by Hannah McCartney
Posted In: City Council
at 01:11 PM | Permalink
Seelbach says he has support of four colleagues for repealing pit bull ban
Repealing discriminatory breed-specific legislation could come sooner than expected for Cincinnati. Cincinnati City Councilman Chris Seelbach is working to draft a motion that he says could be ready for council signatures as early as today. Yesterday, Cincinnati City Councilman Chris Seelbach tweeted this: Last week, CityBeat's April 4 cover story, "Losing Fight," discussed Cincinnati's legislation that's outlawed ownership of pit bulls within city limits since 2003. Seelbach reveals to CityBeat that he made a pledge to work to repeal the city's ban on pit bulls when he was first elected to office in December 2011, and has met in with stakeholders in the past to discuss reform strategies. "I've always believed that entire breeds should not be punished — we need to punish bad owners," he says. Seelbach's motion reportedly will seek to increase punishments for negligent owners, removing all breed-specific language and re-allowing the possession of pit bulls within Cincinnati city limits, similar to Ohio Gov. John Kasich's Substitute House Bill 14, which was signed into effect in February. Once the motion is drafted, Seelbach says he'll need to obtain a minimum of five signatures from his eight council colleagues before the motion can be voted on in a committee. He counts off the names of four council members he's already heard are in support of creating new legislation, before the motion has even been discussed. If the committee — most likely city council's public safety committee, according to Seelbach — chooses to pass the motion, it would then proceed to a formal vote before city council.
1 Comment · Tuesday, April 10, 2012
Nielsen says we’re the smallest market in
Major League Baseball, but last week Bob Castellini sent the message
that the Cincinnati Reds are no longer a small-market team, signing Joey
Votto to a 10-year, $225 million extension that brings his contract to
more than $250 million over the next 12 seasons.
After a nationally recognized debut, Bad Veins’ new album could bring the world to their door
1 Comment · Tuesday, April 10, 2012
Some bands work for years for even the
smallest scrap of national attention. For Cincinnati’s Bad Veins, that
recognition came just after their second show in 2006 and has hardly
abated in the subsequent six years.
by Amy Harris
Memphis rockers to play Bogart's Wednesday night
Lucero developed their unique sound — a mix of Country, Roots, Rock and Soul — in Memphis, Tenn., and provide a big production every night on the live stage. You will hear everything from a three guitar assault to a horn section to steel guitar pinings on the band's ninth (and so far most successful) album titled Women & Work.CityBeat spoke with guitar player Brian Venable from the road to preview the band's show Wednesday in Cincinnati at Bogart’s.CityBeat: I wanted to catch up with you guys to try to talk about the show that you have at Bogart’s on April 11.Brian Venable: Well thank you. I am excited about that.CB: I actually caught you guys at Orlando Calling this year. That was the first time I had seen the band live. It was an amazing show.BV: Oh, thank you.CB: I am kind of sad that the festival is not going to happen this year. They announced last week it wasn’t coming back. BV: Is it going to be a different “Calling” in a different city?CB: No, I think it just lost a lot of money. Unfortunately, that happens. It’s a lot of overhead. I just wanted to start and ask you a couple questions about the album and yourself. I know you had the new album come out recently, Women & Work. Can you tell me the story behind the album name?BV: I think it just sums up everything sometimes. It was more of a flip or a funny line, like “Hey what’s going on?” “Oh you know, women and work.” You are always doing something about work. You’re at work or you are working, and whether it’s your wife, your ex-wife, girlfriend, soon to be girlfriend, girl you met that night, there is always something involving a woman. I think it is kind of where we are right now. We are always on tour. We are always leaving our wives and girlfriends behind, trying to just make it all happen.CB: Do they ever come out on the road with you?BV: Every once in a while we will do a weekend. I have three kids so she can’t get away too much, but she’ll come out for a weekend every once in a while.CB: Well you guys have a pretty large band to move around. BV: Yeah, we have the bus right now.CB: What is the best and worst thing about being on the road for you?BV: Missing the kids. Everything that you know is at home. Some days it is nice to sit on the porch and hang out. But in the same breath, you play rock shows every night which is awesome and you tour with your friends and you get to see the country. There is good and bad in everything.CB: I am originally from Tennessee and I spent a lot of time in Nashville and Memphis over the years and the music scene in both of those cities is incredible; there are huge amounts of talent that will probably never be discovered.BV: That is always the thing with Memphis, there are always great bands that will be together for six months or a year and then they break up. Yeah, that is definitely a true statement on your part. CB: What is your favorite track on the new album?BV: I like the “Downtown” song but I also like “Sometimes.”CB: Can you tell me the story behind one of those?BV: “Downtown” is like the happy beginning. The night is full of promise I guess. You are getting dressed or you are having a few drinks, you are about to go downtown and hang out and do your thing. Nothing good or bad has happened but anything could happen, and I think that air of optimism is exciting to where we might end up hammered drunk at the police station or I meet my next wife of 30 years, you just don’t know. I think it is just that kind of feeling, where it is happy and a “let’s see what happens” feeling.CB: You guys just played South by Southwest. Any crazy stories from Austin this year?BV: Not really so much crazy. We did two shows a day for three days plus interviews and in-stores. It was pretty busy. It was exciting to get to play with Dinosaur Jr. Any chance that you get to play with people you listened to when you were younger and looked up to musically is always a fun thing.CB: That was one of my other questions, do you have any current musical influences that are giving you inspiration today?BV: We just did a five day run with Larry and His Flask. Those guys are amazing and really energetic and fun to watch. Todd Beene who plays pedal steel, he is in a band called Glossary. Their songs are awesome and their live show is great. They make good records. We have been really lucky to be able to play with all the people we like usually. We did 15 weeks with Social Distortion. You are able to grow up with a band and then get to see those people who started 30 or 40 years ago still make relevant music and be fresh. It is exciting to know that you can get to a certain age and you don’t fall back and rest on your laurels and still keep pushing.CB: I love those guys.BV: Personally, I listen to crazy Southern Metal and Modern Country right now.CB: What is Southern Metal?BV: Bands like Black Tusk and Weedeater. There are a lot of bands out of Atlanta, Ga., and Wilmington, NC, and that whole Southern coast has spawned a whole crazy group of bands. There is Coliseum in Louisville and Skeleton Witch in Ohio. They are pretty awesome if you like Metal.CB: Can you tell me what your writing process is as a band? Do you guys write together, lyrics separately, music later? What is your process?BV: With the last few records, we have a practice space and a studio space we use upstairs. We will come to the practice with a part or half of a verse or a bridge and a chorus and just a section a lot of the times. Sometimes it is a full song and we work it up but most of the time it will just be a few pieces. We’ll work with Roy and get a tempo going and a pattern going and a groundwork and then we just add our parts while he is working on the words for it. It’s been pretty awesome. This last record, which was fun for us, horns came in after the fact and we put horns on top of the record, so this one we actually wrote with the horns and the pedals, everybody was there helping with writing and arranging.CB: What can we look forward to in Cincinnati next week?BV: Eight dudes getting wild on stage unless the night before was pretty hard then it might kind of be the standard. We will do about two hours. We will do a lot of the new songs. We will do the back catalog. We are all going to have a good time just playing music.
New sister restaurant of The Green Dog feels at home in Columbia-Tusculum
0 Comments · Tuesday, April 3, 2012
Some weeks need to end on a good buzz,
and I was delighted to head off to a brand new restaurant, Buz, in
Columbia Tusculum, as last week wrapped up. Buz is the new sister
restaurant of The Green Dog, and as we drove out Columbia Parkway there
was a gorgeous bright rainbow in the sky that arched almost down to the
April 9 • Contemporary Arts Center
0 Comments · Monday, April 2, 2012
Consider this sound
and vision advice. Canadian singer/songwriter Leslie Feist (better known as simply Feist) is
coming to the Contemporary Arts Center Monday, but not to sing. Feist will join
filmmaker Martin De Thurah to discuss the creative process behind the cinematic and artful “The Bad in Each Other” music video for the
single taken from Feist’s Metals album.
by Hannah McCartney
at 09:24 AM | Permalink
Federal judge says suit for firing over artificial insemination may proceed
In 2010, Christa Dias asked for something millions of U.S. women ask for successfully every year: maternity leave. At five and a half months pregnant, the former computer teacher for Holy Family and St. Lawrence schools in East Price Hill approached her superiors requesting time off for the birth of her child. Dias got far more time off than she bargained for; the Archdiocese of Cincinnati fired Dias for becoming pregnant through means of artificial insemination, an act considered "gravely immoral" by the Catholic Church. Her dismissal, though, has become national news as the Catholic Church's penchant for interfering with their employees' personal lives — particularly when it comes to women — becomes an increasingly hot-button issue. U.S. District Court Judge S. Arthur Spiegel last week gave Dias the go-ahead to proceed with her lawsuit against the Archdiocese of Cincinnati. If Dias is successful, she could set a national precedent. According to The Cincinnati Enquirer, Dias seeks reparations for medical bills and other expenses after she was fired. It's not clear how much Dias will seek in damages. Dias, who taught computer courses, never was called upon to teach Catholic doctrine, nor was she the only non-Catholic to be employed by the Archdiocese. In its rebuttal to Dias' accusations, the Archdiocese claims her employment at a Catholic school entitled them to a "ministerial exception" to federal anti-discrimination laws, which gave them the right to fire her on the basis that parents who pay to send their children to Catholic schools expect them to be taught in environments upholding the utmost Catholic moral integrity. The Catechism of the Catholic Church includes this on their writings regarding birth and artificial insemination: "Techniques that entail the dissociation
of husband and wife, by the intrusion of a person other than the couple
(donation of sperm or ovum, surrogate uterus), are gravely immoral.
These techniques (artificial insemination and fertilization) infringe
the child's right to be born of a father and mother known to him and
bound to each other by marriage. They betray the spouses' right to
become a father and a mother only through each other."Also last week, Xavier University notified its employees that it would no longer include contraceptives in its health insurance coverage beginning July 1.
Why new state legislation removing a breed-discriminatory clause doesn't matter to Cincinnati pit bull owners
17 Comments · Wednesday, April 4, 2012
I wander through all three dog kennels at
the Sharonville SPCA. Perry, Zyr, Rocky, Lance, Goldie, Sage, Sugar,
Boomer, Buddy, Macho. Pit bull, pit bull mix, pit bull, pit bull, pit
bull, pit bull mix. The list goes on. The shelter, only miles from the Hamilton
County border, is ridden with pits because it’s just outside the
Cincinnati city limits, where it’s still illegal to own a dog designated
as a pit bull or pit bull mix.
With help from some of the world’s great thinkers, local Hip Hop artist i-El finds himself
0 Comments · Tuesday, January 24, 2012
In the beginning, there was Tanya Morgan. And Tanya Morgan was good. Comprised of gifted Cincinnati rappers
Ilyas Nashid and Donald “Donwill” Freeman, along with equally talented
Brooklyn, N.Y., MC/producer Devon “Von Pea” Callender, Tanya Morgan was
hailed as one of Hip Hop’s brightest young groups.
In fall 1973, UFO hysteria gripped the Queen City
3 Comments · Tuesday, January 31, 2012
In mid- to late-October of 1973, just days
before tens of thousands of costumed kids were to hit the streets of
Cincinnati and surrounding communities for Halloween night, southwest
Ohio was under invasion — an invasion that seemingly came from the
heavens, and police and government officials across the region were on