Dean & Britta musically augment Warhol’s rare ‘screen tests’ for multimedia happening
0 Comments · Wednesday, November 7, 2012
Four years ago, Dean & Britta's Dean Wareham was approached
with a proposition by Ben Harrison, Performing Arts Curator
for Pittsburgh’s Andy Warhol Museum. Harrison was looking for someone to
compose a soundtrack of sorts for a series of filmed portraits Warhol
shot in the mid-’60s.
Rosenthal brings disparate groups together through photography
0 Comments · Tuesday, November 6, 2012
Plodding feet and murmuring voices mingle
up the gallery stairs. Students Alvin, Ben, Chad and Matt have arrived
from local community building organization Starfire and settle in front
of laptops loaded with their digital photos as another day of art
education begins at Prairie Gallery.
0 Comments · Wednesday, October 24, 2012
Let’s cut to the chase: Dead Can Dance
is no ordinary dance show. True to form, Cincinnati-based Exhale Dance
Tribe pushes a range of artistic and stylistic boundaries in this
by Mike Breen
Video of Bluegrass legend latest in series of videos shot at historic Emery Theatre
One of the more soulful venues at this year's MidPoint Music Festival was the gorgeous Emery Theatre, which is in the process of being brought back to life thanks to the efforts of "The Requiem Project" (the group that has been doing the heavy lifting to get the theater fully back in commission). But perhaps best showcasing the theater's potential as a proper new/old music venue are the folks behind The Emery Sessions, a series of live performances filmed at the Emery over the past year or so by photographer/videographer Michael Wilson (the man behind a gazillion brilliant album covers) and musicians Cameron Cochran and Henry Wilson (who play together in the group Pop Empire). The sessions have produced some remarkable footage so far, with sessions filmed with Jeremy Pinnell and the 55s, Daniel Martin Moore and Joan Shelley, Over the Rhine, Brian Olive, The Kickaways and many other local acts. When Bluegrass legend Dr. Ralph Stanley was booked to play the theater for this year's MidPoint fest, the Sessioneers captured a magical session before the show featuring The Clinch Mountain Boys with the iconic musician. The lack of an audience during all of the Sessions (and the black and white approach) adds an air of mystery to the clips, the empty theater providing a wide-open and kinda spooky atmosphere. That's especially evident in the Session with Stanley, who recorded locally in his heyday for King Records and had performed several times at the Emery decades earlier with his brother Carter as The Stanley Brothers. Fittingly, on what was dubbed "Ralph Stanley Day" by the city, the Sessions crew captured Ralph and Co. performing "Train 45," a tune the Stanley Brothers recorded for the local King label. Check out more of The Emery Sessions here.
Oct. 10 • Emery Theatre
0 Comments · Monday, October 8, 2012
In discussions about the world’s greatest guitarists, one
name often unconscionably overlooked is that of avant Jazz six-stringer
Bill Frisell. For the past three and a half decades, Frisell has
created textural environments that are visceral and pastoral, actively
engaging and passively contemplative, utilizing guitar skills that
border on genius.
by Mike Breen
There is a staggering amount of high-quality live music events tonight in Greater Cincinnati, especially for a Wednesday. Here are a few of the best.• Though Jazz is the music saxophonist Jeff Coffin is most
closely identified, his experience and passion extends well beyond the
genre. Coffin’s and his Mu’tet make dynamic, progressive sounds, most recently heard on the studio effort, Into the Air,
which draws from mainly from modern and vintage Jazz. But Coffin first
came to many music fans’ attention when he joined Bela Fleck’s
Flecktones in 1997, a fittingly adventurous gig for the diverse
musician/composer. Coffin left the Flecktones after he was invited to
join the Dave Matthews Band full time, replacing late founding member
LeRoi Moore in 2009.
As if he wasn’t busy enough, Coffin — who has also shared
stage/studio time with everyone from McCoy Tyner and Branford Marsalis
to Willie Nelson and Widespread Panic — is equally acclaimed as an
educator and clinician, working with students of all ages around the
world. “The spirit and breath of the music is what I take away from the
listening and playing,” he says of his influences, which, collectively
he dubs “Spirit Music.” Coffin and his Mu’tet come to Northern
Kentucky University tonight to share their musical wisdom and spirit.
After an afternoon lecture and clinic for NKU music students, Coffin and
Mu’tet perform an 8 p.m. concert at the school’s Fine Arts Center’s
Greaves Concert Hall. Admission is $10 ($5 for students with ID). Visit
nkuconnections.nku.edu for more info. • Nick Zammuto may have broken up his acclaimed experimental sound-collage project The Books, but he's not given up music. Tonight, his new band, appropriately named Zammuto, performs at MOTR Pub in Over-the-Rhine. The show is free and features a warm-up set from Lymbyc Systym. Click here to read about Zammuto and here for more on Lymbyc Systym.• Innovative guitarist Bill Frisell is in town to perform with his 858 Quartet at The Emery Theatre. The concert is related to the current, ongoing FotoFocus events around town. Click here for more details. • Popular rockers Band of Horses, whose upcoming tour with Willie Nelson was sadly cancelled recently, play at Bogart's in Corryville tonight. Click here for a preview.
by Iain McDavid
Cincinnati, for me, has always been contradictory and
confusing. After living here for so long I’m still ambivalent as to how I feel
about it. The National certainly pushed me in the more positive direction
with their show Oct. 4 at Emery Theatre. The
Cincy-bred band summoned fans with a free show in support of
President Obama and filled the historic venue, front to back.The National’s set was evidently well thought-out, opening
with the powerful "Mistaken for Strangers," with the vocals and drums
seemingly soaring through the theater.
If you haven’t had a chance to catch a show at Emery Theatre (my first
experience was last week), you should certainly make that a priority. The theater, coupled with a band like the
National, truly makes for an unforgettable experience. The venue alone creates a sense of intimacy
between audience and act, something that is usually sacrificed to see your
favorite bands.From the very start of
the set, the audience was completely engaged with the boys on stage, bursting
into cheers and applause at the every songs beginning and end (and even during
songs at times). The only drawback for me was the fact that Matt Berninger would
simply not let me forget that the show was political. It seemed as if in
between every song some sort of Democratic rhetoric (not that the other side’s
rhetorical strategies are any better) was interjected. Something about the importance of voting, or how
privileged we are, which is somewhat obnoxious at that point. It’s highly
doubtful that anybody was suddenly converted by The National, and even more so
that anyone in attendance last night was slightest bit unsure about their vote. I suppose that’s mostly my fault, though — I should expect such from a campaign
All that aside, the audience was left in a state of bliss by
the concert's end, as The National closed out their set with an unplugged
version "Vanderlyle Crybaby Geeks." Earlier in the night, I had spoken to a
friend who had said the venue was acoustically pure, meaning that even without
any sort of amplification, the sound would still resonate throughout the entire
theater — and he couldn’t be more right.
The sound was not hindered in any way (I was a few rows back) and it
carried through the historic site as if I was the only one there. The closer truly unified the entire show into
a ecstatic experience that I will certainly not forget. Click here for more photos from the concert.
Latest updates for this week's MidPoint Music Festival and news on The National's upcoming concert
0 Comments · Wednesday, September 26, 2012
Get the latest updates for this week's MidPoint Music Festival and news on The National's upcoming concert at the Emery Theatre on a mini-tour for Barack Obama.
by Mike Breen
Would you pay to see your favorite musicians if the money went to your least favorite politician?
What's your favorite musical group/artist of all time? Got it? Good.Who are you voting for this upcoming election for President of the United States? Got it? Good.Now let's say that favorite artist of yours was coming to Cincinnati to perform. Let's say it's a remarkably intimate show with limited tickets. And let's say you've got a friend who can get you a ticket to purchase. Let's say it's $35. But here's the catch — your favorite group or solo artist is making their concert a fundraiser for the guy you REALLY don't want to be President. Do you suck it up and pay the admission/donation for a chance to see a once-in-a-lifetime concert? Maybe make a bigger donation to your guy's campaign? Or do you refuse to do anything that may, in even the smallest way, affect the outcome of … well, possibly American history. Cincinnati-bred/Brooklyn-based band The National has just announced a special last-minute pair of shows in Ohio next week, including a show at the revitalized Emery Theatre in Over-the-Rhine on Oct. 4 (they play the Newport Music Hall in Columbus on Oct. 3). The concert — which comes a few weeks before the band headlines the Freedom to Love Now! marriage equality-supporting concert in New York City — is a benefit for "Gottavote: Ohio," President Barack Obama's campaign to get Ohioans registered and voting. The band will also reportedly play a private fundraising function in Cincinnati for Obama right after the Emery show. Searching around for ticket info (details have yet to be announced; we'll update this post when they are), I came across the event's page at Last.fm, where an apparent big National fan left the post's sole comment: "Obama fundraiser...What a moral dilemma…"As a hardcore lefty and big National fan, I personally have no dilemma in this situation, but I sympathize with the commenter. What if The National had a change of heart since last performing for Obama in Cincinnati (a huge, free outdoor show on Fountain Square with The Breeders in 2008) and the members were disillusioned by the President's first-term actions (or inaction), built up impressive balances in their bank accounts and decided the best way to protect America (and their money) was to go out and do whatever they could to get Mitt Romney elected. Would you still go? "Shut up and sing" is an oft used saying for people who think politics and music have no business being in bed together. But if the artist shuts up and sings, but just so happens to give your admission fee to a politician you despise, what do you do?Personally, I stay home and wait until the artist's next show. Luckily for me, deciding not to go to a Mitt Romney concert/benefit featuring Kid Rock, The Oak Ridge Boys and Hank Williams, Jr., is not a hard choice in the slightest.
by Mike Breen
The countdown to the 11th annual MidPoint Music Festival reaches 12 days
MPMF news and musings: The official MidPoint Music Festival guide (on the streets of Greater Cincinnati until Wednesday, then resurfacing when it's MPMF-time) included a few feature stories this year about some of the festival's bonus features and additions. Read Leyla Shokoohe's interview with MPMF main-man, CityBeat's own Dan McCabe, about the fest's dedication to Over-the-Rhine and new MPMF venues Washington Park and the Emery Theatre here. And now, with the countdown down to just 12 days, here are our daily MidPoint Music Festival 2012 picks …BIG SHOTGrizzly Bear (Brooklyn, NY)Indie Art PopWhen this year’s initial MPMF performers were announced, eclectic Brooklyn crew Grizzly Bear was by far the name that seemed to most excite fest-goers. The group’s eccentric mix of artsy arrangements, organic psychedelia and boundless experimentalism has been earning the fans an ever-increasing and loyal fanbase since their lysergic debut release in 2004. Though continually adventurous, the band’s sound has grown and matured with the size of its following — 2009’s Veckatimest debuted at No. 8 on Billboard’s album chart and seemingly made every single music critic in the world’s “Top 10 Best” list that year. Expect an even bigger response from critics and fans when Grizzly Bear finally unleashes the much-anticipated new release, Shields, released just prior to the band’s MPMF stop. There’s a very good chance one of MPMF.12’s biggest acts will be sporting a Top 10 album by the time they get to Washington Park (an MPMF first). You'll Dig It If You Dig: Brian Wilson at his “off-the-meds” creative peak, listening to an “AM Gold” Soft Rock compilation and a Kraut Rock comp after drinking gallons of psychedelic mushroom tea.Grizzly Bear headlines the Washington Park stage on Friday, Sept. 28 at 8:30 p.m. The band performed the lead-off track from its new Shields album, "Sleeping Ute," on Late Night with Jimmy Fallon last night. Take a look/listen: SLEEPER PICKRich Aucoin (Halifax, CAN)Electro PopOn his enthralling 2011 full-length, We’re All Dying to Live, Canadian musician Rich Aucoin decided he’d invite Canada to record with him. As a result, the album features over 500 musicians, whose teaming on Aucoin’s dynamic, funky and craftily constructed tracks makes Dying to Live sound like the Electro Disco party of the century. But it’s not just a mindless exercise in dancefloor stereotypes — there’s depth and nuance to Aucoin’s songwriting and layering that might not be noticeable initially. Unlike a lot of Dance acts, Aucoin’s music isn’t disposable fun — it’s essential and commands repeated listens. Dig: ’80s Synth Pop, ’70s Disco, of Montreal, 4AD artists, Chic and Duran Duran in art school together.Rich Aucoin performs at Below Zero Lounge on Thursday, Sept. 27, at 11 p.m. Here is the hour-long film created to sync up with We're All Dying to Live (plus, of course, the full album for a free preview listen). Rich Aucoin - We're All Dying To Live :: Public Publication EP / Over The Top! LP from Sonic Entertainment Group on Vimeo.LOCAL LOCK PICKEclipse (Cincinnati, OH)Hip Hop/Jazz/Funk/FusionWhat happens when a bunch of studied Jazz musicians get funky with a couple of top-notch Hip Hop MCs? Eclipse happens. The Cincinnati septet has one of the best live shows in town, turning unsuspecting crowds into a sweaty mass of humanity thanks to their persistent groove and old-school Hip Hop party-starting. The band’s Around the World album was at the top of CityBeat’s list of the best local albums of 2011. With peerless MCs Jibri and Daddie Rich laying down rich verses and gripping hooks, the band roams around in the tight arrangements, touching on classic Funk, modern Alternative Rock, Progressive Rock, Latin rhythms and Jazz like some sort of dance-friendly aural collage. Dig: An epic Jurassic 5, The Roots, Miles Davis, James Brown and King Crimson mash-up.Eclipse performs Friday, Sept. 28, at 11 p.m. at the Blue Wisp Jazz Club. Here's a great video featurette put together by Chuck Land and Landman Productions, with audio recorded by Alex Lusht of Mind Ignition.Click here for full MPMF details via the official MidPoint site.