0 Comments · Wednesday, January 21, 2015
Joe Stollenwerk lives in Bloomington,
Ind., where he’s pursuing a doctorate in theater at Indiana University.
Waiting and waiting and waiting
0 Comments · Tuesday, January 20, 2015
Waiting for Godot, Samuel Beckett’s “tragicomedy in two acts,” has bewildered many theatergoers since its premiere in 1953.
by Rick Pender
Posted In: Theater
at 11:00 AM | Permalink
Sought. Ensemble Theatre
Cincinnati hosts its third annual Meals for Monologues on Monday
and Tuesday between 11 a.m. and 5 p.m. at 1127 Vine St. in Over-the-Rhine.
It's an open casting call to Equity and non-union actors for theater, film, TV
and/or commercial projects cast by the theater's artistic director D. Lynn
Meyers. Interested performers should bring two non-perishable food (pasta,
canned goods, etc.) or toiletry items (soap, toothpaste) to the theater — to be
donated to the Freestore/Foodbank as well as a current headshot and résumé and
a short prepared monologue, song or two monologues. (No accompanist, so songs
need to be performed a capellla.) Time slots are five minutes maximum
and are available by appointment only. The deadline was last Friday, but a
quick email to Ben Raanan (email@example.com) will let
you know if any slots are still available. Meyers is a member of the Casting
Society of America, and she has tons of projects and connections beyond shows
at ETC; she recently did a lot of casting during two locally shot films, Carol
and Miles Ahead.
Fundraiser for New Edgecliff. The classic holiday story, Miracle on 34th Street
— yes, the one with Kris Kringle and Natalie Wood as a child actor — will be
brought to life as a radio production on Sunday evening at the Northside Tavern
(4163 Hamilton Ave.) as an old-time radio drama. Produced by New Edgecliff
Theatre with sound effects by WMKV's Mike Martini, it's a benefit to the
theater group. Admission is $35, and it includes a dessert buffet at
intermission provided by Cincinnati State's Midwest Culinary Institute.
Tickets: 888-428-7311 (or at the door).
The Cincinnati Playhouse's production of Tenderly: The Rosemary Clooney
Musical seems to be a big hit. The show, onstage in the Shelterhouse, opened
on Nov. 20, and on its first night artistic director Blake Robison announced
that sales were brisk enough to make it possible to extend the production a
week beyond its intended closing date (Dec. 28) to Jan. 4. Demand for tickets
has continued, so the Playhouse has extended the show another week, now closing
on Jan. 11. Tickets: 513-421-3888.
If you've read Margaret Atwood's 1985 novel The Handmaid's Tale,
you know it's a creepy vision of the not-too-distant future in which the United
States has become a theocracy called the Republic of Gilead. An oppressive
regime forces women to bear children for population growth, but Offred resists
the demands made of her. Cincinnati Shakespeare gave Joe Stollenwerk's
adaptation of the show a workshop in 2009 and a short-run production in 2011
featuring veteran Cincy Shakes actress Corinne Mohlenhoff as Offred. Next month
Know Theatre fills in a TBA slot in its season with the show's first
full-fledged production (Jan. 23-Feb. 21). Cincy Shakes' Brian Phillips will
stage the one-woman piece with Mohlenhoff. They are married, so this is an
unusual opportunity for them to work together on a new work rather than the
classics that Cincy Shakes usually stages. Tickets ($20) are now available: 513-300-5669.CityBeat's Rick Pender posts theater notices on
CALL BOARD every Monday morning.
Shakespeare classic is a laugh riot at Cincy Shakes
0 Comments · Monday, November 24, 2014
The title of Shakespeare’s The Comedy of Errors is today a catch phrase for situations when things go wrong.
Suspense flocks to Cincy Shakes
0 Comments · Monday, October 20, 2014
Put aside what you think know about the narrative of The Birds if you’ve seen Hitchcock’s classic movie
by Rick Pender
Posted In: Theater
at 10:09 AM | Permalink
Sherlock Holmes and the Adventure of
the Suicide Club opened last night at the Cincinnati
Playhouse in the Park. It's a new adventure for the Victorian sleuth. How can
that be, you might ask, if you're a Sherlock fan — this isn't a familiar title.
That's because playwright Jeffrey Hatcher picked up Sir Arthur Conan Doyle's
memorable detective, a master of deductive observation, and plugged him into a
tale of mystery and intrigue conceived by Robert Louis Stevenson back in 1878.
No spoilers here, but I will tell you that the plot of this show requires
closely following a complex tale of both personal and political intrigue.
Hatcher has set the story in 1914, on the brink of the first World War, and the
state of international relations in Europe is woven into the tale. But there's
nothing dry about this story, and Steven Hauck's performance as Sherlock is
very satisfying: He brings a quirky physicality as well as a sharp wit to the
character that makes him very engaging. Fans of Sherlock will not be disappointed
by this show. Through Oct. 4. Tickets ($30-$85): 513-421-3888.
I attended the opening of The Great Gatsby at
Cincinnati Shakespeare Company last week. In my review, I said, "the production gets the story and the era
right," and I added that CSC's Justin McCombs "perfectly
embodies" Nick Carraway, the honest narrator of this Jazz Age tale of
nouveau riche Jay Gatsby and Daisy Buchanan, the one-time debutante who
obsesses him. There's lots to like about this production, which captures the
essence of lavish parties and the fast life of the Roaring Twenties. Cincy
Shakes is committed to bringing classic literary works to the stage, and this
production is a good example of how they get it done. Simon Levy's script hews
close to F. Scott Fitzgerald's 1924 novel, and the company's actors bring life
to the characters. Through Oct. 4. Tickets ($22-$36): 513-381-2273.
Everyone I've talked to about Hands on a Hardbody
at Ensemble Theatre has been enthusiastic about the show that brings to life a contest to win a
Nissan pickup truck by keeping one hand on it the longest. It's a true story
(it was a 1997 documentary) and these feel like real people, down on their luck
but dreaming what a difference that winning could make. The music is by Trey
Anastasio (of Phish) and Amanda Green, and the script was written by Pulitzer
Prize winner Doug Wright. ETC has staged memorable productions of his play I
Am My Own Wife and his musical, Grey Gardens. But the real
attraction is an excellent cast who make you believe in these people,
struggling to stay away and outlast one another under the brutal sun beating
down on the Texas parking lot of a Nissan dealership. It's a fine entertainment.
Through Sept. 21. Tickets ($28-$44): 513-421-3555.
Just opened at the Covedale Center for the Performing Arts
is a production of Tennessee Williams's great American play, A Streetcar
Named Desire. It's about a woman who's down on her luck but unwilling
to admit it. When genteel Blanche DuBois moves with her pragmatic sister and
her brutal, blue-collar husband, Stanley Kowalski, is a rude awakening that
goes downhill fast. Through Oct. 5. Tickets ($-$): 513-241-6550.
If you've become a fan of shows in the intimate Clifton
Performance Theatre, you might want to check out The Riverside, a
play written and directed by local theater artist Kevin Crowley. It's a story
set in a Cincinnati bar in 1989 as locals follow the saga of Pete Rose's demise
in baseball, the fall of the Berlin Wall and Tiananmen Square. But the bar
itself is changing, too, impacting the lives of the family that owns it as well
as its patrons.Through Sept. 27. Tickets ($25): https://cpt.tixato.com/buy/.
Cincy Shakes' latest production explores the inescapable past
0 Comments · Saturday, September 6, 2014
F. Scott Fitzgerald’s 1925 Jazz Age novel, The Great Gatsby, is generally considered a great American novel.
by Rick Pender
Posted In: Theater
at 01:10 PM | Permalink
If you'd like to go to the theater every evening for the
next four days, there are plenty of options for you to consider as the
2014-2015 season is getting underway on stages all over town. Here are
some good choices to consider:
Hands on a Hardbody opened on Wednesday at Ensemble Theatre Cincinnati, and CityBeat reviewer Stacy Sims called it "effervescent" and "offbeat" in her review,
giving it a Critic's Pick. I was there, too, and couldn't agree more
about the infectious, heartfelt joy coming from the big cast of 15. The
show is based on a true story (the subject of a 1997 documentary) about
people in a downtrodden Texas town who enter a contest to win a Nissan
pickup truck by outlasting others who vow to keep one hand on the
vehicle. The cherry-red truck is as much a character as any of the
contestants, the physical embodiment of their hopes and dreams — which
take the form of songs by Trey Anastasio (of Phish) and Amanda Green.
The script by Pulitzer Prize winner Doug Wright treats these diverse,
down-on-their-luck folks with dignity, and the performers (who often
perform with the truck as their dance partner) bring every one of them
to life in vivid ways. This one is a must-see, a great way to kick-off
ETC's theater season. Through Sept. 21. Tickets ($28-$44): 513-421-3555
The Great Gatsby kicks off Cincinnati
Shakespeare Company's season tonight. You didn't know Shakespeare wrote
it? Well, he didn't. This theater company focuses on the Bard, to be
sure, but it frequently branches out to present stage versions of other
classics, in this case an adaptation of F. Scott Fitzgerald's 1925
classic about a mysterious nouveau-riche millionaire who's obsessed with
a one-time debutante. Set in the Jazz Age and inspired by lavish
parties the high-flying Fitzgerald attended on the prosperous North
Shore of Long Island, Gatsby is a story about the ups and downs
of the American Dream. Simon Levy's script is the only one authorized by
Fitzgerald's estate, and Cincy Shakes is presenting its regional
premiere. (And here's a tip: on opening nights at 6 p.m., the theater
offers ticket holders a complimentary catered meal, beer and wine.)
Through Oct. 4. Tickets ($22-$36): 513-381-2273
Sherlock Holmes and the Adventure of the Suicide Club
opens next Thursday at the Cincinnati Playhouse, but previews begin for
the season opener this Saturday (through Wednesday). Tickets for these
performances are discounted, and you'll be seeing a show that's pretty
much ready to go. Jeffrey Hatcher's script should be lots of fun for
fans of the Victorian sleuth. He's taken the character created by Sir
Arthur Conan Doyle and dropped him into a tale conceived by another
inventive writer, Robert Louis Stevenson, for a mash-up that will keep
even Baker Street regulars guessing. Tickets: 513-421-3888
Serials! at Know Theatre, which has
presented episodes of six Fringe-like shows at two-week intervals all
summer long, culminates on Monday evening at 8 p.m. with finales of each
tale. Who will win the ultimate fist fight with the Devil in Flesh Descending? How long can Luke really stay in his bedroom during The Funeral? Will we ever find out what's really happening in Mars vs. The Atom?
These questions and more will be answered on Monday. Even if you've
missed a few episodes, don't worry: Each 15-minute performance begins
with a brief recap of the story so far. Zany and fun for anyone who's
enjoyed the annual Cincinnati Fringe Festival. Tickets ($15): 513-300-5669
Finally, a tip for an eye-opening theater experience next weekend: On Sunday, Sept. 14, the Cincinnati area's first-ever South Asian Theater Festival happens
in an all-day event at the Anderson Theater (7850 Five Mile Rd.). Five
plays are scheduled to be presented, as well as panel discussions, seven
hours of programming in all. The day begins at 12:30 p.m. and is set to
conclude around 8 p.m. A limited number of tickets remain ($19-$29): SATFCincy.org
Theater season starts now
0 Comments · Wednesday, August 20, 2014
Shows that open seasons for local theater
companies carry added freight: They tell theatergoers, “This is what to
expect from us.”
by Rick Pender
Posted In: Theater
at 09:21 AM | Permalink
Not too many years ago August was a very quiet month on local stages. No longer. You have plenty of good choices this weekend.Stacy Sims reviewed Know Theatre's production of Harry & the Thief, which opened last week. She called it "a
wonderfully ridiculous, history-twisting, large cast mash-up of a play,"
and that's just the beginning." Sigrid Gilmer's play is a riot of
modern perspectives and Civil War values, a mingling of contemporary
attitudes with opinions and behaviors long since set aside — but not so
far off that we can't recognize them as prejudice, misogyny and racism.
But Gilmer's weaves a lot of humor and satire around Harriet Tubman (a
real woman who led many people out of slavery into freedom in the 1850s
and 1860s). The play has been staged by guest director Holly Derr to
spotlight a zany streak of humor that the playwright has generously
salted across her script from start to finish. This feels a lot like a
Fringe festival show, and that makes sense, since Know is the annual
producer of the Cincy Fringe, and Harry & the Thief kicks off
its 2014-2015 season. As Stacy noted, "this bodes well" for the theater
now being managed artistically by Andrew Hungerford. I watched a
performance earlier this week with a full house resulting from Know's
"Welcome Project," throwing its doors open to anyone who wants to come
on several Wednesday
evenings (hoping that a few of them will pay something, but requiring
nothing more than showing up). I suspect many of those in attendance
will be recommending this production to friends. Through Aug. 30.
Tickets ($20 most of the time, although you can get rush tickets for
remaining seats 10 minutes before curtain time, and free next Wednesday, Aug. 20): 513-300-5669.
Speaking of the Fringe, Know presents occasional encores from past festivals. On Sunday evening at 8 p.m. (one night only) you can catch one of the best acts I've ever enjoyed in the Cincy Fringe: David Gaines returns with 7(x1) Samurai,
retelling Kurasawa's classic 1954 film in a one-man show that was a hit
of the 2009 festival. It's true to the source about victimized
peasants, marauding bandits and samurai warriors, astonishing to watch
and one hell of a performance. Tickets ($15): 513-300-5669.
another astonishing, virtuoso work of theater onstage, this one south
of the Ohio River at Covington's Carnegie Theatre. It's Stephen
Sondheim's Sweeney Todd: The Demon Barber of Fleet Street. I plan to see it on Friday
evening (it opened last week), but people are already saying that
Justin Glaser brings a great voice to the maniacal killer and Helen
Raymond-Goers sings the role of the meat-pie-baking Mrs. Lovett with both
wit and polish. This is one of the greatest musicals of the late 20th
century, and all indicators are that this is a production worth seeing.
Through Aug. 23. Tickets ($21-$28): 859-857-1940.
Shakespeare Company will double your choices this weekend. At its Race
Street theater you'll find the final performances of The Complete Works of William Shakespeare (Abridged),
a comic rendering — or at least passing references to — all 38 of the
Bard's plays, his sonnets and some amusingly presented "facts" about his
life. It's a romp from start to finish, featuring three of Cincy
Shakes' best actors having a hell of a good time onstage, Jeremy Dubin,
Justin McCombs and Nicholas Rose. Tickets ($22-$31): 513-381-2273.If you want something a tad closer to the original, find one of CSC's free touring productions at an area park: Macbeth on Friday night (7 p.m.) at Keehner Park in West Chester and Saturday evening (7 p.m.) at Cottell Park in Mason or A Midsummer Night's Dream on Sunday evening (6 p.m.)
at Washington Park. These are somewhat reduced productions (done in two
hours) using just six actors: That makes them all the more exciting to
watch — and to be dazzled by actors who can convincingly play multiple