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A "Canon" Shot

Cincy Shakes set to join rare company by completing Shakespeare’s 38-play canon

1 Comment · Wednesday, April 30, 2014
When scholars refer to William Shakespeare’s canon — his “complete works” — they typically count 38 plays, written between 1590 and 1612. Only six modern theater companies have staged them all, and Cincinnati Shakespeare Company is set to join the ranks this week.   

Henry IV, Parts 1 and 2 (Review)

Cincy Shakes' testosterone-laden production is full of boys and a lot of noise.

1 Comment · Monday, March 31, 2014
Cincinnati Shakespeare Company, nearly finished with the immense task of staging all 38 of Shakespeare’s surviving plays over its 20-year history, has launched another noteworthy effort.  
by Rick Pender 02.28.2014
Posted In: Theater at 08:32 AM | Permalink | Comments (0)
 
 
stage door for 2-28 - lesmiz @ ccm - blaine alden krauss as valjean & kimber sprawl as fantine - photo mark lyons

Stage Door: Hapless Heroes at Cincy Shakes

There's a magnificent production of the legendary musical Les Misérables at the University of Cincinnati's College-Conservatory of Music. I attended the opening performance at Patricia Corbett on Thursday evening, and a show that I've seen umpteen times has been given new life with fresh direction, impassioned staging and innovative design — even if you've seen the legendary original with its turntable and massive barricades, you'll find CCM's rendition, directed by Aubrey Berg, an eye-opener. It's simpler and more dramatic (that's quite a claim for a show designed to pluck your heart-strings), and it's especially noteworthy for the leads' strong vocal performances — Jean Valjean and Inspector Javert are double-cast, a demonstration of the depth of talent in this nationally renowned program — as well as each and every every performer in an ensemble of more than 40. The 16-musician orchestra, conducted energetically by Steve Goers, sounds larger whole lot more, since several players handle three to five instruments. Berg's staging gives the show a clarity and power that makes it feel fresh and new. It has vivid feature characters and storytelling with momentum and emotional impact. This one is a must-see, so it's great that the production runs longer than many at CCM, where it's usually one-weekend and done: There are nine more performances through Sunday, March 9, which means that more tickets ($31-$35; $18-$24 for students) are available. Nonetheless, they'll be snatched up quickly, so you should call right away to get yours. 513-556-4183. I saw Cincinnati Shakespeare's Rosencrantz and Guildenstern Are Dead a week ago, and gave it a Critic's Pick in my CityBeat review here. It's a one-off from Hamlet, which Cincy Shakes just staged, using the same cast — but Tom Stoppard's 1966 script puts two throwaway characters in the limelight. Just like the Prince of Denmark, his college chums are perplexed and bedeviled by questions of existence and the meaning of life. They're caught in the swirl of the court — the characters of Hamlet dart in and out around them and add to their confusion — which adds to their confusion about their own roles, the expectations they need to fulfill and their ultimate fate. Billy Chace and Justin McCombs have a firm grasp on their hapless characters: Their sure-handed comic portraits of loquacious Guildenstern and bewildered Rosencrantz might remind you of the movie comedy team of Laurel and Hardy. This classic modern work of absurdity drawn from perhaps the greatest Elizabethan tragedy makes for a fine evening for lovers of great drama. Tickets ($22-$31): 513-381-2273, x1.  Andrew Lloyd Webber’s classic musical Evita is at the Aronoff Center through Sunday. It looks great with some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. But Caroline Bowman’s Eva Perón is shrill, and Sean MacLaughlin's Juan Perón lacks the sinister gravitas that the role requires. So there's not nearly enough of the complex passion and manipulation that bonded them as a political machine. The tale of the ambitious woman who rose to the highest levels of power in Argentina then crashed and burned at age 32 is a memorable modern tragedy, and Andrew Lloyd Webber’s rock-opera tunes by will stick in your head. Tickets: 513-621-2787.
 
 
by Rick Pender 02.26.2014
Posted In: Theater at 06:00 PM | Permalink | Comments (0)
 
 
godard

Cincinnati Shakespeare Company Announces 2014-15 Season

Cincy Shakes to offer Gatsby, Birds, Godot and the Bard; NKU has hit musicals and more

Cincinnati Shakespeare Company today announced its 21st season, commencing in July. The company is committed to staging works by Shakespeare, of course, but its goal is broader: It also presents definitive works of drama and literary classics adapted for the stage. As far as the Bard's work, the 2014-2015 season will include a holiday staging of the silly but hilarious The Comedy of Errors. Also on tap is the powerful history play, Henry V, another step in the company's epic five-year, eight-play history cycle that began with Richard II and continues during the current season with the upcoming Henry IV. Additionally, there will be a production in April 2015 of the comic battle of the sexes, The Taming of the Shrew, a popular work that Cincy Shakes staged during its first season in 1994 (as well as in 1999, 2003 and 2009).  Aside from Shakespeare's works, the coming season will offer stage versions of two beloved American classics: a new adaptation of F. Scott Fitzgerald’s Jazz Age classic The Great Gatsby and the regional premiere of Louisa May Alcott’s Little Women. Daphne du Maurier's thriller, The Birds (familiar to many as a 1963 film by Alfred Hitchcock) will show up in a 2009 adaptation by Irish playwright Conor McPherson (known for numerous works staged locally, including St. Nicholas, The Weir, Port Authority, Shining City and The Seafarer). Next January will bring forth Samuel Beckett’s profound comedy, Waiting for Godot featuring veteran actors Joneal Joplin and Bruce Cromer, and the season concludes in June 2015 with the Cincinnati debut of the Tony-award winning, West-End smash hit comedy, Richard Bean's One Man, Two Guvnors, a 2011 play based on Carlo Goldoni's 1743 comic masterpiece, The Servant of Two Masters. Tickets for the 2014-2015 season went on sale earlier this month, resulting in a record-breaking first day of sales on Feb. 3. Single tickets are now on sale. For more information, go to cincyshakes.com or call the box office at 513-381-2273, x1. On Wednesday the department of theater and dance at Northern Kentucky University also announced its productions for the 2014-2015 academic year, a mix of classics and contemporary works. The year kicks off in late September with the ancient Greek tragedy The Bacchae by Euripedes. The fall semester also includes the hit 2003 Tony Award-winning musical Hairspray in October-November and, in November-December, Philip Dawkins' Failure: A Love Story, the magical story of three sisters in 1928 Chicago who live and die in a rickety home by the Chicago River. In February, launching the spring semester, NKU will stage the epic musical Les Misérables, the popular masterpiece that affirms the human desire to achieve redemption. The academic year's theater productions will conclude with the 17th Biennial Year End Series Festival of New Plays. During April, the "YES" festival, as it's shorthanded, will present three world-premiere plays which have not yet been selected. Info: theatre.nku.edu or 859-572-5464.
 
 

Rosencrantz and Guildenstern Are Dead (Review)

Cincinnati Shakespeare Company's existential comedy is stark raving sane

0 Comments · Sunday, February 23, 2014
Cincinnati Shakespeare has deeply enhanced the experience of both of these classic works, separated by four centuries in their creation, but sharing common philosophical ground in their exploration of the meaning of existence.  
by Rick Pender 02.21.2014
Posted In: Theater at 08:46 AM | Permalink | Comments (0)
 
 
stage door 2-21 - cynthea mercado as scheherazade in arabian nights @ nku - photo provided by northern kentucky university14an press photo 3 copy

Stage Door: Options Abound

I’m not making up a story when I suggest you could be charmed by Mary Zimmerman’s Arabian Nights at Northern Kentucky University. After all, her play is about telling tales: Scheherazade, the latest bride of a cruel king who has a history of marrying and executing his wives, survives by stringing him along with stories she promises to finish the next night — for a “Thousand and One Nights.” (Read my profile of Mary Zimmerman here.) She plies him with tales of Sinbad and Ali Baba. Audiences at NKU will likely be strung along, too. Senior Cynthea Mercado plays Scheherazade, whose life, she says, “is threatened with the reality of her situation, and yet she is still able to enjoy her own tales and sometimes get lost in them.” No need to get lost. Find your way to Highland Heights and NKU’s Corbett Theatre for this production, through March 2. Tickets: 859-572-5464. If a classic musical is to your taste, you might try Andrew Lloyd Webber’s epic musical Evita, in a touring production at the Aronoff Center through March 2. I caught a performance last evening, and it looks great — some epic scenery and excellent choreography. Josh Young as Che is charismatic and strong-voiced in his role as the show’s commentator. Unfortunately, Caroline Bowman’s Eva Perón gets too shrill way too fast and becomes a grasping harpy before there’s a chance to be won over by her Machiavellian charms. As Juan Peron, Sean MacLaughlin looks young and slimy, without the sinister gravitas that the historical figure possessed. That doesn’t leave much opportunity to convey the complex chemistry — passion and manipulation — that bonded them as a political machine. But the tale of the ambitious young woman who rose to the highest levels of power in Argentina then crashed and burned is a memorable modern tragedy, and the show’s rock-opera tunes by Andrew Lloyd Webber will stick in your head. Tickets: 513-621-ARTS. Cincinnati Shakespeare is keeping the cast of its recent production of Shakespeare’s Hamlet intact with its current production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead. This time around, it’s the story of Hamlet’s college buddies Rosencrantz and Guildenstern, who move from Shakespeare’s sidelines to Stoppard’s center stage. In this classic 1967 script, the pawns become the central characters, while Prince Hamlet, Queen Gertrude, King Claudius, Ophelia and others wander by. The classic tragedy is turned on its head, and it becomes an existential tragedy for two guys who everyone has a hard time telling apart. Through March 9. Tickets: 513-381-2273. The Cincinnati Playhouse in the Park’s production of Amy Herzog’s Pulitzer Prize finalist script, 4000 Miles, is onstage at the Shelterhouse Theatre. It’s about a 91-year-old grandmother and her 21-year-old grandson bridging a giant generation gap and finding that they actually have a lot in common. Through March 9. Tickets: 513-421-3888.  It’s the final weekend for several shows that have been pleasing audiences. Nina Raine’s Tribes at Ensemble Theatre Cincinnati was originally scheduled to close last Sunday, but to meet ticket demand for the show about coping with deafness — and contentious families — ETC added performances through Saturday. (CityBeat review here.) Tickets: 513-421-3555. … A block away at Know Theatre, the off-kilter script by Steve Yockey, Pluto, winds up on Saturday, too. It’s about dealing with tragedy and grief, told in an inventive, sometimes even humorous, manner. Two of Cincinnati’s finest actors — Annie Fitzpatrick and Tori Wiggins — are in this one, making it very watchable. (CityBeat review here.) Tickets: 513-300-5669 … For the younger set, this weekend offers the final public performance, Saturday at 2 p.m., of Children’s Theatre’s Pinkalicious at the Taft. It’s the story of a girl who can’s stop eating pink cupcakes. Tickets: 800-745-3000. And here’s a tip for Monday evening: Dayton native Daniel Beaty, who pleased a lot of Playhouse patrons last season with his tour-de-force one-man show, Through the Night, will be in town for a one-night performance to promote his new book, Transforming Pain to Power. His performance (6:30 p.m. in the Marx Theatre) and the book signing afterward in the Rosenthal Plaza) are free, but you need to make a reservation with the Playhouse box office: 513-421-3888.
 
 

Shakespeare and Stoppard: The Absurdity of Existence

0 Comments · Wednesday, January 8, 2014
Whether or not you’re a Shakespeare aficionado, you’ve certainly heard of Hamlet, generally considered one of his greatest plays, if not one of the greatest works ever written for the stage.  
by Rick Pender 01.03.2014
Posted In: Theater at 09:34 AM | Permalink | Comments (0)
 
 
stage copy

Stage Door: Couple of Classics

Truth to tell, midnight has already passed and Victorian adventurer Phileas Fogg thinks he's missed the deadline for getting "around the world in 80 days." But his faithful servant Passepartout (played with manic energy by the always amusing Michael G. Bath) saves the day by sorting out travel across time zones. Your deadline has not quite passed, since Ensemble Theatre Cincinnati's inventive staging of a musical version of Jules Verne's classic Around the World in 80 Days continues through a 2 p.m. matinee on Sunday. (CityBeat review here.) If football and cold weather aren't your preferences, maybe you should head to the Over-the-Rhine theater for a final volley of holiday entertainment. Tickets: 513-421-3555. While you're thinking about theater, you should be making plans to see Shakespeare's greatest tragedy (some say it's the greatest play ever written), Hamlet, which opens next week at Cincinnati Shakespeare Company. Once you've taken that one in, you'll be ready to head back in mid-February for Tom Stoppard's other-end-of-the-telescope version of the show (using the same actors), Rosencrantz and Guildenstern Are Dead. Tickets: 513-381-2273. Happy New Year!
 
 

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