0 Comments · Thursday, May 31, 2012
With imaginative but
rudimentary costumes and minimal sets and props, the ensemble cast of
The Sweet, Burning Yonder, directed by Michael Burnham,
brought John Ray’s often poetic, streaming language to vivid life
in its opening performance.
0 Comments · Thursday, May 31, 2012
There’s a rift between Joe and Hannah, the couple at the epicenter of New Edgecliff Theatre’s Fringe piece, Quake: A Closet Love Story, by Tyler Olson. Once upon a time, the two were married and in love. But recently, they’ve split.
0 Comments · Friday, June 1, 2012
Tommy Nugent is a
familiar Cincinnati Fringe performer: Starting in 2007, he’s been
here with Tommy Nugent’s The Show and Tommy Nugent’s
Burning Man Redux. He’s a monologist grounded in public
speaking — not exactly a theater guy, but someone who’s totally
comfortable in front of an audience. Although in the program for this
year’s Fringe offering, American Badass in Cincy, he writes,
“I’m no longer compelled to put my name in every show title,”
his subject matter is focused completely on … Tommy Nugent.
1 Comment · Thursday, May 31, 2012
Female Desires is a collection of monologues expressing the desires, needs, challenges and fears of young women today. Written by Eliza Martin, the piece is organized into four quartets of interwoven stories, loosely connected to each other thematically.
0 Comments · Thursday, May 31, 2012
You Will Have 25 Minutes To Complete This Essay is one of two teen-created shows in this year’s FringeNext category. Written and directed by Alexx Rouse, it is a happy breeze of a piece that plays against teen stereotypes by speaking directly to them and then surprising you again with odd little twists.
0 Comments · Wednesday, May 30, 2012
By the time you read this, the 2012
Cincinnati Fringe Festival will be fully under way. Even if you can’t
see every show, you owe it to yourself
to come for an evening or two and sample the creativity that will be
flowing throughout the 10 venues across Over-the-Rhine.
0 Comments · Thursday, May 31, 2012
The
Performance Gallery is the only troupe to have presented a show at
every Cincinnati Fringe Festival since its inception. Many of those
previous productions have been intricate and brilliant, while a few
were brave experiments that didn’t quite take flight.
Unfortunately, Rodney
Rumple’s Random Reality
falls into the second category.
0 Comments · Wednesday, May 30, 2012
It’d be tempting to turn a show titled Full of Color into a gimmick. Just present a lot of bright, happy paintings and watch the crowds come.
New Art Adademy President John Sullivan steps in
0 Comments · Wednesday, May 30, 2012
Does an art academy founded in the 19th
century have a place in today’s world? John Sullivan, new president of
the Art Academy of Cincinnati, believes it does.
by Rick Pender
05.25.2012
Posted In:
Theater at 09:09 AM |
Permalink |
Comments (0)
It’s a three-day
weekend that’s more about being outdoors and kicking off summer
fun. That being said, if you’re looking for a theater production
that will give you some laughs for your weekend, I recommend catching
a performance of see The Second City 2: Less Pride – More
Pork at the Cincinnati Playhouse in the Park on its
Shelterhouse Stage. I found it a notch up from the very entertaining
first iteration of the show that set box-office records for the Mount
Adams theater during the 2010 holiday season. Lots of hilarious
fun-poking at … us. The clever cast from Chicago’s renowned
comedy/improv troupe uniquely tailors each performance to the
audience that shows up. Box office: 513-421-3888.
I haven’t seen the
Showboat Majestic’s opening production of its 90th season (that’s
right, the boat has been entertaining audiences for nine decades!),
but Babes in Hollywood is another show that’s light
and entertaining. It’s a revue of tunes made famous by Judy Garland
and Mickey Rooney back in the 1930s and ’40s when they were
happy-go-lucky adolescent stars. I did see the four-member cast do a
number at last Monday’s LCT Awards event, and they have fine voices
and a sense of style. I suspect this show will be popular with the
grey-haired audience that frequents the Showboat, but I bet people of
any age will have a good time watching. Box office: 513-241-6550.
If you want something a
tad more profound, try Cincinnati Shakespeare Company’s production
of The Merchant of Venice, one of Shakespeare’s most
difficult plays. It’s officially categorized as a comedy because it
has humorous and romantic elements. But the central story about a
potentially fatal argument between a moneylender and a businessman is
anything but amusing. CSC’s artistic director Brian Isaac Phillips
takes on the role of the rapacious moneylender who has faced
anti-Semitic discrimination for his entire life. Is Shylock a villain
or a victim? Shakespeare gives him aspects of each, and CSC’s
production does not tilt in either direction. You get to decide, and
it won’t be easy. Review here. Box office: 513-381-2273, x1.
There’s a new theater
downtown, just a few doors north of Cincinnati Shakespeare’s venue.
They’re calling themselves Speakeasy Theatre, and they’re
performing in a storefront space at 815 Race Street. Their inaugural
production is Paul Baerman’s The Whistler. The show,
directed by Tim Waldrip, is set in 1965 in an unnamed Southern city
where a lot a racist attitudes are out in the open. The Andy
Griffith Show is in its fifth season, and the guy who whistles
that show’s theme (played here by local professional actor Michael
G. Bath) is living off the royalties of his work. But life gets more
complicated when he meets an African-American trumpet player (Tony
Davis is taking on the role) who shares his passion for music. The
show just opened on Thursday and I haven’t seen it, but it’s
always good to give a new theater a try. The Whistler will be
onstage through June 10. Box office: 513-861-7469.
Each week in Stage
Door, Rick Pender offers theater tips for the weekend, often with a few pieces
of theater news.