0 Comments · Wednesday, March 5, 2014
Blake Robison wants the Cincinnati
Playhouse in the Park to be at the forefront of Cincinnati’s cultural
conversation. “It’s our responsibility to bring the best theatrical
material, both old and new, to our community," he says.
0 Comments · Wednesday, February 19, 2014
Brainstorming various aspects of the concept of time marked the impetus of MamLuft&Co. Dance’s most recent work, /SHIFT/, premiering at the Aronoff Center this weekend.
0 Comments · Wednesday, February 19, 2014
I’ve had grandparents on my mind recently. Shirley Temple’s passing on Feb. 10 reminded me of her 1937 film Heidi,
the story of a neglected orphan in Switzerland, who is handed off to
her gruff grandfather. He is warmed by her spirit, and she basks in the
by Rick Pender
Posted In: Theater
at 10:10 AM | Permalink
Last night I caught the opening of 4000 Miles at the Cincinnati Playhouse. What with today being Valentine's Day, this tale of a feisty grandmother and her hippie grandson — separated by a 70-year gap in age — might not seem like a very typical love story. But it's about understanding and finding common ground, and what else is that but true love? Actor Robbie Tann plays 21-year-old Leo and Rosemary Prinz is Vera, his 91-year-old grandmother. You'd think that seven decades might be an uncrossable chasm, but each is a lonely soul — she as the result of old age, he by virtue of the tragic accidental death of his best friend — and they find consolation and support from one another as the become better acquainted. Both actors are delightful in their roles, he kind of spacey but caring, she feisty and loving. If you're looking for a good date night for Valentine's weekend, you should give Amy Herzog's play a chance. It happens to be a very credible script, by the way, having been a finalist for the 2013 Pulitzer Prize. Through March 9. Tickets: 513-421-3888.Tonight is the opening for Cincinnati Shakespeare's Rosencrantz and Guildenstern Are Dead, Tom Stoppard's now-classic through-the-looking-glass take on Hamlet. Since Cincy Shakes just finished a production of the latter, it's the same cast, but with the royals in the background and two lowly minor characters moved to center stage. Their plight? They don't quite understand the intrigues swirling around them, and they wonder about the meaning of their own existence. There's a lot of dark humor, and actors Billy Chace and Justin McComb are just the guys to carry it off. Through: March 9. Tickets: 513-381-2273.If it's darkness you crave, you might also consider Pluto at Know Theatre. No, it's not about the Disney dog, but rather about unexpected changes in life — like the demotion of the solar system's one-time farthest planet into something less — as well as the Roman god of the underworld. How does all that fit together in a modest contemporary kitchen? Steve Yockey's play is an absurdist study in contemporary angst, an instant of tragedy dissected and set in amber. It's not easy to watch (there's some extreme gun violence), but the show's strong cast, especially Annie Fitzpatrick and Tori Wiggins plus NKU student actor Wesley Carman, make it extremely watchable. You just have one more week to catch this one. Tickets: 513-300-5669.If you thought you'd missed out on Tribes at Ensemble Theatre Cincinnati, you actually have a grace period, since the show about deafness and family strife has been extended to Feb. 22. It was originally set to close on Feb. 16; the additional dates should make it possible for anyone who's interested to get tickets. Watching the fine acting performances of guest actor Dale Dymkoski as a young man who has been isolated by deafness and Cincy Shakes regular Kelly Mengelkoch as a young woman, adept with sign language, who is losing her hearing, will make you glad you made the effort to see this one. Tickets: 513-421-3555.
World premiere of 'King Arthur's Camelot' is the centerpiece of Cincinnati Ballet's 50th anniversary season
0 Comments · Wednesday, February 12, 2014
Honor, valor, love, betrayal — these are
the thematic elements of Cincinnati Ballet artistic director and CEO
Victoria Morgan’s full-length world premiere, King Arthur’s Camelot,
opening this weekend with five performances at the Aronoff Center.
0 Comments · Wednesday, January 29, 2014
With a winter like this, there’s only one
thing you can do — put aside all thoughts about the cold cruelty of
brutal nature and look toward something better and more caring:
0 Comments · Wednesday, January 22, 2014
Two weeks ago, I spoke to a group of high
school kids about being a theater critic. One asked, “What’s your
all-time favorite show?” I was stumped.
by Jac Kern
The Cincinnati Art Museum announced today that Aaron Betsky will be stepping down as director of the museum. Betsky, who has worked as director at CAM for seven years, will leave the position once his successor is determined.From the press release:
"The museum now has the programming and staff in place, and the financial
stability that will allow me to openly pursue my next position," noted Mr.
Betsky. "I feel that I have accomplished the goals that I and the Board
had envisioned when I first arrived and would like to explore opportunities
that may include or combine my academic interests and institutional
experience."The CAM Board of Trustees is assembling a search committee to find a successor. Betsky will assist in this decision.
"Aaron has effectively led the Cincinnati Art Museum through one of
the most challenging periods in our history and did so while adding new
facilities, growing our program, attracting record audiences, and raising money
both for capital projects and our endowment," said Dave Dougherty,
Chairman of the Board of Trustees. "He brought a vision, energy and
acumen that will continue to serve the museum into the future."
Go here to read CityBeat's recent interview with Betsky, wherein the the director discusses changes and challenges at CAM.
0 Comments · Wednesday, December 18, 2013
New exhibitions director Matt Distel’s
first big show at The Carnegie gallery in Covington, Ky., which opened
last week, is important in its own right as well as for what it says
about Distel’s curatorial desires for the institution.
0 Comments · Wednesday, December 11, 2013
Cincinnati’s Bi-Okoto (pronounced
“Bee-O-Ko-Toe”) Cultural Institute, a nonprofit performing arts
organization that illuminates Africa’s rich traditional heritage,
recently won the African Professionals Network (APNET) award for African
culture, community and entertainment.