by Rick Pender
at 09:08 AM | Permalink
I seldom laugh out
loud when I'm watching a comedy, but I found myself doing just that more
than once at last night's opening of Peter and the Starcatcher at the Cincinnati Playhouse. You can read about this show and the appeal of Peter Pan here,
but let me simply say this is a deliriously silly but wholly heartfelt
prequel about the origins of the boy who "won't grow up." This
award-winning play uses simple theatrics, not special effects, to work
its magic, and the Playhouse cast of a dozen quick-change performers
dive into the wacky storytelling with zest and zeal. Everyone is having a
good time, perhaps Tom Story most of all, playing "Black Stache" (the
pirate who will become Captain Hook) who spews malapropisms and
extravagant posturing: "There's a poet in these pirate veins," he
announces. The laugh-inducing moment that sets up his subsequent need
for a hook is both ghastly and breathlessly funny, not to mention milked
for all it's worth. Everyone in the cast has moments of fun. This is
imaginative storytelling and extravagant theatricality at its best.
You'll have fun if you bring a kid or two; but even if you don't, go by
yourself and feel like a kid again. Through April 4. Tickets: 513-421-3888.A show that's stuck with me since last June's Fringe Festival, Katie Hartman’s ghostly and
mournful song cycle, The Legend of White
Woman Creek, is back for a pair of performances at Know Theatre tonight and Saturday at 8 p.m. It's the tale of Anna Morgan Faber, a white woman captured then slowly absorbed into the
Cheyenne tribe in 1860s Kansas. Hartman sings about a desperate, lonely woman who finally finds
happiness only to have it it brutally snatched away. “It’s
not a stand-up-and-cheer kind of show,” I wrote in my review. Instead, “it’s artfully
crafted and professionally delivered in an understated way. But it is powerfully
effective.” Tickets: 513-300-5669.Elsewhere you can catch Covedale Center's production of The Marvelous Wonderettes,
the story of four high school girls in the ’50s and ’60s who get their
big break singing Doo-Wop tunes. This show kicked off a string of hits
for Ensemble Theatre a few years back, and I imagine the Covedale's audience will love it, too. Tickets: 513-241-6550.If Louisa May Alcott's Little Women is a book you've treasured over the years, you can see a stage adaptation at Cincinnati Shakespeare through March 21 (CityBeat review here; tickets: 513-381-2273)
or a musical theater version by Footlighters, the community theater
that performs at Newport's Stained Glass Theater (tickets: 859-652-3849).This is the final weekend for August: Osage County
at Clifton Performance Theatre. It's a big sprawling play wedged into a
tiny space, but with a great script and a fine cast, it's definitely
worth seeing. You'll be close enough to feel like a member of the
dysfunctional Weston family. I gave it a Critic's Pick here. Tickets: 513-861-7469.I missed the first two installments of Serials 2: Thunderdome! at Know Theatre, but I was there on March 2, and I'll be back on Monday evening to see which of five 15-minute segments gets to live on. I'm looking forward to Josh Bromels' So In Tents (there's a pun in there) and Trey Tatum and Paul Strickland's Andy's House of [blank], a wild, time-shifting musical. But there will be more surprises, I'm sure. It's a breath of fresh creative air. Tickets: 513-300-5669Rick Pender's STAGE DOOR blog appears here every Friday.
Covedale’s trip to Tuna is irreverent fun
0 Comments · Monday, January 26, 2015
Tuna, Texas, once a real-live speck of a town, had been written off state maps for decades. That changed in 1981 when Jaston Williams, Joe Sears and Ed Howard penned Greater Tuna, the first of four comedic plays focusing on the quirky, small-town conservatism of Tuna.
by Rick Pender
Posted In: Theater
at 09:33 AM | Permalink
I attended the opening of Ring of Fire: The Johnny Cash Musical at the Cincinnati Playhouse last evening. The show offers some sense of the great Country music singer's life, but it's not detailed in the way Rosemary Clooney was portrayed in the Playhouse's recent production. Instead, it's Cash's music that's front and center, performed by a half-dozen veteran musicians and four singer/actors, two men and two women, all of whom convey the sincerity and strength that were his calling card. Jason Edwards and Derek Keeling have voices reminiscent of the"Man in Black," the former in maturity and the latter as brash young man. Trenna Barnes and Allison Briner round out the quartet, sometimes conjuring the persona of June Carter, Cash's talented wife. Both are great singers, but Barnes is especially powerful and entertaining as a young spitfire in numbers like "Cry, Cry, Cry." The show features more than 30 numbers, some familiar, several sung amusingly by the musicians, and all engaging. Especially fun is "I've Been Everywhere," the second act opener that has all 10 performers singing, playing guitars and accelerating through a list of cities where Cash toured. Read more about the show in my interview (CityBeat interview here) with Edwards, who is also the show's director. Box office: 513-421-3888.Speaking of the Playhouse, I should also mention that this weekend kicks off performances of Theory of Mind, the story of a teenager on the autism spectrum. It's about his first date with a young woman unsure of her own reasons for romance. Ken LaZebnik's play, created for young people who are 11 or older, premiered at the Playhouse in 2009 and was successful with kids and adults. This weekend it will show up at Prospect House in Price Hill on Friday at 7 p.m., at the Hyde Park Health Center on Saturday at 2 p.m. and at the Dunham Recreation Center in Price Hill on Saturday at 7 p.m. Some performances are free. For more details and a schedule of locations and dates (through Feb. 22), go to www.cincyplay.com.You shouldn't miss Waiting for Godot at Cincinnati Shakespeare Company (through Feb. 7). The production features excellent acting by Bruce Cromer (if you've seen A Christmas Carol at the Playhouse, you know him as Ebenezer Scrooge) and Cincy Shakes stalwart Nick Rose. Playing a pair of sad-sack hobos waiting for someone who never shows up, they capture the desperation of human existence in Samuel Beckett's masterpiece of theater of the absurd. I gave the show a Critic's Pick. (CityBeat review here.) Tickets: 513-381-2273. Two other productions kick off this weekend — the very funny Greater Tuna at the Covedale Center, through Feb. 15 (513-241-6550) in which two actors play many of the people in the "third smallest town in Texas," and the very serious Handmaid's Tale at Know Theatre, through Feb. 21 (513-300-5669). The latter, a one-woman adaptation of Margaret Atwood's dystopian novel, features Cincy Shakes regular Corinne Mohlenhoff. I interviewed playwright Joe Stollenwerk in my Curtain Call (review here) column in CityBeat. At Clifton Performance Theatre on Ludlow Avenue Friday through Sunday only, you'll find a free show about coping with mental illness, She's Crazy, Mental Health and Other Myths features two local actresses, Sherry McCamley and Cathy Springfield, who developed this cabaret show that uses original songs and personal stories to reduce the stigma of mental health. Space is limited, so you are urged to call for reservations: 513-861-7469.Not for this weekend, but coming soon, you can get some bargains on tickets at Ensemble Theatre (where The Other Place opens next Wednesday). If you've never purchased tickets to ETC, you can score two $10 tickets during the first two weeks of each of its next three productions. A few restrictions apply, but it's a perfect opportunity to check out this excellent theater company if you've not been there. ETC is quick to point out that it's located in the Over-the-Rhine, where there are restaurants and events galore and easy parking in nearby garages. Box office: 513-421-3555.Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
'Plaid' for the holidays
0 Comments · Wednesday, December 10, 2014
Plaid Tidings gets my nomination as the season’s most entertaining live onstage holiday show.
Covedale’s Into the Woods is hopeful, if not happy ever after
0 Comments · Friday, October 31, 2014
If you’re excited by the imminent arrival (Dec. 25) of a movie version of Into the Woods, you can get ready for the experience by catching a performance of the show at the Covedale Center for the Performing Arts.
by Rick Pender
Posted In: Theater
at 08:36 AM | Permalink
Don't be scared. Just because it's Halloween, you don't have to miss out on good theater. In fact, there are some great deals available. For instance, this weekend is your last chance to see Ensemble Theatre's production of An Iliad (CityBeat review here), a one-man retelling of Homer's epic tale of the Trojan War. (The final performance is Sunday at 2 p.m.) Bruce Cromer has been turning in one of the best acting performances seen locally in years as "The Poet" who narrates the story of the tragic conflict — as well as about a dozen of the story's central characters. Several of the weekend's performances are sold out, but seats do remain tonight at 8 p.m. and Saturday at 2 p.m. and if you use the coupon code SPOOKY to order tickets for either one, you'll get them for $25 each (they're usually $44). Box office: 513-421-3555.
This is also the final weekend for Falcon Theater's staging of The Woman in Black in Newport's tiny Monmouth Theater (which the group recently purchased, so it now has a permanent home, renamed "Falcon Theater"). The final performance on Saturday is sold out, but if you attend the classic ghost story tonight at 8 p.m. in costume, you'll get a $2 discount on your ticket (normally $19; $17 for students and seniors): 513-479-6783.
Cincinnati Shakespeare Company's production of The Birds (CityBeat review here) is also intended to give you the creeps, so it's another good choice for Halloween weekend. If that title sounds familiar, it's because Alfred Hitchcock adapted Daphne Du Maurier's short story into a classic thriller back in 1963. Cincy Shakes is presenting a more recent stage adaptation, this one by Irish playwright Conor McPherson (who has his own reputation as a storyteller who knows how to scare an audience, with past hits like The Weir and The Seafarer). It's an evening of psychological twists and turns with a cast featuring four of the company's best actors. This one will be around for another week, but if you're celebrating Halloween, you'll have fun with this one. Tickets ($22-$36): 513-381-2273, x1.
Also onstage through Nov. 8 is Know Theatre's production of Moby Dick (CityBeat review here.) It's not exactly a ghost story, but the obsessive Captain Ahab is certainly haunted by the specter of the great white whale, and Know's retelling of Herman Melville's great American novel is inventive and engaging. Tickets ($18): 513-300-5669.Other good choices onstage are Covedale Center's Into the Woods (CityBeat review here) and the Cincinnati Playhouse's Safe House (CityBeat review here.) The former (tickets, $21-$24: 513-241-6550) is Stephen Sondheim's classic musical that's a mash-up of fairytales; the Playhouse show is a world premiere of a play by native Cincinnatian Keith Josef Adkins about people like his ancestors, free people of color in 19th-century Kentucky (tickets, $30-$75: 513-421-3888).
Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
Posted In: Theater
at 08:07 AM | Permalink
Last night I was at Cincinnati Playhouse in the Park for the opening of Keith Josef Adkins' new play, Safe House, the 71st world premiere staged by our Tony Award-winning regional theater. (CityBeat feature story here.) It's a fascinating piece that's about the little-known circumstances of "free people of color" in 19th-century America — not slaves but not exactly free. They're put into complex and stressful situations, personified here by a pair of very different brothers: Addison is a hardworking, aspiring entrepreneur, dreaming of become a cobbler with his own store, while younger brother Frank is impetuous and chafing at the restrictions imposed on them. The heat gets turned up when runaway slaves through their Northern Kentucky county need shelter and perhaps passage to Liberia, something their Aunt Dorcas has quietly supported. The story is based on Adkins' family history in this region, and it comes to life in this provocative drama. Through Nov. 15. Tickets ($30-$75): 513-421-3888.UC's College-Conservatory of Music only rarely gives more than one weekend to musical theater productions. This fall's privileged show is the very commercial Legally Blonde (a hit movie with Reese Witherspoon from 2001 that became a Broadway property in 2007). It's a genuinely entertaining show that actually has a meaningful message about living up to potential and not judging people by their exteriors. It also has a ton of dancing, so it's great news that this production is both being staged by veteran CCM choreographer Diane, who I profiled in my Curtain Call column this week. The production is happening at UC's Patricia Corbett Theater through Nov. 2. Tickets ($31-$35): 513-556-4183.
It's fairytale time at the Covedale Center with a production of Stephen Sondheim's Into the Woods. But proceed with caution: The first act takes more or less traditional stories of Cinderella, Red Riding Hood, Rapunzel, Jack and the Beanstalk and more, and mixes them into one happy stew. But in Act II, well, things aren't so "happily every after" when reality sets in. Big cast, great tunes, lots of humor — but some thoughtfulness, too. Through Nov. 16. Tickets ($21-$24): 513-241-6550.The chance to see Bruce Cromer's one-man performance in An Iliad at Ensemble Theatre is an absolute must for anyone who's serious about theater. (CityBeat review here.) It's quite astonishing that one man can do so much and hold an audience's attention for 100 minutes in this retelling of the savagery of the Trojan War. It's all the more powerful because it's a condemnation of war across the ages. Don't miss this one. Through Nov. 2, and no chance that it will be extended, so call now for your tickets. Here's a tip, thanks to friendly relations with Know Theatre, just around the corner from ETC: Use the coupon code MOBY20 to get 20 percent off the price of two tickets for any remaining performances. Tickets ($28-$44): 513-421-3555.With Halloween just a week away, several theaters are offering shows that will make your heart pound. There's creepy ghost in Falcon Theatre's production of The Woman in Black ($17-$19, 513-479-6783), and the characters in Conor McPherson's The Birds are under attack in ways that don't bode to well for human interaction ($22-$36, 513-381-2273). (CityBeat review here.) And while it's not exactly a Halloween story, Moby Dick at Know Theatre has some scary oddballs and a gargantuan villain out to murder everyone, so that qualifies, too. (CityBeat review here.) It's onstage through Nov. 8 ($18; 513-300-5669).
This weekend is last call for I loved, I lost, I Made Spaghetti at the Cincinnati Playhouse. (CityBeat review here.) Actress Antoinette LaVecchia spins some great stories about writer Giulia Melucci's bad taste in men, all the while making an aromatic Italian dinner — antipasti, wine, spaghetti Bolognese (homemade pasta and fresh sauce) — for a few lucky audience members. This is a totally charming show, great for weekend entertainment. Final performance is Sunday. Tickets ($30-$75): 513-2418-3888.Rick Pender's STAGE DOOR blog appears here every Friday. Find more theater reviews and feature stories here.
by Rick Pender
Posted In: Theater
at 09:35 AM | Permalink
The big show this
weekend will be Lumenocity in Washington Park. If you were lucky enough
to get a ticket, you'll be seeing some great images on Music Hall's
facade with accompaniment by the Cincinnati Symphony. If you weren't so
lucky, you can still enjoy the show via radio (WGUC), television, big
screens (at Fountain Square and Riverbend, for free) or via live
streaming at lumenocity2014.com.
If you want to check out a free show at another park, how about free performances of A Midsummer Night's Dream? Cincinnati Shakespeare kicks off its Shakespeare in the Park tour this weekend. They'll be at Seasongood Pavilion at Eden Park on Friday evening, at Harry Whiting Brown Lawn in Glendale on Saturday and the Community Park Pavilion at the Milford Historical Society in Milford on Sunday. Performances generally begin around 7 p.m. Show up earlier to get a good seat and enjoy six of Cincy Shakes actors playing a bunch of characters in a very funny comedy.
On the West Side, it's the final weekend for Footloose The Musical,
presented as the 33rd annual summer show by Cincinnati Young People's
Theatre at the Covedale Center for the Performing Arts. This is a
program that gives teens from across Greater Cincinnati a chance to work
onstage and backstage. During the past three decades more than 2,300
kids have participated. The show, based on a popular movie from 1984, is
about a teenager and his mother who move from Chicago to a small
farming town where dancing is frowned upon by the local preacher. But
his rebellious daughter shakes things up and love wins out. It's a fine
show for teens. Tickets ($12-$16): 513-241-6550.
you're willing to make the drive to Dayton, you have the opportunity to
check out workshops of new musical theater material at the Human Race
Theatre Company. Molly Sweeney is about a young woman
whose blindness becomes an obstacle for her new husband to overcome,
even though she has a different perspective. (It's happening Friday night at 8 p.m. and Saturday at 2 p.m.) The second work is a songwriter showcase (Saturday at 8 p.m.) by a dozen creators who are working on new shows. It's being hosted by Dayton native Susan Blackwell, creator of the clever [title of show]. Advance tickets ($15): 888-228-3630 – or $20 at the door at the Loft Theatre (126 N. Main St., Dayton).
by Rick Pender
Posted In: Theater
at 04:27 PM | Permalink
There's a great array of theater this weekend, no matter what you like. That's a good thing, because local theater, like baseball, takes a kind of midsummer break (no All-Star Game onstage anywhere, however). So get out and see something this weekend, then enjoy the fireworks and picnics next. Here are some suggestions:Traditionally entertaining shows can be found at two professional theaters. At Cincinnati Shakespeare Company, it's the closing weekend for Private Lives, a very witty classic comedy about marriage by Nöel Coward. (CityBeat review here.) Two couples are honeymooning in the south of France, in adjacent hotel rooms. Things go awry when one husband and the other wife cross paths by chance. They were once married to one another, and the spark quickly rekindles, despite the fact that they had a very volatile chemistry. It's a great piece for four comic actors, and Cincy Shakes has a great cast to handle it. Staged by Ensemble Theatre's D. Lynn Meyers. Tickets ($22-$31): 513-381-2273.A different kind of couple is showcased at Covedale Center, where Neil Simon's The Sunshine Boys is in its final weekend. Two guys who were comic partners in the days of vaudeville — and who grew very tired of one another — are brought together for a TV special about the "good old days." They don't much want to do it, but they're coaxed, and the results of their bickering and nastiness makes for a lot of laughter. Tickets ($21-$24): 513-241-6550.A new theater company, Stone on a Walk, has its inaugural production this weekend, a low-budget performance of Cain by Lord Byron at the Art Academy's lecture hall, a venue familiar to Fringe Festival mavens. Yes, the playwright is that Romantic poet George Gordon you might recall from lit classes. He also wrote plays, and this one from 1821 focuses on Adam and Eve's first son, resentful that his parents' transgressions have forced them out of Eden and made death a real possibility. He spars with Lucifer, still hanging around to make trouble, and is at odds with his pious brother Abel, as well as his wife Adah. Things don't go well, as you might recall — Cain becomes the first murderer. John Leo Muething has put together a three-show season for his new theater venture, Stone on a Walk, with a one-weekend performance of each work (more to follow in July and August). This one features three actresses: Caitlyn Maurmeier is Cain; Hannah Rahe is Adah, Cain's dutiful wife; and Aiden Sims plays Lucifer and Abel. The casting of females in male roles is unusual, and the doubling of Sims as villain and victim might cause a bit of confusion (although she plays Lucifer with sinister hissing vigor, while Abel is the picture of sincerity). The 70-minute performance is done with no stage lighting or scenery; the final section, with actors on the floor, is hard to see unless you're in the front row or two. Cain is a lot of talking, poetry and high emotions, but Maurmeier powerfully renders Cain's despair, and Sims is very watchable as Lucifer. Tickets ($10) at the door; the Art Academy is at 1212 Jackson Street in Over-the-Rhine.How about a showcase of excerpts from Cincinnati's community theaters? Friday evening and all day Saturday that's what's happening at Parrish Auditorium at Miami University's Hamilton campus (1601 University Blvd., Hamilton). Four 30-minute selections tonight include A Midsummer Night's Dream and Les Misérables, and eight more tomorrow morning and afternoon (Godspell, Steel Magnolias, Nunsense and Tommy are among them). Each performance will be assessed and a few will be selected for a statewide competition in early September. Cincinnati has a lot of excellent community theater, and this is your opportunity to see some of the best shows that have been offered during the 2013-2014 season. Ticket information: http://bit.ly/1lkw098.And in the off-week between Cincinnati Opera's opening production of Carmen and the upcoming staging of Silent Night, opera seekers might want to check out two works presented by the North American New Opera Workshop (they shorthand that name as "NANOWorks") at Below Zero's Cabaret Room (1122 Walnut St., Over-the-Rhine). It's the midwest premiere of Marie Incontrera's At the Other Side of the Earth, a riot girl opera followed by Eric Knechtges's Last Call (Friday-Saturday at 8 p.m.,Sunday at 2 p.m.). Incontrera's piece combines classical performance with punk sensibilities; the piece by Knechtges (who is head of the musical composition program at Northern Kentucky University) is loosely based on the Cincinnati gay bar scene and includes at "techno/house aria" and a high-energy drag performance. This is definitely not your grandmother's opera. Tickets: $20 at the door.
by Rick Pender
Posted In: Theater
at 10:14 AM | Permalink
Probably the most entertaining thing onstage right now is Private Lives at Cincinnati Shakespeare. It's been selling so well that 2 p.m. matinee performances have been added this Saturday and June 28. (It closes on June 29.)
It's the story of honeymoons going bad when a feisty divorced couple
decide to reunite rather than stick with their new spouses — when they
find themselves coincidentally in adjacent hotel rooms in Southern
France. (CityBeat review here.) Cleverly staged by Ensemble Theatre's Lynn Meyers, using four of
Cincy Shakes best actors. Of course it's all improbable and overdone,
but that's a Noël Coward play for you — witty, silly and lots of fun.
Tickets ($22-$31): 513-381-2273.
You'll find laughs elsewhere with the Covedale Center's just-opened production of The Sunshine Boys
by Neil Simon, a master of comedy. It's about a pair of vaudeville
partners who spent 40 years working together and ended up not speaking.
But they're being coaxed to come together to re-stage one of their old
routines for a TV special. Rehearsals don't go well and the actual live
broadcast spirals down from there. Simon is a master of one-liners, and
this show has a million of them. Tickets ($21-$24): 513-241-6550.
If Monday leaves you still looking for something onstage, Know Theatre is ready to open its doors for something entertaining: Serials! All summer long at two-week intervals (starting Monday) there will be 15-minute episodes of plays by local writers. This week you'll get to see pilots of Mars vs. The Atom by Trey Tatum, Flesh Descending by Chris Wesselman, The Funeral by Jon Kovach, The Listener by Mike Hall and Fetus and the God
by Ben Dudley. These stories are open-ended and audience response will
be a factor in where they go. If some of those names sound familiar,
it's because most of them are veterans of the Cincy Fringe. If you had a
good time there earlier this month, here's a way to keep your groove
going. Tickets ($15): 513-300-5669.