by Rick Pender
Posted In: Theater
at 10:38 AM | Permalink
As I wrote in my column in the current issue of CityBeat, there's a lot of good holiday theater available on Cincinnati stages right now. The Playhouse's production of A Christmas Carol,
now in its 22nd year, is best in class — a well-told traditional tale
with some of the best professional actors in town onstage, from Bruce
Cromer as Scrooge and Dale Hodges as the Ghost of Christmas past. There
are a few new faces, too, playing the Cratchits. And speaking of new
faces, I feel comfortable recommending New Edgecliff Theatre's one-woman
show, The 12 Dates of Christmas, which is being engagingly performed by Annie Kalahurka. It's paired with David Sedaris's The Santaland Diaries,
which feels a little shopworn to me, but you can catch the double-bill
downtown at the Arnonff's Fifth Third Bank Theater — and maybe go for
drinks at Arnold's before or after the show.
If you're looking for something kind of different, try The Naughty List (review here),
a holiday-themed improv show (presented in Arnold's courtyard on
Sunday, Monday and Tuesday evenings) by Know Theatre. Five quick-witted
comics who constitute OTR Improv are doing routines that use audience
suggestions (and occasional audience participants) for nearly two hours
of entertainment. It's a different show every night.
Have kids you want to take to the theater and give them a
taste of what fun it can be? Two good bets are Ensemble Theatre
Cincinnati for one of its musical fairytales with a moral (this year the
show is a colorful, cartoonish rendition of Alice in Wonderland) and Covedale Center, where Rodgers and Hammerstein's Cinderella
is singing and dancing its way through another familiar story the kids
will know. The prince is handsome, Cinderella is sweet and the nasty
Stepmother is played by a guy.
As far as familiar stories go, you've probably seen Frank Capra's classic holiday film It's a Wonderful Life
a few times during the holidays. But I bet you haven't experienced in
the unique way that Falcon Theater offers it up at Newport's Monmouth
Theatre: The script frames the story as an old-time radio drama, and you
get to watch behind-the-scenes as a handful of actors play all the
roles and a few others create the necessary sound effects. It opens
this weekend and runs for a week. I haven't seen this year's edition,
but I've enjoyed past incarnations, and I suspect this one will be
entertaining as well.
0 Comments · Wednesday, December 5, 2012
Shhh! There’s a tree sleeping inside
Phyllis Weston Gallery. You’ll want to be silent — not because you might
awaken it, but so that it can awaken you to Shinji Turner-Yamamoto’s
0 Comments · Wednesday, December 5, 2012
It’s time for mistletoe and holly, when
theaters entice folks in search of holiday cheer (and occasional
parodies thereof) to celebrate the season. Many theaters need December
ticket revenues to present shows onstage for the rest of the year.
Know Theatre, OTR Improv combine for offbeat comedy tale
0 Comments · Tuesday, December 4, 2012
It’s good to have Know’s
offbeat perspective available as a choice for holiday entertainment in
the form of the energetic players of OTR Improv.
1 Comment · Saturday, December 1, 2012
Jersey Boys was a hit at the Aronoff in 2008, and Broadway Series subscribers have been asking for a return visit since then, with good reason.
Ensemble Theatre offers a colorful, energetic take on classic tale
0 Comments · Friday, November 30, 2012
Alice in Wonderland works best when treated as an
ensemble show, rather than a show about a dreamy little girl meeting a
cast of supporting characters. This show does exactly that.
by Rick Pender
Posted In: Theater
at 09:42 AM | Permalink
So Thanksgiving was early this year, and that means that not only
retailers but all of our local theaters have fired their starting guns
earlier than usual with family-friendly holiday shows. That began with
Ensemble Theatre's opening of Alice in Wonderland on Nov. 28, and
Cinderella at the Covedale, A Christmas Carol at the Playhouse and New Edgecliff's Santaland Diaries (newly paired with The 12 Dates of Christmas) using a new venue, the Aronoff's Fifth Third Bank Theater.
But before you start wearing your Christmas sweaters and holiday socks, I
have a few non-seasonal but highly entertaining productions you should
Let's start with Cincinnati Shakespeare's staging of
The Importance of Being Earnest.
This is a classic comedy from 1895 by Oscar Wilde, but don't think
there's anything old and musty about it. The production of this witty,
romantic tale of harmless manipulation bubbles with laughter and
sprightly performances. I gave it a Critic's Pick here and I suspect
it will be another sold-out run for Cincy Shakes, which has assembled a
gangbuster season. You should note that it's only onstage through Dec.
16, so if you want to see it, don't wait too long. (As of the 16th it
will be supplanted by Every Christmas Story Ever Told (and then some), Cincy Shakes' holiday offering.) Box office: 513-381-2273 x.1.
And if smiles without holiday trimming are something you seek, I highly recommend the touring production of
This is the true story of Frankie Valli and the Four Seasons, Pop stars
from the 1960s, and the show is stuffed full of their memorable,
tuneful hits. The four leading actors faithfully recreate the
group's close harmonies and Valli's soaring falsetto tenor — he's one of
the great Pop vocalists of all time, and Nick Cosgrove nails the role.
Although the history of these four singers has its ups and downs, the
story is told with a sense of wry humor (and numerous F-bombs) that
keeps things light and entertaining. Audiences have been clamoring for
Broadway in Cincinnati to bring this show back since it appeared at the
Aronoff back in 2008, and tickets are selling fast. Box office:
Hank Williams: Lost Highway at the
Playhouse's Shelterhouse stage. (Review here.) It's another genuine
reincarnation of a singer who made an indelible mark on the world of Pop
music. Box office: 513-421-3888.
The Emery Theatre reclaims its spot in the local and national spotlight
0 Comments · Tuesday, November 20, 2012
If the historic Emery Theatre had a voice,
it was a distant echo ricocheting off of boarded-up buildings and
dissolving into the background, unheard by Cincinnati for the nine years
its doors were closed. Lately, however, the Emery is a murmur growing
louder among art enthusiasts.
by Rick Pender
The weekends around Thanksgiving tend to offer fewer theater opportunities than most since lots of companies are readying holiday productions that open near the end of the month. (In fact, from Nov. 28 to 30, eight shows will open!) But that doesn't mean you should look elsewhere for entertainment.First and foremost is Street Scene at UC's College-Conservatory of Music, the kick-off of a year-long celebration of works by Kurt Weill. It's a dramatic American opera in two acts, a story set in a mid-century Manhattan neighborhood. It's a massive undertaking involving hundreds of students from several CCM departments; Steven Goldstein is directing, and the performances will be musically conducted by Mark Gibson. The opera is based on Elmer Rice's Pulitzer Prize-winning drama; it's sometimes compared to Porgy & Bess, presenting a wide range of multi-ethnic characters and two intertwined love stories. Performances are Friday and Saturday at 8 p.m. and Sunday at 2 p.m. Tickets ($17-$30): 513-556-4183.A feisty young theater company, Untethered Theatre, is producing a dark comedy, John Patrick Shanley's Savage in Limbo in a storefront theater on Ludlow Avenue, Clifton Performance Theater. The performers are young and the characters they portray are young adults who haven't yet taken hold of life. The venue is intimate, recreating a bar where the characters gather, and the audience sits amidst the action. Tickets ($15): 513-938-0599. If you show up at 7:55 p.m. you might get lucky and score a rush seat for $5.Two community theaters are wrapping up productions of classics that ought to be worth seeing: Cincinnati Music Theatre is presenting Stephen Sondheim and George Furth's Tony Award-winning musical from 1970, Company, at the Aronoff Center's Jarson-Kaplan Theatre. Tickets: ($20-$22): 513-621-2787 … And Footlighters' is finishing up a run of Thornton Wilder's 1938 Pulitzer Prize winning play, Our Town, at the Stained Glass Theatre in Newport. Tickets ($20): 859-652-3849.Finally, if you want an evening of great music with a bit of true life biography, check out Hank Williams: Lost Highway, at the Cincinnati Playhouse. This one runs through the holidays, but tickets will be hard to come by in December, so this would be a perfect weekend to take in a performance of two dozen songs by the guy who blended the Blues with "Hillbilly" tunes and more or less created Country Western music in the early 1950s. You'll know lots of the tunes. Tickets: 513-421-3888.
by Rick Pender
Posted In: Theater
at 10:05 AM | Permalink
Looking ahead at Know Theatre's holiday schedule and beyond
In my recent Curtain Call column,
I talked about collaboration and made some mention of past ventures by
Know Theatre. After a period of self-examination covered in an earlier
column ("Big-Picture Thinking at Know Theatre," issue of Oct. 24), the Over-the-Rhine company has now shared some of its programming plans for the holidays and the months ahead.
For the holidays, they'll produce The Naughty List,
hosted by Ronda Androski and her great staff at Arnold's Bar &
Grill downtown and featuring the talent of OTR Improv, one of the groups
Know has nurtured with its Jackson Street Market. They'll take holiday
memories from those in attendance as they recreate holiday movies and
tell you how your life would have been different if you had received
that special gift you yearned for. The fun will be happeing in Arnold's
courtyard on Sunday, Monday and Tuesday evenings from Dec. 2 to 30.
Tickets will be $15 in advance and $18 at the door.
Know will also offer The Apocalypse Show!
for two nights on its home stage at 1120 Jackson St.. Since the world
is scheduled to come to an end on Dec. 21, 2012 (according to the Mayan
calendar), Know will produce a variety show to end all variety shows on
Dec. 20 and 21. There will be sketch comedy, predictions, guest
appearances, "gratuitous drinking and answers to all of your apocalypse
FAQs." Dec. 20 will be a fundraiser (tickets: $50), despite the funny
come-on that you should bring all your money, since it will be worth
nothing the next day! (If you come to the performance on Dec. 21, you
only need to scrape together $15 in advance or $18 at the door.)
Assuming that the world really isn't ending on Dec. 21,
Know will co-host its annual New Year's Eve event with CityBeat, the
Speakeasy Party from 8 p.m. on Dec. 31 (to 1 a.m.). Know typically
attracts 300 well-dressed guests for this event, and everyone has fun
with casino games, food, dancing to a DJ and a live band, martinis and a
champagne toast at midnight.
After all this fun stuff, Know will get down to some serious theater — presenting Andrew Bovell's "best new play of 2010," When the Rain Stops Falling
(Feb. 8-March 16, 2013). It's another partnership, with the production
being staged by Brian Isaac Phillips, artistic director at Cincinnati
Shakespeare Company. (Bovell's Speaking in Tongues had a great
production at the Cincinnati Playhouse last season.) The show uses an
intricate fabric of overlapping connections, moving between several
generations between 1959 and 2039 and between London and Australia. Acts
and sins of the past are connected to three generations that follow.
More will be following, including an unnamed production
running from April 5 to May 12. Sometime in late April (date TBA), just
in advance of the tenth annual Cincinnati Fringe Festival (May 28-June
8, 2013), Know will host the 2013 United States Association of Fringe
Festivals Conference. "We're honored to have been selected to host this
year's conference," says Know's Producing Artistic Director Eric
Vosmeier. "It's an amazing opportunity to work on ideas and issues at
the core of all Fringe Festivals. Every time I have been to a
conference, the Cincinnati Fringe is better for it. We can't wait to
show off our city to festival producers from all over the United
One more note: Know is selling its version of a
subscription, Flex Passes. But these have evolved: You can purchase six
flex passes for $90. Valid for most Know productions, they do not
expire. (If a show ticket has a higher price than the pass, you can use
your pass and just pay the difference.) Know's website will designate:
"Flex passes are valid for this event." When you run out of tickets (and
you surely will), you simply need to buy another pass.
Know's Fringe Festival has promoted itself with the slogan
"Weird, like us." And they're living up to that mantra in a way that
should appeal to its supporters and more.