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Blithe Spirit (Review)

Annie Fitzpatrick's loony psychic tops off a summer treat at Cincy Shakespeare

0 Comments · Monday, July 19, 2010
For several summers, Cincinnati Shakespeare Company has offered shows of witty, classical fluff when most companies are on a seasonal break. This month Noel Coward's comedic ghost story 'Blithe Spirit' fills the bill nicely, featuring six CSC veteran performers as well as Annie Fitzpatrick, who provides a great dollop of loony frosting on a very tasty summer dessert.  

Summertime and Finding Theater Isn't Easy

0 Comments · Wednesday, June 23, 2010
There's a song in 'The Fantasticks' that bemoans the heat of the summer sun — "This Plum Is Too Ripe" — and that's how hot weather makes me feel. It's made more depressing by the reduction of shows that might provide some diversion. Most local stages are dark for the summer, which is a shame. But there's still summer theater to be found, so let's do a quick overview.  

A Year of Great Theater

0 Comments · Wednesday, May 26, 2010
A lot of theater awards are handed out around the nation this time of year, including the Acclaims earlier this week in Cincinnati. I organize the Cincinnati Entertainment Awards, which will return in August (for year 15) to honor excellence from this season just before the next one kicks off. Awards are arbitrary, subjective and unscientific, but that doesn’t stop us from being fascinated or rooting for our favorites.  

Springtime Avalanche of Theater

0 Comments · Wednesday, April 28, 2010
Actors and stages and shows ... oh, my! April has offered Cincinnatians several unparalleled weeks of "We're off to see the theater." No matter which yellow brick road you followed, it likely led to a stage with an excellent production. Let me recap...  

An Ideal Husband (Review)

Cincy Shakespeare's Wilde production is about something worth discussing

0 Comments · Monday, April 19, 2010
Putting it as simply as I can, Oscar Wilde's 'An Ideal Husband' is the crowning pleasure of Cincinnati Shakespeare Company's 2009-10 season. Everything works. The direction by Jeremy Dubin is tight, focused and spot on. Design elements are more sumptuous and elegant than any CSC has ever presented. Performances maintain the lilt, audacity and inner laughter of high comedy.   

Springing Forward With the Stars

0 Comments · Monday, March 15, 2010
As Daylight Savings Time arrived last Sunday, local theaters began to turn the spotlight to their 2010-11 seasons. News is seeping out regarding what we'll see in the year ahead, and I want to share some newsworthy details about the Cincinnati Playhouse, Broadway Across America and Cincinnati Shakespeare Co.  

Planting a New Play, Watching It Grow

0 Comments · Monday, March 1, 2010
Pop quiz: After William Shakespeare, who’s the most frequently produced playwright in Cincinnati? How about Steven Dietz? By my estimate, Cincinnatians have seen 10 of his shows over the past few years. His recent play 'Becky's New Car' opens March 10 at Ensemble Theatre of Cincinnati, the fifth of his works to be staged at the Over-the-Rhine theater.  

Othello (Review)

Cincinnati Shakespeare classic could use a bit Moor

0 Comments · Monday, March 1, 2010
Considering the talent and sensitivity of the people involved onstage and in the director's chair, Cincinnati Shakespeare Company's 'Othello' is a disappointment. Little is egregiously wrong. Nobody falls down. Nobody goes up in his or her lines. But it's all so pedestrian.  

Situation: Critical

0 Comments · Wednesday, February 3, 2010
I know more critics who love theater than who live to spew out negativity. In fact, I've often said it seems nonsensical (if not masochistic) to carve out a career as a critic if you hate the theater and never enjoy the experience. Why subject yourself to night after night of torture if you really find actors or directors incompetent or self-serving?  

Miss Julie (Review)

Performances simmer with passion but never slip into excess

0 Comments · Monday, January 25, 2010
The stormy plot is a fevered sex-duel with class warfare overtones between Jean, an ambitious, wily, vulgar but capable servant (Matthew Lewis Johnson), and the spoiled, self-focused daughter (Hayley Clark) of Jean's titled employer. Is it over-simplifying to locate seeds of a wayward mistress in the behavior of a willful wife?  

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