0 Comments · Wednesday, May 13, 2015
John Patrick Shanley’s Outside Mullingar at
Ensemble Theatre Cincinnati is a kind of cockeyed Irish love story,
focusing on two generations, parents at odds with offspring and that
younger generation struggling to find their own balance in the world.
by Rick Pender
Posted In: Theater
at 08:19 AM | Permalink
Ensemble Theatre Cincinnati's 30th season will present three world premieres, the revival of a great musical and Cinderella
While other Cincinnati theaters hustle to get their seasons announced in order to ramp up subscription sales, Ensemble Theatre Cincinnati has built enough faith with its audiences that they'll start signing up sight unseen. Artistic Director Lynn Meyers tells regulars that they'll be pleased, and they take her at her word; she adds that if they aren't happy with the shows she picks, they can have their money back. No one asks for it. Of course, ETC presents shows that haven't appeared elsewhere in our region yet, typically premieres that have only recently been onstage in New York City. And they're given productions with great acting and beautiful design so well assembled that many shows have extended runs. (That's happening with the show concluding the current season, John Patrick Shanley's Outside Mullingar, which opens on Wednesday with a stellar cast that includes local stage veteran Dale Hodges and Cincy Shakes Artistic Director Brian Phillips. ETC has announced it will run a week longer than initially indicated, now closing on May 30.)For its 30th season, ETC has assembled three regional premieres and a revival of a musical it staged to great acclaim in 1999, with a TBA slot (March 22-April 10, 2016) that's likely to bring another show that's been a recent Broadway or off-Broadway hit. Here's the lineup announced over the weekend:Luna Gale (Sept. 8-27, 2015) by Rebecca Gilman: The show recently received the Harold and Mimi Steinberg/American Theatre Critics Association New Play Award, and it was considered by many to be a strong contender for the Pulitzer Prize in drama. It portrays the moral dilemma facing a social worker with a crushing caseload and personal baggage. She must decide whether to leave a child with neglectful drug addict parents or place her with a grandmother who is a religious zealot. It's a complex and disturbing work about faith and forgiveness that doesn't offer easy answers for the lifelong after-effects of abuse. Its first production was in January 2014 at the Chicago's Goodman Theatre. It's slated for productions at Cleveland Playhouse and Actors Theatre of Louisville in the coming season, but ETC's happens first. Buyer and Cellar (Oct. 13-Nov. 1, 2015) by Jonathan Tollins: The one-many comedy was a big New York hit in 2013, telling the story of an out-of-work actor who takes on the odd job of playing shopkeeper for Barbra Streisand in the basement of her lavish Malibu estate. It's a fanciful imagining of what one does with decades of memories and acres of memorabilia. Performing the piece will be Nick Cearley, a Cincinnati native who has appeared at ETC in next to normal and The Great American Trailer Park Musical.Cinderella (Dec. 2-Jan. 3, 2016) by Joe McDonough, David Kisor and Fitz Patton: ETC's holiday show is a remount of its contemporary take on the classic fairy tale that demonstrates that being smart can be truly beautiful. Grounded (Jan. 26-Feb. 14, 2016) by George Brant: It's another solo show, described by one critic as "ardently humane," about a woman who's an ace pilot reassigned to operate a remote-controlled drone from a windowless trailer near Las Vegas. It's a hit at New York City's Public Theater right now featuring Anne Hathaway in a production directed by Julie Taymor. Hunting terrorists by day and returning to her family at night, the boundaries begin to blur between the desert where she lives and the one she patrols half a world away in Iraq.Violet (May 3-22, 2016). Jeanine Tesori's musical won the Drama Critics Circle Award and the Lucille Award for best musical when it premiered off-Broadway in 1997. It was a local award winner, too, but not seen by many who have come to love ETC's offerings. The score features American Roots tunes as well as Folk and Gospel styles. Violet's story is set in the 1960s; she is a young woman disfigured in a childhood accident who dreams of a miraculous transformation through the power of faith provided by a televangelist. It was one of ETC's best early productions, and it's a great choice to cap off a celebration of three decades of fine theater.Subscriptions are currently available. Call 513-421-3555 for information.
The fires of 'Detroit '67' are still burning
0 Comments · Friday, March 20, 2015
In late July 1967 more
than 10,000 citizens of Detroit rioted. Police had raided a blind pig — an
unauthorized after-hours hangout very much like the one Chelle and Lank have
established in their family’s basement — where more than 80 patrons, all
African-American, had gathered to celebrate the return of a Vietnam veteran.
ETC's latest offers a thoughtfully circuitous journey
0 Comments · Sunday, February 1, 2015
Lynn Meyers, producing artistic director at Ensemble Theatre Cincinnati, has a knack for finding thoughtful, engaging new plays that haven’t been seen on any local stage and giving them memorable productions.
by Rick Pender
Posted In: Theater
at 08:42 AM | Permalink
The really big show this weekend happens tonight when the The Cappies of Greater Cincinnati
present their eighth annual awards for high school theater productions
and performers. Our local program is one of the most established, right
up there with programs in Washington, D.C., Philadelphia and beyond. Our
local awards are presented at the Aronoff Center's Procter & Gamble
Hall. In addition to the recognition of high school student performers,
the evening offers excerpts from a dozen or so schools plus ensemble
numbers featuring kids from all over the region — more than 20 schools
participate in the program. An especially exciting aspect (at least from
my point of view as a critic) is the fact that an element of the
Cappies involves students attending one another's performances and
writing about them. Tonight will open with a recognition of the
outstanding boy and girl critics, and wrap up by citing the top team of
high school critics. I'll be onstage at the Aronoff to present that
award, as well as something new: An award for the "top critique" by a
student writer. I had the privilege of choosing the winner, which will
be posted on CityBeat's arts blog after the award ceremony. And to show how profoundly CityBeat
is committed to cultivating arts coverage, we're inviting that winner
to cover a high school Fringe Next production in the Cincinnati Fringe
Festival, which kicks off next week. No award for me, but I'm honored to
be asked to hand out this recognition to the next generation of theater
Speaking of the Cincinnati Fringe Festival, I should remind you that it kicks off with a special party hosted by CityBeat on Tuesday. Performances begin on Wednesday evening (continuing through June 7). You can read my overview of the Fringe here
touching on the many aspects of creativity, talent, emotion and
flat-out fun that will be happening at venues throughout Over-the-Rhine
and the northern edge of Downtown Cincinnati. For more information: www.cincyfringe.com.
It's Memorial Day weekend, which is sort of the end of the local theater season, but there's still plenty to see. Size Matters, Ray McAnally's entertaining one-man show about his career as a "hefty" actor gets its final performance on Sunday (CityBeat review here; box office: 513-421-3555), and the Cincinnati Playhouse's taut drama The North Pool is still available on its Shelterhouse Stage (CityBeat review here; box office: 513-421-3888).
One last tidbit: After many years of producing shows aboard the Showboat Majestic,
Cincinnati Landmark Productions has pulled into port to stage its
summer productions on dry land. They just opened a production of Jerry
Herman's classic musical Hello, Dolly!, the kind of show that people have flocked to see on the 'Boat for
decades. The Covedale Center for the Performing Arts is an interim
stop: By next summer, CLP intends to steam into its new facility, The Warsaw Federal Incline Theater.
If that name is unfamiliar, it's because it's just been announced. The
savings and loan has been a West Side institution since 1893, and it's
lending its venerable moniker to the brand-new 220-seat performing arts
center, slated to break ground this summer. The fundraising effort
seeking $5.6 million for the project is nearing completion. In the
meantime, catch Hello, Dolly! between now and June 1. Tickets: 513-241-6550.
Ensemble production is thoughtful, funny and engaging
0 Comments · Monday, May 12, 2014
This simply staged, entertaining piece of theater will make
you like a guy you might have otherwise dismissed.
by Rick Pender
Posted In: Theater
at 08:13 AM | Permalink
There are quite a few good options for theatergoing this weekend. First and foremost, I'd point to The North Pool at the Cincinnati Playhouse. It's a newish script from Rajiv Joseph (his play Bengal Tiger at the Baghdad Zoo
was a runner up for the 2010 Pulitzer Prize), and it's a very timely
piece, set in 2007 in a large public high school. Just two characters: a
slightly disgruntled, tightly wound vice principal and a student of
Middle Eastern descent who's been called in on the eve of spring break
for a "conversation." What starts out as awkward but mildly amusing
takes numerous twists and turns (the show is about 85 minutes long) and
will keep you guessing as more and more is revealed. The teacher says
people are like onions: You can keep peeling, but you never quite get
down to the essence. You will arrive at a surprising — and moving —
conclusion, likely not what you'll be suspecting. That's the kind of
writing and performance to be found in this production. Through June 1. Tickets ($30-$75; $25 for teens and students, with the proviso that the show has strong language and mature themes): 513-421-3888.
For lighter entertainment, I recommend Size Matters
at Ensemble Theatre. It's a premiere by actor Raymond McAnally, who
performs the one-man show. He's a big guy in the theater, literally: 300 pounds. plus. He's used his weight to his advantage to find acting gigs,
but he tends to be typecast — fat slobs, geeks and so on. Not great for
self-esteem, but hey, it's work. However, it can wear on one's
confidence, and when he sees his young nephew going down a similar path,
well, it's food for thought. There's nothing terribly profound about
this script, but McAnally is a very adept performer — he takes on the
roles of his father, his nephew, even his wife, with the assistance of
projections and sound effects. McAnally says that this is 95 percent
material drawn from real life, and it has the ring of truth. It's not
likely that this show will be produced elsewhere unless McAnally does it
himself, so here's a chance to see a one-of-a-kind performance that
will keep you laughing and make you like a guy you might have otherwise
dismissed. Through May 25. Tickets ($39-$43; half-price and $15 student rush tickets starts two hours prior to show time if seating is available): 513-421-3555.
Cincinnati Music Theater opens its production of the classic musical Peter Pan at the Jarson-Kaplan Theater tonight (it runs through May 17).
This top-notch community theater typically does a commendable job with
big musicals, and this family-friendly piece is likely to be a big
attraction, what with flying and local actor Joshua Steele in the title
role. Tickets ($20-$24): 513-621-2782.
by Rick Pender
Posted In: Theater
at 10:36 AM | Permalink
Last evening I went to see Mary Zimmerman's Metamorphoses
at UC's College-Conservatory of Music. You can read more about
playwright Zimmerman in my column in this week's issue here, and you'll
probably figure out that this is one of my favorite scripts. CCM's drama
program has created a shimmering, playful production that's getting a
brief run (final performance is a 2 p.m. matinee Sunday) at Patricia Corbett Theatre. Guest director D. Lynn Meyers
took a break from Ensemble Theatre Cincinnati to travel up the hill and
stage this one on the UC campus, and her cast of 18 student performers
wholly embraced this unusual show — which requires a pool of water as
its central design feature. (Water plays a significant and meaningful
role in the retelling of a set of classical myths shaped and recorded by
Ovid two millennia ago.) But Dana Hall's scenic design doesn't stop
with water; it's elemental, with immense hanging slabs of stone that
resonate with the decorative concrete slabs in PCT. Wes Richter's
lighting — it really does shimmer — enhances the stories of characters
changed by circumstances, good intentions and bad decisions, and Kevin
Semancik's sound design brings vivid punctuation to many stories,
including a destructive storm at sea. Speaking of sound, cellist Jacob
Yates, a senior at CCM, composed moody accompaniment that distills the
moving emotional essence of each scene; he performs live from stage left
as the tales unfold. Amanda Kai Newman's costume designs complete the
visual power of the show, whether they are fluttering around the edge of
the pool or from a high balcony upstage from which the gods watch and
control the mortals — and even when they are sopping wet from action in
the variable-depth pool. Much of the action is beautifully choreographed
and delivered with confident physicality. All in all, CCM's Metamorphoses is a total theatrical package that's definitely worth seeing. Tickets are likely available if you call quickly: 513-556-4183..
If you want a two-fer featuring shows staged by D. Lynn Meyers, you can catch her production of Tribes
back at her ETC home base. (CityBeat review here.) Nina Raine's script focuses on two young
adults who come from different "tribes," families with distinctively
separate approaches to deafness. Billy's family wants to approximate
normalcy by teaching him to lip read, while Sylvia's parents, both deaf,
have used signing. Now that she's going deaf herself and has befriended
Billy, these practices are at odds. But this is also a show about
family dynamics, love and acceptance — something everyone can relate to.
Billy's family is boisterous and rude, behaviors that often exclude
him. Sylvia's gentle, thoughtful manner is both solace and revelation to
him. Actors Dale Dymkoski and Kelly Mengelkoch (familiar to Cincinnati
Shakespeare audiences; she's a company member there) are simply
excellent in these two roles, and the balance of the cast creates real,
human characters. Tribes has been extended to Feb. 22, a week beyond its announced closing, to accommodate ticket demand. Tickets: 513-421-3555.
Other productions worth checking out this weekend are Seminar
by Falcon Theater at Newport's Monmouth Theater, a play by Cincinnatian
Theresa Rebeck about a writing class with a tyrannical teacher
(CityBeat review here; tickets: 513-479-6783); Bruce Norris's Pulitzer Prize-winning Clybourne Park, revealing how attitudes about race and class haven't evolved all that much in 50 years, at Cincinnati Playhouse (CityBeat review here; tickets: 513-421-3888); and Steve Yockey's absurdist drama Pluto at Know Theatre, an inventively told story of contemporary grief (CityBeat review here; tickets: 513-300-5669).
Can you hear me now? 'Tribes' at Ensemble Theatre
0 Comments · Friday, February 7, 2014
Raine’s award-winning play Tribes is
overtly — and creatively — about people living with deafness. But it’s also a
story of families and the human need to connect.
by Rick Pender
Posted In: Theater
at 09:34 AM | Permalink
Truth to tell, midnight
has already passed and Victorian adventurer Phileas Fogg thinks he's
missed the deadline for getting "around the world in 80 days." But his
faithful servant Passepartout (played with manic energy by the always
amusing Michael G. Bath) saves the day by sorting out travel across time
zones. Your deadline has not quite passed, since Ensemble Theatre
Cincinnati's inventive staging of a musical version of Jules Verne's
classic Around the World in 80 Days continues through a 2 p.m. matinee on Sunday.
(CityBeat review here.) If football and cold weather aren't your preferences, maybe you should
head to the Over-the-Rhine theater for a final volley of holiday
entertainment. Tickets: 513-421-3555.
you're thinking about theater, you should be making plans to see
Shakespeare's greatest tragedy (some say it's the greatest play ever
written), Hamlet, which opens next week at Cincinnati
Shakespeare Company. Once you've taken that one in, you'll be ready to
head back in mid-February for Tom Stoppard's other-end-of-the-telescope
version of the show (using the same actors), Rosencrantz and Guildenstern Are Dead. Tickets: 513-381-2273.
Happy New Year!