Cult legend Robyn Hitchcock delivers on latest “autumnal” album, The Man Upstairs
0 Comments · Wednesday, February 11, 2015
Robyn Hitchcock, the British
singer/songwriter whose intimately resonant, raspy voice and
mysteriously peculiar worldview were shaped by such skewed troubadours
of his youth as Nick Drake, Syd Barrett and the Incredible String Band,
has long been said to make “autumnal” records. As in, “songs or singing
that reflect on life with a bittersweet, melancholy wisdom coming from
age and experience.”
by Amy Harris
61 days ago
Posted In: Live Music
at 10:37 AM | Permalink
Long-running jam band superstars play the Taft Theatre tonight
Umphrey’s McGee is one of the most popular bands in America on the Jam Band scene. Its sound can attract an eclectic audience with hints of Rock, Jazz and R&B and the well-rounded, phenomenal musicians in the lineup. The band has been touring nationally for over 15 years and is a staple on the summer festival scene. Umphrey’s have produced eight studio records; its most recent offering, Similar Skin, was released in the middle of last year.
CityBeat caught up with keyboard player Joel Cummins and discussed the changes over the years on the road and the fun and challenge of making every show a unique experience for the audience. The band plays the big room at the Taft Theater tonight at 8 p.m.; TAUK opens.
CityBeat: Your band is so famous for having ever-changing set lists. How do you determine what you are going to play each night?
Joel Cummins: We use a lot of different ways to figure out what to play. One of the main ones we use now is a website called allthings.umphreys.com, developed by a friend that has a complete tour history and everything we have played. It is a really interesting and interactive site that the fans can use to see what they haven’t seen us play before. We use it to look back and see what we have played in certain markets or make sure we do something different and don’t repeat the same thing. It is a really useful tool.
As far as making the set list, I will compile a history of whatever it is that we have played and whoever is feeling it that day will pick songs and make a set list for that night. It’s interesting — one of the things that makes it fun for the fans is that any combination of the six of us can write a set list, we try to mix it up throughout the tour so it is staying fresh for us and the fans every day. And now that we have about 180 original tunes, we have quite a few to choose from every day. So it is nice to be able to play for five or six days in a row and not have to repeat a song.
CB: I am just amazed that you can remember that many songs over that period. It is very impressive.
JC: You get to a point where you learn a song and as you are thinking about it and connecting the thoughts to the hands … after a while it becomes muscle memory. I think the only reason we are able to do this is because we made sure we play all these songs at a minimum once every couple months so you still remember it and we know how to play them. When we do different covers, one or two every show, we may only play those once or twice a year so that is something where we will run those entire songs the day of the shows and pick what we want to do to get it back. Thank God for muscle memory or we’d be in big trouble otherwise.
CB: You guys have been together for almost 20 years now. Have you experienced multi-generational fans yet?
JC: We have. It is a pretty cool thing. There are a lot of things I never expected to hear when we were talking to fans. Certainly one of those things is finding parents and their kids who are both fans, finding all these people that have said they make great friends at the shows and (travel) around the country to see each other, maybe somebody met their husband or their wife at a show. Those personal connections and stories that have happened with the band because of our music I think are one of the main things that keep me looking forward to the shows because I know that there are a lot of people out there that this means a lot to. It’s an engaging thing musically, but it has become a really cool social event bringing people together. Our fans, more than most bands, like to have a good time but they are there for the music. You go to our shows, you are going to meet some friendly, hopefully intelligent people. Our fans aren’t starting fights or getting crazy. It is cool to see the community develop as it has. It is something I never imagined that would happen.
CB: I (photograph) a lot of different genres of music and talk to a lot of different people. The Jam Band music scene seems to be a little more collaborative and supportive group with each other. You have collaborated with a ton of artists over the years. Do you have any favorite collaborations you have done? How do you go about choosing who you are going to work with next?
JC: I think some of that sense of community emanated from the festival scene. It is interesting because it is a shared thing with the bands as well as the fans. One of the things I do is Jam Cruise; I have done 11 of the 12 of them. I know all the artists like family. It’s cool to have these bonds develop and I think because of the style of music we play, because it is more collaborative and there are a lot of good musicians on the scene, it encourages the idea of collaboration.
If I had to name one as my favorite, we actually just got to play three concerts in New York with Joshua Redman, who is this really talented, really adventurous sax player. He has won Grammys and played with the best of the best, and the fact that he still wants to come back and play with us every once in a while is a really great challenge for us and really engaging to do. I think we have one of the most extreme varieties of styles in our music. As a result, we either play with people like Josh, who are in the Jazz scene, or someone like Mavis Staples, who is obviously a legendary R&B singer. We are friends with Huey Lewis, who is one of the most amazing guys out there in the music business, (and we’ve played more) current things like something Electronic with STS9 or something acoustic with Yonder Mountain String Band. I think we are lucky that we are in the time we are because bands used to be more closed off and competitive with other acts out there. It is a lot more fun when you can be friends with people and make music together.
CB: You lost your original drummer, Mike Mirro, last year.
JC: Yeah, inevitably things come up (about him) all the time. Most of the time it’s funny things that he said or jokes that have carried on. Most recently, we did a holiday show with some members of the band in Chicago. He actually has a charity now in his name, the Michael A. Mirro fund for Neuroscience Studies. We were able to give a pretty sizable chunk of money to that. It is good to have his presence pop up in daily conversations, but even more than that, the charitable aspect of trying to contribute to studies that help people who have the challenges like Mike had. We miss him dearly and he was a close personal friend, so even though he wasn’t with us in the band anymore (when he passed away), we had collaborated a bunch of times since he left the band. It was a really horrible, tragic loss.
CB: The festival lineups are being announced really early this year. Can you tell me what you look most forward to with the festival performances? What do you think is one of your greatest festival moments?
JC: I think the artist camaraderie is a really exciting thing with festivals. We have been lucky to play so many great festivals. One of our favorite annual ones we always do is Summer Camp in Illinois and that is something we co-headline with moe. and they always have other great headlining artists. Steve Miller Band is going to play this year. Widespread Panic is going to come back. There are a lot of great artist always at that one.
As far as career defining festivals for us, I’d have to go with Bonnaroo. We played the first one. Up to that point we had been playing at clubs in Cincinnati like Ripley’s, and maybe the Southgate House. We got asked to be a part of that first Bonnaroo. We were nervous because we got like a 5 p.m. Friday slot. We were wondering if anyone was even going to be there yet. We ended up playing in front of 10,000 people that day, a completely jam-packed tent. It was in 2002, and that was our first moment where maybe people knew who we were on a national scene. That is something I will always remember.
CB: You mentioned some bars you played in Cincinnati over the years. Do you have any favorite Cincinnati moments or memories?
JC: There are lots, to be honest. One of the early ones I’ll never forget. We played the last night at Ripley’s before it closed with our buddies Ray’s Music Exchange, a great Cincinnati band. That was kind of an emotional and cool night. That was the first night of us going out on a tour on the East Coast and Ray’s was headed out to the West Coast. I also remember probably just three or four years ago, one of my favorite things we did (was when) we played at Moonlite Gardens and Mad Dog, who is Ray’s former trumpet player, put together a horn section for us. We did a little back and forth competition, playing songs back and forth, and we had the horns up in the balcony and we were on stage and it was just one of those cool unique moments that hasn’t happened before. People are always trying to come up with fun things like that to do. You never know with Cincinnati because there are guys looking to get some kicks out once in a while and do something interesting and out of the box.
The Taft is one of our favorite rooms to play. I think we have only played there twice before. It is exciting to come into one of your favorite rooms and play for a sold-out crowd.
by Mike Breen
113 days ago
Alabama-born Hip Hop artist Yelawolf plays Newport’s Thompson House tonight at 7 p.m. Tickets are $25.
Yelawolf began making waves in 2005 after self-releasing his debut album, Creek Water. The gifted MC landed a major-label deal with Columbia within two years, but the deal fizzled out and Yelawolf returned to working the underground. By the start of this decade, Yelawolf’s signed with Eminem’s Shady Records.
His debut for the label, 2011’s Radioactive, featured guests like Killer Mike, Lil Jon and Kid Rock and was a chart and critical success. More track releases, mixtapes and collaborations kept fans occupied after the 2012 announcement of his second Shady Records album, Love Story, which will materialize next year. Yelawolf has been selling out shows all over the country, so you might want to call ahead or show up early.
Vibe recently posted an interview with the MC about his latest goings-on. Check it out here.
• Fantastic modern Americana trio The Lone Bellow plays the 20th Century Theater in Oakley tonight. Showtime is 8 p.m. and tickets are $20 at the door.
The Lone Bellow broke through with last year’s self-titled debut album and the trio’s forthcoming LP, Then Came the Morning — due January 27 and produced by Cincinnati native/The National guitarist Aaron Dessner — is drawing a lot of buzz already thanks to the release of a pair of singles. Here’s the video for the most recent one, “Fake Roses”:
Read Brian Baker’s full preview of tonight’s show from the most recent CityBeat here.
Click here for even more live music options tonight in Greater Cincinnati.
by Mike Breen
118 days ago
Louisville Electro Pop artists The Pass, who’ve become popular with local audiences thanks to repeated visits to the Cincinnati area (providing highlight sets for more than a couple MidPoint Music Festivals), performs a free show tonight at Over-the-Rhine’s MOTR Pub. Local trio JetLab (which just released its self-titled debut last week) opens things up around 10 p.m.The Pass’ show tonight is the start of a tour in support of the band’s new EP release, High Road, which follows the release of four 7-inch singles at the start of 2014 and comes out this Tuesday. “Take You Out,” a track from the new release, was debuted on the website We All Want Someone to Shout For yesterday. The site says the track "deliver(s) a world of glossy synths, love-sick vocals, and a feel-good atmosphere that you can’t shake anywhere else but the dance floor. With so many electronic groups relying heavily on computers and other effects these days, it’s great to see The Pass deliver such groovy tunes as a full live band. It truly separates them from the rest of the pack."Check it:• Nashville-based Americana artist Nora Jane Struthers and her band The Party Line play Newport’s Southgate House Revival tonight. Mike Oberst of local Folk faves The Tillers opens the show at 8:30 p.m. Tickets are $10.
Struthers was born in Virginia and raised in New Jersey, getting her first taste of the musician’s life as a tween fiddler and traveling to festivals and conventions with her father (a banjoist). Struthers decided to pursue a career in teaching, but after a few years she switched her focus back to music, inspired by watching Tim O’Brien perform at the Telluride Bluegrass Festival. Her 2010 debut solo album showcased her stellar lyrical abilities and mastery of traditional Americana and Bluegrass sounds. She hit her stride with last year’s Carnival, bolstered by her full-time band, The Party Line. Struthers is gearing up for the release of her new album with The Party Line, Wake, which is due in February of next year. The album is said to be more eclectic and nods in a more Rock direction, inspired by her love of recent albums by Hayes Carll and Jason Isbell. NPR’s Ann Powers recently interviewed Struthers about the new album (read it here) and unveiled the new album track, “The Same Road.”
• According to B-105 FM’s website, tonight’s Toys for Tots benefit show at Toby Keith’s I Love this Bar and Grill is sold out (the bar’s website says there may be “limited tickets” available at the door tonight). The 8 p.m. concert features headliner Easton Corbin, plus up-and-comers Maddie & Tae and RaeLynn. Click here for show details and read Deirdre Kaye’s preview of Maddie & Tae’s performance for CityBeat here.
Click here for more live music options tonight in Greater Cincinnati.
by Mike Breen
119 days ago
Veteran metallers Every Time I Die play Bogart's in Corryville tonight. The Ghost Inside, Hundredth, Architects and Backtrack are also on the bill. Doors open at 6 p.m. and tickets are $26.27. ETID's creative approach has earned them fans outside of just the Metal world (though they don't seem to have suffered the wrath of purists like Deafheaven or other act that dare to stray from the imaginary blueprint). Here's what Brian Baker had to say about the band's most recent album in his preview for this week's CityBeat.Every Time I Die's latest album, From Parts Unknown, is the band's third album for Epitaph and seventh overall, and stands as a stylistic scrapbook of their best qualities — full bore Metalcore anthemics, songs both howled and sung, scathingly focused lyrics and guest appearances from Coalesce's Sean Ingram and the Gaslight Anthem's Brian Fallon. From Parts Unknown may also be the most lavishly praised album in Every Time I Die’s estimable catalog. The title of a song from the new album may provide the best description of the Every Time I Die live experience: “If there is room to move, things move.”• Another monster of the Metal world, pioneering Bay Area Thrash crew Exodus, is also in the area tonight. The band plays Covington's Madison Theater at 6:10 p.m. Tickets are $25 and the show is open to all ages. Emerging from the same scene that produced Thrash kings like Testament and Metallica (Kirk Hammett was an original member of Exodus), the band has been tearing shit up for the past 34 years (with a break-up, reunion and then full-time reformation sandwiched in the middle). This past October, Exodus released its 10th album (and first in four years), Blood In, Blood Out. • If brutal Metal is not your thing, Newport's Southgate House Revival has Texas-born/Georgia-raised/Nashville-based singer/songwriter Lera Lynn tonight in the Revival Room. Locals Wilder open the show at 8 p.m. Tickets are $15 at the door. Lynn is usually found in the Folk/Americana section of record stores, but she also sprinkles her endearing sound with a variety of other influences (Jazz, Rock, Pop, Country and beyond). Here's Lynn's soulful, rootsy take on TV on the Radio's "Wolf Like Me," for example:Lynn's 2014 album The Avenues has been drawing favorable reviews. Here's what NPR's Meredith Ochs had to say: Long before you figure out exactly what lyrics Lera Lynn is singing, you'll feel the melancholy and mystery in her music. Wistful melodies and the cry of a steel guitar are set to gentle, meditative rhythms. Even the song's sonic spaces suggest loneliness. With the music alone, Lynn creates a tone poem of romantic uncertainty.Click here for more live music options in Greater Cincinnati tonight.
by Mike Breen
120 days ago
Pennsylvanian Folk/Americana trio The Stray Birds perform tonight at Newport’s Southgate House Revival. Australian Indie Folk singer/songwriter Jordie Lane opens the show at 8 p.m. Tickets are $10. After self-releasing their debut album in 2012, The Stray Birds scored wide-spread acclaim (NPR put it in its Top 10 of Folk/Americana albums released that year) and began to build a following on the road. The hard work (and engaging music) paid off in the form of contract with the esteemed Yep Roc label (home to artists from Nick Lowe, Robyn Hitchcock and Paul Weller to Fountains of Wayne, The Rev. Horton Heat and The Apples in Stereo), which released the band’s Best Medicine album in October. Click here to read Brian Baker’s full preview of the show from this week’s CityBeat.Here is the title track from The Stray Birds most recent LP: Click here for more live music options in Greater Cincinnati tonight.
by Mike Breen
132 days ago
Besides sporting one of the best band names in recent memory, Dale Earnhardt Jr. Jr. also makes wildly endearing, monstrously melodic Indie/Electro Pop. Detroit’s Daniel Zott and Joshua Epstein started the project in 2009 as a home-recording venture, but a pair of EP releases the following year drew widespread attention, leading to a deal with Warner Bros. Records. The band released its debut full-length, It’s a Corporate World, in 2011 and followed it up last year with the acclaimed The Speed of Things. Paste named that album’s single, “Run,” one of the best songs of 2013 and also called them one of the Top 25 live acts around. At the start of fall, the band released a new single, “James Dean,” a great slice of chilled-out, slow-jam Pop. DEJJ plays Oakley’s 20th Century Theater tonight at 8 p.m. Tickets are $15.
• Chicago Indie Rock foursome Empires, a 2014’s MidPoint Music Festival favorite, return to Cincy tonight for a 10 p.m. show at The Drinkery in Over-the-Rhine. Great Cincinnati band Pop Goes the Evil opens.Here’s Ben Walpole’s preview from CityBeat’s official MPMF guide:
Empires enters MPMF 2014 building something close to its namesake this summer. It started with strong showings at Bonnaroo and the Hangout Music Festival, continued with a June appearance on a little program called the Late Show With David Letterman, followed by a well-received four-song EP – all building toward the band’s major-label debut, Orphan, released this week on Chop Shop/Island Records. The album was produced by John Congleton, who has worked with St. Vincent, The Black Angels and Explosions In The Sky, among others.
You’ll Dig It If You Dig: A more up-tempo The National; an artsier The Killers; a less dramatic The Horrors.
Here is the video for “How Does It Feel” from Empires’ most recent release, Orphan.
• Stellar Cincinnati singer/songwriter Kim Taylor (read CityBeat’s 2013 profile of Taylor here) headlines MOTR Pub in Over-the-Rhine tonight. Joining Taylor is Boston Indie/Americana Pop band The Grownup Noise. The band opens the free show at 10 p.m.
The Grownup Noise debuted in 2007 with its inaugural release, a widely acclaimed self-titled full-length. The band recently returned with its three-years-in-the-making third LP, The Problem with Living in the Moment, which came out late last month.
The Boston Herald has this to say about the new release:
Calling the Grownup Noise’s new work — “The Problem With Living in the Moment” — “an album” seems like a slight. Declaring the folk/rock blend a symphony is overkill, but the 11 tracks have such a orchestral sweep — swelling strings, rippling piano lines, a harmony of percussion arranged with meticulous detail. Let’s call it a suite. That seems to fit.
• “Foot-Stompin’ ” Country-tinged Rock duo Sundy Best, which originated in tiny Prestonburg, Ky., (and is now based in Lexington) plays Newport’s Southgate House Revival tonight. Showtime is 9 p.m. and tickets are $15.The band’s bio describes its sound as “music that re-imagines timeless classic rock of the ‘70s and ‘80s – think the Eagles and the smart, whiskey-voiced lyrics of Tom Petty and Bob Seger.” Along with critical acclaim from outlets like Rolling Stone and The New York Times, the band has found success on the road and satellite radio. and has even scored buzz via attention from the CMT television network. The duo is gearing up for the Dec. 2 release of its latest album, Salvation City.
Here’s Sundy Best’s video for “Lotta Love,” a track from the album Bring Up the Sun.
For more live music events in Greater Cincinnati tonight, click here.
by Mike Breen
134 days ago
Modern Blues/Rock guitar hero Joe Bonamassa might not be a household name, but he has a gigantic fan base. Tonight, many of those fans will fill Music Hall to watch the six-string superstar do his thang. I just drove by Music Hall and he has multiple trucks and busses parked around back, one adorned with the motto, “Always on the Road,” a reference to how he has built such a big following.
Bonamassa does make records, though. His most recent is Different Shades of Blues. Here’s what CityBeat’s Brian Baker had to say about the LP in his preview of the show (click here for the full preview):Bonamassa’s latest album, Different Shades of Blue, is a full-tilt electric experience, kicking off with a brief taste of Jimi Hendrix’s “Hey Baby (New Rising Sun)” — Bonamassa was peeling off Hendrix licks when he was 7 — and roaring into incendiary originals like the scalding “Oh Beautiful,” the funky “Love Ain’t a Love Song,” the relentless “Never Give All Your Heart” and the sinewy title track.
Tonight’s show starts at 8 p.m. Ticket prices range from $79-$125.
• Danish Dance Pop trio New Politics headlines a triple bill of up-and-coming bands playing Bogart’s tonight. The group joins fellow on-the-verge acts Bad Suns and SomeKindaWonderful for the show.
New Politics were in town this past summer to play the Bunbury Music Festival, alongside tourmates Paramore and Fall Out Boy. This fall the group teased new material with the release of the single “Everywhere I Go (Kings and Queens).” The group’s next album, Vikings, is slated for release next year.
Click here for CityBeat’s full preview of the show.
• Reggae crossover star Shaggy plays the Thompson House in Newport tonight. Local band Elementree Livity Project and veteran Columbus, Ohio, squad The Ark Band open the 7 p.m. show. Tickets are $17.
Shaggy became a superstar in the ’90s/early ’00s with hits like “Boombastic,” “Angel” and “It Wasn’t Me,” a huge smash (you can still hear it on Pop radio to this day) from his six-times Platinum album, Hot Shot, from 2000. Shaggy has continued to release music and tour the world. Last year, Shaggy released Out of Many, One Music, an all-Reggae album that was produced by the legendary duo Sly Dunbar and Robbie Shakespeare.
Click here for more live music options tonight in Greater Cincinnati.
by Mike Breen
135 days ago
Sonic adventurer Nils Frahm performs tonight at the Contemporary Arts Center. Doors open at 7 p.m. and tickets are $20. The German-born composer is touring behind his most recent album, 2013’s Spaces, which was compiled from footage from various performances over the previous two years. His live presentation is something to behold, as Jason Gargano writes in his CityBeat preview of the show:Nils Frahm’s live performances are kind of hard to believe. He sits alone on stage, surrounded by multiple pianos and a few other gadgets. He moves back and forth between instruments, slowly building and altering the music as it unfolds, all of which is done without the use of loops or playbacks. It’s an impressive achievement, as Frahm’s sonic output is a whirl of intricately layered yet never fussy arrangements that bring to mind a meld of Steve Reich and Keith Jarrett. Opening the show is Brooklyn’s Dawn of Midi, an Avant Garde trio that combines elements of Jazz, Krautrock, Electronica and experimental Rock music and has also been drawing fawning critical raves. Radiolab host Jad Abumrad said of them, “I've seriously never seen anything like these guys.” Should be a fascinating night of music. Click here for more live music options tonight in Greater Cincinnati.
by Mike Breen
138 days ago
Chris Forsyth & The Solar Motel Band bring their tour behind their debut studio album, the recently released Intensity Ghost, to The Comet in Northside tonight. Heart of Palm and Public Housing open the free 10 p.m. show.Forsyth, who co-founded the experimental group peeesseye in New York around the turn of the century, is an acclaimed guitarist known for his exploratory approach and compelling skills. He fell in love with the music of Television in high school and ultimately ended up taking lessons from that legendary band’s Richard Lloyd. You can hear the influence of Television particularly in his work with Solar Motel Band (which was formed based on the guitarist’s acclaimed Solar Motel album from last year). Many critics have described Forsyth’s most recent all-instrumental music as a cross between Television and The Grateful Dead; Forsyth (now based in Philly) discovered the Dead while immersed in the New York experimental music scene and was immediately drawn to it, so it’s a fair comparison. Overall, it’s very engaging, hypnotic stuff.
• Tonight and tomorrow sees the return of Ironfest, a huge two-night benefit concert in honor of late local music supporter and musician Iron Mike Davidson. This marks the fifth edition of the event since Davidson passed away in 2010.
Ironfest V, which continues to raise funds for Davidson’s family, takes over Newport’s Southgate House Revival both nights with a lineup stacked with local talent largely (but not entirely) from the worlds of Punk and Hard Rock. Friday’s lineup includes Mad Anthony, Martin Luther and the Kings, Kill City, Vampire Weekend at Bernie’s, Sweet Ray Laurel, Valley of the Sun, Lockland Brakes, Lohed, Subsets, Mala in Se, Black Signal and many more. Saturday at Ironfest, catch The Dopamines, Moonbow, Mudpies, We are Hex, Honeyspiders, Oxboard Drain, 500 Miles to Memphis, The Blue Rock Boys, Draculas, Ethicist, Cadaver Dogs and several others.
Click here for the full lineups.
Tickets each night are $5 in advance (available at ticketfly.com) or $10 at the door. Showtime is 7 p.m. both nights.
• Tuvan throat singing string band Huun Huur Tu performs Saturday night at Parrish Auditorium on the Hamilton campus of Miami University.
Derek Halsey explains the unique music in his preview of the show for this week’s CityBeat (read the full preview here).
Tuvan throat singing describes the wild-sounding songs created by musicians in the southern Siberian and Mongolian Steppe region of Central Asia who, for want of a better explanation, use their throats as if they were a didgeridoo.
Not only does it sound cool — creating multiple notes at the same time using nothing but the human voice — but historically it was a way for humans to communicate over the vast plains in that part of the world, with different styles being created to represent different tribes.
Saturday’s show starts at 7:30 p.m. Tickets are $25 (there are discount for seniors, students and “youth”) and can be purchased in advance here.
• Cincinnati Blues crew The Whiskey Shambles host a release show at Over-the-Rhine’s The Drinkery in honor of their debut album, Loose Change for a Broken Man. The show is a benefit for the Save the Animals Foundation (where drummer Aaron Tyree volunteers). A $5 donation is requested at the door but you can be a jerk and not pay it; it’s technically a free show. JetLab opens things up at 9 p.m. and members of local choirs MUSE and Young Professionals Choral Collective are slated to make guest appearances with the Shambles.
CityBeat’s Brian Baker spoke with the band about their origins and the new release for this week’s issue. Brian describes the album and band’s sound like this:
While Loose Change exudes a contemporary vibe, the album bears the diverse hallmarks of the best ‘70s Blues Rock albums. Like Led Zeppelin, Cream and Free before them, The Whiskey Shambles channels first generation Blues subsets like Delta, Piedmont and Hill Country, combined with the members’ unique individual experiences to conjure an edgy, atmospheric vision of 21st century Blues.
Click here to read the full feature story.
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• One of Cincinnati’s best bands, The Hiders, celebrate the release of their amazing new album Totem Saturday at Northside Tavern. The show is free. Singer/songwriter Ali Edwards (former bandmate of The Hiders’ frontman Billy Alletzhauser in Ruby Vileos) opens at 10 p.m.
Click here for a full review of the great Totem. You can sample a few tracks here at The Hiders’ official site (click the “Melody” tab, then choose “Totem”).
• Unique Cincinnati Americana group The Tadcasters have released a new EP and on Saturday they’re playing Stanley’s Pub in celebration. The show features two other Roots acts that have recently issued new material — La Grange, Texas, Folk/Rock/Roots act The Youngest (supporting the new album Feral Road) and Oliver Oak, an Indie Folk sextet from Columbus, Ohio (supporting its new Sleepless Wilds release). Showtime is 9 p.m. and there’s a small cover charge at the door. Here is “Chaingang” from The Tadcaster’s excellent new five-song EP:
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• Sunday at the Southgate House Revival, friends of veteran local musician David Rhodes Brown are throwing a party in honor of his remarkable 50 years of playing music in the area. The multi-instrumentalist/singer/songwriter has been a part of numerous local acts in his half-century of service, coming into regional notoriety in the early ’80s with his long-running Rockabilly/Roots band The Warsaw Falcons (who will reunite and close out Sunday’s event) and going on to play with notable Greater Cincinnati groups like The StarDevils, Magnolia Mountain and numerous others. In 2010, Brown released his guest-laden solo album Browngrass & Wildflowers, and he’s played lap steel guitar with the popular Punk Pop/Roots Rock band 500 Miles to Memphis for the past several years.
Many of Brown’s friends and current/former bandmates will perform some of his songs at the event, including Ryan Mallot, Mark Utley, Wilder, Todd Lipscomb, Gregory Burton, Elle Crash and Pike 27. More friends and bandmates (including CityBeat’s own Brian Baker and should-be Hamilton Country Commissioner Jim Tarbell) will also give Brown the “roast” treatment at the party.Click here for more details
Showtime is 7 p.m. and admission is just $5.
Click here for more live music options this weekend and feel free to plug other shows in the comments.