by Deirdre Kaye
MidPoint Night 1 through the eyes of pain-killers
I’ve sprained my neck.* I’m taking Vicodin and Thursday
night is the first night of MidPoint Music Festival. When my editor told me my
review should be first-person and to “think, Fear and Loathing in Las Vegas,” I snorted at just how closely it
might come given my current intake of prescription drugs.
No longer stoked for the experience but realizing it’s far
too late to get out of going, I texted my friend, Rachel, on Wednesday
night. Was she going? Could I tag along with her? The buddy system seemed like a good idea this
time around. She immediately told me
sure and that she had planned to see Andrew Bird, Best Coast & Dirty
Projectors on Thursday.
Thursday evening, I stroll toward Washington Park. There aren’t tons of people out at 7:45, but
it’s still early in the week and early in the night. There are still enough people that it’s easy
to walk mindlessly at the heels of a group of scarf-donning 20-somethings
and end up where I need to be to meet my friends.
I glance around, but I don’t try too hard to find
Rachel. She’s one of those people you
hear before you see. Instead, I find a
spot near the sound booth between two relatively attractive and seemingly
girlfriend-less guys, pull out my phone and begin to send texts and
By 8:10, I’m bitching, though.
knows I’m jacked up on painkillers. If I
wander off with some heavily bearded rapist in skinny jeans, thinking he’s
Rach, it’s all her fault. Mostly importantly, I’m
absolutely distraught that I shaved my legs yesterday. I’ve always had this strange idea that if I’m
about to get raped, I’ll just say, “You don’t want me. It’s a hot mess down
there.” I think he’ll be disgusted by my lack of feminine upkeep leave me alone. Now I’ll never know if that line works! Has anyone already tried it? I’ll have to Google it later.
and I still don’t see Rachel. I do,
however, see a tall, lanky shadow near the ATMs and he’s laughing. It’s Dan.
I text Rach for confirmation and then head over to find him with a few
other people I know. (They have names,
too, but they’re really irrelevant for tonight.)We
make a few bad jokes and then Andrew Bird starts with zero fanfare. He just launches into his music, people applaud
in surprise, and he carries on It’s a
beautiful view. Andrew Bird has these
slowly spinning art-installations that look like plumes of smoke and a very
cool rotating double-Vitrolla-like thing. Above the roof of the stage glows the pretty, white flora-inspired
window of Music Hall. Last time I went
to Music Hall for the Opera, I was probably parked just about where my friends
and I currently stood.
He’s good. His
whistles have me staring at him in expectation. Where are the little animated birds fluttering toward him with ribbons
for his hair and water for his face?
It’s all just so pretty. I’m
Until my foot lands on something hard and round. Is it a sprinkler head? Yes. I know this without having to look at
it. And yet, drop my head and try to
find the small black circle as it hides out in the grass and my shadow. I don’t see it. But I feel it, right under my foot. It finally occurs to me that I should lift my
foot and I immediately stumbled into Rachel and Dan, who shrug off my
apologies. Figuring out how long I’ve
known Dan requires higher math than I’m capable of, but he’s used to my
stumbling into him.
The stumbling and bumping calls my attention to the fact
that Andrew Bird is playing not only an entirely new song but also he’s in an
entirely different spot. He’s near an
upright bass, hovering over an old microphone and making music I love
oh-so-much. Still, when it’s back to the
usual stuff, I’m not the only one feeling the weight of his mellow music.
It’s decided that we need caffeine. Fast.
As half our group strides through back alleys and around
clusters of people, Rachel tries, to no avail, to tell us that Yelp says Coffee
Emporium closes at 8 p.m. She’s like
one of Andrew Bird’s birds, she sounds nice in all the chaos, but she’s having
a hard time rising above it. In the end,
it takes standing in front of Coffee Emporium’s darkened doors for Dan and I to
Ira’s (Iris? I can never remember) is closed, too.
So, we do what any sensible, caffeine depraved people would
do: We send Dan to his apartment to make us some while we go stand on Clay and
watch Best Coast through a fence.
No one will ever convince me this isn’t the best view for
their show. Sure, you can’t see their
faces. But, you can still pick up on all
their energy and hear things perfectly.
Mostly, though, you also get to see the rest of the crowd dancing like
crazy fools, singing along and having an awesome time. Standing outside that fence, I think I
enjoyed the energy far more than I would if I were amidst those flying elbows
and twitching hips.
Dan and, our friend, Erik are back.
They brought camp chairs and no coffee.
We utilize the chairs and this awesome see-saw for a hot
minute before Dan gets a text about Bluegrass at Mr. Pitiful’s and then we’re
off, again. I’m still not entirely sure
what our friends were talking about at this point. They came out giddy over the .5 seconds of
music they heard that sounded Bluegrass and Irish. (Despite knowing Dan for at least half my
life, I’m still surprised by how absolutely stoked he is about this.) They mentioned a name that I don’t see
anywhere on Mr. Pitiful’s Thursday line-up.
However, on Friday we’re all meeting up at the Midway at 5p, where they
are, apparently, playing again.
Despite multiple pleas of, “Are you sure we shouldn’t
support our friend?” and “We could at least peak in and say ‘Hi,’” we don’t
make it into Mr. Pitiful’s to say reassuring things to Young Heirloom’s Chris
Rob.** For a brief second I contemplate
making a stand. I’ll stand like Superman
and demand we give this musician-man our dues!
Except they’re talking about caffeine, again, and if they go
too far, I’ll never find them. Even not
on my best of days, OTR is like that tricked out maze in Harry Potter and The Goblet of Fire.
Except Lord Voldemort is played by a skinny, African American guy
who comes up to Dan while we’re still on Main Street.
“Hey man, have you ever been tazed?” he asks my friend.
A bright light flashes and I’m terrified for my one-time best
friend. What’s that disarmament
spell? But it’s just a watch or a flash
light or something and Dan, who I think I’ve only ever seen mad once (at me, of
course), just shakes his head and tell the guy it’s not cool, he doesn’t even
And then we’re just not there anymore. We’re in 1215 Wine Bar and Coffee Lab.
But, I don’t actually like either of those things. All I’ve wanted all this time was a pop or a
chai. They have chai, though. And they’ll ice it! And, you know what else? It doesn’t taste like my coveted goodness
from Fido, in Nashville, but I think it’s better than Starbucks. Holy Shit. This place needs a drive-thru.
I’m talked out of seconds by Rachel, who is bound and
determined we make it to The Emery for Dirty Projector. I’m ready to give up the ghost. I just want another chai…or 10. There’s a cheese plate that looks good,
too. Mm, Cheese. But, I remind myself that I’m supposed to be
writing about the music. Also, I have no
idea which direction I’d go to get back to my car once I’ve been properly
filled with dairy products.
So, off we go, to the Emery.
It’s packed. Thank
goodness Cincinnati is filled with some seriously sweet people. A bit of rearranging and the seven of us are
in one long row in the balcony. We’re
only forced to sit and hide yawns for a few minutes before the music starts.
I like Dirty Projectors and their quirky, disjointed Pop
Rock. It makes me want to dance. Except no one in the balcony dances. I can see hints of movement and excitement
below. But the people around me, the
ones near the rafters, are zombie-like. No one moves, except to yawn or to leave. It’s hot, too, and I swear on anything that
it smells like Skyline up there.
They should have played at Washington Park. Out in the cool air and in the open field,
where there aren’t seats to lull the tired, drunken masses to sleep. That would have been better for everyone.
When I find myself trying to calculate the likelihood of my
death if the balcony collapses, I know it’s time to go. It’s been a short night, but I’m done. If I stay much longer, I’ll fall asleep. Or I’ll throw up. I pop a Tums for the trip back to my car and
Once outside, I’m far less concerned than I should be about
the fact that I have only a vague idea how to get to my car.
There is one thing I know for certain, though: I’m stopping for Skyline on the way home and
I want extra cheese.
*Who knew that was even possible? Not me.
**That’s his name with us, whether he likes it or not.
by Blake Hammond
You take the good, you take the bad, you take them both and then you have the MidPoint Music Festival. Well, none of it was bad; I mean, if I have to bitch about something, it’d be that there weren’t enough bathrooms. Just kidding. Who do you think I am, some writer from The Enquirer or something?It was my first trip to Cincinnati’s annual music event, so it was my MPMF deflowering, if you will. And just like every teenage girl’s dream, Midpoint popped my cherry by easing me in slowly and sweetly, but ended up giving it to me hard enough to have me worn out by the end of the night. Also, since almost all the shows were at bars, they even got me a little tipsy before they ravaged my mind with their delightful musical fuck-fest (what gentlemen!)I started my night at Washington Park, where New Zealand’s Psychedelic Indie Pop rockers Unknown Mortal Orchestra took the stage. When they finished, I didn’t know how I felt about it. The songs were catchy and the music was very beat-driven, with intermittent fetching riffs and wailing solos from the lead man and mastermind of UMO, Ruban Nielson, but there was still something off about it. To me, it sounded like the vocals were turned down too low, almost becoming a backdrop for the Pop-induced musical acid trip blowing through the amplifiers. Then again, it also may be the fact that I didn’t know many of the lyrics. Either way, it ended up being like meeting a cute girl at a bar that ends up just having an OK personality. She sparks your interest for a while and you may even take her on a couple dates, but there’s only so much you can hear about how cute her cat is or why The Vampire Diaries is such a great show before you realize she’s just not for you. After UMO ended, I decided to finish my brew, skip out on Grizzly Bear (mainly because someone else had to be covering it, right guys?) and headed down to The Drinkery to see Boston duo You Won’t. It may have been the best decision of the night. On my way there, I had to force myself to walk by the Third Man Records rolling record shop (because I’m broke) and contemplated going to the free advice booth/box truck to see if somebody can tell me why my life is always falling apart, but decided to get a drink instead (maybe I just answered my own question).When I arrived at The Drinkery around 8 p.m., it was a ghost town. That sounds stupid and cliché but, including the bar staff and the two other people I brought with me, there were approximately 15 people in attendance. By the time You Won’t actually started (around 8:30 p.m.) there were about eight people watching. The rest were sitting at the bar either enraptured by the masterful pitching performance Homer Bailey was putting on against the Pirates (who can blame them), off in their own conversations or at Washington Park seeing Grizzly Bear. After the end of You Won’t’s first two songs, however, I was already impressed. Lead singer, Josh Arnoudse, who in addition to being a really cool guy (I spoke with him briefly after the show) had one of the most distinct voices I’ve heard in a long while. At first, I thought it to be like a higher pitched, better toned Bob Dylan, but as the set progressed, Arnoudse hit his falsetto with ease (on numerous occasions) and showcased a wide vocal range during the 40 minute show. The other half of You Won’t, Raky Sastri, was quite the musician, as well, manning the drums, keyboard, accordion, harmonica, tambourine, organ, xylophone, and, oh yeah, he did back-up vocals, too. Yet, the best part of their performance was about halfway through, when Arnoudse decided that if people weren’t going to come to his show, he was going to bring his show to the people. He then proceeded to run out into the “crowd” with his acoustic guitar and play by the pool table because "the vibing" better. Oddly enough, he was right. People started to come around, circling Arnoudse and Sastri, while Arnoudse played to their cell phone cameras as if they were on national TV (look out for those on YouTube later.)When You Won’t ended, I basked in all my fan-boy glory, praising Arnoudse for his set and buying their LP, Skeptic Goodbye. Then, the unthinkable happened. The Dark Knight (Bailey) rose as he achieved the Red’s first no-hitter since Tom Browning did it against the Dodgers back in ’88 (I wasn’t even born yet) and celebration ensued. People were going nuts, drinks were bought and high-fives were given as the general mood of the bar had done a 180-degree turn in less than an hour. After partying it up with those patrons, I headed down to Mr. Pitfiuls (what an awesome name) to check out old school Country band The Tammy Whynots and I was not disappointed. Although I had to leave about six songs into their set, these guys (and gal) really captured that classic Honky Tonk Nashville sound that was so revered in the ’60s and early ’70s. With their bedazzled rhinestone jackets, Kelly Thomas’ vintage Loretta Lynn-style dress and throwback hair-do, The Tammy Whynots not only hit the sound right on point, but the image, too. I don’t want this to sound like they are purely a tribute act, paying homage to Country legends like Johnny, June, Tammy and George, because if they had come along earlier (like a lot earlier) they could have easily fit right in right along side those legends. The final band I saw Friday, were the high-octane, high-energy, in-your-face Rock & Roll band The KillTones back at The Drinkery. It was the thing I had been waiting for all night; finally, a band with some fucking attitude. This was not only the four-piece Blues-infused band’s first time at MidPoint, but also their album release party. They knocked their really tight set out of the park. No no-hitter here.The guitarist, Josh Pilot, was like a combination between Tony Iommi and Chuck Berry if they hung around Jack White a lot. The lead singer, Clinton Vearil, was about one of the most enigmatic frontmen you'll find, contorting and gyrating all over the tiny stage at The Drinkery. My favorite part of their set was a slow, bluesy song that really let Vearil’s vocal abilities shine, as he went from a mesmerizing high-pitched scream to a really soulful and sultry sound in the verses. Although, this was definitely the best festival experience I have ever had, I only have two regrets. The first was that I was too tired to go see F. Stokes at the end of the night at the Blue Wisp. I know, I’m an idiot, but you can blame The KillTones for that; they wore me out. The second is that I didn’t have the money to buy The KillTones CD, which is consequently all I want to listen to at this moment. Anyways, I couldn’t have asked for a better night. Good bands, good beer, my first Reds no-no and a new-found respect for the Cincinnati music scene. Thanks, Midpoint for taking it easy on me for my first time; you really know how to treat a girl right. Click here for oodles of photos from Night 2 of MPMF.12.
by Brian Baker
The first night of MidPoint almost looked like it would be a typical rain-soaked affair, but the clouds relented and the festival’s kick-off was gorgeous and every bit as big as promised. My first stop on the musical pub crawl that is MidPoint was not a band but a party...well, the whole bloody thing is a party, but this was an actual event thrown by the towering presence known as Brian Kitzmiller to celebrate the one year anniversary of his marketing company, Reveal Concepts. En route to Japp’s, I ran into bassist to the stars Sammy Wulfeck and guitarist/keyboardist extraordinaire Brandon Losacker, who were jimmying their bank accounts at an ATM for a little walking around green. Sammy dropped two bombshells; he’s going to be a father in less than two months, and Ric Hickey has returned from his soul-searching California sojourn. Birth and rebirth. I love synergy.Brian’s party was a blast (any party with free OTRs is bound to be), populated by a wide variety of great people (detailed later), with incomparable Rock and Soul sides providing a brilliant soundtrack courtesy of DJ Bryan Dilsizian, the hardest rocking platter daddy in town. Now that’s a party.I had intended to make my way to Grammer’s for Dressy Bessy but I was making rather merry at Japp’s and, to quote the legendary Shel Silverstein, I got stoned and I missed it. So I headed over to Mr. Pitiful’s for my first band of the evening, the Demos out of Rochester, New York. Head honcho/zen master Mike Breen yardsticked these guys against the likes of Wondermints, the Shins and Big Star, and I would be inclined to agree; the sextet’s facility for melancholy Pop melodicism, hooky jangle and stellar vocal harmonies is the equal to any of those lofty references. Naturally enough, in the live setting, some of the Pop subtlety of The Demos’ debut full length, last year’s Lovely, is jettisoned in favor of a more bracing sonic presentation, like the amped up Strokes-like storm kicked up on “Nervous.” This was The Demos’ Cincinnati debut, and they seemed to be enjoying themselves as much as they were being enjoyed, hopefully a sign that they’ll be coming back our way soon.After a stop at Mr. Hanton’s for the most delicious hot dog on the planet (no snouts, hooves or ass jelly in these bad boys...it’s a meal on a bun), and a quick chat with MidPoint co-architect/bon vivant Sean Rhiney, my intention was to head down to the Blue Wisp to catch Black Taxi (which I heard was incredible) but, having gotten little sleep the night before, decided to conserve energy and drop in at the Main Event to catch Saturn Batteries and stick around for Sohio, one of my longtime local faves. Saturn Batteries is the brainchild of Brad Gibson, who’s done bass stints in Walk the Moon, Young Heirlooms and Charlie Hustle, and is now trying his hand in the frontman role. If last night’s performance is the standard, Gibson should have made the leap a long time ago; Saturn Batteries taps into classic melodic Beatlesque Pop with a sugary Pixies icing, resulting in a sonic confection that is powerfully energetic without being jittery or pointlessly arty. The quartet churned out a good set and provided plenty of evidence that time and fine tuning could gain them a large and loyal following, locally and well beyond.Next up at the Main Event was Sohio, a band whose studio efforts I’ve reviewed positively and often but have somehow managed to miss consistently in a live context. Sporting a new bass player, Sohio tore shit up good and proper and proved why they’ve been a fixture at MidPoint for a good many years. It’s a rare band that can direct traffic at the intersection of Americana, Rock both rootsy and garagey, Blues, Punk, Pop and Country without having an eight-genre pile-up. Sohio is that rare band, deftly balancing the noise that rattles rafters and the subtlety that breaks hearts. Their relative obscurity may be a product of their own design, but Sohio can and should be the next big thing.I ducked out of Sohio’s gig a little early to hit Below Zero for a taste of the Terror Pigeon Dance Revolt, but the duo was still setting up when I arrived, so I witnessed a good deal more than I anticipated. TPDR is a wild rhythm ride, a gene splice of They Might Be Giants and Ween that’s been mutated into an Indie Rock mash-up of American Bandstand and Burning Man. The music is performed by a rotating cast of characters and programmed by Neil Fridd, and with the music safely stored on a hard drive, Fridd and his lovely partner (presumably Haley Riddering, but that’s a guess based on limited research done on deadline) are free to roam the crowd, form a conga line, fall into a suggestive pile on the dance floor, snake string lights into the pogoing audience and deploy a giant gray parachute for everyone to dance under like a silky umbrella. TPDR is a glittery interactive Indie Rock dance slam and if they should venture away from the Brooklyn, New York base and into our cozy confines again in the near or distant future, you would be well advised to get in line.After TPDR, I headed back to the Main Event for the finish of Jody Stapleton and the Generals’ set. Sparrow Bellows big bass master Sammy Wulfeck is providing the pulse for the Generals these days, and the Black Owls’ Brandon Losacker is doing double duty on guitar and keys so I was curious to hear this new iteration of Jody’s sound. I was always a fan of the Stapletons back in the day, and the Generals are yet another fine example of Jody’s consummate ability to translate influence and inspiration into his own singular sound. The Generals’ frame of reference is the sunny Pop of ’70s AM radio and the roar of Classic Rock, dragged kicking and screaming into the 21st century. Jody’s hushed singer/songwriter vocals are a subtle counterpoint to the frenzy kicked up by Sammy, Brandon and drummer Nick Mavridoglou (spell check is obviously doing me no good here), kind of like Ray Davies recording a tribute to Wilco’s Summerteeth.Finally, it was time for the last show of the first night of the 11th edition of MidPoint (that sounded a little more biblical than I’d intended), which for me was the inspired garage tumult of Nashville’s Turbo Fruits. From the opening stomp to the last ringing chord, Turbo Fruits (at one time, a side project for the late, lamented Be Your Own Pet) were alternately mesmerizing and pulverizing, whipping the assembled multitude at the Drinkery into a writhing mass of humanity, baptized in sweat, sanctified by volume and praising the gods of Rock for allowing them access to the forbidden Turbo Fruits. At one point, frontman Jonas Stein gave a mighty Rock kick move and lost his shoe in the crowd, which someone was kind enough to return to the stage. Stein thanked the shoe samaritan verily, because, as he noted, he’d only brought two shoes with him. It was unclear whether he meant two pairs of shoes or just two shoes, but his gratitude was commensurate with that of a guy who was looking at going barefoot for the remainder of the tour. At any rate, Turbo Fruits kept their feet (with or without shoes) firmly on the necks of the MidPoint crowd for the duration of their hour-plus set, leaving everyone wanting for more at the conclusion and perfectly teeing up expectations for Friday night.MidPoint 2012 Thursday Night Notes:• Brian Kitzmiller’s one-year soiree for his new marketing outfit, Reveal Concepts, was, as noted, a blast. Mere moments after hearing Sammy’s news about Ric Hickey’s triumphant return, I walked into Japp’s and was greeted by the prodigal son himself. His relocation to California was a journey of self-discovery, an attempt to reconcile his past, present and future and come to grips with what he truly wants and how to get it. Sometimes you have to go a long way from home to realize what home means. And for Ric, this is home. Welcome back, old friend.• Also was introduced to longtime photographer and soundman Chuck Madden, a guy that I saw running the board at every Raisins show I ever attended but never actually met. We traded a few stories over Brian’s free OTRs, and he gave me his card; I hope that we can trade more stories and quaff more brewage in the very near future.• I ran into the Generals’ Brandon Losacker and Nick Mavridoglou at the Demos’ show, which they were digging but Mr. Pitiful’s $7.50 Jack and Coke sent them down to MOTR for the Filament. On my way out, I spotted Magnolia Mountain’s Mark Utley at the bar, who was anticipating the Space Capone show at the Blue Wisp.• Ran into my Kroger pal and Faint Signal keyboardist/guitarist Paul Roberts on my way to the Midway. If you lament the days when bands like Rush, Pink Floyd, King Crimson and Yes were relevant, you owe it to yourself to check out the band’s self-titled debut. They’ve got a serious Prog vibe, but not in a wizardy, disappear-up-their-own-ass way.• As previously noted, just before hitting Mr. Hanton’s for another brilliant hot dog (they call them handwiches, I call them awesome), I crossed paths with Sean Rhiney at the Midway. His lovely friend Susan offered to buy me a beer, but Sean wound up paying for the trio of Goose Islands and I got the tip. Susan observed that it must be her feminine wiles, to which I responded, “I wish I had boobs. Wait, I do. I just don’t know how to work them.” Perhaps having another beer at this point was not a sound idea. At any rate, we had a nice chat about the old days (Susan could actually claim some ownership in MidPoint; she was dating Bill Donabedian and introduced him to Sean, and the rest is history) and the new days and kids (Susan was trying to recruit Sean into the wild world of parenting; he didn’t seem to be drinking the Kool-Aid), then we hit the night in opposing directions.• Sohio’s Mark Houk bought me not one but two beers at the Main Event. I believed him to be a prince among men, but a two beer evening is proof beyond proof. I raise my hangover cure to you, my friend.• No Matthew Fenton sightings on the first night. I tried to e-mail him this week but the message bounced. And I saw his name on the Twitter feed at Below Zero, but it wound up being a message from last year. Classic tweets from MidPoints past? As Mike Breen noted, that is retro at its most contemporary.• Had a long talk with Sammy Wulfeck about the trials and tribulations of parenting. There is nothing more rewarding or more likely to make you want to stick your hand in the garbage disposal than having children. You can’t intellectualize it, you just jump. No one is ever ready to have kids. You can’t get old enough to be ready. You just do it. And it’s great, and it’s not, which is a capsule description of life. Sammy assured me he’d give me a call if he needed any advice … I fully expect the phone to ring right after they cut the cord.• As I was walking by the line to get into the Dirty Projectors, I heard what appeared to be an able-bodied Indie Rock man say to his companions, “There’s going to be chairs in there, right?” Really? (In fact, they did.) Look, if you’ve got some physical disability not plainly apparent to the naked (or beer-clouded) eye, then by all means chair up. But you looked hale and hearty to me, so come on, dude, I’m 55 and I manage to stand my fat ass up for about 75% of the MidPoint experience. When I told this story later to CityBeat publisher Dan Bockrath, he smartassedly noted that I was seated while telling this tale. It’s not nice to pimp slap your elders, Dan. It is nice to buy them a beer … I’ll see you tonight.• Ran into Mike Breen, Fairmount Girl/Culture Queer’s amazing Dana Hamblen, former Mad Anthony bassist Dave Markey and MA’s inimitable Ringo Jones at the Drinkery. Ringo, as he is want to do, put an enormous beer in my hand, which ultimately led me to regale Mike with the strange circumstances of my bygone days of chemical ingestion. He wisely slipped away when I went to the bathroom. That or I hallucinated him into being there in the first place. I’m never quite sure, and it’s happened before.
by Mike Breen
Nashville rockers lose two guitars prior to show last night at Drinkery
Not cool, MPMF thieves. A pair of guitars were stolen from Nashville's Turbo Fruits last night before the band closed out the festival's first night at The Drinkery in Over-the-Rhine. Here's the skinny:"Both of Kingsley's guitars went missing from the 2nd level green room at The Drinkery (1150 Main St) in Cincinatti last night before our MPMF show. These guitars have a lot of sentimental value and we're looking for any leads or suggestions for pawn shops, etc. where we might track them down. One is a 1994 american fender stratocaster 40th anniversary model. The other is a 70's aria les Paul with original bigsby and an original 70's Gibson case. Its Tobacco burst with old locking tuning keys with the screw to the locking tuner key on the high e missing. Please email us at email@example.com.-Turbo Fruits"Photo of the Strat above.
Think you know everything about the MidPoint Music Festival? Pop quiz, hotshot
3 Comments · Wednesday, September 26, 2012
Think you know everything about the MidPoint Music Festival? Pop quiz, hotshot
by Jac Kern
Odds are if you’re
reading this, you already know all about the 11th annual music
festival descending upon OTR and Downtown Cincinnati this weekend. MidPoint
Music Festival runs tonight through Saturday, bringing more than 100 local,
regional and national musicians to the city. If you still haven’t gotten
tickets, planned your schedule and read interviews with artists, find all that
good stuff here.
There’s more to
MPMF than hopping from venue to venue and discovering your new favorite band
(though that is an awesome aspect). The MidPoint Midway, which takes over
Twelfth Street between Vine and Walnut, is not only the box office location
(where you can still purchase three- or one-day tickets) but also features the
returning Box Truck Carnival, poster expo, photo booth, food court and more.
Here, MPMFers can enjoy box truck gallery exhibits, improv shows, an arcade
and more interactive activities between concerts each day.
Just down the
street at the School for Creative and Performing Arts, the Midland Film
Institute presents the first MidPoint Film Festival, featuring local,
independent and cult films (ahem, Human
Centipede double feature). It’s a great sign that MPMF has
expanded beyond music to incorporate art, film, theater and more entertainment
— there’s quite literally something for everyone, from children to hip kids to
old timers. Read more about the carnival and film fest here.
When you’re all
MPMF-ed out, there’s even more happening around town.
Amid the MidPoint
action, Night Owl Market returns to the parking lot at Main Street and Central
Parkway. Grub out on goodies from local food trucks like SugarSnap!, New
Orleans To Go and C’est Cheese from 8 p.m.-3 a.m. Friday and Saturday. Vendors
will also be on hand hawking goods each night.
Remember our cover
story on the area steampunk trend? The antiqued-futuristic creatives who
brought the Steampunk Symposium to Cincinnati present Pandoracon Friday-Sunday.
Whether you’re into comics, sci-fi, anime, cosplay or anything in between,
there’s a nerd in all of us that wants to come out and play at Pandoracon. Meet
fantasy artists and authors, geek out in the game room, dress in costume, watch
sideshow circus acts and stop by what are sure to be some of the craziest hotel
parties — all at Blue Ash’s Crowne Plaza Hotel. There are tons of events all
weekend long, so go here for more info and tickets.
This weekend is
locals’ last chance to celebrate Oktoberfest this year with Newport on the
Levee’s festival running Friday-Sunday. Enjoy live music, traditional dancers
and all the beer and schnitzel you can stomach. Find a full rundown of events and menus here.
From UC students
and grads to retired hippies to skater kids, Clifton has been home to many of
us at one point or another, and the neighborhood holds special memories for
most who have visited. Make more during A Weekend in Clifton, a celebration of Ludlow Avenue and its surroundings. The street will be closed
from 6 p.m. Friday-Sunday to accommodate Cliftonfest — featuring vendors, live
music and artists — and the 10th annual StreetScapes street-painting
by Mike Breen
The MidPoint Music Festival 2012 countdown clock is turned off — it's tomorrow!
MidPoint News and Updates: Are you ready for some MidPoint! The MPMF.12 kick-off celebration takes place TONIGHT. The pre-party is in The Hanke Building on Main Street in Over-the-Rhine. Entrance is down Michael Bany Way, just across from the 12th and Main streets intersection. The party starts at 6 p.m. with a set of “MPMF mash-ups” by local DJ Ice Cold Tony. Always amazing local rockers 500 Miles to Memphis perform at 9 p.m. The kick-off shindig is free and open to everyone of drinking age (even if you think MPMF is “killing teh scene!”). There will also be free Vitaminwater and Eli’s BBQ; one lucky attendee will also go home with free VIP tickets to see The Afghan Whigs’ New Year’s Eve concert at Bogart’s. Here's an early classic from 500 Miles to get your psyched:The MidPoint Music Festival countdown is down to just one day. Yup, starts tomorrow. Here are our daily MidPoint Music Festival 2012 picks …BIG SHOTChain and The Gang (Washington, DC)RockDinosaur Jr. (playing Friday on the Grammer's/Dewey's Pizza stage) isn’t the only MPMF band that was influencing today’s music-makers beginning in the ’80s. Ian Svenonius made his name with influential DC bands Nation of Ulysses and The Make-Up, wiry Punk Gospel group that he led with the possessed, wild-eyed intensity of a Southern Baptist preacher gene spliced with James Brown and Iggy Pop. His presentation of the “Gospel Yeh-Yeh” in clubs worldwide proved his reputation as one of Indie Rock’s greatest frontmen, night in and night out. Svenonius’ religious experience may never die; whenever a project ends, he simply finds new parishioners to help him spread the gospel and carry on. You'll Dig It If You Dig: Nation of Ulysses, The Make-Up, Weird War. (Mike Breen)Chain and the Gang performs Saturday at midnight at MOTR Pub. Here's a video for the band's "Certain Kinds of Trash":SLEEPER PICKThe Ridges (Athens, OH)Orchestral Indie FolkThis Athens, Ohio-based Orchestral Indie Folk troupe has built a solid following in Cincinnati thanks to repeated show dates in town, including providing highlights at a few past MidPoint Music Festivals. So they're not exactly a "sleeper" (because I've seen them and they're great), not exactly a "Local Lock" (though their ties to Cincinnati run deep) and merely on the verge of being Big Shots. Regardless, you won't be disappointed should you add them to your MPMF.12 itinerary. The Ridges — who perform in different configurations, depending on which members are available (including string and horn players) — are currently prepping a full-length album (recorded here in Cincinnati), so fans may even get a few new songsDig: Soulful, acoustic Folk Rock that builds into emotive orchestral swells. (MB) The Ridges perform at Know Theatre on the Biore Strip at 10:30 p.m. Thursday. Here's a special video the band made just for the occasion, shot on a rooftop in OTR:LOCAL LOCK PICKThe Grey Academy (Cincinnati, OH)Indie RockCincy singer/songwriter Josh Hill first came to attention with his band Ellison, which introduced the region to a songwriter with impeccable chops for someone so fresh to the local music scene. The band’s wonderfully crafted Pop/Rock started earning Hill attention both locally and beyond, but in the midst of it all, the songwriter began writing different, darker songs that reflected his changing listening habits, which veered into the still catchy yet less calculated sounds of bands like Bloc Party, Interpol and The Killers. Hill has shown that his skills weren’t limited to Ellison’s instantly hooky style; with The Grey Academy, he brings the same sensibilities to a less predictable, more moody brand of Rock. Dig: Interpol, Smashing Pumpkins, Death Cab for Cutie. (MB)The Grey Academy plays MidPoint Saturday, 8 p.m. at Main Event. Check out the band's "In Stride": Click here for full MPMF details via the official MidPoint site.
Cincinnati’s Young Heirlooms have gratitude in their hearts and some stuff to get off their chests
0 Comments · Wednesday, September 26, 2012
There’s a very thin line between knowing
what you want and being thankful for what you have. A few inches to one
side could see you constantly unhappy with what you earn. An inch on the
other side and you’re bound to never earn anything new. Cincinnati’s on-the-rise Indie Folk duo
Young Heirlooms walk that line. They’re overwhelmingly thankful for the
support from Cincinnati and respect from their fans. Their gratefulness
is conveyed nearly constantly, onstage and off. But, just under the surface, they’re itching for more.
Latest updates for this week's MidPoint Music Festival and news on The National's upcoming concert
0 Comments · Wednesday, September 26, 2012
Get the latest updates for this week's MidPoint Music Festival and news on The National's upcoming concert at the Emery Theatre on a mini-tour for Barack Obama.
MidPoint celebrates the arts with carnival and film fest components
0 Comments · Wednesday, September 26, 2012
As the MidPoint Music Festival continues
to grow, festival organizers are finding new ways to give audiences
opportunities to interact with independent creatives in various fields.
This year, not only will ArtWorks’ Box Truck Carnival be returning, but
for the first time ever MPMF will also include a film festival.