0 Comments · Wednesday, July 3, 2013
Summer isn't summer without at least one trek to an outdoor music festival and all the awkward tan lines, sweaty tees, Instagrams and red Solo cups that accompany them.
Eclectic local event The Heights Music Festival presents only one fest this year and it's this weekend
1 Comment · Wednesday, April 24, 2013
The biannual Heights Music Festival slims down slightly for its 2013 spring event, with no fall event planned this year so organizers can work on making the fest even bigger in better in 2014. The Heights Music Festival — perhaps the best fest in the area for checking out a wide variety of new Greater Cincinnati musical acts — goes down this Friday and Saturday in Clifton Heights.
Latest updates for this week's MidPoint Music Festival and news on The National's upcoming concert
0 Comments · Wednesday, September 26, 2012
Get the latest updates for this week's MidPoint Music Festival and news on The National's upcoming concert at the Emery Theatre on a mini-tour for Barack Obama.
Newly renovated OTR historical landmarks offer function, charm to MPMF.12
1 Comment · Wednesday, September 12, 2012
Dan McCabe’s been keeping a close eye on the
transformation of Over-the-Rhine’s Washington Park since last October. MidPoint Music Festival’s executive producer talks about the park and the renovated Emery Theatre becoming a part of the increasingly OTR-supportive fest.
by Deirdre Kaye
Reflections on the final day of the inaugural Bunbury Music Festival
I’ve been to more festivals than I care to recall, but they mostly pale in comparison to Bunbury’s inaugural weekend. The planners of the three-day Cincinnati festival scored awesome bands for a first-year festival and the location couldn’t have been more spectacular, stretching from Sawyer Point to Yeatman's Cove along the riverfront.Bonnaroo sucks because there are hardly any trees and therefore no shade — it’s like spending a weekend on the sun. While the fairly awesome, Memphis in May offers a similar riverside locale, but it’s also missing the shade and it fails to take full advantage of its riverfront property. The Bunbury planners nailed it. Not only does Sawyer Point offer plenty of tree-covered walkways between stages, but also grassy knolls, flushing toilets and a great breeze. And the Landor Stage! Whatever genius said, “Let’s put a stage at the base of the Serpentine Wall,” deserves a raise. The river and Big Mac Bridge were excellent backdrops for the bands lucky enough to play there and a great way to show off some of Cincy's charm to festival goers from afar. I saw Good Old War perform to a packed … "wall," and it was by far the coolest and most laidback of the shows I caught. Watching everyone lounge around on the huge concrete steps while listening to the trio play music and goof off was a great break from the shuffling and shifting crowds just a few feet behind us. The band's drummer did a pretty great impersonation of Harry Belafonte and sang “Day-o” for us, which worked well with the sunny sky and chilled-out vibes on the wall. Even better was how loud the crowd got when he sang, “Daylight come and me wanna go home.” Hardly anyone knew the rest of the words, but they had fun pretending. Good Old War was probably my favorite performance and Landor Stage was definitely my favorite place to hang out.Another great way Bunbury made sure to represent the Cincinnati spirit was with tons of local food and beer. Not only did they have the big names, like Skyline and LaRosa’s, but they also brought in places like Taste of Belgium and beer from Hudy. (Sure, some UDF or Graeter’s would have also been nice, but it was only the first year.)Speaking of food, I was overwhelmed by the lack of food I saw on the ground, neither dropped nor regurgitated. Cincinnati did an excellent job at keeping their park clean, even when they flooded it with feet. I was super proud (and relieved) to not have to step over any up-chucked chilli on my way various jaunts from one end of the park to the other.And that’s a trek I made quite a few times, too. From The Tillers to Good Old War and then back to the far end to see Bad Veins, I spent a good deal of my Sunday slipping through the crowds to get from one end of the point to the other as quickly as possible. It was worth it, though, especially for The Tillers!I own The Tillers’ first two albums, but I’d only seen them once before, at one of their usual spots — Northside Tavern. It was a night where they went on late and I happened to be with more introverted friends. It was a good show, but it lacked the oomph I experienced at Bunbury. Those boys were made to play in the sunshine and trees, that’s for sure. And Cincinnati made sure to show love to their hometown band. Hopefully, Mike, Sean and Aaron picked, bowed and bellowed their ways into some new hearts, as well. Their show sealed the deal on The Tillers being one of the many reasons why I love Cincinnati. We’re the kind of people where their kind of music can be properly loved and respected for exactly what it is and never expected to be anything more.Those were the highlights of my day, but I’d say the whole experience was a good one. Musically, there were really only two downsides to the fest and they were both pretty personal. To begin with, I think Neon Trees really lose their appeal in the daylight. They are everything that’s glowing, neon or flashing. They sing songs that, when sung along to, require sassy facial expressions and overly dramatized hand gestures. These are things that are best done in the dark. I also wasn’t thrilled with Death Cab for Cutie, though I know I’m in the minority on that one. Here’s the thing, though: “I Will Possess Your Heart” is really freaking creepy and “I Will Follow You into the Dark” is the exact opposite of the kind of love I want. I’m fairly certain anyone who’s ever been the person least committed to a relationship will understand my sentiment.Still. Those things were minor. Most important is that Sunday was a good day and Bunbury, in my summation, was a huge success.Writer’s note: There were a few things I thought worth mentioning but not worthy of the effort of a more fluid insertion into the above review. I’d like to add the following whimsy, as long as I won’t be sacked. Otherwise, just leave it off. (Editor's note: These are hilarious. You get a raise — two free movie passes next week!)• Apparently making cut-offs from Mom jeans is a fashion trend. I reject this.• Next year I’d like to rent a boat and spend one afternoon experiencing Bunbury from the river with the rest of the freeloaders.• Seriously. I’m really proud of you for not puking in public.• To the lady in the wheelchair with her legs stuck directly out in front of her: Are you sure you couldn’t find an even less convenient position in which to ride? (Editor's note: This may be offensive; see me.)• I saw a New Kids on the Block tattoo and I still have no idea how I feel about it.• Can we try to get an ice company to sponsor a stage next year? I really hate my beverage lukewarm.• I’d still prefer a festival that took place in December or January. (Name suggestions: Bit Nipple-y Concert Series and Freeze Your Balls Off Fest)Click here for our photo gallery by Jesse Fox featuring over 150 shots from Bunbury weekend. And keep checking the music blog for more post-game coverage. Sorry for the delay — r tender li'l brains got a bit frieded dis weakened.
by Deirdre Kaye
A love/hate relationship with music festivals skewers to the love side at Bunbury
I hate festivals. I hate that they’re always at the peak of a heat wave or in the middle of a tornado warning. I hate that 90 percent of festival goers don’t understand the concept of deodorant. I hate the rushing around to multiple stages and the trying to decide who you like best when two awesome bands are both playing at 6 p.m I hate that my friends hate festivals, too, and always refuse to go with me. And I really hate the lack of cold beverages.And yet Saturday afternoon found me in the middle of the crowd at Bunbury falling hopelessly in love with some band called “Imagine Dragons.”It began during the second song I heard after arriving late to the Bud Light Stage. The lead singer, Dan Reynolds, bounced from one end of the stage to the other. The crowd around me sang along to songs I’d only heard once before, throwing their hands above their heads, voices to the sky and adoration at the stage. They practically worshiped a guy I’d only seen once in a small picture on Wikipedia. My love deepened when Reynolds spoke with absolute sincerity about how much it meant to see so many people singing along to their songs. Imagine Dragons hadn’t even performed in Cincinnati until their stop at Bunbury. Then, as it often does, my heart melted at the sound of motorcycle boots and a palm on the chest as they thumped out a beat. Finally, my mug o’ love filled with melt-y heart goo, overflowed when the drummer, Daniel Platzman, flung himself off the stage after their set and bequeathed drumsticks to his adoring fans. These guys were perfect. Their music was made for screaming and dancing and the band members seemed so genuine.Nothing gets to me faster than a shaggy-haired dude saying a heartfelt “thank you” to his fans. Thirty minutes into my time at Bunbury and I was madly in love.It happens all the time, my falling in love at festivals In 1998, it was Hanson at a radio station festival in Miami. In 2001, it was a boy named Justin at the Buzz Bake Sale. Last year, it was The David Mayfield Parade at Appalachian Uprising and Avett Brothers at Memphis in May. This year I fell in love with Ben Howard at Bonnaroo and Imagine Dragons at Bunbury. That feeling you get when you realize you’ve happened upon something amazing is pretty rare. Festivals, though, are like breeding grounds for that sensation. I’m certain that while music fans think festivals exist so they can see all their favorite bands at once, their organizers think festivals exist only for the purpose of making people gain new favorite bands. Study any festival schedule and you’ll see what I mean. At some point during the day there will be about an hour of time where there will be three bands playing and you won’t have heard of any of them. You’ll call that, “dinner time.” However, as you wander along, looking for the perfect supper, you’ll also shuffle past three stages of random music. Almost inevitably the sound from of those stages will catch your attention and pull you across the grass to the barricade. Forty-five minutes later, you’re buying the band’s EP and mass texting your friends to tell them to check out this new band you just heard.On Saturday I saw, among others, Manchester Orchestra, Gaslight Anthem and Weezer. (Weezer!) They were awesome, just as I’d expected. I flew from stage to stage, trying to catch as much of everything as possible. But the show that held my attention for the longest time was on the smaller stage and it lured me in while I was looking around for something to drink other than beer. The performance I’ll remember years from now won’t be Weezer, whom I’ve waited so long to see. It will be Imagine Dragons and it will be a memory of yet another time I fell in love.In the words of James Hetfield (Metallica, y’all), “Nothing else matters.” However, I’m supposed to report on the entire festival. So, here’s how the rest of my evening went something like this: I had Taco Azul for dinner and they were yummy beyond belief. I left for a bit to make my first ever walk across the Purple People Bridge to score photos of the fest from afar and I don’t regret that decision. I spent a very long time wandering from one end of the park to the other in search of cold soda/pop, found none and I spent a hot second hoping that my poor editor thought to bring his Diet Pepsi from home. So, I bought a warm beer and immediately regretted that decision. I refused to use the porta-potties. I wandered by a DJed stage and considered how much better that section would be if it were more like Bonnaroo’s Silent Disco where everyone listened to music through headphones instead. Also, I briefly questioned the logic of scheduling the festival on the same weekend as a Reds game and the World Choir Games.It was an awesome day. Fell in love, lost five pounds from sweating so much, and saw (here it comes, again) Weezer! And you know what else? I still don’t smell like a hobo.
by Brian Baker
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is TOMORROW! All this week, CityBeat's music blog has featured samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction. Our next "sleeper" is Now, Now, performing Sunday at 3 p.m. on the Bud Light Stage.Cacie Dalager and Bradley Hale, paired up as songwriters since 2003 when both were in high school marching band, officially started as a duo with the unwieldy handle Now, Now Every Children; their 2008 debut full length Cars was an indie sensation. That success ultimately resulted in a moniker makeover to the sensibly edited Now, Now and the addition of second guitarist Jess Abbott, which broadened the band’s sound on its 2010 EP, Neighbors. Sporting an energetic Indie Pop vibe that could pass for Kathleen Edwards channeling Motion City Soundtrack, Now, Now teamed with veteran producer Howard Redekopp for its just-released sophomore full length Threads, an expansive album that throbs with an aggressive Ambience. Here's "Thread" from Threads.Tickets and full info on the Bunbury Music Festival can be found here.
by Izzi Krombholz
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — starts TOMORROW! All this week, CityBeat's music blog has been featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction. Our next "sleeper" is singer/songwriter (and frequent Cncy visitor) Tristen, performing Friday at 2:15 p.m. on the Bud Light Stage.MidPoint Music Festival veteran Tristen returns to Cincinnati to play the first ever Bunbury Music Festival. From Chicago, Tristen moved to Nashville soon after college to join the Indie Folk music scene. Her debut album, Charlatans at the Garden Gate, was released in 2011. Tristen is backed by The Ringers, who add an edge to her Folk Pop music. Tristen is very thoughtful in her approach to Pop music. She has studied what makes a good “hook” and this is reflected in songs such as “Baby Drugs” and “Eager for Your Love.” With lyrics that delve into the complexities of love, it’s clear that Tristen is an introspective soul as well as a fantastic songwriter and performer. Here's Tristen's music video for "Baby Drugs." Tickets and full info on the Bunbury Music Festival can be found here.
by Brian Baker
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just two days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction. Today's "sleeper" is The Henry Clay People, performing Friday at 3:45 p.m. on the Bud Light Stage.Glendale, Calif.’s Henry Clay People has been around in one form or another for over a decade, first as Vallejo By Knife in 2003 and then HCP in 2005. With an energetic sound that approximates an Indie/Classic Rock gene splice of Camper Van Beethoven, Pavement, Tom Petty and Crazy Horse, The Henry Clay People has released four full-lengths, a pair of EPs and a live album in the last seven years, including their last record, the freewheeling and well-received Somewhere on the Golden Coast in 2010, which was accompanied by their triumphant tours with Silversun Pickups and Against Me! in the summer and Drive-By Truckers in the fall. The Henry Clay People’s hotly anticipated new release, Twenty-Five for the Rest of Our Lives, hit the streets late last month and it has all the earmarks of an HCP classic — brashly exultant, breathlessly eclectic and wildly original. Here's a video for The Henry Clay People's great new-album cut, "Friends Are Forgiving."Tickets and full info on the Bunbury music festival can be found here.
by Deirdre Kaye
The inaugural Bunbury Music Festival — three days of top-shelf Alternative music at Cincinnati's riverfront Sawyer Point Park — is just two days away. All this week, CityBeat's music blog will be featuring samples from some of our "sleeper picks" for the fest, artists who some may not be as familiar with as they are Weezer or Death Cab for Cutie or Jane's Addiction. Our next "sleeper" is The Silent Comedy, performing Saturday at 8:45 p.m. on the AliveOne Stage.Imagine you’re in an old bar filled with the clinking and clunking sounds of ragtime piano music. Next, add in the sound of an electric guitar and rugged vocals. Now imagine that sound coming from four mustachioed bartenders and replace the tables with people packed to the rafters. If that doesn’t work, think "Baritone Ben Folds." The music and people you’re imagining are guaranteed to look and sound a lot like The Silent Comedy. The band consists of four dudes from California who dress like they belong in an old western movie, write modern lyrics and have an authentic, dusty Roots/Folk sound. Whether they’re singing about hookers, bad choices or hypocrisy in the church, The Silent Comedy’s music is always relatable and always good. Here's a cool clip of the band performing for "The Living Room Sessions."Tickets and full info on the Bunbury music festival can be found here.