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Keb' Mo'

Saturday • Dave Finkelman Auditorium (Miami University Middletown)

0 Comments · Wednesday, April 9, 2014
When Keb’ Mo’ comes to our area this weekend, he does so 10 days before the release of his first solo recording in three years. Titled BLUESAmericana, the album’s name captures the multi-genre lines that Mo’ has crossed throughout his career.   

The War on Drugs with White Laces

Friday • 20th Century Theater

0 Comments · Wednesday, April 9, 2014
The cover for The War on Drugs’ latest album, Lost in the Dream, finds frontman Adam Granduciel looking down pensively, his fuzzy, mop-headed silhouette semi-obscured by light flowing through a window. The gauzy image is the perfect encapsulation of the Philadelphia band’s brand of melancholic Psych Pop, a sound at once familiar and tough to entirely pin down.  

The David Mayfield Parade

Thursday • Southgate House Revival

0 Comments · Wednesday, April 9, 2014
There’s a party rolling across the country and setting up shop in various venues across the land called The David Mayfield Parade. Next stop: Newport, Ky.   

High Setlist Hopes

What Springsteen should play at his Cincinnati tour stop

0 Comments · Tuesday, April 1, 2014
In light of reports from shows in Australia and New Zealand (and with a heavy dose of wishful thinking), here are some suggestions for Bruce Springsteen and the E Street Band's set at their tour stop in Cincinnati.   

Guided to 'Voices'

Live shows, The Beatles and a visual approach inform the new album from Indie Electronic duo Phantogram

0 Comments · Tuesday, April 1, 2014
Sarah Barthel and Josh Carter have known each other since attending junior high together in upstate New York in the late ’90s. Their friendship came in handy when, in 2007, Carter was looking to start a new musical project, one in which Hip Hop beats could commingle with atmospheric Indie Pop. Enter Phantogram.  

St. Vincent

Tuesday • Bogart’s

0 Comments · Tuesday, April 1, 2014
Annie Clark, aka St. Vincent, is a mysterious lady whose increasingly impressive musical output is informed by her expressive guitar playing and catchy, intricately crafted songs. St. Vincent’s just-released, self-titled fourth album is rife with contradiction, syncopated rhythms and surreal flourishes, the work of an artist who continues to expand her horizons.   

Dom Flemons with Buffalo Wabs & the Price Hill Hustle

Monday • Southgate House Revival

0 Comments · Tuesday, April 1, 2014
For eight years, Dom Flemons was a part of the retro-yet-groundbreaking Carolina Chocolate Drops. After a great run that included a Grammy and wide-spread critical acclaim, Flemons decided to break away last year and strike out on his own.  

Bobaflex

Saturday • Northern Kentucky Convention Center

0 Comments · Tuesday, April 1, 2014
Metallers Bobaflex's most recent recording is last fall’s self-released and short but shredding Charlatan’s Web, featuring the leering Kiss-meets-Van Halen “School for Young Ladies” and the my-fist-your-cold-face dirge/anthem “I’m Glad You’re Dead.”  

Twenty One Pilots with Juicy J, NONONO and Hunter Hunted

Saturday • Fifth Third Arena

0 Comments · Tuesday, April 1, 2014
Twenty One Pilots’ fervent fan base radiates outward from their Columbus headquarters, so it’s no surprise that the faithful showed up in full force for 2012 Bunbury Music Festival in Cincinnati like a mellow Mongol hoard.  

No Haters, All SKATERS

NYC’s SKATERS integrate their grassroots Pop/Punk ethic into the major label paradigm

0 Comments · Wednesday, March 26, 2014
Though still hands-on in most aspects of their career, New York City buzz band SKATERS welcomed the broader reach afforded by their contract with Warner Brothers Records.    

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