Constella Festival's Composer-in-Residence Missy Mazzoli defies convention
0 Comments · Wednesday, October 9, 2013
The Constella Festival got it right when
they named Missy Mazzoli as this year’s composer-in-residence. At 33,
she’s earned the awards, commissions and acclaim you’d expect from
artists twice her age. And her two Constella concerts this year feature
compositions she’s created since 2005, both for small ensembles and solo
Deep scars, painful memories
0 Comments · Monday, October 7, 2013
Wartime tortures its victims long beyond the battlefields
and combat. Especially when a war tears apart the population of a single
nation, the scars run deep, last long and profoundly change lives.
That’s the circumstance of the characters in Martín Zimmerman’s Seven Spots on the Sun, receiving its world premiere at the Cincinnati Playhouse.
0 Comments · Wednesday, October 2, 2013
Back in 2006, Lewis Black told CityBeat
in an interview that the Bush administration and the GOP were “fucking
out of their minds.” So it is fortuitous that a recent interview took
place on the second day of Texas Sen. Ted Cruz’s filibuster to protest
the Affordable Care Act.
Musical based on film has more flash than heart
0 Comments · Wednesday, September 25, 2013
Producers of musical theater are always on the prowl
for material that already has some emotional traction and romantic
tales that were films when today’s audiences were young and in love are
ripe for conversion into theatrical works. It’s possible to do this with
some success, but I’m afraid that the folks who’ve translated the film
into Ghost: The Musical didn’t have enough faith in the story.
0 Comments · Wednesday, September 18, 2013
Occasionally I like to discuss where
plays and musicals come from. We have two interesting examples locally
this month: a touring production of Ghost the Musical at the Aronoff and the Cincinnati Playhouse’s regional premiere of Fly, a historical drama presented with imaginative staging.
1 Comment · Wednesday, September 4, 2013
As the season kicks off, it’s the perfect
moment for a few reminders about theater behavior. Attending a play
does not require dressing up or even being concerned about when to
applaud (that’s more complicated for symphony-goers). But it’s not the
same thing as watching TV at home. After all, you’re out in public, in
close proximity to other people who have paid to see live performers.
New play chronicles the life and legacy of Syd Nathan and King Records
0 Comments · Wednesday, August 28, 2013
Earlier this year, dozens of volunteers
roamed Cincinnati, haunting record stores, clubs and coffee shops. The
group was seeking stories about King Records, the legendary record label
that made its home here in the Queen City.
0 Comments · Wednesday, August 21, 2013
Tom Arnold totally understands if you
were once in the camp that presumed that if you were involved with
someone talented, you couldn’t possibly be talented yourself.
“A lot of people thought that,” Arnold
says of his days working with friend, later spouse and later ex,
Roseanne Barr. “First of all, I don’t care."
by Rick Pender
Posted In: Theater
at 06:00 AM | Permalink
The pickings have been kind of slim at Know Theatre over the
past year. The quality has been high (the staging of When the Rain Stops Falling was one of the best shows onstage
locally during 2013, and Mike Bartlett’s Cock
offered a showcase of strong acting), but the works have felt few and far
between. So today’s announcement from Producing Artistic Director Eric Vosmeier
of a full schedule that’s already under way and extends beyond the typical end
of the 2013-2014 season is welcome news. Here’s what’s in store following
Lauren Gunderson’s Macbeth-inspired
comedy Toil and Trouble (presently
onstage through Aug. 24):
Bull by Mike Bartlett (Nov. 1-30): Yes, it’s another piece by
the playwright of Cock, making Know
the first U.S. theater to produce both pieces by the British writer. Both use a
stripped-down aesthetic — no props and no scenery make for a lot of onstage
intensity regarding characters and their relationships. This one is the story
of three mid-level executives who compete for two corporate positions. Brian
Robertson, who also staged Cock,
returns to direct this one, and George Alexander, one of the four actors in the
earlier show, will perform in this one, too.
The Naughty List (Sunday, Monday and Tuesday evenings, Dec.
1-30): OTRImprov, an improvisational comedy troupe that’s part of Know’s
Jackson Street Market, will hold forth in the courtyard at Arnold’s Bar &
Grill in downtown Cincinnati for the holidays. Combining long- and short-form
improv, the performers will offer a very irreverent take on the holidays — with
the help of audience suggestions and participation.
Pluto (Jan. 24-Feb. 22, 2014): Know’s former artistic director
Jason Bruffy comes back to town to stage a poignant and evocative new script by
Steve Yockey. The production is part of a rolling world premiere through the
National New Play Network, and it will feature two excellent local
professionals, Annie Fitzpatrick and Tori Wiggins. An ordinary day in a
suburban home takes a strange turn following a local tragedy, what with all
hell breaking loose. Know’s publicity says the show “explores tragedy, loss and
the way love can blind us to the truth.”
TBD (April 4-May
10, 2014): Know is holding a slot for a production to be announced later. You
can be sure it will be another script with the ink still drying.
Cincinnati Fringe Festival (May 27-June 7, 2014): The 11th
annual Fringe will be back with 12 days of theater, music, dance, film, art —
and a lot of stuff in between that kind of defies simple description.
Applications for performers will be accepted starting Sept. 1, 2013 (through
Dec. 6). Info: www.cincyfringe.com.
Moby Dick (Fall 2014): Playwright Julian Rad adapted Herman
Melville’s great American novel for an Off-Off-Broadway production in 2003.
Michael Burnham, recently retired from a long career as a professor of drama at
UC’s College-Conservatory of Music, will co-direct the show with designer
Andrew Hungerford. The tale of revenge and obsession with Captain Ahab pursuing
the great white whale that maimed him has been stripped to its essence for what
promises to be a highly theatrical endeavor that uses sea chanteys and creative
In addition to these full-scale productions, Know has
announced several Fringe “encores,” the return of shows that were hits during
the festival’s 10th iteration back in June. Jon Kovach will repeat his powerful
one-man show based on Ron Jones’ The Wave (Aug. 26-27);
comedian/storyteller/singer Kevin Thornton will present Stairway to Kevin (Sept.
6 and 13); and Paul Strickland’s one-man trailer park fairytale comedy, Ain’t
True and Uncle False (Oct. 11-12).
Tickets for the full-productions are $15 in advance, and $20
the week of the performance; Fringe “encore” tickets are $12. Know offers sets
of six-show flex passes for $90 that do not expire. They can be exchanged for
tickets for any of these productions. For more information: 513-300-5669 or
0 Comments · Monday, August 12, 2013
The Broadway revival of Chicago, the satirical show about
murder, celebrity and corruption, is the longest-running American musical in
Broadway history; the 2002 film of Chicago
won the Academy Award. All the more reason to make a call immediately
to the box office at The Carnegie in Covington to get a ticket for an
eye-popping local production.