WHAT SHOULD I BE DOING INSTEAD OF THIS?
 
 

How to Collect Art in a 'Share' Economy

0 Comments · Wednesday, April 22, 2015
The role of art collecting in the emerging (and possibly illusory) “sharing economy” has yet to be set, but the local experiments with community ownership/financing of artworks keep growing.  

Drawing on the Walls

Cincinnati Art Museum's Rosenthal Education Center gives adults and kids fresh ways to engage in arts learning

0 Comments · Wednesday, April 22, 2015
The Cincinnati Art Museum’s most recent renovation, the Rosenthal Education Center, built just to the left of the Great Hall, is bright, open and cheerful.   

Engaging Experiments

Near*By curatorial collective brings new ideas to the contemporary arts scene

0 Comments · Wednesday, April 15, 2015
Cincinnati has had its share of alternative spaces and indie nonprofit galleries — sometimes co-ops or collectives — where contemporary artists show their work and try out new ideas in curating, exhibiting and community engagement.   

Warhol's Baseball Art Is a Hit at CAM

0 Comments · Tuesday, April 7, 2015
Turns out Pete Rose wasn’t the only baseball player that artist Andy Warhol ever depicted. He wasn’t even the only Red. Tom Seaver came first — but accidentally.  

Regional Artists Explore the Boundaries of Landscapes in 'Now Here'

0 Comments · Tuesday, March 31, 2015
Matt Distel’s smartly curated exhibition, Now Here: Theoretical Landscapes, is a broad sampling of more than 20 regional artists who mine personal and universal landscapes to present hypothetical meditations on locations of space and time.    

Lively Variety of Art at the Latest ‘Changing Perceptions’ Exhibition

0 Comments · Wednesday, December 31, 2014
Art Beyond Boundaries, the Main Street gallery where work by artists with disabilities is seen all year long, opens its space to artists without disabilities as well for what has become a popular yearly exhibition called Changing Perceptions, on view now in its ninth edition as Changing Perceptions: Merge.   

Finding Order in “Much-ness” at NVISION

0 Comments · Wednesday, December 17, 2014
Arynn and Joel Blazer, the husband-and-wife duo whose work is on display in Sofa King Good, are enamored of pattern.   
by Steven Rosen 11.05.2014
Posted In: Visual Art at 03:07 PM | Permalink | Comments (0)
 
 
houng standard double feet

Manifest Gallery's FotoFocus Shows Were Powerful

So many FotoFocus-related shows overlap and then close in October that it’s hard to get to them all or even write about in a timely fashion those that I do get to see. But I didn’t want to let Manifest Gallery’s Neither Here Nor There juried group show of photography and video work and its separate but related Leigh Merrill video installation, both of which closed Oct. 24, to go unrecognized. For Neither Here Nor There, the quality was overall quite high and some of the work has stayed with me now for several weeks long after I’ve forgotten other shows. New York-based artist Gloria Houng won the $1,000 Best of Show prize for her “Standard Double (Feet),” one of a series of eerie shots made in a bedroom that in some way incorporate images of an apparently absent person’s presence into the scene. The results cause a double-take among viewers, but the work is too elegant to be jokey or gimmicky. She infuses the commonplace with mystery. The London-based Emma Charles, whose short films explore “the dialogue between time and the city,” contributed the mesmerizing, 17-minute Fragments on Machines. Short sequences, some with poetic narration, take us out on the streets and sidewalks of the city and up close to the exteriors and (most ominously) interior infrastructure of buildings. There is beauty and alienation, especially as we look closely at the rows of servers that power modern office buildings. You can watch it here. And Leigh Merrill’s video installation Drive Thru is a deadpan looping look at the flat barren architecture of suburban sprawl, except the places were created by her digitally assembly of parts from individual photographs and images. The result highlights the strangeness — and questions what draws us as people to seek or support such development in the first place.
 
 

The Strange Regionalism of ‘American Gothic’

0 Comments · Wednesday, September 10, 2014
For the Cincinnati Art Museum, getting the Art Institute of Chicago to loan “American Gothic” (through Nov. 16) is a coup.  

Manifest Exhibits High-Spirited Regional Sculpture

0 Comments · Wednesday, September 3, 2014
Manifest Gallery's current Regional Showcase exhibition presents high spirited works of art crafted by artists in the Tristate region.   

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