0 Comments · Monday, December 23, 2013
How was 2013 as a year for plays and
musicals in Cincinnati? From where I stand — or sit, since I’m most
often in a seat at one of our local theaters — it stacked up pretty
Entertaining, Charming and Heart-Warming
1 Comment · Monday, December 9, 2013
Theatre Cincinnati opened a revamped version of the delightfully spirited Around The World in 80 Days on Dec. 4 to
a full house. The production is exactly what you would hope for from a
family-friendly holiday show.
by Rick Pender
Posted In: Theater
at 09:28 AM | Permalink
Several great choices for theatergoing this weekend. At the top of your list should be Rapture, Blister, Burn at Ensemble Theatre Cincinnati. I was at the opening of Gina Gionfriddo's 2013 Pulitzer Prize runner-up on Wednesday,
and it's another fine example of the kind of excellent production we've
come to expect from ETC. Lynn Meyers has a knack for finding exactly
the right actors for her shows, and she's assembled a perfect cast for
this one, the story of a twisty relationship between three one-time
college friends. Two women, played by Jen Joplin and Corinne Mohlenhoff,
were roommates back then, and Mohlenhoff's character had a charismatic
boyfriend. She went off to a renowned academic career and Joplin's
character ended up marrying Don, played by Charlie Clark. Twenty years
later they're back in close proximity, and neither woman is feeling
fulfilled by her life. Don is a willing player in trading places, which
makes for some amusing drama. Mohlenhoff's character offers a summer
seminar in feminism, film and pornography which plays out some
interesting theorizing among the show's female characters about the
roles women play. It's a great stew of talking and experimenting, which
takes some interesting turns along the way. Definitely watchable and
entertaining. Onstage through Oct. 27. Tickets: 513-421-3555.
At the Playhouse you'll find Martín Zimmerman's much more serious Seven Spots on the Sun,
a story set in a Latin American nation torn asunder by civil war. (CityBeat review here.) We
see the drama played out between several characters whose lives are
tragically intertwined and who struggle to understand how to continue in
light of past decisions and tragedies. It's a powerful story that
offers small glimmers of hope, not to mention some magical turns that
lead you to speculate about fate and hope. Zimmerman is a playwright
whose name will become increasingly familiar in the future; the
Playhouse is offer his script in its world premiere. Onstage through Oct. 27. Tickets: 513-421-3888.
you're looking for a different kind of theater experience, check out
New Edgecliff Theatre's annual fundraiser, "Sweet Suspense," back for
its sixth year with a one-time performance on Sunday evening. Playwright Catie O'Keefe has adapted Mary Shelley's classic monster tale of Frankenstein
into a radio adaptation, complete with creepy sound effects. Since NET
is homeless this season, the event is happening at Know Theatre at 7:30 p.m.
The "sweet" part of the evening is a dessert buffet at intermission
with treats from many local bakeries, including Holtman's Donuts, the
hot new sweet shop on Vine Street in OTR. Tickets are $35 (hey, it's a
fundraiser) for adults, $20 for kids 13 and under. Seating is limited,
so ordering tickets in advance is advised: 513-399-6638.
0 Comments · Wednesday, July 17, 2013
In recent columns I surveyed Cincinnati
theater companies that came and went during the past 20 years. Some
stumbled because their founders had more passion than management
expertise; others simply lacked the focus to keep audiences coming back.
The truth is it’s hard to identify a niche and settle into it
0 Comments · Wednesday, June 26, 2013
Several slots for the 2013-2014 season
have been filled in by local theaters as the current season finishes.
by Rick Pender
Posted In: Theater
at 08:00 AM | Permalink
Cincy Playhouse veterans Ed Stern and Michael Evan Haney to stage shows
If you enjoyed "great theater in a great theater" at the Cincinnati Playhouse in the Park during past seasons, you'll be pleased to learn that Ed Stern, former producing artistic director, and Michael Evan Haney, whose tenure as associate artistic director ends on June 30, have both been engaged to stage shows at Ensemble Theatre Cincinnati (ETC) for its 2013-2014 season. Haney will stage Nina Raine's Tribes (Jan. 29-Feb. 16, 2014) and Stern will co-direct the world premiere of Raymond McAnally's Size Matters (May 7-25, 2014); the playwright is also an actor (he co-starred in ETC's production of Mrs. Mannerly last fall) and he will be the solo performer of the one-man show.Tribes is about Billy, the deaf son of an outspoken family obsessed with self-expression. He has adapted to his family but not vice versa. Then he begins to connect with the deaf community, and his family resents his new "tribe." The show uses spoken and sign language as well as surtitles so audiences can fully follow the action. The show has been a hit in New York (where it won the 2012 Drama Desk Award for outstanding play) and London, where it debuted in 2010 at the Royal Court Theatre. It's only been seen at a few theaters in the U.S. including the La Jolla Playhouse and the Guthrie in Minneapolis. As usual, ETC's Lynn Meyers is ahead of the curve in picking up great new works, and it's a good bet that Haney will make this a fine production. (Haney remains connected with the Playhouse as one of three artistic associates; he will direct A Christmas Carol as well as the world premiere of Anna Ziegler's A Delicate Ship during the Playhouse's 2013-2014 season.)McAnally's comedy, Size Matters is even newer, of course, as a world premiere. It's about a "big guy," living in a crowded city and getting work based on his weight. McAnally, an actor who's weighed more than 280 pounds since he was 18, explores the impact his weight has had on who he is: It's apparent to him that "size matters" much of the time, but not always. The show about body issues and self-confidence is based on true events. Stern will co-direct with ETC's Meyers.The balance of ETC's season was announced earlier: It opens on Sept. 4 with Jon Robin Baitz's Other Desert Cities, andincludes Gina Gionfriddo's Rapture, Blister, Burn, the holiday musical Around the World in 80 Days and Katori Hall's The Mountaintop about Martin Luther King Jr. Find more details here.
0 Comments · Saturday, June 8, 2013
The 2013 Fringe has provided a final showcase for a half-dozen talented performers to shine in their own light in a production of Adam Bock’s absurdist comedy.
by Rick Pender
Posted In: Theater
at 08:52 AM | Permalink
Nothing new onstage
this week, but lots of good work continues as we head toward the summer
when theater gets scarce. Now's the time to stock up.
This is the final weekend for Cock at Know Theatre. (Some publications call it The Cockfight Play, but Cock
is Mike Bartlett's actual title for his play.) It's the story of a man
who thought he was gay but now finds himself powerfully drawn to a
woman. (CityBeat review here.) His former lover and his new passion both push him to make a
choice, and he's torn. It's a great piece of theater, fueled by strong
acting and interesting staging. Tickets: 513-300-5669. Ensemble Theatre's production of The Marvelous Wonderettes: Caps and Gowns
is off and running — and on its way to being another box-office hit for
ETC. It's the same four spunky gals who audiences loved back in 2010
(in ETC's best-selling show ever), with new tuneful glimpses into their
high school graduation in 1958 and a wedding reception in 1968. Talented
singers, individually and as a quartet, make this a fine evening's
entertainment. If you've seen it before, you know the drill — and you're
probably ready for more. Tickets: 513-421-3555
James M. Cain's novel of crime and deception, Double Indemnity, continues at the Cincinnati Playhouse. (CityBeat review here.) If you think you know this show from Billy Wilder's 1944 film (one that defined the noir
genre), you're in for a treat: While this production adopts the
elements of terse narration, tough guys and sexy dames, the playwrights
tell the story differently for the stage. And the Playhouse stages it
inventively — one might even say cinematically. Tickets: 513-421-3888.
Shakespeare's Measure for Measure
is a strange piece, a comedy with a deeply disturbing story about
hypocrisy. (CityBeat review here.) A judgmental official condemns men for their licentious
behavior, then turns around and propositions a virtuous woman pleading
to spare her brother. This troublesome tale is interspersed with comic
moments as minor characters wend their way through a time of sordid
behavior — in Cincinnati Shakespeare's production it's been moved to
Prohibition-era America. If you're a Shakespeare buff, this one is worth
seeing, since it's not often staged. (It's been 18 years since it's
been presented locally.) Tickets: 513-381-2273 x.1.
The musical Sister Act,
based on the Whoopi Goldberg film from 1992, continues at the Aronoff. (CityBeat review here.)
It's an evening of silly fluff, but the touring production, onstage
through Sunday, is polished and entertaining. The plot is implausible,
but it's a framework for some great singing and an eye-popping series of
set pieces. Tickets: 800-982-2787.
If you prefer a musical with a little more grit, head to Dayton where the Human Race Theatre Company is presenting next to normal
at the Victoria Theater. This Rock musical about a paranoid
schizophrenic mom and the damage her affliction imposes on her family is
a powerful show, one that Cincinnati's Ensemble Theatre gave a well
received production in 2011 that was revived a year ago. The show was an
unusual winner of the 2010 Pulitzer Prize for drama. It's onstage in
Dayton through May 19. Tickets: 937-228-9360.
0 Comments · Wednesday, May 8, 2013
“If something is worth doing, it’s worth overdoing,” proclaims one of the spunky gals in the current iteration of The Marvelous Wonderettes
at Ensemble Theatre Cincinnati this month. ETC apparently agrees, since
this is the fourth consecutive year it has staged one of Roger Bean’s
retro shows featuring music from the ’50s and ’60s.
by Rick Pender
Posted In: Theater
at 08:50 AM | Permalink
Cincinnati Shakespeare Company opens its
production of the infrequently staged Measure for Measure tonight. Director Brian Isaac Phillips says, “We have discovered a lot of
satire and wit as we explore the biting social criticism in
this play. The behavior of these characters … is like a dark comic
mirror, held up to nature. Shakespeare has written a play that begs us
to examine modern day decadence and hypocrisy.” Phillips has set the
production in the corrupt and hypocritical Prohibition Era, to "give
modern audiences a context for the
actions and the characters' deeply held opinions." It's onstage through
May 26. Tickets: 513-381-2273 x.1. The Marvelous Wonderettes
are back at Ensemble Theatre Cincinnati with another sequel to the 2010
show that set box-office records. This time the theme is "Caps and
Gowns" — which means graduation (in 1958) and a wedding (in 1968). The
quartet of girl singers are lively and sometimes harmonious, although
each one has her quirks and pet peeves. The spread of a decade allows a
range through two distinct periods of Rock & Roll, one innocent, the
other a bit more knowing. ETC has reunited three of the four actresses
who've played these parts before, and the fourth slot – filled by Leslie
Goddard — is a petite stick of dynamite in cats' eye glasses. The show
opened on Wednesday, and it will surely be a hot ticket again — ETC has
already extended it by two weeks beyond its original closing date.
I went to see Sister Act,
based on the Whoopi Goldberg film from 1992 about nuns and disco, with
low expectations. I was pleasantly surprised: This is a solid production
of a very silly show, with some genuine talent in the leading roles,
and plenty of energy in the ensemble. The music (by composer Alan
Menken, who also wrote Little Shop of Horrors, Beauty and the Beast, The Little Mermaid, Newsies
and many more) is entertaining, the production looks great — lots of
glitter and sequins — and some moments of touching emotion (cliched, but
moving nonetheless). Don't expect anything profound and you'll have a
good time. It's onstage at the Aronoff Center. Tickets: 800-982-2782.
If you're in a darker mood, check out Double Indemnity at the Cincinnati Playhouse. It's a stage version of a noir
classic, a pair of lovers plot to murder her husband and score a big
insurance take (boyfriend is an insurance salesman). But things don't
quite work out as planned. Very stylish imagery and actors who get the
hard-boiled tough-guy style of story-telling from the 1940s. Paul
Shortt's cleverly designed set moves the action quickly from scene to
scene using two turntables, so it's almost like a movie with "wipes"
from once setting to the next. Tickets: 513-421-3888.