the Civil War.Saturday, October 11: UrbanscapesFilm: Bill Cunningham Featured speakers: Architect José Garcia, Cincinnati; Curator Steven Matijcio, Contemporary Arts Center, Cincinnati; Photography Director Ivan Shaw, Vogue, New York; Associate Curator of Photography Brian Sholis, Cincinnati Art Museum; and FotoFocus Artistic Director and Curator Kevin Moore.Sunday, October 12: ForumFeaturing presentations and panel discussions by local participants, such as Artists Jordan Tate and Aaron Cowan.For complete details about the FotoFocus 2014 Biennial visit here.
by Mike Breen
Columbus Indie rockers Indigo Wild star in latest video from The Queen City Project’s MidPoint Sessions
Over the past few weeks we’ve been sharing some great new videos shot at September’s MidPoint Music Festival by The Queen City Project. The clips feature performances from The MidPoint Sessions, a day party held during MPMF at Art Academy of Cincinnati in conjunction with FotoFocus’ Reverberation concert photography exhibit. The event showcased acoustic performances by four Ohio acts — Athens’ The Ridges (who curated the lineup), Cincinnati’s The Happy Maladies and Molly Sullivan and the star’s of today’s video debut, Columbus Indie Rock foursome Indigo Wild.
Indigo Wild formed in 2010 and, if the name sounds familiar, it may be due to the band’s frequent shows in Cincinnati. So far, the band has only issued one recording, the 2011 EP If By Sea, but for The MidPoint Sessions, Indigo Wild unveiled a newer song titled “Be Patient.”
The band’s website says “Be Patient” “lays a stepping stone” to Indigo Wild’s first full-length release. Keep updated on the album’s progress and all things Indigo Wild at indigowildmusic.com.
Click here to view The Ridges’ MidPoint Sessions video and here for The Happy Maladies’ performance. And come back next Friday for the final MidPoint Sessions clip featuring Molly Sullivan.
by Mike Breen
CincyMusic.com hosts a happy hour party featuring locally-shot live music photography
Tomorrow (Friday) at Over-the-Rhine’s Know Theatre of Cincinnati, a special photography collection will be on the display, showcasing some of the best work of local photographers who especially shine when shooting live music events.
In the spirit of the Reverberation: Capturing the Live Music Experience exhibit presented by FofoFocus at the Art Academy of Cincinnati this past September leading up to the MidPoint Music Festival, the photographers whose work is published at the great local music site CincyMusic.com have put together a collection of some of their favorite shots. The photos — by Jacob Drabik, Brian Bruemmer, Kelly Painter, Phil Dawson, Julia Huber, Matt Steffen, Mike Clare and Sarah McDermott — were all taken at club shows, festivals and concerts in the Cincinnati area (including ones from MidPoint and the Bunbury Music Festival).
CincyMusic.com hosts tomorrow's free event at Know, which kicks off at 5:30 p.m. and runs until 8 p.m. There will be light appetizers and the venue’s lower-level bar will be open for business. And if you're up for a little theatre afterwards, tickets are still available for Know's 8 p.m. staging of Bull, a play about adult bullying (timely!). Rick Pender reviewed Bull in CityBeat earlier this month, writing, "You won’t like anyone you see onstage in this savage tale. You’ll probably question your own enjoyment of the show’s dark humor and vicious actions. But the acting and staging of Bull make this a riveting piece of theater." Get tickets here or at the theatre if any remain.
Plus, news on some of the many "unofficial" MPMF activities going down this week
0 Comments · Wednesday, September 25, 2013
It's MidPoint Music Festival week in Cincinnati! News on some of the festival's late-breaking additions, as well as a couple of the many "unofficial" MPMF events.
'Reverberation' exhibit showcases evocative live music photography during MidPoint
0 Comments · Wednesday, September 25, 2013
Might a picture be worth a thousand songs? It’s possible that a photograph, as much
as an MP3 player full of tunes or a head full of memories, is the best
way to recall attending a concert by a favorite act. Not just something
shot far from the stage on your shaky iPhone, but rather the kind of
image that an inspired photographer — with media access and lots of
skill — can take up close.
0 Comments · Wednesday, July 10, 2013
It was always the stated intention of
FotoFocus Director Mary Ellen Goeke — and thus presumed fact — that the
photography celebration would be a biennial event. Thus, it would be
back in October 2014.
by Jac Kern
Photography’s bad boy, Tyler Shields, returns
to Cincinnati for another exhibit at Miller Gallery, kicked off with an opening
reception in Over-the-Rhine Friday. Known for his controversial celebrity
photos, Shields last exhibited at Miller Gallery in October as part of
FotoFocus. Now he’s back showing off his latest collection of photos, Suspense, featuring images of people
falling, floating and flipping across striking backgrounds. Friday’s opening is
a pop-up gallery party at the Hanke Building (1130 Main St., OTR). VIP $50
tickets grant 8 p.m. admission, free valet parking, an open bar and photo op
with Shields. General admission from 9 p.m.-midnight is $10 and includes three
drink tickets. It’s
sure to be a super party and a great chance to brush shoulders with the “who’s
who” of the art community. Proceeds benefit Flashes of Hope, a national nonprofit with the
mission to photograph every child with cancer until every child is cured. Buy tickets here or bring cash at the door.
Across the river in Newport, Powerhouse
Factories celebrates music festival season with a Summer
Shindig Friday. Enjoy live music from The Pinstripes, a great view from
Powerhouse’s patio, great deals on the factory’s excellent assortment music
posters (BOGO half-off) and frosty beers from MadTree Brewery. The free party
runs 6 p.m.-midnight.
The Fringe Festival continues this weekend
(through June 8), with plenty of original, unusual and just plan weird theater performances throughout the city. Go here
for performance reviews, a complete
festival schedule and the official festival guide. And getcho Fringe on!
The 46th annual Summerfair takes
over Coney Island Friday-Sunday. This festival, one of the oldest continuous
art fairs in the country, features more than 300 fine artists, crafters, youth
arts organizations and performers exhibiting and selling photographs, pottery,
textiles, jewelry and much more.
a Shark or a Jet? A Greaser or a Soc? A Mod or a Rocker? Do you rock a scooter
or a motorcycle? Either way, folks from “both sides of the tracks” will come
together this weekend for the Queen City Mods & Rockers Rally, a
weekend-long event to promote unity between both types of motor enthusiasts.
Events include family-friendly rides, a pin-up girl contest, a bike rally,
happy hour, a group breakfast and more. A $30 pass gets you admission to all
the three-day events. Go here
for more info.
For more art, shows, festivals, concerts and
events to check out this weekend, peep our To Do picks